Festival to also honour French cinematographer Caroline Champetier with honorary Berlinale Camera.
The Berlinale has added the world premiere of documentary Love To Love You, Donna Summer and a tribute to a century of Disney animation to its upcoming 73rd edition.
The additions complete the lineup for the Berlinale Special sidebar at the festival, set to run February 16-26.
Love To Love You, Donna Summer is co-directed by Roger Ross Williams, Oscar nominated in 2016 for Life, Animated, and US actress Brooklyn Sudano, who is the daughter of Summer and makes her directorial debut with the film.
The documentary will explore...
The Berlinale has added the world premiere of documentary Love To Love You, Donna Summer and a tribute to a century of Disney animation to its upcoming 73rd edition.
The additions complete the lineup for the Berlinale Special sidebar at the festival, set to run February 16-26.
Love To Love You, Donna Summer is co-directed by Roger Ross Williams, Oscar nominated in 2016 for Life, Animated, and US actress Brooklyn Sudano, who is the daughter of Summer and makes her directorial debut with the film.
The documentary will explore...
- 1/30/2023
- by Michael Rosser
- ScreenDaily
2023 truly begins taking shape with next month’s Berlinale, which will run from February 16 to February 26 and feature more than a few of our most-anticipated films this year. Among them are Christian Petzold’s Afire (Roter Himmel), starring new muse Paula Beer; Hong Sangsoo’s In Water, which will appear in the Encounters section; and Philippe Garrel’s The Plough, once known as La lune crevée starring his three children Louis, Esther, and Lena, and (judging from the still) his first color feature since 2011’s A Burning Hot Summer. Meanwhile: Angela Schanelec will return with Music, and––six years after the wonderful Person to Person––it’s nice spotting a new feature from Dustin Guy Defa, The Adults.
Find the lineup below and head back next month for our coverage of the festival headed by Kristen Stewart’s jury.
Competition
20,000 Species of Bees (Estibaliz Urresola Solaguren)
The Shadowless Tower (Zhang...
Find the lineup below and head back next month for our coverage of the festival headed by Kristen Stewart’s jury.
Competition
20,000 Species of Bees (Estibaliz Urresola Solaguren)
The Shadowless Tower (Zhang...
- 1/23/2023
- by Leonard Pearce
- The Film Stage
He was born Nikolaus Günther Karl Nakszynski in Zoppot, near Danzig, on October 18, 1926. In 1930, his family moved to Berlin. Drafted in 1944, he was taken prisoner by the British and transported to Camp 186 near Colchester, where he'd take on his first theatrical roles. By 1946, he was performing in the Schlosspark-Theater in Berlin and, in 1947, he scored his first film role as a Dutch prisoner in Eugen York's Morituri.
In 1960, he took his one-man show on the road: Kinski spricht Villon, Rimbaud, Wilde, Majakowskij und Schiller. That same year, he landed his first role in an Edgar Wallace adaptation: Lorenz Voss in Karl Anton's The Avenger. He'd appear in several international productions, but of course, it wasn't until Klaus Kinski and Werner Herzog found each other that cinema was jolted by one of those rare alchemical bonds of director and actor in which — like Scorsese and De Niro, Kurosawa and Mifune,...
In 1960, he took his one-man show on the road: Kinski spricht Villon, Rimbaud, Wilde, Majakowskij und Schiller. That same year, he landed his first role in an Edgar Wallace adaptation: Lorenz Voss in Karl Anton's The Avenger. He'd appear in several international productions, but of course, it wasn't until Klaus Kinski and Werner Herzog found each other that cinema was jolted by one of those rare alchemical bonds of director and actor in which — like Scorsese and De Niro, Kurosawa and Mifune,...
- 10/18/2011
- MUBI
by Steve Dollar
"Jesus is just alright with me" goes the refrain to the Doobie Brothers' 1970s sing-along, a cheerful ode to the only begotten son's Nixon Era vogue as a pothead's antihero. Hippie Jesus branded rolling papers and bonded groovy seekers at folk mass. And he apparently inspired that most demonic of actors, Klaus Kinski, to dedicate a one-man show to the Prince of Peace. The year was 1971, and in Peter Geyer's documentary Klaus Kinski: Jesus Christ Savior, the occasion was anything but a love-in. Kinski, then 45, was winding down a prolific year with 10 movies released, most of them spaghetti Westerns with names like Il venditore di morte and Giu la testa … hombre (whose tagline read: "A fistful of Death"), plus a few psycho thrillers on the sleazy order of La bestia uccide a sangue freddo. Maybe he wanted to reconnect with a passionate role. Instead, his Nov.
"Jesus is just alright with me" goes the refrain to the Doobie Brothers' 1970s sing-along, a cheerful ode to the only begotten son's Nixon Era vogue as a pothead's antihero. Hippie Jesus branded rolling papers and bonded groovy seekers at folk mass. And he apparently inspired that most demonic of actors, Klaus Kinski, to dedicate a one-man show to the Prince of Peace. The year was 1971, and in Peter Geyer's documentary Klaus Kinski: Jesus Christ Savior, the occasion was anything but a love-in. Kinski, then 45, was winding down a prolific year with 10 movies released, most of them spaghetti Westerns with names like Il venditore di morte and Giu la testa … hombre (whose tagline read: "A fistful of Death"), plus a few psycho thrillers on the sleazy order of La bestia uccide a sangue freddo. Maybe he wanted to reconnect with a passionate role. Instead, his Nov.
- 2/13/2011
- GreenCine Daily
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