Our friends at the Neuchâtel International Fantastic Film Festival have announced the first screenings as part of their Niff on Tour programme. The tour kicks off at the Epfl Pavilions in Lausanne, Switzerland, with free screenings of Blaise Harrison's Les Particules and the first Czech sci-fi film, Ikarie X-B1, from Jindrich Polák. Not only are they free but they will also be screened outside on the grounds of the venue. The National Film Archive of Switzerland is a little north of Lausanne in the city of Penthaz. In October Niff will be thre to present screenings of Star Wars: Episode IV, A New Hope and Brian de Palma's horror classic Carrie. You can guess where the The Filmpodium Zürich is located. They...
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- 9/22/2022
- Screen Anarchy
Swiss productions and co-productions are on the rise, driven in part by federal and regional funders that offer attractive opportunities for domestic and international filmmakers.
Quickly recovering from the impact of the pandemic, the local film industry has gotten off to another strong year with local films and international co-productions.
Elie Grappe’s Swiss-Ukrainian-French title “Olga” premiered at this year’s Directors’ Fortnight in Cannes, while unspooling in Locarno were Lorenz Merz’s “Soul of a Beast” and Swiss-international co-productions like Stefan Jäger’s “Monte Verita” and Laurent Geslin’s nature documentary “Lynx.” Venice saw such Swiss co-productions as “Ariaferma,” by Italian helmer Leonardo Di Costanzo, and Bolivian director Kiro Russo’s “El Gran Movimiento.” And opening this year’s Zurich Film Festival (Zff) was Michael Steiner’s Swiss-German Taliban thriller “And Tomorrow We Will Be Dead.”
The upswing in Swiss cinema is due in no small part to Zurich as a film location,...
Quickly recovering from the impact of the pandemic, the local film industry has gotten off to another strong year with local films and international co-productions.
Elie Grappe’s Swiss-Ukrainian-French title “Olga” premiered at this year’s Directors’ Fortnight in Cannes, while unspooling in Locarno were Lorenz Merz’s “Soul of a Beast” and Swiss-international co-productions like Stefan Jäger’s “Monte Verita” and Laurent Geslin’s nature documentary “Lynx.” Venice saw such Swiss co-productions as “Ariaferma,” by Italian helmer Leonardo Di Costanzo, and Bolivian director Kiro Russo’s “El Gran Movimiento.” And opening this year’s Zurich Film Festival (Zff) was Michael Steiner’s Swiss-German Taliban thriller “And Tomorrow We Will Be Dead.”
The upswing in Swiss cinema is due in no small part to Zurich as a film location,...
- 10/3/2021
- by Ed Meza
- Variety Film + TV
Crouching Tigers includes titles such as Cesar Diaz’ Our Mothers and Anthony Chen’s Wet Season.
Pingyao International Film Festival (Pyiff) has unveiled the bulk of its programme for this year’s edition, including the world premiere of Indian filmmaker Tushar Hiranandani’s sports drama Bull’s Eye, which will screen as a special presentation on Pingyao Night.
Hong Kong filmmaker Jacob Cheung’s The Opera House, starring Mason Lee and Ouyang Nana, will also receive its world premiere at Pyiff as the closing film.
So far the festival, founded by Chinese filmmaker Jia Zhangke with Marco Mueller as artistic director,...
Pingyao International Film Festival (Pyiff) has unveiled the bulk of its programme for this year’s edition, including the world premiere of Indian filmmaker Tushar Hiranandani’s sports drama Bull’s Eye, which will screen as a special presentation on Pingyao Night.
Hong Kong filmmaker Jacob Cheung’s The Opera House, starring Mason Lee and Ouyang Nana, will also receive its world premiere at Pyiff as the closing film.
So far the festival, founded by Chinese filmmaker Jia Zhangke with Marco Mueller as artistic director,...
- 9/17/2019
- by Liz Shackleton
- ScreenDaily
Titles include Miguel Llansó’s ’Jesus Shows You The Way To The Highway’.
Switzerland’s Neuchâtel International Fantastic Film Festival (Nifff) has unveiled the programme for its 2019 edition (July 5 – 13), with a line-up including 90 feature films.
Among the 16 titles playing in the International Competition strand is the world premiere of Spanish director Miguel Llansó’s Jesus Shows You The Way To The Highway, about two CIA agents tasked with destroying a computer virus called ‘Soviet Union’.
Scroll down for the full line-up
The film is Llansó’s first since 2015’s Crumbs, which premiered at International Film Festival Rotterdam and subsequently won...
Switzerland’s Neuchâtel International Fantastic Film Festival (Nifff) has unveiled the programme for its 2019 edition (July 5 – 13), with a line-up including 90 feature films.
Among the 16 titles playing in the International Competition strand is the world premiere of Spanish director Miguel Llansó’s Jesus Shows You The Way To The Highway, about two CIA agents tasked with destroying a computer virus called ‘Soviet Union’.
Scroll down for the full line-up
The film is Llansó’s first since 2015’s Crumbs, which premiered at International Film Festival Rotterdam and subsequently won...
- 6/20/2019
- by Ben Dalton
- ScreenDaily
There was a moment back in 2008 that casual science enthusiasts might remember, just before the Large Hadron Collider was first activated, when armchair observers experienced a frisson of semi-superstitious worry. The nuclear research device, after all, was specifically designed not just to discover the unknown but to create the conditions under which to examine it, and no amount of rational thinking could entirely obliterate an abstract uneasiness that maybe we were going too far, that some cosmic catastrophe might ensue: our collective lizard-brain instinct of “what if?” It’s that unfounded, unspoken anxiety that Blaise Harrison’s debut feature “Particles” evokes so well that it threatens to obliterate the very slight coming-of-age story it adorns.
Set with clever specificity in a small French town on the Franco-Swiss border, below which the Cern Large Hadron Collider goes about its borderline-mystical physics, the film follows a group of local teenagers, in particular Pierre-Andre (Thomas Daloz) or P.
Set with clever specificity in a small French town on the Franco-Swiss border, below which the Cern Large Hadron Collider goes about its borderline-mystical physics, the film follows a group of local teenagers, in particular Pierre-Andre (Thomas Daloz) or P.
- 6/13/2019
- by Jessica Kiang
- Variety Film + TV
Swiss filmmaker Blaise Harrison is bringing his fiction feature debut to this year’s Directors’ Fortnight at the Cannes Film Festival.
Known for his documentary work, Harrison was selected for competition at the 2013 Locarno Festival for his film “Harmony,” about a marching band in the small French town of Pontarlier.
“Particles” follows P.A., a teenager in his final year of high school in a small rural town on the French-Swiss border. Famous for little else, the town is home to Cern’s Large Hadron Collider (Lhc).
P.A.’s coming of age story, and the monumental shifts that come with the throes of growing up, are mirrored by a series of seemingly fantastic phenomena the young man observes in the world around him.
The feature is co-produced by France’s Les Films du Poisson and Bande à Part Films, the Swiss company formed in 2009 by four of its most...
Known for his documentary work, Harrison was selected for competition at the 2013 Locarno Festival for his film “Harmony,” about a marching band in the small French town of Pontarlier.
“Particles” follows P.A., a teenager in his final year of high school in a small rural town on the French-Swiss border. Famous for little else, the town is home to Cern’s Large Hadron Collider (Lhc).
P.A.’s coming of age story, and the monumental shifts that come with the throes of growing up, are mirrored by a series of seemingly fantastic phenomena the young man observes in the world around him.
The feature is co-produced by France’s Les Films du Poisson and Bande à Part Films, the Swiss company formed in 2009 by four of its most...
- 5/21/2019
- by Jamie Lang
- Variety Film + TV
The lineup for the 2019 Directors' Fortnight (Quinzaine des Réalisateurs) at Cannes has been announced. See also the full lineups of the Official Selection, Critics’ Week and Acid programme.Opening Film:Deerskin (Quentin Dupieux): A man who becomes obsessed with owning the designer deerskin jacket of his dreams. This obsession will lead him to turn his back on his humdrum life in the suburbs, blow his life savings and even turn him to crime.Closing Film:Yves (Benoît Forgeard): Jerem moved to his grandmother's house to compose a rap record. He meets So, a mysterious investigator on behalf of the start-up Digital Cool, who persuades him to take the test Yves, a smart refrigerator, supposed to simplify his life. Gradually, the fridge will win the friendship of Jerem, to make him a star by becoming his ghost writer.
Feature Films Alice and the Mayor (Nicolas Pariser): The mayor of Lyon,...
Feature Films Alice and the Mayor (Nicolas Pariser): The mayor of Lyon,...
- 4/24/2019
- MUBI
Following the first batches of Cannes Film Festival lineup announcements, the slate has now been unveiled for the sidebar Directors’ Fortnight. Once again a stellar-looking lineup, it includes Robert Eggers’ The Witch follow-up The Lighthouse, starring Willem Dafoe and Robert Pattinson, Bertrand Bonello’s Zombi Child, plus new films from Takashi Miike, Lav Diaz, Bas Devo, and Rebecca Zlotowski (pictured above).
There’s also two Sundance films we’ve already reviewed: Wounds and Give Me Liberty. Premiering as a Special Screening is Luca Guadagnino’s new short The Staggering Girl starring Julianne Moore, Mia Goth, KiKi Layne, Alba Rohrwacher, Marthe Keller, and Kyle MacLachlan. See the lineup below, along with the Acid slate.
Directors’ Fortnight Lineup
Feature Films
Deerskin (Quentin Dupieux) – Opening Film
Yves (Benoît Forgeard) – Closing
Alice and the Mayor (Nicolas Pariser)
And Then We Danced (Levan Akin)
The Halt (Lav Diaz)
Dogs Don’t Wear Pants (Jukka-Pekka Valkeapää...
There’s also two Sundance films we’ve already reviewed: Wounds and Give Me Liberty. Premiering as a Special Screening is Luca Guadagnino’s new short The Staggering Girl starring Julianne Moore, Mia Goth, KiKi Layne, Alba Rohrwacher, Marthe Keller, and Kyle MacLachlan. See the lineup below, along with the Acid slate.
Directors’ Fortnight Lineup
Feature Films
Deerskin (Quentin Dupieux) – Opening Film
Yves (Benoît Forgeard) – Closing
Alice and the Mayor (Nicolas Pariser)
And Then We Danced (Levan Akin)
The Halt (Lav Diaz)
Dogs Don’t Wear Pants (Jukka-Pekka Valkeapää...
- 4/23/2019
- by Jordan Raup
- The Film Stage
The 2019 Driectors’ Fortnight lineup has been revealed, bringing with it new works from “The Witch” director Robert Eggers, Bertrand Bonello, Rebecca Zlotowski, and Takashi Miike. Fortnight is closely associated with the Cannes Film Festival although it is technically its own event that runs parallel to Cannes. Fortnight is celebrating its 51st year in 2019. The festival sidebar has been a launching pad for directors such as Spike Lee, Jim Jarmsuch, and more over the years.
One of the biggest titles set to world premiere is “The Lighthouse,” writer-director Eggers’ first feature since his Sundance horror breakout “The Witch.” For his latest directorial effort, Eggers has cast Robert Pattinson and Willem Dafoe for a fantasy horror based on old seafarer myths. The movie was shot in black and white and is backed by A24, who picked up last year’s Directors’ Fortnight favorite “Climax.” Another high profile premiere is “The Staggering Girl,...
One of the biggest titles set to world premiere is “The Lighthouse,” writer-director Eggers’ first feature since his Sundance horror breakout “The Witch.” For his latest directorial effort, Eggers has cast Robert Pattinson and Willem Dafoe for a fantasy horror based on old seafarer myths. The movie was shot in black and white and is backed by A24, who picked up last year’s Directors’ Fortnight favorite “Climax.” Another high profile premiere is “The Staggering Girl,...
- 4/23/2019
- by Zack Sharf
- Indiewire
Robert Eggers’ anticipated “The Lighthouse” with Robert Pattinson and Willem Dafoe, Luca Guadagnino’s medium-length film “The Staggering Girl” and Japanese helmer Takashi Miike’s “First Love” are set to unspool at Cannes’ Directors’ Fortnight under the new leadership of Paolo Moretti.
Described by Moretti as a “hypnotic two-hander” powered by Pattinson and Dafoe, “The Lighthouse” is a fantasy horror film set in a mysterious island in New England at the end of the 19th century. Eggers previously directed “The Witch.”
As with Cannes’ official selection, Directors’ Fortnight will showcase a wide range of genre movies. Besides “The Lighthouse,” the other anticipated genre films set for Directors’ Fortnight include Bertrand Bonello’s “Zombi Child,” about the Haitian Clairvius Narcisse, victim of a voodoo; Miike’s “First Love”; Babak Anvari’s “Wounds,” with Armie Hammer and Dakota Johnson; and Tunisian helmer Ala Eddine Slim’s “Tlamess.”
Moretti, who took over from...
Described by Moretti as a “hypnotic two-hander” powered by Pattinson and Dafoe, “The Lighthouse” is a fantasy horror film set in a mysterious island in New England at the end of the 19th century. Eggers previously directed “The Witch.”
As with Cannes’ official selection, Directors’ Fortnight will showcase a wide range of genre movies. Besides “The Lighthouse,” the other anticipated genre films set for Directors’ Fortnight include Bertrand Bonello’s “Zombi Child,” about the Haitian Clairvius Narcisse, victim of a voodoo; Miike’s “First Love”; Babak Anvari’s “Wounds,” with Armie Hammer and Dakota Johnson; and Tunisian helmer Ala Eddine Slim’s “Tlamess.”
Moretti, who took over from...
- 4/23/2019
- by Elsa Keslassy
- Variety Film + TV
New films from Lav Diaz, Bertrand Bonello, Johnny Ma, Takashi Miike, Rebecca Zlotowski and nearly two dozen other directors have been chosen for the 2019 lineup of Directors’ Fortnight, an independent section that runs concurrently with the Cannes Film Festival.
The lineup brings 16 directors to Cannes for the first time, according to Directors’ Fortnight organizers.
Seven of the films are from France and three from the United States. Those three are Babak Anvari’s “Wounds,” Robert Egger’s “The Lighthouse” and Kirill Mikhanovsky’s “Give Me Liberty.”
Also Read: Cannes Debuts Childcare and Breastfeeding Stations for Working Parents
Additional countries represented in the selection include Belgium, Finland, Switzerland, Denmark, China, Japan, the Philippines, Tunisia, Brazil, Argentina and Peru.
“The Staggering Girl,” a short film from “Call Me by Your Name” director Luca Guadagnino, will also screen as part of the sidebar.
Additional short films are listed on the Directors’ Fortnight website.
The lineup brings 16 directors to Cannes for the first time, according to Directors’ Fortnight organizers.
Seven of the films are from France and three from the United States. Those three are Babak Anvari’s “Wounds,” Robert Egger’s “The Lighthouse” and Kirill Mikhanovsky’s “Give Me Liberty.”
Also Read: Cannes Debuts Childcare and Breastfeeding Stations for Working Parents
Additional countries represented in the selection include Belgium, Finland, Switzerland, Denmark, China, Japan, the Philippines, Tunisia, Brazil, Argentina and Peru.
“The Staggering Girl,” a short film from “Call Me by Your Name” director Luca Guadagnino, will also screen as part of the sidebar.
Additional short films are listed on the Directors’ Fortnight website.
- 4/23/2019
- by Steve Pond
- The Wrap
New films by Robert Eggers, Takashi Miike, Luca Guadagnino and Rebecca Zlotowski to premiere.
Cannes Directors’ Fortnight has unveiled the line-up for its 51st edition, running May 15-25, overseen for the first time by artistic director Paolo Moretti.
Scroll down for full line-up
For his debut edition, Moretti and his programming team have pulled together an auteur-driven selection, mixing established and emerging filmmakers, genre fare and a dash of star power.
“Directors’ Fortnight was born out of a collective and this collective spirit is still alive. The support of the team that I found in place has really touched me,...
Cannes Directors’ Fortnight has unveiled the line-up for its 51st edition, running May 15-25, overseen for the first time by artistic director Paolo Moretti.
Scroll down for full line-up
For his debut edition, Moretti and his programming team have pulled together an auteur-driven selection, mixing established and emerging filmmakers, genre fare and a dash of star power.
“Directors’ Fortnight was born out of a collective and this collective spirit is still alive. The support of the team that I found in place has really touched me,...
- 4/23/2019
- by Melanie Goodfellow
- ScreenDaily
The prestigious Directors’ Fortnight, which runs parallel to the Cannes Film Festival, has revealed an intriguing lineup which includes Robert Eggers’ (The Witch) Robert Pattinson and Willem Dafoe drama The Lighthouse, Takashi Miike’s latest feature and Netflix film Wounds, whose inclusion is sure to raise eyebrows due to the ongoing dispute between the streamer and the Cannes Film Festival proper. Scroll down for the lineup in full.
This is the first year at the helm for the section’s new artistic director Paolo Moretti and in keeping with the strand’s history his first lineup is largely made up of emerging directors. The strand will open with French comedy Deerskin, starring Jean Dujardin (The Artist) and Adèle Haenel (Bpm), and it will award its Carrosse d’Or career award to U.S. filmmaker John Carpenter.
There will be special screenings of Robert Rodriguez’s Red 11 and Luca Guadagnino’s starry 35-minute short,...
This is the first year at the helm for the section’s new artistic director Paolo Moretti and in keeping with the strand’s history his first lineup is largely made up of emerging directors. The strand will open with French comedy Deerskin, starring Jean Dujardin (The Artist) and Adèle Haenel (Bpm), and it will award its Carrosse d’Or career award to U.S. filmmaker John Carpenter.
There will be special screenings of Robert Rodriguez’s Red 11 and Luca Guadagnino’s starry 35-minute short,...
- 4/23/2019
- by Andreas Wiseman
- Deadline Film + TV
Project is a contemporary re-telling of Henry James’ novella.
Les Films du Losange has boarded sales and distribution on director Patric Chiha’s French-language adaptation of the Henry James novella The Beast In The Jungle (La Bête Dans La Jungle).
Chiha’s contemporary re-telling of James’ cautionary tale about a man who withdraws from life as he awaits an imagined, future catastrophic event is due to shoot this winter for delivery in 2020.
French actor Gaspard Ulliel has signed on to play the tale’s protagonist opposite Luxembourgian actress Vicky Krieps as the woman who loves him and also gives up...
Les Films du Losange has boarded sales and distribution on director Patric Chiha’s French-language adaptation of the Henry James novella The Beast In The Jungle (La Bête Dans La Jungle).
Chiha’s contemporary re-telling of James’ cautionary tale about a man who withdraws from life as he awaits an imagined, future catastrophic event is due to shoot this winter for delivery in 2020.
French actor Gaspard Ulliel has signed on to play the tale’s protagonist opposite Luxembourgian actress Vicky Krieps as the woman who loves him and also gives up...
- 4/15/2019
- by Melanie Goodfellow
- ScreenDaily
Exclusive: Jean-Luc Godard and Ursula Meier are among 14 directors set to participate in an omnibus film that will mark next year’s centenary of the First World War.
Speaking exclusively to ScreenDaily in Locarno, Meier - who has become known to international festival and cinema audiences through her last two features Home and Sister - confirmed that she and 83-year-old Godard will be making short films for the omnibus project Les Ponts de Sarajevo.
The omnibus will be coordinated by Paris-based production house Cinétévé.
The film will be part of a week-long event from June 21-28, 2014, titled “Sarajevo: Coeur de L’Europe”, organised in collaboration with the City of Sarajevo, the Sarajevo Film Festival, Jazzfest Sarajevo, Centre André Malraux, Goethe-Institut and the British Council.
“Most of the contributions will be documentary or essay-type films, but I am one of a couple of film-makers who will be making a fiction film,” Meier explained...
Speaking exclusively to ScreenDaily in Locarno, Meier - who has become known to international festival and cinema audiences through her last two features Home and Sister - confirmed that she and 83-year-old Godard will be making short films for the omnibus project Les Ponts de Sarajevo.
The omnibus will be coordinated by Paris-based production house Cinétévé.
The film will be part of a week-long event from June 21-28, 2014, titled “Sarajevo: Coeur de L’Europe”, organised in collaboration with the City of Sarajevo, the Sarajevo Film Festival, Jazzfest Sarajevo, Centre André Malraux, Goethe-Institut and the British Council.
“Most of the contributions will be documentary or essay-type films, but I am one of a couple of film-makers who will be making a fiction film,” Meier explained...
- 8/14/2013
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
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