“Kokomo City,” D. Smith’s documentary about four trans Black women in New York and Georgia, led all films in nominations for the 17th annual Cinema Eye Honors, the New York-based awards designed to spotlight all facets of nonfiction filmmaking.
The film received six nominations, including Outstanding Nonfiction Feature and Outstanding Direction. Mstyslav Chernov’s “20 Days in Mariupol,” Maite Alberdi’s “The Eternal Memory” and Sam Green’s “32 Sounds” followed with five nominations each.
In the Outstanding Nonfiction Feature category, “Kokomo City,” “The Eternal Memory,” “20 Days in Mariupol” and “32 Sounds” were joined by “Four Daughters,” “Going to Mars: The Nikki Giovanni Project” and “Still: A Michael J. Fox Movie.”
Matthew Heineman’s “American Symphony” received nominations for Outstanding Production and Outstanding Score, making Heineman the third-most-nominated filmmaker in Cinema Eye history. With 12 nominations overall, he now trails Steve James and Laura Poitras by one.
While many...
The film received six nominations, including Outstanding Nonfiction Feature and Outstanding Direction. Mstyslav Chernov’s “20 Days in Mariupol,” Maite Alberdi’s “The Eternal Memory” and Sam Green’s “32 Sounds” followed with five nominations each.
In the Outstanding Nonfiction Feature category, “Kokomo City,” “The Eternal Memory,” “20 Days in Mariupol” and “32 Sounds” were joined by “Four Daughters,” “Going to Mars: The Nikki Giovanni Project” and “Still: A Michael J. Fox Movie.”
Matthew Heineman’s “American Symphony” received nominations for Outstanding Production and Outstanding Score, making Heineman the third-most-nominated filmmaker in Cinema Eye history. With 12 nominations overall, he now trails Steve James and Laura Poitras by one.
While many...
- 11/16/2023
- by Steve Pond
- The Wrap
Phrases like “Tone poem” and “meditation” are normally used by critics to describe works of art that are small and delicate.
Margareth Olin’s new documentary Songs of Earth, Norway’s selection for best international feature at next year’s Academy Awards, is surely a tone poem and equally surely a meditation on all manner of things, from our relationship with nature to the parent-child bond. The film, which boasts Liv Ullmann and Wim Wenders among its executive producers, is also surely a delicate film, one that frequently feels like it benefits more from being experienced than analyzed or interrogated.
Yet Songs of Earth is not a small movie. It’s a documentary that should be seen on the biggest screen at your disposal — whatever showcases its epic cinematography to its best advantage. Don’t sell Songs of Earth short, mind you, as an exclusively visual experience. Its sound design...
Margareth Olin’s new documentary Songs of Earth, Norway’s selection for best international feature at next year’s Academy Awards, is surely a tone poem and equally surely a meditation on all manner of things, from our relationship with nature to the parent-child bond. The film, which boasts Liv Ullmann and Wim Wenders among its executive producers, is also surely a delicate film, one that frequently feels like it benefits more from being experienced than analyzed or interrogated.
Yet Songs of Earth is not a small movie. It’s a documentary that should be seen on the biggest screen at your disposal — whatever showcases its epic cinematography to its best advantage. Don’t sell Songs of Earth short, mind you, as an exclusively visual experience. Its sound design...
- 11/15/2023
- by Daniel Fienberg
- The Hollywood Reporter - Movie News
The first line of Amazon’s spy thriller “All the Old Knives” hints at the troubles to come: “Something has gone terribly amiss.”
At one point Kate Winslet, Michelle Williams, and Idris Elba were all rumored to be attached, but fell away over the years. So how, exactly, did Chris Pine and Thandiwe Newton get talked into what feels like an early-aughts, made-for-cable movie?
A stiffly somber Pine, entombed in turtlenecks and long scarves, is introduced like he’s in one of those perfume commercials celebrities try to keep hidden overseas. Despite a few moments of tense intrigue, the rest of the film too often follows suit.
Most of the action hinges on an event that took place several years ago. In flashback, we see shockwaves ripple through the CIA’s office in Vienna, as agency heads Wallinger (Laurence Fishburne) and Compton (Jonathan Pryce) share news of a violent airplane hijacking by Chechen rebels.
At one point Kate Winslet, Michelle Williams, and Idris Elba were all rumored to be attached, but fell away over the years. So how, exactly, did Chris Pine and Thandiwe Newton get talked into what feels like an early-aughts, made-for-cable movie?
A stiffly somber Pine, entombed in turtlenecks and long scarves, is introduced like he’s in one of those perfume commercials celebrities try to keep hidden overseas. Despite a few moments of tense intrigue, the rest of the film too often follows suit.
Most of the action hinges on an event that took place several years ago. In flashback, we see shockwaves ripple through the CIA’s office in Vienna, as agency heads Wallinger (Laurence Fishburne) and Compton (Jonathan Pryce) share news of a violent airplane hijacking by Chechen rebels.
- 4/7/2022
- by Elizabeth Weitzman
- The Wrap
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.