The International Documentary Association announced its shortlists of features and shorts in the running for the 39th IDA Documentary Awards, a list as notable for what was left out as for what films made the cut.
A total of 17 feature docs earned a place on the shortlist, including Sundance Grand Jury Prize Winner Going to Mars: The Nikki Giovanni Project, directed by Michèle Stephenson and Joe Brewster, National Geographic’s Bobi Wine: The People’s President, Cannes winner The Mother of All Lies, and the Ukraine-themed film In the Rearview.
Among notable films left off the list: The Errol Morris documentary The Pigeon Tunnel, Kokomo City, Sundance winner The Eternal Memory, Roger Ross Williams’ Stamped From the Beginning from Netflix, and another Netflix title, American Symphony — the Matthew Heineman documentary about musician Jon Batiste. Scroll for the full list of nominated films.
Up to 10 nominees in the feature and short documentary...
A total of 17 feature docs earned a place on the shortlist, including Sundance Grand Jury Prize Winner Going to Mars: The Nikki Giovanni Project, directed by Michèle Stephenson and Joe Brewster, National Geographic’s Bobi Wine: The People’s President, Cannes winner The Mother of All Lies, and the Ukraine-themed film In the Rearview.
Among notable films left off the list: The Errol Morris documentary The Pigeon Tunnel, Kokomo City, Sundance winner The Eternal Memory, Roger Ross Williams’ Stamped From the Beginning from Netflix, and another Netflix title, American Symphony — the Matthew Heineman documentary about musician Jon Batiste. Scroll for the full list of nominated films.
Up to 10 nominees in the feature and short documentary...
- 10/24/2023
- by Matthew Carey
- Deadline Film + TV
The International Documentary Association announced the 17 feature-length and 25 short documentaries included on the shortlists for the 39th IDA Documentary Awards, which will be held during the week of Dec. 11in Los Angeles.
The nominees will be announced on Nov. 21, and IDA members will vote for Best Feature Documentary and Best Short Documentary until Dec. 5.
“The 39th IDA Documentary Awards continues the tradition of celebrating the best of international nonfiction media of the year,” said Ken Ikeda, IDA’s Interim Executive Director. “This year’s Best Feature Documentary and Best Short Documentary shortlists reflect important work from twenty-one countries. We are excited to celebrate the work of our community and present winners this December in Los Angeles.”
The 2023 shortlists and nominees are selected by independent committees of 280 documentary makers, curators, critics and industry experts from 40 countries. IDA received 669 total submissions in all categories from 48 countries.
Best Feature Documentary Shortlist
Against the Tide...
The nominees will be announced on Nov. 21, and IDA members will vote for Best Feature Documentary and Best Short Documentary until Dec. 5.
“The 39th IDA Documentary Awards continues the tradition of celebrating the best of international nonfiction media of the year,” said Ken Ikeda, IDA’s Interim Executive Director. “This year’s Best Feature Documentary and Best Short Documentary shortlists reflect important work from twenty-one countries. We are excited to celebrate the work of our community and present winners this December in Los Angeles.”
The 2023 shortlists and nominees are selected by independent committees of 280 documentary makers, curators, critics and industry experts from 40 countries. IDA received 669 total submissions in all categories from 48 countries.
Best Feature Documentary Shortlist
Against the Tide...
- 10/24/2023
- by Jordan Moreau
- Variety Film + TV
The International Documentary Association (IDA) on Tuesday announced its best feature and short shortlists for the 2023 IDA Documentary Awards.
The ceremony will be held during the week of Dec. 11 in Los Angeles — venue information is set to follow. Starting Nov. 7, IDA members will be able to view each of the shortlisted films on IDA Virtual Cinema, and up to 10 nominees from each category will be selected. The nominees will be announced on Nov. 21.
“The 39th IDA Documentary Awards continues the tradition of celebrating the best of international nonfiction media of the year,” said Ken Ikeda, IDA’s interim executive director. “This year’s best feature documentary and best short documentary shortlists reflect important work from twenty-one countries. We are excited to celebrate the work of our community and present winners this December in Los Angeles.”
280 documentary filmmakers, curators, critics and industry experts from 40 countries selected the shortlists. IDA received 669 total submissions from 48 countries.
The ceremony will be held during the week of Dec. 11 in Los Angeles — venue information is set to follow. Starting Nov. 7, IDA members will be able to view each of the shortlisted films on IDA Virtual Cinema, and up to 10 nominees from each category will be selected. The nominees will be announced on Nov. 21.
“The 39th IDA Documentary Awards continues the tradition of celebrating the best of international nonfiction media of the year,” said Ken Ikeda, IDA’s interim executive director. “This year’s best feature documentary and best short documentary shortlists reflect important work from twenty-one countries. We are excited to celebrate the work of our community and present winners this December in Los Angeles.”
280 documentary filmmakers, curators, critics and industry experts from 40 countries selected the shortlists. IDA received 669 total submissions from 48 countries.
- 10/24/2023
- by Beatrice Verhoeven
- The Hollywood Reporter - Movie News
The 39th International Documentary Awards have announced their shortlists for the best nonfiction entries of the year, with a ceremony to take place during the week of Dec. 11 in Los Angeles in a venue to be named. The films were selected by independent committees comprised of 280 documentary makers, curators, critics, and industry experts from 40 countries. IDA received 669 total submissions in all categories from 48 countries.
New York Times Op-Docs dominated the Documentary Short category with seven mentions, including entries from the Netherlands (“Neighbour Abdi”), Mexico (“Victoria”) and Hungary (“Away”) among the shortlisted selections. The Documentary Feature category appeared to favor less-buzzy international titles this season.
What is surprising about the IDA shortlist is how many of the year’s presumed top contenders are not included. Of the 21 nonfiction films that have been nominated by the Critics Choice Documentary Awards or placed on the Doc NYC shortlist of likely awards titles, only...
New York Times Op-Docs dominated the Documentary Short category with seven mentions, including entries from the Netherlands (“Neighbour Abdi”), Mexico (“Victoria”) and Hungary (“Away”) among the shortlisted selections. The Documentary Feature category appeared to favor less-buzzy international titles this season.
What is surprising about the IDA shortlist is how many of the year’s presumed top contenders are not included. Of the 21 nonfiction films that have been nominated by the Critics Choice Documentary Awards or placed on the Doc NYC shortlist of likely awards titles, only...
- 10/24/2023
- by Jason Clark
- The Wrap
The International Documentary Association has unveiled their shortlist for their 39th annual award ceremony, celebrating the best in documentary filmmaking.
17 feature-length documentaries — including “Bobi Wine: The People’s President,” “Going to Mars: The Nikki Giovanni Project,” and “Anonymous Sister” — were selected for the shortlist, as were 25 short films. The films hail from over 20 countries, including Canada, India, Cambodia, Denmark, Uganda, France, and South Africa.
From the shortlist, up to 10 nominees in both the Best Feature Documentary and Best Short Documentary categories will be selected by IDA members. In addition, awards will be given to additional films in the following categories: Best Curated Series, Best Episodic Series, Best Multi-Part Documentary, Best TV Feature Documentary or Mini-Series, Best Short Form Series, Best Stand-Alone Audio Documentary, Best Multi-Part Audio Documentary or Series, David L. Wolper Student Documentary Award, Best Music Documentary, Best Director, Best Cinematography, Best Editing, Best Writing, Best Music Score, ABC News VideoSource Award,...
17 feature-length documentaries — including “Bobi Wine: The People’s President,” “Going to Mars: The Nikki Giovanni Project,” and “Anonymous Sister” — were selected for the shortlist, as were 25 short films. The films hail from over 20 countries, including Canada, India, Cambodia, Denmark, Uganda, France, and South Africa.
From the shortlist, up to 10 nominees in both the Best Feature Documentary and Best Short Documentary categories will be selected by IDA members. In addition, awards will be given to additional films in the following categories: Best Curated Series, Best Episodic Series, Best Multi-Part Documentary, Best TV Feature Documentary or Mini-Series, Best Short Form Series, Best Stand-Alone Audio Documentary, Best Multi-Part Audio Documentary or Series, David L. Wolper Student Documentary Award, Best Music Documentary, Best Director, Best Cinematography, Best Editing, Best Writing, Best Music Score, ABC News VideoSource Award,...
- 10/24/2023
- by Wilson Chapman
- Indiewire
The phrase “turning the camera inward” takes on a new literal meaning in true body horror film “De Humani Corporis Fabrica.”
Not for the squeamish, the immersive experience from the Harvard Sensory Ethnography Lab is co-directed by “Leviathan” filmmakers Verena Paravel and Lucien Castaing-Taylor. The film debuted at 2022 Cannes and played at TIFF and NYFF.
Five centuries ago, anatomist André Vésale opened up the human body to science for the first time in history. Today, “De Humani Corporis Fabrica” opens the human body to the cinema. It reveals that human flesh is an extraordinary landscape that exists only through the gaze and attention of others. As places of care, suffering and hope, hospitals are laboratories that connect everybody in the world.
Valentina Novati, Charles Gillibert, Pauline Gygax, Max Karli, Verena Paravel, and Lucien Castaing-Taylor produce the film.
“Thinking about how modern medicine has used the tools of cinema to develop its own powers of seeing,...
Not for the squeamish, the immersive experience from the Harvard Sensory Ethnography Lab is co-directed by “Leviathan” filmmakers Verena Paravel and Lucien Castaing-Taylor. The film debuted at 2022 Cannes and played at TIFF and NYFF.
Five centuries ago, anatomist André Vésale opened up the human body to science for the first time in history. Today, “De Humani Corporis Fabrica” opens the human body to the cinema. It reveals that human flesh is an extraordinary landscape that exists only through the gaze and attention of others. As places of care, suffering and hope, hospitals are laboratories that connect everybody in the world.
Valentina Novati, Charles Gillibert, Pauline Gygax, Max Karli, Verena Paravel, and Lucien Castaing-Taylor produce the film.
“Thinking about how modern medicine has used the tools of cinema to develop its own powers of seeing,...
- 3/24/2023
- by Samantha Bergeson
- Indiewire
Undeterred by the pandemic, the wheels of Switzerland’s film production machine kept on spinning in 2021, churning out the meticulously made multicultural co-productions the country is known for that scored slots at top festivals.
Works by young directors such as Elie Grappe, whose coming-of-age drama “Olga” launched at Cannes; Niccolò Castelli’s terrorism-themed “Atlas,” which bowed at Locarno; and also the VR project “Caves” by Carlos Isabel Garcìa, which premiered at Venice; provided a preamble to the exceptionally strong Swiss presence at this year’s Berlinale.
Berlin sees a record-breaking two competition slots filled by new works from established Swiss directors, Ursula Meier’s “The Line” and Michael Koch’s “A Piece of Sky,” plus several more Swiss titles in other sections.
“In the worst year ever we shot three productions back-to-back during the pandemic; somehow we got used to it,” says Oscar-nominated Max Karli (“My Life as a Zucchini...
Works by young directors such as Elie Grappe, whose coming-of-age drama “Olga” launched at Cannes; Niccolò Castelli’s terrorism-themed “Atlas,” which bowed at Locarno; and also the VR project “Caves” by Carlos Isabel Garcìa, which premiered at Venice; provided a preamble to the exceptionally strong Swiss presence at this year’s Berlinale.
Berlin sees a record-breaking two competition slots filled by new works from established Swiss directors, Ursula Meier’s “The Line” and Michael Koch’s “A Piece of Sky,” plus several more Swiss titles in other sections.
“In the worst year ever we shot three productions back-to-back during the pandemic; somehow we got used to it,” says Oscar-nominated Max Karli (“My Life as a Zucchini...
- 2/11/2022
- by Nick Vivarelli
- Variety Film + TV
Switzerland, thanks to its prolific co-production activity, has a hand in a record-breaking 11 titles in the Berlinale’s official selection, including two films competing for the Golden Bear, and two more in Berlin’s cutting-edge Encounters section, as well as a Swiss talent selected for the fest’s Shooting Stars event, Souheila Yacoub.
Ursula Meier’s “The Line” (competition) — Following “Home” and “Sister,” Meier continues to pursue “this idea of family that is as much necessary, as it is toxic,” says the film’s producer Pauline Gygax. After a violent argument with her mother, Margaret, 35 (Stephanie Blanchoud), who has a long history of inflicting and suffering from violence, is subjected to a restraining order. She is not allowed to make contact with her mother (Valeria Bruni Tedeschi) or come within 100 meters of the family home. But the separation exacerbates her desire to be closer to her family, so she returns...
Ursula Meier’s “The Line” (competition) — Following “Home” and “Sister,” Meier continues to pursue “this idea of family that is as much necessary, as it is toxic,” says the film’s producer Pauline Gygax. After a violent argument with her mother, Margaret, 35 (Stephanie Blanchoud), who has a long history of inflicting and suffering from violence, is subjected to a restraining order. She is not allowed to make contact with her mother (Valeria Bruni Tedeschi) or come within 100 meters of the family home. But the separation exacerbates her desire to be closer to her family, so she returns...
- 2/11/2022
- by Nick Vivarelli
- Variety Film + TV
Switzerland’s Rita Productions, producer of Academy Award-nominated “My Life as a Courgette,” is re-teaming with France’s Silex Films, the company behind France Televisions’ Slash hit series “Stalk,” to develop “Witch!” (“Sorciere!”).
Aiming to rehabilitate the figure of the witch in contemporary society, doc-feature “Witch!” is based on the bestselling essay by Mona Chollet, “Witches, the Undefeated Power of Women.” The essay should hit English-language bookstores later this year.
The doc-feature is being written by TV creator Thalia Rebinsky whose “Nina” is now in its sixth season on France 2, and documentarian Eve Minault, director for French-German public broadcaster Arte of the prescient “Crash: Are You Ready for the Next Crisis?”
Pauline Gygax, Judith Nora, Max Karli and Priscilla Bertin will produce. Minault, Rebinsky and Gygax will present the project on Saturday April 25 as part of an Rts Prize: Documentary Perspectives showcase, organized by the French-language broadcaster at Swiss film festival Visions du Réél,...
Aiming to rehabilitate the figure of the witch in contemporary society, doc-feature “Witch!” is based on the bestselling essay by Mona Chollet, “Witches, the Undefeated Power of Women.” The essay should hit English-language bookstores later this year.
The doc-feature is being written by TV creator Thalia Rebinsky whose “Nina” is now in its sixth season on France 2, and documentarian Eve Minault, director for French-German public broadcaster Arte of the prescient “Crash: Are You Ready for the Next Crisis?”
Pauline Gygax, Judith Nora, Max Karli and Priscilla Bertin will produce. Minault, Rebinsky and Gygax will present the project on Saturday April 25 as part of an Rts Prize: Documentary Perspectives showcase, organized by the French-language broadcaster at Swiss film festival Visions du Réél,...
- 4/21/2020
- by John Hopewell
- Variety Film + TV
The verteran German director was giving a masterclass at Nyon’s Visions du Reel festival.
German director Werner Herzog voiced his reluctant support of film piracy during a masterclass at Switzerland’s documentary-focused Visions du Réel International Film Festival in Nyon which closed on April 13.
¨Piracy has been the most successful form of distribution worldwide,” said Herzog in response to a comment from Ukrainian producer Illia Gladshtein of Phalanstery Films. Gladshtein said he was only able to access the filmmaker’s works via illegal Torrent sites in Ukraine.
“If you don’t get [films] through Netflix or state-sponsored television in your country,...
German director Werner Herzog voiced his reluctant support of film piracy during a masterclass at Switzerland’s documentary-focused Visions du Réel International Film Festival in Nyon which closed on April 13.
¨Piracy has been the most successful form of distribution worldwide,” said Herzog in response to a comment from Ukrainian producer Illia Gladshtein of Phalanstery Films. Gladshtein said he was only able to access the filmmaker’s works via illegal Torrent sites in Ukraine.
“If you don’t get [films] through Netflix or state-sponsored television in your country,...
- 4/16/2019
- by Martin Blaney
- ScreenDaily
Swiss director Lionel Baier (“Longwave”) is developing “South,” a Sicily-set road movie mixing Europe’s immigration woes with those of a rocky mother-and-son rapport.
Baier, a Locarno regular, said the film, now at script stage, will be the third in a four-picture series portraying contemporary Europe. “These films are about political ideas, but really about what connects European people together, and also about family,” Baier pointed out.
Within this series of sorts, “South” will come after “Stealth” (2006) in which the protagonist — played by himself — went to Poland to search for his roots, and “Longwave” (2013) about a Swiss Radio crew caught up in Poland’s 1974 Carnation Revolution.
In “South,” a 45-year-old French woman named Natalie who works as director of communications at an Ngo is forced to take a trip through Sicily to contend with Europe’s current immigration crisis. She must bring along her 17-year-old son whom at one point...
Baier, a Locarno regular, said the film, now at script stage, will be the third in a four-picture series portraying contemporary Europe. “These films are about political ideas, but really about what connects European people together, and also about family,” Baier pointed out.
Within this series of sorts, “South” will come after “Stealth” (2006) in which the protagonist — played by himself — went to Poland to search for his roots, and “Longwave” (2013) about a Swiss Radio crew caught up in Poland’s 1974 Carnation Revolution.
In “South,” a 45-year-old French woman named Natalie who works as director of communications at an Ngo is forced to take a trip through Sicily to contend with Europe’s current immigration crisis. She must bring along her 17-year-old son whom at one point...
- 8/7/2018
- by Nick Vivarelli
- Variety Film + TV
Locarno Film Festival officials signed today a programming pledge for parity and inclusion, following the footsteps of Cannes Film Festival.
The pledge was signed by Locarno fest president Marco Solari and vice president Carla Speziali. The initiative was put together by the Swiss Women’s Audiovisual Network (Swan) with director Ursula Meier, who is the pledge Godmother, and producer Pauline Gygax, the pledge advisor.
“We are thrilled about this first step towards equality and diversity in festivals. Just as with budgets and funding, women are entitled to an equal share of the spotlight and the screens. Visibility of our films is essential,” said Gabriel Baur, Laura Kaehr and Stéphane Mitchell, Swan’s co-presidents, in a statement.
“The financing part is essential to allow women directors to make movies and being selected at a festival plays a key role in the financing because it can raise a profile of a filmmaker and create a demand,...
The pledge was signed by Locarno fest president Marco Solari and vice president Carla Speziali. The initiative was put together by the Swiss Women’s Audiovisual Network (Swan) with director Ursula Meier, who is the pledge Godmother, and producer Pauline Gygax, the pledge advisor.
“We are thrilled about this first step towards equality and diversity in festivals. Just as with budgets and funding, women are entitled to an equal share of the spotlight and the screens. Visibility of our films is essential,” said Gabriel Baur, Laura Kaehr and Stéphane Mitchell, Swan’s co-presidents, in a statement.
“The financing part is essential to allow women directors to make movies and being selected at a festival plays a key role in the financing because it can raise a profile of a filmmaker and create a demand,...
- 8/5/2018
- by Elsa Keslassy and John Hopewell
- Variety Film + TV
Locarno, Switzerland — Ursula Meier, one of Europe’s most highly-rated women film directors, will make her English-language debut with “Quiet Land,” a noirish drama-thriller set and to be shot in the U.S.
Produced by a high-pedigree combination of Switzerland’s Bandita Films, France’s Cinéfacture and U.S.-based Animal Kingdom Films, the movie, Meier’s third full feature, marks a palpable attempt to raise the ambition, reach and budget of a striking women auteur’s career.International sales on “Quiet Land” will be handled by Paris-based Memento Films Intl, which has handled two Palme d’Or winners, “The Class” and “Winter Sleep.”
In an early confirmation of the excitement surrounding the project, “Quiet Land” won a weighty SFR1 million ($1 million) grant from Suissimage, the Swiss authors’ rights collection society.
Targeting women filmmakers, the Suissimage grant was announced Sunday morning at Switzerland’s Locarno Festival. at, not coincidentally, a...
Produced by a high-pedigree combination of Switzerland’s Bandita Films, France’s Cinéfacture and U.S.-based Animal Kingdom Films, the movie, Meier’s third full feature, marks a palpable attempt to raise the ambition, reach and budget of a striking women auteur’s career.International sales on “Quiet Land” will be handled by Paris-based Memento Films Intl, which has handled two Palme d’Or winners, “The Class” and “Winter Sleep.”
In an early confirmation of the excitement surrounding the project, “Quiet Land” won a weighty SFR1 million ($1 million) grant from Suissimage, the Swiss authors’ rights collection society.
Targeting women filmmakers, the Suissimage grant was announced Sunday morning at Switzerland’s Locarno Festival. at, not coincidentally, a...
- 8/5/2018
- by John Hopewell and Elsa Keslassy
- Variety Film + TV
Following the Cannes and Annecy film festivals, Locarno is the latest international fest whose chiefs have agreed to sign a pledge ensuring gender equality and inclusion in programming.
Organized by the Swiss Women’s Audiovisual Network (Swan), the pledge will be signed by Locarno festival president Marco Solari and Vice President Carla Speziali on Sunday. The film festival begins Wednesday.
The pledge-signing event will be attended by prominent Swiss industry figures and members of Swan, notably filmmaker Ursula Meier, along with producer Pauline Gygax, and Swan’s three co-presidents and authors-directors Gabriel Baur, Laura Kaehr, and screenwriter Stephane Mitchell.
“The fact that Locarno Festival signs the pledge, only months after Cannes, is absolutely thrilling. When we approached them with Swan, the Locarno Festival was immediately open to meeting with us and signing the pledge,” said Kaehr, who will introduce the pledge-signing at the Spazio Cinema in Locarno along with federal...
Organized by the Swiss Women’s Audiovisual Network (Swan), the pledge will be signed by Locarno festival president Marco Solari and Vice President Carla Speziali on Sunday. The film festival begins Wednesday.
The pledge-signing event will be attended by prominent Swiss industry figures and members of Swan, notably filmmaker Ursula Meier, along with producer Pauline Gygax, and Swan’s three co-presidents and authors-directors Gabriel Baur, Laura Kaehr, and screenwriter Stephane Mitchell.
“The fact that Locarno Festival signs the pledge, only months after Cannes, is absolutely thrilling. When we approached them with Swan, the Locarno Festival was immediately open to meeting with us and signing the pledge,” said Kaehr, who will introduce the pledge-signing at the Spazio Cinema in Locarno along with federal...
- 7/31/2018
- by Elsa Keslassy
- Variety Film + TV
Red carpet protest highlighted fact only 82 women have been honoured in Official Selection over 71 editions of festival.
Cate Blanchett and Agnes Varda led 82 female industry figures in a silent ascent of the red carpet at the Cannes Film Festival on Saturday protesting the lack of female representation at the event over its 71 editions.
Moving, historic, 82 women from all countries and professions in cinema have just made the red carpet entrance for Les Filles Du Soleil (Girls Of The Sun) by Eva Husson. #Cannes2018 #Competition pic.twitter.com/0YY9SNbRqg
— Festival de Cannes (@Festival_Cannes) May 12, 2018
Other stars joining the protest...
Cate Blanchett and Agnes Varda led 82 female industry figures in a silent ascent of the red carpet at the Cannes Film Festival on Saturday protesting the lack of female representation at the event over its 71 editions.
Moving, historic, 82 women from all countries and professions in cinema have just made the red carpet entrance for Les Filles Du Soleil (Girls Of The Sun) by Eva Husson. #Cannes2018 #Competition pic.twitter.com/0YY9SNbRqg
— Festival de Cannes (@Festival_Cannes) May 12, 2018
Other stars joining the protest...
- 5/12/2018
- by Melanie Goodfellow
- ScreenDaily
Oscar-nominated My Life As A Courgette wins two prizes as industry present upcoming animations.
The Swiss-French animated feature My Life As A Courgette picked up two of the Cartoon Tributes at the 19th edition of Cartoon Movie (March 8-10) after voting by the co-production market’s participants.
The distinction of European producer of the year went to Max Karli and Pauline Gygax’s Geneva-based Rita Productions together with their French partners Blue Spirit Productions and distributor Gebeka Films for the stop-motion comedy-drama, which faced stiff competition from the production teams of Richard The Stork and Ethel & Ernest.
In addition, the animation community gathered in Bordeaux voted Courgette’s director Claude Barras as European director of the year.
My Life As a Courgette won Césars in France last month for best animated feature and best adapted screenplay after receiving the European Film Award for best European animated feature in Wroclaw in December and being nominated for a best...
The Swiss-French animated feature My Life As A Courgette picked up two of the Cartoon Tributes at the 19th edition of Cartoon Movie (March 8-10) after voting by the co-production market’s participants.
The distinction of European producer of the year went to Max Karli and Pauline Gygax’s Geneva-based Rita Productions together with their French partners Blue Spirit Productions and distributor Gebeka Films for the stop-motion comedy-drama, which faced stiff competition from the production teams of Richard The Stork and Ethel & Ernest.
In addition, the animation community gathered in Bordeaux voted Courgette’s director Claude Barras as European director of the year.
My Life As a Courgette won Césars in France last month for best animated feature and best adapted screenplay after receiving the European Film Award for best European animated feature in Wroclaw in December and being nominated for a best...
- 3/10/2017
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
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