South Korean director Hong Sang-soo was awarded the El Gouna Gold Star for best narrative film for his meditation on art and relationships, “In Our Day,” as the delayed edition of the El Gouna Film Festival held its closing ceremony on Thursday. The Italian animated film “A Greyhound of a Girl,” directed by Enzo D’Alò, and the Brazilian director Guto Parente’s “A Strange Path” picked up the Silver and Bronze Stars respectively.
The jury comprised of Indian director Anup Singh, Jordanian actress Saba Mubarak, Palestinian actress Yasmine Al-Massri, French Lebanese actress Manal Issa and Egyptian filmmaker Omar El Zohairy.
In the non-fiction category, Ibrahim Nash’at’s acclaimed documentary “Hollywoodgate” took the top prize, with “Seven Winters in Tehran” and Mila Turajlić’s Serbian film “Non-Aligned: Scenes from the Labudović Reels” sharing the Silver Star, and “On the Adamant,” directed by French director Nicolas Philibert, taking the Bronze Star. The...
The jury comprised of Indian director Anup Singh, Jordanian actress Saba Mubarak, Palestinian actress Yasmine Al-Massri, French Lebanese actress Manal Issa and Egyptian filmmaker Omar El Zohairy.
In the non-fiction category, Ibrahim Nash’at’s acclaimed documentary “Hollywoodgate” took the top prize, with “Seven Winters in Tehran” and Mila Turajlić’s Serbian film “Non-Aligned: Scenes from the Labudović Reels” sharing the Silver Star, and “On the Adamant,” directed by French director Nicolas Philibert, taking the Bronze Star. The...
- 12/22/2023
- by John Bleasdale
- Variety Film + TV
Hot Docs has wrapped its 30th anniversary edition, handing out its top cash prize and announcing the audience top picks after an 11-day festival, which presented 214 films from 72 countries at 308 live screenings at venues across Toronto.
Philippe Falardeau’s “Lac-Mégantic—This Is Not an Accident” topped the overall audience poll to win the 2023 Hot Docs Audience Award. The four-part series from the Oscar-nominated director explores the causes of one of Canada’s worst rail disasters and what’s needed to prevent such accidents in the future.
“Someone Lives Here,” by Zack Russell, won the Rogers Audience Awards for Best Canadian Documentary, which comes with Cdn. $50,000 cash, and also claimed the second-highest spot in the overall audience poll. The film also won the inaugural Bill Nemtin Award for Best Social Impact Documentary, a jury-chosen prize, at the main awards ceremony held Saturday.
“Someone Lives Here”
“Someone” tells the story of Toronto carpenter Khaleel Seivwright,...
Philippe Falardeau’s “Lac-Mégantic—This Is Not an Accident” topped the overall audience poll to win the 2023 Hot Docs Audience Award. The four-part series from the Oscar-nominated director explores the causes of one of Canada’s worst rail disasters and what’s needed to prevent such accidents in the future.
“Someone Lives Here,” by Zack Russell, won the Rogers Audience Awards for Best Canadian Documentary, which comes with Cdn. $50,000 cash, and also claimed the second-highest spot in the overall audience poll. The film also won the inaugural Bill Nemtin Award for Best Social Impact Documentary, a jury-chosen prize, at the main awards ceremony held Saturday.
“Someone Lives Here”
“Someone” tells the story of Toronto carpenter Khaleel Seivwright,...
- 5/8/2023
- by Jennie Punter
- Variety Film + TV
Exclusive: Docaviv, the prestigious all-documentary film festival in Tel Aviv, today announced the International Competition lineup for the 25th anniversary of the event, which takes place May 11-20.
In competition are some of the early favorites for Oscar recognition, including Apolonia, Apolonia, winner of Best Feature at IDFA; 20 Days in Mariupol, the harrowing examination of the siege of the Ukrainian port city in the early days of the Russian invasion; Kokomo City, winner of two awards at Sundance, and The Eternal Memory, winner of the Grand Jury Prize for World Cinema Documentary at Sundance [scroll for the full International Competition lineup].
Docaviv is an Oscar-qualifying festival, with winners in the International, Israeli, and Shorts competitions automatically becoming eligible for Academy Awards consideration. It is the only all-documentary festival in Israel and widely considered one of the world’s foremost nonfiction film events.
Some of the expected international guests include Emmy-winning documentary producer John Battsek, who will hold...
In competition are some of the early favorites for Oscar recognition, including Apolonia, Apolonia, winner of Best Feature at IDFA; 20 Days in Mariupol, the harrowing examination of the siege of the Ukrainian port city in the early days of the Russian invasion; Kokomo City, winner of two awards at Sundance, and The Eternal Memory, winner of the Grand Jury Prize for World Cinema Documentary at Sundance [scroll for the full International Competition lineup].
Docaviv is an Oscar-qualifying festival, with winners in the International, Israeli, and Shorts competitions automatically becoming eligible for Academy Awards consideration. It is the only all-documentary festival in Israel and widely considered one of the world’s foremost nonfiction film events.
Some of the expected international guests include Emmy-winning documentary producer John Battsek, who will hold...
- 4/20/2023
- by Matthew Carey
- Deadline Film + TV
The Swiss documentary festival is set to run April 21-30
The Visions du Reel film festival has unveiled the first titles for its 2023 edition, set to run April 21-30.
The documentary festival, based in Nyon, Switzerland, will open with the world premiere of French director Juliette de Marcillac’s feature debut Nightwatchers. Filmed at high-end ski resort Montgenèvre on the French-Italian border, it tells the story of volunteers trying to help migrants, and the authorities trying to catch them.
The film is part of the Grand Angle competition, with 12 titles competing for the audience award worth Chf 10,000.
The section includes...
The Visions du Reel film festival has unveiled the first titles for its 2023 edition, set to run April 21-30.
The documentary festival, based in Nyon, Switzerland, will open with the world premiere of French director Juliette de Marcillac’s feature debut Nightwatchers. Filmed at high-end ski resort Montgenèvre on the French-Italian border, it tells the story of volunteers trying to help migrants, and the authorities trying to catch them.
The film is part of the Grand Angle competition, with 12 titles competing for the audience award worth Chf 10,000.
The section includes...
- 3/14/2023
- by Orlando Parfitt
- ScreenDaily
Cph:forum, the financing and co-production event held during Cph:dox documentary film festival in Copenhagen, will introduce new projects by filmmakers such as Ljubomir Stefanov (“Honeyland”), Jessica Kingdon (“Ascension”), Finlay Pretsell (“Time Trial”), Ousmane Samassekou (“The Last Shelter”), Mila Turajlić (“The Other Side of Everything”), Tonislav Hristov (“The Good Postman”), Iryna Tsilyk (“The Earth Is Blue as an Orange”) and Brett Story (“The Hottest August”), among others.
Stefanov, who was nominated for an Oscar for “Honeyland,” will be pitching “House of Earth.” He teams with producer Maya E. Rudolph, who produced Emmy-nominated “The Andy Warhol Diaries,” and Sarah D’hanens. The film centers on transgender sex worker Pinky, who returns to her Roma community after 30 years, and finds two families in need of a matriarch. Torn between her biological kin and chosen queer family, Pinky attempts to build a future that feels like home.
Kingdon, who was Oscar nominated for “Ascension,” arrives with “Untitled Animal Project,...
Stefanov, who was nominated for an Oscar for “Honeyland,” will be pitching “House of Earth.” He teams with producer Maya E. Rudolph, who produced Emmy-nominated “The Andy Warhol Diaries,” and Sarah D’hanens. The film centers on transgender sex worker Pinky, who returns to her Roma community after 30 years, and finds two families in need of a matriarch. Torn between her biological kin and chosen queer family, Pinky attempts to build a future that feels like home.
Kingdon, who was Oscar nominated for “Ascension,” arrives with “Untitled Animal Project,...
- 2/10/2023
- by Leo Barraclough
- Variety Film + TV
“When you use the word ‘Europe,’ you use the word ‘bureaucracy.’ They go together like carrots and peas.”
Film funding biases and blind spots came under fire at the main session of the Europe Conference, part of the industry talks programme at IDFA (November 9-20).
One issue highlighted by speakers at the panel, titled ‘Being Europe, seeing Europe’ and hosted by Arte yesterday, was the current red tape requirements surrounding European film funding applications, something leading Serbian director Mila Turajlic referred to as the “European maladie of bureaucracy.”
“I don’t know if you’ve seen the latest Media applications but they are atrocious,...
Film funding biases and blind spots came under fire at the main session of the Europe Conference, part of the industry talks programme at IDFA (November 9-20).
One issue highlighted by speakers at the panel, titled ‘Being Europe, seeing Europe’ and hosted by Arte yesterday, was the current red tape requirements surrounding European film funding applications, something leading Serbian director Mila Turajlic referred to as the “European maladie of bureaucracy.”
“I don’t know if you’ve seen the latest Media applications but they are atrocious,...
- 11/17/2022
- by Geoffrey Macnab
- ScreenDaily
The 35th edition of the International Documentary Film Festival Amsterdam, will open with the world premiere of Iranian-Dutch filmmaker Niki Padidar’s “All You See.”
The festival has also revealed the titles in its competition lineups. In all, 277 titles will be screened at the in-person festival.
Artistic director Orwa Nyrabia said: “Here’s an eclectic lineup that is united only by originality. Through the subjectivities of these filmmakers, an image of a world in pain emerges – a humanity that is trying hard, that is vulnerable and sincere, that is complex and persistent. The diversity of artistic forms is astonishing, and there are no boundaries when it comes to tackling the biggest powers or inventing new grammar.”
“The Envision Competition introduces artistically and politically courageous films, memorable journeys, and new questions. The International Competition brings together profound films that will tour the world and inspire audiences for years to come. IDFA...
The festival has also revealed the titles in its competition lineups. In all, 277 titles will be screened at the in-person festival.
Artistic director Orwa Nyrabia said: “Here’s an eclectic lineup that is united only by originality. Through the subjectivities of these filmmakers, an image of a world in pain emerges – a humanity that is trying hard, that is vulnerable and sincere, that is complex and persistent. The diversity of artistic forms is astonishing, and there are no boundaries when it comes to tackling the biggest powers or inventing new grammar.”
“The Envision Competition introduces artistically and politically courageous films, memorable journeys, and new questions. The International Competition brings together profound films that will tour the world and inspire audiences for years to come. IDFA...
- 10/20/2022
- by Naman Ramachandran
- Variety Film + TV
The 35th edition of the International Documentary Film Festival Amsterdam (IDFA) will open with Iranian-Dutch filmmaker Niki Padidar’s All You See.
The feature explores themes of exclusion and being an outsider through Padidar’s own experiences in the Netherlands, which are interwoven with the stories of three other immigrants who have made a life in the country.
The festival, which will showcase 277 titles this year, has also unveiled the selections for its main Envision and International Competitions.
A total of 13 titles will play in the International Competition line-up.
Highlights include Mila Turajlić’s Non-Aligned: Scenes from the Labudović Reels, which will be presented as a diptych and performance and explores the never-before-seen footage of Tito’s cameraman documenting his trips to Africa and Asia to promote a third way amidst the Cold War.
Further competition titles include Paradise by Alexander Abaturov, which enters the heart of a raging forest fire in northeastern Siberia,...
The feature explores themes of exclusion and being an outsider through Padidar’s own experiences in the Netherlands, which are interwoven with the stories of three other immigrants who have made a life in the country.
The festival, which will showcase 277 titles this year, has also unveiled the selections for its main Envision and International Competitions.
A total of 13 titles will play in the International Competition line-up.
Highlights include Mila Turajlić’s Non-Aligned: Scenes from the Labudović Reels, which will be presented as a diptych and performance and explores the never-before-seen footage of Tito’s cameraman documenting his trips to Africa and Asia to promote a third way amidst the Cold War.
Further competition titles include Paradise by Alexander Abaturov, which enters the heart of a raging forest fire in northeastern Siberia,...
- 10/20/2022
- by Melanie Goodfellow
- Deadline Film + TV
Titles include Sofia Brockenshire’s ‘The Dependents’.
Eight feature documentaries will have world premieres in the international feature competition of Dok Leipzig, which runs from October 17-23 in Germany.
World debuts in the 13-strong international competition include Sofia Brockenshire’s The Dependents, an Argentina-Canada co-production about the life of an official in the Canadian Immigration Service.
Scroll down for the full competition selection
Brockenshire previously co-directed One Sister, a fiction film that debuted in Biennale College – Cinema at Venice Film Festival in 2016.
The international competition section will also launch Joseph Mangat’s Divine Factory, a Filipino-us-Taiwanese co-production that looks at the economic,...
Eight feature documentaries will have world premieres in the international feature competition of Dok Leipzig, which runs from October 17-23 in Germany.
World debuts in the 13-strong international competition include Sofia Brockenshire’s The Dependents, an Argentina-Canada co-production about the life of an official in the Canadian Immigration Service.
Scroll down for the full competition selection
Brockenshire previously co-directed One Sister, a fiction film that debuted in Biennale College – Cinema at Venice Film Festival in 2016.
The international competition section will also launch Joseph Mangat’s Divine Factory, a Filipino-us-Taiwanese co-production that looks at the economic,...
- 9/29/2022
- by Ben Dalton
- ScreenDaily
The Toronto Intl. Film Festival’s Docs program gets underway Sept. 8 and will feature 22 nonfiction films — a hefty 57 increase from last year’s lineup, which was cut back to 14 due to Covid.
Notable titles include Oscar winner Laura Poitras’ “All the Beauty and the Bloodshed,” which is pictured above and making its Canadian premiere following a world premiere at the Venice Film Festival; “Blackfish” director Gabriela Cowperthwaite’s latest docu “The Grab” and veteran filmmaker’s Werner Herzog’s “Theatre of Thought.”
Sacha Jenkins’s “Armstrong’s Black & Blues” will serve as TIFF Docs’ opening film.
Thom Powers, lead TIFF documentary programmer, winnowed the list of 22 from 700 submissions. While constructing this year’s program, Powers noticed various themes emerge across submissions, one being being the act of resistance.
“Cowperthwaite’s “The Grab,” which she has been making for seven years under a lot of secrecy, follows journalist Nathan Halverson as...
Notable titles include Oscar winner Laura Poitras’ “All the Beauty and the Bloodshed,” which is pictured above and making its Canadian premiere following a world premiere at the Venice Film Festival; “Blackfish” director Gabriela Cowperthwaite’s latest docu “The Grab” and veteran filmmaker’s Werner Herzog’s “Theatre of Thought.”
Sacha Jenkins’s “Armstrong’s Black & Blues” will serve as TIFF Docs’ opening film.
Thom Powers, lead TIFF documentary programmer, winnowed the list of 22 from 700 submissions. While constructing this year’s program, Powers noticed various themes emerge across submissions, one being being the act of resistance.
“Cowperthwaite’s “The Grab,” which she has been making for seven years under a lot of secrecy, follows journalist Nathan Halverson as...
- 8/17/2022
- by Addie Morfoot
- Variety Film + TV
New films from Werner Herzog, Laura Poitras, Cristian Mungiu and Jerzy Skolimowski have been added to the lineup of the 2022 Toronto International film Festival, TIFF organizers announced on Wednesday.
The new films are in the TIFF Docs and Contemporary World Cinema sections and together will make up almost 75 additions to the lineup of the festival, which will run from Sept. 8-18.
The TIFF Docs section will open with the world premiere of Sacha Jenkins’ “Louis Armstrong’s Black & Blues.” Other films in the section include Herzog’s “Theatre of Thought,” which examines new research into the brain; Poitras’ “All the Beauty and the Bloodshed,” about artist Nan Goldin and her campaign to get museums to reject the patronage of the Purdue Pharma-owning Sackler family; and “In Her Hands,” Tamana Ayazi and Marcel Mettelsiefen’s film about Zarifa Ghafari, the youngest woman mayor in Afghanistan as the Taliban returned to power in that country.
The new films are in the TIFF Docs and Contemporary World Cinema sections and together will make up almost 75 additions to the lineup of the festival, which will run from Sept. 8-18.
The TIFF Docs section will open with the world premiere of Sacha Jenkins’ “Louis Armstrong’s Black & Blues.” Other films in the section include Herzog’s “Theatre of Thought,” which examines new research into the brain; Poitras’ “All the Beauty and the Bloodshed,” about artist Nan Goldin and her campaign to get museums to reject the patronage of the Purdue Pharma-owning Sackler family; and “In Her Hands,” Tamana Ayazi and Marcel Mettelsiefen’s film about Zarifa Ghafari, the youngest woman mayor in Afghanistan as the Taliban returned to power in that country.
- 8/17/2022
- by Steve Pond
- The Wrap
Click here to read the full article.
The Toronto Film Festival has announced new titles for its TIFF Docs and Contemporary World Cinema sections.
The TIFF Docs section will open with the previously announced Sacha Jenkins’ Louis Armstrong’s Black & Blues, and there’s a North American premiere for Laura Poitras’ opioid epidemic doc All the Beauty and the Bloodshed from Participant.
The festival will also feature newly-added world bows for Cine-Guerrilas: Scenes from the Labudovic Reels, by director Mila Rurajlic; Documentary Now!, by Alex Buono, Rhys Thomas and Micah Gardner; Sam Soko and Lauren DeFilippo’s Free Money, about a Kenyan village being given a universal basic income by an American organization; The Grab, from Blackfish director Gabriela Cowperthwaite; and Stephanie Johnes’ Maya and the Wave.
Other documentary first looks headed to Toronto include Mark Fletcher’s Patrick and the Whale; Sinead O’Shea’s Pray for our Sinners; Self-Portrait as a Coffee Pot,...
The Toronto Film Festival has announced new titles for its TIFF Docs and Contemporary World Cinema sections.
The TIFF Docs section will open with the previously announced Sacha Jenkins’ Louis Armstrong’s Black & Blues, and there’s a North American premiere for Laura Poitras’ opioid epidemic doc All the Beauty and the Bloodshed from Participant.
The festival will also feature newly-added world bows for Cine-Guerrilas: Scenes from the Labudovic Reels, by director Mila Rurajlic; Documentary Now!, by Alex Buono, Rhys Thomas and Micah Gardner; Sam Soko and Lauren DeFilippo’s Free Money, about a Kenyan village being given a universal basic income by an American organization; The Grab, from Blackfish director Gabriela Cowperthwaite; and Stephanie Johnes’ Maya and the Wave.
Other documentary first looks headed to Toronto include Mark Fletcher’s Patrick and the Whale; Sinead O’Shea’s Pray for our Sinners; Self-Portrait as a Coffee Pot,...
- 8/17/2022
- by Etan Vlessing
- The Hollywood Reporter - Movie News
Includes new work from Blackfish director Gabriela Cowperthwaite, Werner Herzog and Klaus Hӓrӧ.
New work from Blackfish director Gabriela Cowperthwaite, Werner Herzog and Klaus Hӓrӧ are among TIFF Docs and Contemporary World Cinema line-ups announced on Wednesday (August 17).
In TIFF Docs, Cowperthwaite’s The Grab exposes the systematic acquisition of food and water resources by international governments and private companies. Herzog returns to the fray with Theatre Of Thought, in which he explores the cutting edge of brain research.
The selection includes Mark Fletcher’s nature documentary Patrick And The Whale (pictured) and opens with Sacha Jenkins’ Louis Armstrong’s Black & Blues.
New work from Blackfish director Gabriela Cowperthwaite, Werner Herzog and Klaus Hӓrӧ are among TIFF Docs and Contemporary World Cinema line-ups announced on Wednesday (August 17).
In TIFF Docs, Cowperthwaite’s The Grab exposes the systematic acquisition of food and water resources by international governments and private companies. Herzog returns to the fray with Theatre Of Thought, in which he explores the cutting edge of brain research.
The selection includes Mark Fletcher’s nature documentary Patrick And The Whale (pictured) and opens with Sacha Jenkins’ Louis Armstrong’s Black & Blues.
- 8/17/2022
- by Jeremy Kay
- ScreenDaily
Twenty of Europe’s up-and-coming producers are going to Cannes with European Film Promotion. The organization unveiled its latest roster of Producers on the Move on Wednesday, a lineup that features France’s Gregoire Debailly, who produced Jean-Bernard Marlin’s “Sheherazade,” which premiered in Critics’ Week in Cannes last year, and Ireland’s Cormac Fox, who produced Sophie Hyde’s “Animals.”
Other names include “Borg vs. McEnroe” producer Jon Nohrstedt and, from the U.K., Emily Morgan, whose credits include the critically acclaimed “I Am Not a Witch.”
Efp has been putting selected enterprising producers in the spotlight for 20 years, a period in which 400 have featured. The European Union’s Creative Europe – Media Program backs the initiative, which sees the selected producers take part in networking and production-skewed events.
A trio of producers from previous editions will have films at Cannes this year: Germany’s Janine Jackowski with Corneliu Porumboiu’s “The Whistlers,...
Other names include “Borg vs. McEnroe” producer Jon Nohrstedt and, from the U.K., Emily Morgan, whose credits include the critically acclaimed “I Am Not a Witch.”
Efp has been putting selected enterprising producers in the spotlight for 20 years, a period in which 400 have featured. The European Union’s Creative Europe – Media Program backs the initiative, which sees the selected producers take part in networking and production-skewed events.
A trio of producers from previous editions will have films at Cannes this year: Germany’s Janine Jackowski with Corneliu Porumboiu’s “The Whistlers,...
- 4/24/2019
- by Stewart Clarke
- Variety Film + TV
New titles from Petra Costa, Guido Hendrikx and Mila Turajlic.
Cph:forum, the co-production and financing strand of Denmark’s Cph: Dox, has unveiled the 33 projects it will showcase in Copenhagen from March 26-28.
The projects include Brazilian director Petra Costa’s new work Fatherland, about a daughter’s investigation into her father’s memories as he attempts to change the system in a country shaped by slavery. Costa’s most recent film, The Edge Of Democracy, made its world premiere at the Sundance Film Festival last month.
Also selected is Guido Hendrikx’s A Wonderful Horrible Story, which blends archive footage,...
Cph:forum, the co-production and financing strand of Denmark’s Cph: Dox, has unveiled the 33 projects it will showcase in Copenhagen from March 26-28.
The projects include Brazilian director Petra Costa’s new work Fatherland, about a daughter’s investigation into her father’s memories as he attempts to change the system in a country shaped by slavery. Costa’s most recent film, The Edge Of Democracy, made its world premiere at the Sundance Film Festival last month.
Also selected is Guido Hendrikx’s A Wonderful Horrible Story, which blends archive footage,...
- 2/6/2019
- by Ben Dalton
- ScreenDaily
New titles from Petra Costa, Guido Hendrikx and Mila Turajlic.
Cph:forum, the co-production and financing strand of Denmark’s Cph: Dox, has unveiled the 32 projects it will showcase in Copenhagen from March 26-28.
The projects include Brazilian director Petra Costa’s new work Fatherland, about a daughter’s investigation into her father’s memories as he attempts to change the system in a country shaped by slavery. Costa’s most recent film, The Edge Of Democracy, made its world premiere at the Sundance Film Festival last month.
Also selected is Guido Hendrikx’s A Wonderful Horrible Story, which blends archive footage,...
Cph:forum, the co-production and financing strand of Denmark’s Cph: Dox, has unveiled the 32 projects it will showcase in Copenhagen from March 26-28.
The projects include Brazilian director Petra Costa’s new work Fatherland, about a daughter’s investigation into her father’s memories as he attempts to change the system in a country shaped by slavery. Costa’s most recent film, The Edge Of Democracy, made its world premiere at the Sundance Film Festival last month.
Also selected is Guido Hendrikx’s A Wonderful Horrible Story, which blends archive footage,...
- 2/6/2019
- by Ben Dalton
- ScreenDaily
Benedikt Erlingsson’s film is Iceland’s foreign-language Oscar entry.
Benedikt Erlingsson’s eco-terrorist comedy-drama Woman At War has won the Lux prize, awarded by the European Parliament in Strasbourg today (Wednesday November 14).
Launched in 2007, the prize intends to shine ‘a spotlight on films that go to the heart of European public debate’, according to the European Parliament.
Woman At War was chosen ahead of Wolfgang Fischer’s Styx, which came second, with Mila Turajlic’s The Other Side Of Everything in third.
Director and co-writer Erlingsson was present in Strasbourg to collect the award, and commented, “I feel like a politician,...
Benedikt Erlingsson’s eco-terrorist comedy-drama Woman At War has won the Lux prize, awarded by the European Parliament in Strasbourg today (Wednesday November 14).
Launched in 2007, the prize intends to shine ‘a spotlight on films that go to the heart of European public debate’, according to the European Parliament.
Woman At War was chosen ahead of Wolfgang Fischer’s Styx, which came second, with Mila Turajlic’s The Other Side Of Everything in third.
Director and co-writer Erlingsson was present in Strasbourg to collect the award, and commented, “I feel like a politician,...
- 11/14/2018
- by Ben Dalton
- ScreenDaily
The Cinema Eye Honors, which annually presents awards to “celebrate outstanding artistry and craft in nonfiction film,” has revealed its nominees in 10 categories, including Outstanding Nonfiction Feature and Outstanding Nonfiction Short. Multiple nominees include Robert Greene’s ”Bisbee ‘17,” Sandi Tan’s “Shirkers,” and RaMell Ross’ ”Hale County This Morning, This Evening,” with five nods each. While Greene is a Cinema Eye Honors vet, both Tan and Ross are first-time filmmakers.
Another first-time filmmaker on the rise: Bing Liu, whose autobiographical skateboarding doc “Minding the Gap,” leads the nominees with a total of seven nominations. That’s good enough to put the newbie filmmaker into rarefied territory, tying his film with lauded documentaries like Louie Psihoyos’ ”The Cove,” Lixin Fan’s ”Last Train Home,” and Ari Folman’s “Waltz With Bashir” for most Cinema Eye Honors nods ever. As Liu is a named nominee for six of those awards, he’s...
Another first-time filmmaker on the rise: Bing Liu, whose autobiographical skateboarding doc “Minding the Gap,” leads the nominees with a total of seven nominations. That’s good enough to put the newbie filmmaker into rarefied territory, tying his film with lauded documentaries like Louie Psihoyos’ ”The Cove,” Lixin Fan’s ”Last Train Home,” and Ari Folman’s “Waltz With Bashir” for most Cinema Eye Honors nods ever. As Liu is a named nominee for six of those awards, he’s...
- 11/8/2018
- by Kate Erbland
- Indiewire
Two of the season’s most reliable groups when it comes to forecasting the eventual Academy Awards nominees for Documentary Feature have now announced the shortlists for their own programs. The International Documentary Association (Ida) and Doc NYC, one of the largest documentary film festivals in the country, both boast great track records with either nominating, awarding and/or screening major contenders for the Oscars in recent years.
Doc NYC, who announced a short list of 15 titles for their 2018 festival which runs from November 8th to 15th, has overlapped their own short list with the academy’s short list with 9 to 10 titles in each of the last five years. In addition, they’ve included 4 to 5 titles that went on to be Oscar-nominated and in the last seven years they’ve screened the documentary that won the Academy Award.
Ida is comparably prescient, having matched their award nominees with the eventual...
Doc NYC, who announced a short list of 15 titles for their 2018 festival which runs from November 8th to 15th, has overlapped their own short list with the academy’s short list with 9 to 10 titles in each of the last five years. In addition, they’ve included 4 to 5 titles that went on to be Oscar-nominated and in the last seven years they’ve screened the documentary that won the Academy Award.
Ida is comparably prescient, having matched their award nominees with the eventual...
- 10/15/2018
- by John Benutty
- Gold Derby
Documentary hits “Won’t You Be My Neighbor?” and “Three Identical Strangers” are two of the 31 shortlisted films for the International Documentary Association’s award for top feature of 2018.
Michael Moore’s “Fahrenheit 11/9,” Netflix’s “Shirkers,” and Hulu’s “Minding the Gap” were among the other high-profile titles unveiled on Tuesday.
Morgan Neville’s Fred Rogers story “Won’t You Be My Neighbor?” has grossed $22.6 million domestically since its release in June, making it the 12th-highest-grossing doc of all time. Tim Wardle’s “Three Identical Strangers” has also performed well with $12.3 million and is 26th on the list. “Fahrenheit 11/9” has reeled in $6 million since its Sept. 20 launch — far below the record $119 million grossed by Moore’s “Fahrenheit 9/11” in 2004.
It’s the first time the Ida has unveiled the shortlists in the shorts and features categories. The 34th annual awards will take place on Dec. 8 at Los Angeles’ Paramount Theatre. Nominees...
Michael Moore’s “Fahrenheit 11/9,” Netflix’s “Shirkers,” and Hulu’s “Minding the Gap” were among the other high-profile titles unveiled on Tuesday.
Morgan Neville’s Fred Rogers story “Won’t You Be My Neighbor?” has grossed $22.6 million domestically since its release in June, making it the 12th-highest-grossing doc of all time. Tim Wardle’s “Three Identical Strangers” has also performed well with $12.3 million and is 26th on the list. “Fahrenheit 11/9” has reeled in $6 million since its Sept. 20 launch — far below the record $119 million grossed by Moore’s “Fahrenheit 9/11” in 2004.
It’s the first time the Ida has unveiled the shortlists in the shorts and features categories. The 34th annual awards will take place on Dec. 8 at Los Angeles’ Paramount Theatre. Nominees...
- 10/9/2018
- by Dave McNary
- Variety Film + TV
Won’t You Be My Neighbor? is among features in the running for documantary association honours.
Major award contenders Won’t You Be My Neighbor?, Three Identical Strangers and Free Solo are among the thirty-one films on the shortlist for this year’s International Documentary Association (Ida) feature award.
The Ida has unveiled the shortlists for its feature and short categories for the first time this year. Up to ten nominees in each category will be selected from the shortlists and nominees will be announced – along with nominees for the Association’s Special Awards and Creative Recognition Awards - on...
Major award contenders Won’t You Be My Neighbor?, Three Identical Strangers and Free Solo are among the thirty-one films on the shortlist for this year’s International Documentary Association (Ida) feature award.
The Ida has unveiled the shortlists for its feature and short categories for the first time this year. Up to ten nominees in each category will be selected from the shortlists and nominees will be announced – along with nominees for the Association’s Special Awards and Creative Recognition Awards - on...
- 10/9/2018
- by John Hazelton
- ScreenDaily
Arab cinema is raising its profile on the international festival circuit and so is the Doha Film Institute, which is supporting 10 films at the Venice fest and market.
The key Qatari incubator and financing source for filmmakers from the Middle East and beyond is repped this year on the Lido by new pics from Syria, Palestine, Iraq, Lebanon, Morocco and also Sudan, Brazil, Serbia and Montenegro. It’s a diverse batch that stands as “testament of our commitment to nurturing young talents in the region” and also to “our focus on supporting world-class cinema from around the world,” says Dfi CEO Fatma Al Remaihi.
Al Remaihi is particularly proud that the Dfi-supported contingent on the Lido includes Serbian director Mila Turajlic’s “The Other Side of Everything.” The doc, which thrashes out the dissolution of Yugoslavia through the director’s family history, launched last year at Toronto and will be...
The key Qatari incubator and financing source for filmmakers from the Middle East and beyond is repped this year on the Lido by new pics from Syria, Palestine, Iraq, Lebanon, Morocco and also Sudan, Brazil, Serbia and Montenegro. It’s a diverse batch that stands as “testament of our commitment to nurturing young talents in the region” and also to “our focus on supporting world-class cinema from around the world,” says Dfi CEO Fatma Al Remaihi.
Al Remaihi is particularly proud that the Dfi-supported contingent on the Lido includes Serbian director Mila Turajlic’s “The Other Side of Everything.” The doc, which thrashes out the dissolution of Yugoslavia through the director’s family history, launched last year at Toronto and will be...
- 9/5/2018
- by Nick Vivarelli
- Variety Film + TV
The longlist includes the winners from both Sheffield Doc/Fest and Idfa.
The European Film Academy has unveiled the 15 documentaries that have been recommended for nomination at the 2018 European Film Awards.
Scroll down for full line-up.
They include The Silence Of Others by Almudena Carracedo and Robert Bahar, which won the grand jury award at this year’s Sheffield Doc/Fest, and Serbian director Mila Turajlic’s The Other Side of Everything, winner of Idfa’s best feature-length documentary prize.
Also nominated is Jane Magnusson’s Bergman – A Year In A Life, which premiered in Cannes Classics, and Stefano Savona...
The European Film Academy has unveiled the 15 documentaries that have been recommended for nomination at the 2018 European Film Awards.
Scroll down for full line-up.
They include The Silence Of Others by Almudena Carracedo and Robert Bahar, which won the grand jury award at this year’s Sheffield Doc/Fest, and Serbian director Mila Turajlic’s The Other Side of Everything, winner of Idfa’s best feature-length documentary prize.
Also nominated is Jane Magnusson’s Bergman – A Year In A Life, which premiered in Cannes Classics, and Stefano Savona...
- 8/15/2018
- ScreenDaily
Other selected titles include Happy As Lazzaro and U – July 22.
The films selected for the 2018 edition of the European Parliament’s Lux Film Prize have been revealed at the Karlovy Vary International Film Festival (Kviff).
At an event hosted at Karlovy Vary’s Grandhotel Pupp on Sunday (July 1), the 10 films were unveiled by Evelyne Gebhardt, vice president of the European Parliament and fellow MEPs Helga Trüpel, Martina Dlabajová, Michaela Sojdrova and Bogdan Wenta, and Lux Film Prize coordinator Doris Pack.
The films are:
Border by Ali Abbasi (Sweden/Denmark) Donbass by Sergei Loznitsa (Germany/France/Ukraine/Netherlands/Romania) Girl...
The films selected for the 2018 edition of the European Parliament’s Lux Film Prize have been revealed at the Karlovy Vary International Film Festival (Kviff).
At an event hosted at Karlovy Vary’s Grandhotel Pupp on Sunday (July 1), the 10 films were unveiled by Evelyne Gebhardt, vice president of the European Parliament and fellow MEPs Helga Trüpel, Martina Dlabajová, Michaela Sojdrova and Bogdan Wenta, and Lux Film Prize coordinator Doris Pack.
The films are:
Border by Ali Abbasi (Sweden/Denmark) Donbass by Sergei Loznitsa (Germany/France/Ukraine/Netherlands/Romania) Girl...
- 7/2/2018
- by Orlando Parfitt
- ScreenDaily
The chosen projects include 23 fiction films, 6 documentaries and 1 animation.
Thirty feature projects will receive production support from European cinema support fund Eurimages, it was announced in Montreal.
A total of €6,447,783 will be invested in 23 fiction films, six documentaries and one animated feature. Contemporary political themes are prominent.
See below for selected projects
Ahmed is the 11th feature to be directed by the Dardennes brothers, which is about a Belgian teenager who plots to kill his teacher after embracing an extremist interpretation of the Koran. Wild Bunch launched the film at Cannes last month.
Also receiving funding is Daniel, the new...
Thirty feature projects will receive production support from European cinema support fund Eurimages, it was announced in Montreal.
A total of €6,447,783 will be invested in 23 fiction films, six documentaries and one animated feature. Contemporary political themes are prominent.
See below for selected projects
Ahmed is the 11th feature to be directed by the Dardennes brothers, which is about a Belgian teenager who plots to kill his teacher after embracing an extremist interpretation of the Koran. Wild Bunch launched the film at Cannes last month.
Also receiving funding is Daniel, the new...
- 6/29/2018
- by Ben Dalton
- ScreenDaily
The chosen projects include 23 fiction films, 6 documentaries and 1 animation.
Thirty feature projects will receive production support from European cinema support fund Eurimages, it was announced in Montreal.
A total of €6,447,783 will be invested in 23 fiction films, six documentaries and one animated feature. Contemporary political themes are prominent.
See below for selected projects
Ahmed is the 11th feature to be directed by the Dardennes brothers, which is about a Belgian teenager who plots to kill his teacher after embracing an extremist interpretation of the Koran. Wild Bunch launched the film at Cannes last month.
Also receiving funding is Daniel, the new...
Thirty feature projects will receive production support from European cinema support fund Eurimages, it was announced in Montreal.
A total of €6,447,783 will be invested in 23 fiction films, six documentaries and one animated feature. Contemporary political themes are prominent.
See below for selected projects
Ahmed is the 11th feature to be directed by the Dardennes brothers, which is about a Belgian teenager who plots to kill his teacher after embracing an extremist interpretation of the Koran. Wild Bunch launched the film at Cannes last month.
Also receiving funding is Daniel, the new...
- 6/29/2018
- by Ben Dalton
- ScreenDaily
Award-winning documentary filmmakers take part in pan-European TV project.
Forty-five European documentary directors are taking part in the marathon TV project 24h Europe – We Are The Future (working title) that wraps today (Monday June 18) after a four-day shoot across the continent.
The directors include Germany’s Thomas Riedelsheimer, Serbia’s Mila Turajlic and Romania’s Alexandru Solomon.
It follows 60 protagonists in 25 European countries from Bulgaria to Iceland and focusing on the hopes, fears and desires of young people between the ages of 15 and 30.
The project is a co-production between Berlin-based zero one 24 and France’s Idéale Audience, and is backed by Arte,...
Forty-five European documentary directors are taking part in the marathon TV project 24h Europe – We Are The Future (working title) that wraps today (Monday June 18) after a four-day shoot across the continent.
The directors include Germany’s Thomas Riedelsheimer, Serbia’s Mila Turajlic and Romania’s Alexandru Solomon.
It follows 60 protagonists in 25 European countries from Bulgaria to Iceland and focusing on the hopes, fears and desires of young people between the ages of 15 and 30.
The project is a co-production between Berlin-based zero one 24 and France’s Idéale Audience, and is backed by Arte,...
- 6/18/2018
- by Martin Blaney
- ScreenDaily
Plzen winnners also announced.
Rainer Sarnet’s dark folklore fairytale November received the €10,000 Golden Lily award for best film at goEast’s closing ceremony in Wiesbaden, Germany on Tuesday (24 April).
The International Jury headed by Golden Bear winner Ildikó Enyedi praised the Estonian filmmaker’s third feature ”for the powerful vision, the true poetry, the free humour” as well as “the courage of the producer [Katrin Kissa] to fight for this vision.”
Produced by Homeless Bob Production, November is handled internationally by the UK-based sales company One Eyed Films.
Meanwhile, the City of Wiesbaden’s Best Director Award went to...
Rainer Sarnet’s dark folklore fairytale November received the €10,000 Golden Lily award for best film at goEast’s closing ceremony in Wiesbaden, Germany on Tuesday (24 April).
The International Jury headed by Golden Bear winner Ildikó Enyedi praised the Estonian filmmaker’s third feature ”for the powerful vision, the true poetry, the free humour” as well as “the courage of the producer [Katrin Kissa] to fight for this vision.”
Produced by Homeless Bob Production, November is handled internationally by the UK-based sales company One Eyed Films.
Meanwhile, the City of Wiesbaden’s Best Director Award went to...
- 4/26/2018
- by Martin Blaney
- ScreenDaily
Festival launches international competition to be judged by audiences.
The Goteborg Film Festival (Jan 26-Feb 5) has unveiled its 2018 of 399 films from 78 countries.
Source: Goteborg Film Festival
Amateurs
Gabriela Pilcher’s Amateurs will open the festival and also compete for the lucrative Dragon Award for best Nordic film (full list of competition titles below).
Pilcher, who previously directed festival hit Eat Sleep Die, presents the world premiere of her second feature, which is about a small town in Sweden that hopes to revive its economic activity by bringing in a German discount supermarket. The supermarket brand asks local teenagers to make films about their hometown, but the films don’t turn out as expected.
The festival’s new prize, the Dragon Award for best international film, will be fought over by 20 international films that will be voted on by the festival audience for a $6,000 (Sek 50,000) prize.
Films competing are: Disobedience by Sebastián Lelio The Death of Stalin by [link=nm...
The Goteborg Film Festival (Jan 26-Feb 5) has unveiled its 2018 of 399 films from 78 countries.
Source: Goteborg Film Festival
Amateurs
Gabriela Pilcher’s Amateurs will open the festival and also compete for the lucrative Dragon Award for best Nordic film (full list of competition titles below).
Pilcher, who previously directed festival hit Eat Sleep Die, presents the world premiere of her second feature, which is about a small town in Sweden that hopes to revive its economic activity by bringing in a German discount supermarket. The supermarket brand asks local teenagers to make films about their hometown, but the films don’t turn out as expected.
The festival’s new prize, the Dragon Award for best international film, will be fought over by 20 international films that will be voted on by the festival audience for a $6,000 (Sek 50,000) prize.
Films competing are: Disobedience by Sebastián Lelio The Death of Stalin by [link=nm...
- 1/9/2018
- by Wendy Mitchell
- ScreenDaily
The personal and political interweave to quietly rewarding effect in Mila Turajlic's The Other Side of Everything (Druga strana svega), the Serbian documentarist's much-anticipated follow-up to her widely screened 2010 debut Cinema Komunisto. Co-produced with France and Qatar, this is essentially an intimate double portrait of the director's feisty septuagenarian mother Srbijanka — a university professor who achieved national prominence as an outspoken public figure in the 1990s — and the Belgrade apartment in which she lives.
Having bowed to positive reactions at Toronto in September, it went on to win the Feature-Length Competition...
Having bowed to positive reactions at Toronto in September, it went on to win the Feature-Length Competition...
- 11/24/2017
- by Neil Young
- The Hollywood Reporter - Movie News
The Doha Film Institute has unveiled the spring recipients from its film grants programme, backing 21 projects from 14 countries.
Four projects from Qatar are included, and Turkish and Georgian filmmakers receive grants for the first time. 12 projects come from the Mena region.
The breakdown in backed projects is: 12 narrative feature films, 6 feature documentaries, 2 short films (one narrative and one documentary), and a web series.
The Dfi received 360 applications for this eighth funding session.
Fatma Al Remaihi, Acting CEO of Doha Film Institute, said: “After the success our granted films Theeb and Sivas met in Venice, we are really excited about this next round of projects, which reflect some compelling new voices in cinema. Our jurors were impressed by the range of stories and the diversity of the backgrounds of the filmmakers who submitted work.
“We are also pleased to see so many strong narrative and documentary projects being submitted by women, whose projects...
Four projects from Qatar are included, and Turkish and Georgian filmmakers receive grants for the first time. 12 projects come from the Mena region.
The breakdown in backed projects is: 12 narrative feature films, 6 feature documentaries, 2 short films (one narrative and one documentary), and a web series.
The Dfi received 360 applications for this eighth funding session.
Fatma Al Remaihi, Acting CEO of Doha Film Institute, said: “After the success our granted films Theeb and Sivas met in Venice, we are really excited about this next round of projects, which reflect some compelling new voices in cinema. Our jurors were impressed by the range of stories and the diversity of the backgrounds of the filmmakers who submitted work.
“We are also pleased to see so many strong narrative and documentary projects being submitted by women, whose projects...
- 9/29/2014
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
What's fascinating, new and neglected across all major video platforms. Among other things, cinema has always been a ready-made self-eulogizer -- Hollywood was making two-reeler silent comedies about the craft of moviemaking before the viewing public even knew what it entailed, and documentaries about famous and forgotten threads of film history were being assembled before there was even a history to speak of. As the medium slinks limping toward its own quasquicentennial, documentaries excavating neglected film-history detours have proliferated, many coming from countries and cultures that have turned upside down since their film cultures began. Mila Turajlic's Cinema Komunisto (2010)...
- 9/10/2014
- Village Voice
Docu Rough Cut Boutique awards for documentary project also revealed
The 20th Sarajevo Film Festival partner awards were revealed at a ceremony on the Festival Square.
The award of the International Confederation of Art Cinemas (Cicae) went to Macondo by Austria’s Sudabeh Mortezai.
Sinisa Dragin won the Edn Talent Grant for The Forest (Romania-Serbia). This prize was created as co-operation between the Sarajevo Film Festival and the European Documentary Network with the purpose of supporting promising new documentary film-makers from the region.
Emergency Calls by Finnish film-makers Hannes Vartiainen and Pekka Veikkolainen has been selected as the Sarajevo Short Film Nominee for the Efa Award.
In the Bosnian-Herzegovinian student programme, Mirna Dizdarevic won the Best Film award for Redemption,.
The Special Jury Award went to Zulfikar Filandra for The Wall. Anja Kavic’s Some Of Us received a special mention.
Cinematographer Mustafa Mustafic received the honorary Ivica Matic Award for contribution to Bosnian cinema.
Danis Tanovic got the...
The 20th Sarajevo Film Festival partner awards were revealed at a ceremony on the Festival Square.
The award of the International Confederation of Art Cinemas (Cicae) went to Macondo by Austria’s Sudabeh Mortezai.
Sinisa Dragin won the Edn Talent Grant for The Forest (Romania-Serbia). This prize was created as co-operation between the Sarajevo Film Festival and the European Documentary Network with the purpose of supporting promising new documentary film-makers from the region.
Emergency Calls by Finnish film-makers Hannes Vartiainen and Pekka Veikkolainen has been selected as the Sarajevo Short Film Nominee for the Efa Award.
In the Bosnian-Herzegovinian student programme, Mirna Dizdarevic won the Best Film award for Redemption,.
The Special Jury Award went to Zulfikar Filandra for The Wall. Anja Kavic’s Some Of Us received a special mention.
Cinematographer Mustafa Mustafic received the honorary Ivica Matic Award for contribution to Bosnian cinema.
Danis Tanovic got the...
- 8/25/2014
- by vladan.petkovic@gmail.com (Vladan Petkovic)
- ScreenDaily
Seven projects will take part in WiP, and three more titles have been added to CineLink line-up
The Sarajevo Film Festival has announced seven projects from Bosnia and Herzegovina, Bulgaria, Israel, Kazakhstan, Romania, Slovenia and Serbia that have been picked to take part in his year’s CineLink Work in Progress sessions.
CineLink’s Work in Progress sessions (Aug 20-21) present promising films currently in post-production to specially invited decision-makers from the European film industry, interested in engaging in their completion or distribution.
The line-up consists of six fiction projects, including new films by Romania’s Tudor Giurgiu (Of Snails And Men), Kazakhstan’s Emir Baigazin (Harmony Lessons), Slovenia’s Vlado Škafar (Dad), and the new documentary by Serbia’s Mila Turajlić (Cinema Komunisto), selected from the festival’s documentary workshop Docu Rough Cut Boutique.
The Work in Progress jury, consisting of Nelleke Driessen, Managing Director, Fortissimo Films; Meinolf Zurhorst, Commissioning Editor...
The Sarajevo Film Festival has announced seven projects from Bosnia and Herzegovina, Bulgaria, Israel, Kazakhstan, Romania, Slovenia and Serbia that have been picked to take part in his year’s CineLink Work in Progress sessions.
CineLink’s Work in Progress sessions (Aug 20-21) present promising films currently in post-production to specially invited decision-makers from the European film industry, interested in engaging in their completion or distribution.
The line-up consists of six fiction projects, including new films by Romania’s Tudor Giurgiu (Of Snails And Men), Kazakhstan’s Emir Baigazin (Harmony Lessons), Slovenia’s Vlado Škafar (Dad), and the new documentary by Serbia’s Mila Turajlić (Cinema Komunisto), selected from the festival’s documentary workshop Docu Rough Cut Boutique.
The Work in Progress jury, consisting of Nelleke Driessen, Managing Director, Fortissimo Films; Meinolf Zurhorst, Commissioning Editor...
- 8/8/2014
- by vladan.petkovic@gmail.com (Vladan Petkovic)
- ScreenDaily
Like Mila Turajlic's 2011 documentary Cinema Komunisto, Davy Chou's Golden Slumbers is a wrenching requiem for a war-torn country's once-thriving film industry. Komunisto celebrates the jingoistic yet internationally heralded Yugoslavian films released during Josip Broz Tito's dictatorship, from the late 1940s to 1980, while Slumbers is a look back at Cambodia's short-lived but resonant cinematic heyday, from 1964 until the Khmer Rouge's takeover in 1975. The key difference is that Yugoslavia itself disintegrated along with its cinema, though most of its films were preserved; Cambodia, while ravaged, remained intact, but, except for a few sound recordings and still images, its movies were permanently destroyed. That Slumbers ...
- 11/1/2013
- Village Voice
Fund awards a total of $8.3m to new titles from Susanne Bier, Miguel Gomes and Yorgos Lanthimos among others.
The Board of Management of the Council of Europe’s Eurimages Fund has agreed to support 20 projects of feature films, animations and documentaries for a total amount of $8.3m (€6.1m). The meeting ran from Oct 15-17 inVilnius.
Titles to benefit include:
Kosac - Zvonimir Juric (Croatia)
(Croatia, Slovenia)
Another Day of Life - Raul de la Fuente (Spain), Nenow Damian (Poland)
(Poland, Spain, Belgium, Germany) Animation
As Mil e uma Noites - Miguel Gomes (Portugal)
(Portugal, France, Germany)
FRANCOØNIA, le Louvre sous l’occupation - Alexandre Sokourov (Russia)
(France, Germany, Netherlands) Documentary
The Girl King - Mika Kaurismaki (Finland)
(Germany, Canada, Finland, Sweden)
Druga strana svega - Mila Turajlic (Serbia) Documentary
(Serbia, France)
Onder het hart - Nicole Van Kilsdonk (Netherlands)
(Netherlands, Belgium)
Melody - Bernard Bellefroid (Belgium)
(Belgium, Luxembourg, France)
Le Portail - Régis Wargnier (France)
(France...
The Board of Management of the Council of Europe’s Eurimages Fund has agreed to support 20 projects of feature films, animations and documentaries for a total amount of $8.3m (€6.1m). The meeting ran from Oct 15-17 inVilnius.
Titles to benefit include:
Kosac - Zvonimir Juric (Croatia)
(Croatia, Slovenia)
Another Day of Life - Raul de la Fuente (Spain), Nenow Damian (Poland)
(Poland, Spain, Belgium, Germany) Animation
As Mil e uma Noites - Miguel Gomes (Portugal)
(Portugal, France, Germany)
FRANCOØNIA, le Louvre sous l’occupation - Alexandre Sokourov (Russia)
(France, Germany, Netherlands) Documentary
The Girl King - Mika Kaurismaki (Finland)
(Germany, Canada, Finland, Sweden)
Druga strana svega - Mila Turajlic (Serbia) Documentary
(Serbia, France)
Onder het hart - Nicole Van Kilsdonk (Netherlands)
(Netherlands, Belgium)
Melody - Bernard Bellefroid (Belgium)
(Belgium, Luxembourg, France)
Le Portail - Régis Wargnier (France)
(France...
- 10/22/2013
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
End of Watch | Silver Linings Playbook | The House I Live In | Gambit | Cinema Komunisto | Starbuck | Nativity 2: Danger In The Manger! | First | Lawrence Of Arabia | Ninja Scroll
End of Watch (15)
(David Ayer, 2012, Us) Jake Gyllenhaal, Michael Peña, Anna Kendrick. 109 mins.
If there was anything left to do with buddy cop movies then this does it, adding a raw authenticity and almost Tarantino-esque banter to the proceedings. We're on patrol with an Lapd duo whose partnership verges on the homoerotic, and whose sense of duty knows no bounds – a big mistake when they come up against a Mexican cartel. It's exciting, fluent and heavy on the shaky-cam, but ultimately paints a simplistic world of heroic lawmen and caricatured bad guys.
Silver Linings Playbook (15)
(David O Russell, 2012, Us) Bradley Cooper, Jennifer Lawrence, Robert De Niro. 122 mins.
Against-type casting and unbalanced characters do much to disguise the conventional bones of this satisfying romantic drama.
End of Watch (15)
(David Ayer, 2012, Us) Jake Gyllenhaal, Michael Peña, Anna Kendrick. 109 mins.
If there was anything left to do with buddy cop movies then this does it, adding a raw authenticity and almost Tarantino-esque banter to the proceedings. We're on patrol with an Lapd duo whose partnership verges on the homoerotic, and whose sense of duty knows no bounds – a big mistake when they come up against a Mexican cartel. It's exciting, fluent and heavy on the shaky-cam, but ultimately paints a simplistic world of heroic lawmen and caricatured bad guys.
Silver Linings Playbook (15)
(David O Russell, 2012, Us) Bradley Cooper, Jennifer Lawrence, Robert De Niro. 122 mins.
Against-type casting and unbalanced characters do much to disguise the conventional bones of this satisfying romantic drama.
- 11/24/2012
- by Steve Rose
- The Guardian - Film News
A brash, diverting and slightly disorganised documentary that reveals how closely Yugoslavian cinema was tied to the Tito regime
Mila Turajlic's brash and diverting – if slightly disorganised – documentary illustrates how closely Yugoslavian cinema was tied to the Tito regime. Funded by workers, and starring soldiers who lent them whatever authenticity they had, these films were often script-approved by Tito himself, an acutely image-aware movie buff. Extracts suggest endless partisan shoot-'em-ups and labour-camp singalongs ("Carrying rocks is so much fun!") sustaining the co-productions that brought Orson Welles, among others, to the country. You wish Turajlic had labelled them more diligently, though: if all this dead ideology really merits further study – as lessons from history, like those Soviet tractor musicals – we needed to have their titles close by. Her interviews are revealing: as industry survivors kick around the rusting, dusty infrastructure, what emerges is a region-specific form of nostalgia for a...
Mila Turajlic's brash and diverting – if slightly disorganised – documentary illustrates how closely Yugoslavian cinema was tied to the Tito regime. Funded by workers, and starring soldiers who lent them whatever authenticity they had, these films were often script-approved by Tito himself, an acutely image-aware movie buff. Extracts suggest endless partisan shoot-'em-ups and labour-camp singalongs ("Carrying rocks is so much fun!") sustaining the co-productions that brought Orson Welles, among others, to the country. You wish Turajlic had labelled them more diligently, though: if all this dead ideology really merits further study – as lessons from history, like those Soviet tractor musicals – we needed to have their titles close by. Her interviews are revealing: as industry survivors kick around the rusting, dusty infrastructure, what emerges is a region-specific form of nostalgia for a...
- 11/23/2012
- by Mike McCahill
- The Guardian - Film News
★★☆☆☆ The power of documentary filmmaking can often be found in its ability to make you fascinated and entertained by subjects that you either know very little, or absolutely nothing about. Sadly, this is not quite the case in Mila Turajlic's directorial debut Cinema Komunisto (2010), which focuses on the history of former Yugoslavia through the lens of its prolific cinematic output under Marshal Tito's rule. Set amidst enormous crumbling sets and cavernous production studios, we journey through a detailed history of Tito's personal love of cinema and the films produced in Yugoslavia before its ultimate collapse in 1992.
Read more »...
Read more »...
- 11/22/2012
- by CineVue UK
- CineVue
Catch up with the last seven days in the world of film
The big story
Skyfall? What's that? We've forgotten already. On the general theory that there's only room in people's brains for one blockbuster at a time, the all-consuming hots for 007 has suddenly vanished, to be replaced by a voracious yearning for all things Twilight. You may just have noticed, but the final segment of the vampire teen fantasy – elegantly styled The Twilight Saga: Breaking Dawn – Part 2 – is shortly to be with us, and it's literally impossible to escape. Mark Kermode stoked the fires in the Observer on Sunday, by coming out as a Twilight-preferer, a world premiere in Los Angeles fanned the flames on Monday, and by Wednesday all hell broke loose when Peter Bradshaw's review finally hit the street. It was all followed up by the UK premiere; but we certainly havn't heard the last of it.
The big story
Skyfall? What's that? We've forgotten already. On the general theory that there's only room in people's brains for one blockbuster at a time, the all-consuming hots for 007 has suddenly vanished, to be replaced by a voracious yearning for all things Twilight. You may just have noticed, but the final segment of the vampire teen fantasy – elegantly styled The Twilight Saga: Breaking Dawn – Part 2 – is shortly to be with us, and it's literally impossible to escape. Mark Kermode stoked the fires in the Observer on Sunday, by coming out as a Twilight-preferer, a world premiere in Los Angeles fanned the flames on Monday, and by Wednesday all hell broke loose when Peter Bradshaw's review finally hit the street. It was all followed up by the UK premiere; but we certainly havn't heard the last of it.
- 11/15/2012
- The Guardian - Film News
Tomorrow evening at 92Y Tribeca, Not Coming to a Theater Near You will present Philippe Garrel's J'entends plus la guitare (1991), reason enough for Leo Goldsmith to look back on Garrel and Nico's ten-year romantic and artistic relationship, which produced "only about a half-dozen films, some threadbare Warholian portraits, shot without sound and on old film stock, others mythopoeic allegories of creation, destruction, and revolution, shot in exotic locales from Iceland to Morocco." It "was this young Garrel who first captivated French cinephiles like Henri Langlois, who hailed Garrel's 1972 film La Cicatrice intérieure as a masterpiece, and Gilles Deleuze who, in 1985, praised Garrel's 'cinema of revelation' in his second Cinema book. Deleuze's reading of Garrel, derived almost entirely from the 60s and 70s films, describes a 'liturgy of bodies,' a devotional, if not exactly pious cinema. For the young Garrel, cinema serves as a vehicle for prophecy and vision,...
- 2/8/2012
- MUBI
Chicago – The 2011 47th Annual Chicago International Film Festival and Michael Kutza, Founder and Artistic Director, announced the competition award winners at a ceremony in the new Public Chicago Hotel on October 14th. The Gold Hugo for Best Film went to “Le Havre,” from France.
Kutza made the announcements along with Mimi Plauché, Head of Programming, Programmers Lee Ferdinand and Penny Bartlett, plus Competitions Coordinator Alex Kopecky. The Public Chicago is the former Ambassador East Hotel, redesigned by hotelier Ian Schrager, and recently had its grand opening. The Festival’s highest honor is the Gold Hugo, named for the mythical God of Discovery. An additional awards category in 2011 is the “After Dark Competition,” honoring the scary films from around the world.
International Feature Film Competition
’Le Havre’
Photo Credit: © Chicago International Film Festival
The Gold Hugo for Best Film: “Le Havre” (Finland/France), directed by Aki Kaurismaki
The Silver Hugo: “Cairo...
Kutza made the announcements along with Mimi Plauché, Head of Programming, Programmers Lee Ferdinand and Penny Bartlett, plus Competitions Coordinator Alex Kopecky. The Public Chicago is the former Ambassador East Hotel, redesigned by hotelier Ian Schrager, and recently had its grand opening. The Festival’s highest honor is the Gold Hugo, named for the mythical God of Discovery. An additional awards category in 2011 is the “After Dark Competition,” honoring the scary films from around the world.
International Feature Film Competition
’Le Havre’
Photo Credit: © Chicago International Film Festival
The Gold Hugo for Best Film: “Le Havre” (Finland/France), directed by Aki Kaurismaki
The Silver Hugo: “Cairo...
- 10/16/2011
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Created to celebrate the contributions that female writers and directors continue to make to film around the world, the REELwomen program at the 47th Chicago International Film Festival will introduce Chicago audiences to the works of first-time women filmmakers and documentarians.
More than half of the documentaries featured in this year.s Docufest competition are directed by women, most of them focusing on the arts. First-time filmmakers like Yasemin Samderelli, Alice Rohrwacher and Julia Leigh explore issues of identity – whether national or sexual – while others, like Susan Jacobson are staking a claim on genre films. The program also welcomes the return of Festival alumni filmmakers Mia Hansen-Løve and Lynne Ramsay.
All Me: The Life and Times of Winfred Rembert USA (Director: Vivian Ducat) . If there was ever a case for designating a person a National Treasure, Winfred Rembert is that person. Though he lived through segregation and the civil rights era in the Deep South,...
More than half of the documentaries featured in this year.s Docufest competition are directed by women, most of them focusing on the arts. First-time filmmakers like Yasemin Samderelli, Alice Rohrwacher and Julia Leigh explore issues of identity – whether national or sexual – while others, like Susan Jacobson are staking a claim on genre films. The program also welcomes the return of Festival alumni filmmakers Mia Hansen-Løve and Lynne Ramsay.
All Me: The Life and Times of Winfred Rembert USA (Director: Vivian Ducat) . If there was ever a case for designating a person a National Treasure, Winfred Rembert is that person. Though he lived through segregation and the civil rights era in the Deep South,...
- 10/11/2011
- by Michelle McCue
- WeAreMovieGeeks.com
Three Tribeca documentary directors talked about their writing process at Monday's Tribeca Talks: Pen to Paper panel at the Barnes and Noble Union Square. As moviegoers, many of us are familiar with the pen-to-screen process of a fictional narrative. Without an empty seat to spare, today's Tribeca Talks: Pen To Paper series, hosted by Barnes and Noble, opened the door for audiences to peer into the arduous world of documentary filmmaking. The panel included documentary filmmakers David Gelb, director of Jiro Dreams of Sushi; Maria Ramström, director of Love Always, Carolyn; and Mila Turajlic, director of Cinema Komunisto. The members of the panel came from all walks of life - and their films were equally as diverse - yet their processes were remarkably similar. The seeds of these films appear surprisingly simple. A one-page synopsis designed to garnish investment support begins the ball rolling. What happens next is uncontrollable. Unbelievable...
- 4/26/2011
- TribecaFilm.com
By Sam Weisberg - April 23, 2011
“Cinema Komunisto” is an exquisitely detailed, heartfelt look at the former Soviet Federal Republic of Yugoslavia’s thriving yet little-known film industry, circa post-wwii to 1980. Josip Broz Tito, the celebrated war hero, Prime Minister and eventually president-for-life during this time period, was a lover of grand-scale Hollywood films, which began to be shown in Yugoslavia after the country’s break from Stalin’s Eastern Bloc, and in turn Soviet influence, in the late 1940s.
Armed with newfound independence and chutzpah, Tito—who screened at least one movie a day, privately, for the next thirty-two years of his life—decided to make Yugoslavia a cinematic empire. The state-financed Avala Film studios would go on to produce ‘partisan films,’ insanely self-aggrandizing war movies that depicted Yugoslavia as an unstoppable, Nazi and Soviet-defeating force. (“A lot of these movies were absolutely terrible,” the actor Bata Zivojinovic admits; “I...
“Cinema Komunisto” is an exquisitely detailed, heartfelt look at the former Soviet Federal Republic of Yugoslavia’s thriving yet little-known film industry, circa post-wwii to 1980. Josip Broz Tito, the celebrated war hero, Prime Minister and eventually president-for-life during this time period, was a lover of grand-scale Hollywood films, which began to be shown in Yugoslavia after the country’s break from Stalin’s Eastern Bloc, and in turn Soviet influence, in the late 1940s.
Armed with newfound independence and chutzpah, Tito—who screened at least one movie a day, privately, for the next thirty-two years of his life—decided to make Yugoslavia a cinematic empire. The state-financed Avala Film studios would go on to produce ‘partisan films,’ insanely self-aggrandizing war movies that depicted Yugoslavia as an unstoppable, Nazi and Soviet-defeating force. (“A lot of these movies were absolutely terrible,” the actor Bata Zivojinovic admits; “I...
- 4/23/2011
- by Screen Comment
- Screen Comment
Mila Turajlic has carved herself into an interesting corner for her first feature documentary. In a statement she made about the film she asks, "How does a country choose the story to tell about itself?" It's a good question, and one the press materials keep regurgitating in different ways. One then might expect a serious, astute and dissecting doc on the cultural and political landscape that was Yugoslavia. But what Cinema Komunisto ends up being is something else entirely. Enlivened with a bright, bubbly spirit the film is a nostalgic love letter to, and chronicle of, a country that only existed on film. Enter Yugoslavia, 1947: The birth of a new nation under the rule of heroic Communist legend now Marshal Josep Broz Tito. With...
- 4/20/2011
- Screen Anarchy
Tribeca: Tell us a little about Cinema Komunisto, in your own words. Mila Turajlic: Cinema Komunisto is a trip through the fiction and reality of a country that no longer exists, and may never have existed, except in movies. Using films and the stories behind-the-scenes to reconstruct the rise and fall of Yugoslavia, it takes you through the silver screen into the time of communist Yugoslavia. Under President Tito, who was a huge film lover, the film industry was given the task of creating a narrative for a new country, and they did it in the most megalomaniacal way - creating one of the largest film studios in Europe, bringing stars like Orson Welles and Sophia Loren to star in the films, and in one case even destroying a real bridge to re-create a famous episode from the war. Through the stories of Tito's personal projectionist, who showed him...
- 4/4/2011
- TribecaFilm.com
Tribeca Film Festival has announced the line up of this years competition categories, including World Narrative Feature, World Documentary Feature, and the brand new Viewpoints which highlights eleven independent features and nine documentaries.
Tribeca Film Festival is one of leading film festivals located in New York City, showcasing many films not screened in any other U.S. film festival along with forty three world premieres and fifty four directorial debuts. Cameron Crowe’s premier of his concert documentary, The Union, will start the festival followed by a performance by Elton John. The rest of the lineup will be announced March 14th, and look out for coverage of the festival in April. Below you can find the complete press release on the lineup.
10th Tribeca Film Festival Announces World Narrative
And Documentary Competition Selections, And New Viewpoints Section
Tribeca Expands Awards Scope
2011 Festival to Present 88 Feature-Length and 61 Short Films April 20 – May...
Tribeca Film Festival is one of leading film festivals located in New York City, showcasing many films not screened in any other U.S. film festival along with forty three world premieres and fifty four directorial debuts. Cameron Crowe’s premier of his concert documentary, The Union, will start the festival followed by a performance by Elton John. The rest of the lineup will be announced March 14th, and look out for coverage of the festival in April. Below you can find the complete press release on the lineup.
10th Tribeca Film Festival Announces World Narrative
And Documentary Competition Selections, And New Viewpoints Section
Tribeca Expands Awards Scope
2011 Festival to Present 88 Feature-Length and 61 Short Films April 20 – May...
- 3/9/2011
- by Christopher Clemente
- SoundOnSight
By Sean O’Connell
Hollywoodnews.com: The 2011 Tribeca Film Festival revealed the World Narrative and Documentary Competition film selections for the 10th annual Tff, which will be held April 20 to May 1 in lower Manhattan.
In addition, Tff organizers unveiled the first edition of the new section — Viewpoints.
Forty-four of the 88 feature-length films that will screen during the fest have been announced. Much more information on each title can be found below.
“It’s our tenth Tribeca Film Festival, and in our relatively brief existence we have evolved dramatically,” said Nancy Schafer, Executive Director of the Tribeca Film Festival. “The Festival has become an integral part of the cultural landscape of New York City as well as a globally recognized platform for storytelling.”
So what will screen at Tribeca this year? In part, the following:
World Narrative Feature Competition
· Angels Crest, directed by Gaby Dellal, written by Catherine Trieschmann. (UK, Canada) – World Premiere.
Hollywoodnews.com: The 2011 Tribeca Film Festival revealed the World Narrative and Documentary Competition film selections for the 10th annual Tff, which will be held April 20 to May 1 in lower Manhattan.
In addition, Tff organizers unveiled the first edition of the new section — Viewpoints.
Forty-four of the 88 feature-length films that will screen during the fest have been announced. Much more information on each title can be found below.
“It’s our tenth Tribeca Film Festival, and in our relatively brief existence we have evolved dramatically,” said Nancy Schafer, Executive Director of the Tribeca Film Festival. “The Festival has become an integral part of the cultural landscape of New York City as well as a globally recognized platform for storytelling.”
So what will screen at Tribeca this year? In part, the following:
World Narrative Feature Competition
· Angels Crest, directed by Gaby Dellal, written by Catherine Trieschmann. (UK, Canada) – World Premiere.
- 3/7/2011
- by Sean O'Connell
- Hollywoodnews.com
And the festival beat marches on… nothing on this list immediately jumps out at me… no titles I recognize. These are just the World Narrative and Documentary competition selections, so, there’ll be more announcements made later. I do see representation from South Africa, Egypt and Rwanda. As I always do, I’ll be taking a closer look at the lineup for any titles worth profiling on this website. The festival runs from April 20th to May 1st. It’s in my backyard, so you know I’ll be covering it!
For now, here’s the full press release:
New York, NY [March 7, 2011] – The 2011 Tribeca Film Festival (Tff), presented by American Express®, today announced the World Narrative and Documentary Competition film selections and the first edition of the new section—Viewpoints. Forty-three of the 87 feature-length films were announced. The 10th edition of the Festival will take place from April 20 to May 1 in lower Manhattan.
For now, here’s the full press release:
New York, NY [March 7, 2011] – The 2011 Tribeca Film Festival (Tff), presented by American Express®, today announced the World Narrative and Documentary Competition film selections and the first edition of the new section—Viewpoints. Forty-three of the 87 feature-length films were announced. The 10th edition of the Festival will take place from April 20 to May 1 in lower Manhattan.
- 3/7/2011
- by Tambay
- ShadowAndAct
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