The Motion Picture Sound Editors on Monday unveiled nomination for the 70th annual Mpse Golden Reel Awards. Winners will be announced February 26 at the Wilshire Ebell Theatre in Los Angeles.
The organization of professional sound and music editors honors the year’s outstanding feature film, television, animation, computer entertainment, and student productions.
The Mpse will also honor Jerry Bruckheimer with its 2023 Filmmaker Award, and Gwendolyn Yates Whittle with its Career Achievement Award.
Here’s the full noms list:
Outstanding Achievement in Sound Editing – Broadcast Animation
Jurassic World: Camp Cretaceous: “The Last Stand” (DreamWorks Animation)
Supervising Sound Editors: Rob McIntyre, D.J. Lynch
Sound Designer: Evan Dockter
Sound Effects Editor: Adam Cioffi
Dialogue Editor: Anna Adams
Foley Editor: Aran Tanchum
Foley Artist: Vincent Guisetti
Love, Death & Robots: “In Vaulted Halls Entombed” (Netflix)
Supervising Sound Editor: Brad North Mpse
Foley Editor: Antony Zeller Mpse
Foley Artists: Zane Bruce, Lindsay Pepper...
The organization of professional sound and music editors honors the year’s outstanding feature film, television, animation, computer entertainment, and student productions.
The Mpse will also honor Jerry Bruckheimer with its 2023 Filmmaker Award, and Gwendolyn Yates Whittle with its Career Achievement Award.
Here’s the full noms list:
Outstanding Achievement in Sound Editing – Broadcast Animation
Jurassic World: Camp Cretaceous: “The Last Stand” (DreamWorks Animation)
Supervising Sound Editors: Rob McIntyre, D.J. Lynch
Sound Designer: Evan Dockter
Sound Effects Editor: Adam Cioffi
Dialogue Editor: Anna Adams
Foley Editor: Aran Tanchum
Foley Artist: Vincent Guisetti
Love, Death & Robots: “In Vaulted Halls Entombed” (Netflix)
Supervising Sound Editor: Brad North Mpse
Foley Editor: Antony Zeller Mpse
Foley Artists: Zane Bruce, Lindsay Pepper...
- 1/9/2023
- by Patrick Hipes
- Deadline Film + TV
With a trio of nominations, Everything Everywhere All At Once leads the feature competition of the 70th Motion Picture Sound Editors’ (Mpse) Golden Reel Awards, which announced its noms on Monday.
Close behind with two nominations apiece are The Batman, Elvis, Guillermo del Toro’s Pinocchio, Moonage Daydream and Top Gun: Maverick.
A24’s genre-bending Everything is nominated in the categories of outstanding dialogue and Adr, effects/Foley and music editing in a feature film.
The Batman and Top Gun: Maverick are each nominated for dialogue/Adr and effects/Foley editing. Elvis is nominated for dialogue/Adr and music editing, and Pinocchio is nominated for music editing, as well as for sound editing in an animated movie. Meanwhile, Moonage Daydream received two noms in the documentary categories, for sound editing and music editing.
All six of the aforementioned movies are shortlisted for the Oscar in sound, along with All Quiet on the Western Front...
Close behind with two nominations apiece are The Batman, Elvis, Guillermo del Toro’s Pinocchio, Moonage Daydream and Top Gun: Maverick.
A24’s genre-bending Everything is nominated in the categories of outstanding dialogue and Adr, effects/Foley and music editing in a feature film.
The Batman and Top Gun: Maverick are each nominated for dialogue/Adr and effects/Foley editing. Elvis is nominated for dialogue/Adr and music editing, and Pinocchio is nominated for music editing, as well as for sound editing in an animated movie. Meanwhile, Moonage Daydream received two noms in the documentary categories, for sound editing and music editing.
All six of the aforementioned movies are shortlisted for the Oscar in sound, along with All Quiet on the Western Front...
- 1/9/2023
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
It’s checkmate on the first of three 2021 Creative Arts Emmy Awards shows, and Saturday was a huge evening for “The Queen’s Gambit.” The excellent Netflix limited series led by Anya Taylor-Joy has already won seven 2021 Emmys, technically (and in mostly technical categories).
(By the way, if you think three is a lot of shows to celebrate the television industry’s mostly below-the-line workers, 2020 had Five Creative Arts Emmys shows.)
Sunday’s first show began at 1 p.m. Pt. The second Sunday show, the final one of the two-day 2021 Creative Arts Emmys, begins at 5 p.m. Pt. That’s the presentation that has most of the mainstream categories that don’t fit in next week’s Primetime Emmys.
None of the three Creative Arts Emmys shows are being televised live. Next Saturday, a highlights show of sorts will air on Fxx starting at 8 p.m. Et/Pt.
The *real* Emmys,...
(By the way, if you think three is a lot of shows to celebrate the television industry’s mostly below-the-line workers, 2020 had Five Creative Arts Emmys shows.)
Sunday’s first show began at 1 p.m. Pt. The second Sunday show, the final one of the two-day 2021 Creative Arts Emmys, begins at 5 p.m. Pt. That’s the presentation that has most of the mainstream categories that don’t fit in next week’s Primetime Emmys.
None of the three Creative Arts Emmys shows are being televised live. Next Saturday, a highlights show of sorts will air on Fxx starting at 8 p.m. Et/Pt.
The *real* Emmys,...
- 9/12/2021
- by Tony Maglio
- The Wrap
“Tenet,” “Eurovision Song Contest,” “The Trial of the Chicago 7” and “Greyhound” have won feature-film awards at the Motion Picture Sound Editors Mpse Golden Reel Awards, which took place on Friday evening in a virtual event.
The Mpse divides the art of sound editing into several different categories, with “Tenet” winning for underscore, “Eurovision Song Contest” for music, “The Trial of the Chicago 7” for dialogue/Adr and “Greyhound” for effects/foley.
In the past, the last of those categories has most closely corresponded to the Academy Award for Best Sound Editing — but that Oscar category was merged with the Best Sound Mixing category into a single Best Sound category this year. “Greyhound” is nominated in that category, along with “Soul,” “Mank,” “News of the World” and “Sound of Metal.”
“Soul” won for sound editing in an animated feature, while “The Eight Hundred” won for a foreign-language feature and “The Reason I Jump...
The Mpse divides the art of sound editing into several different categories, with “Tenet” winning for underscore, “Eurovision Song Contest” for music, “The Trial of the Chicago 7” for dialogue/Adr and “Greyhound” for effects/foley.
In the past, the last of those categories has most closely corresponded to the Academy Award for Best Sound Editing — but that Oscar category was merged with the Best Sound Mixing category into a single Best Sound category this year. “Greyhound” is nominated in that category, along with “Soul,” “Mank,” “News of the World” and “Sound of Metal.”
“Soul” won for sound editing in an animated feature, while “The Eight Hundred” won for a foreign-language feature and “The Reason I Jump...
- 4/17/2021
- by Steve Pond
- The Wrap
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