American Cinema Editors announced winners in 14 categories March 5 during the 73rd annual Ace Eddie Awards. And all five Oscar nominees were included among the nominations — though spread out between two categories.
Historically, the Eddie winner for theatrical drama has also won the Academy Award 13 of 22 times‚ but not in the last three years. Whether or not that streak will hold remains murky since Oscar nominees “Top Gun: Maverick” and “Everything Everywhere All at Once” both took home trophies.
“The Woman King” director Gina Prince-Bythewood received the Golden Eddie Filmmaker of the Year Award, while film editors Lynne Willingham and Don Zimmerman received Career Achievement Awards.
Other winners included awards season faves “Guillermo del Toro’s Pinocchio,” “Fire of Love,” and “The Bear.” See the complete list of winners, marked in bold, below.
Best Edited Feature Film (Dramatic)
“All Quiet on the Western Front” – Sven Budelmann, Bfs
“Elvis” – Matt Villa, Ace Ase,...
Historically, the Eddie winner for theatrical drama has also won the Academy Award 13 of 22 times‚ but not in the last three years. Whether or not that streak will hold remains murky since Oscar nominees “Top Gun: Maverick” and “Everything Everywhere All at Once” both took home trophies.
“The Woman King” director Gina Prince-Bythewood received the Golden Eddie Filmmaker of the Year Award, while film editors Lynne Willingham and Don Zimmerman received Career Achievement Awards.
Other winners included awards season faves “Guillermo del Toro’s Pinocchio,” “Fire of Love,” and “The Bear.” See the complete list of winners, marked in bold, below.
Best Edited Feature Film (Dramatic)
“All Quiet on the Western Front” – Sven Budelmann, Bfs
“Elvis” – Matt Villa, Ace Ase,...
- 3/6/2023
- by Mark Peikert
- Indiewire
The American Cinema Editors (Ace) has nominated “Tár,” “All Quiet on the Western Front,” “Elvis, “Top Gun: Maverick” and “The Woman King” in the category of feature film drama for the 73rd annual Ace Eddie Awards.
“The Banshees of Inisherin,” “Everything Everywhere All at Once,” “Glass Onion: A Knives Out Mystery,” “The Menu” and “Triangle of Sadness” all received nominations in the best edited comedic feature category.
The TV nominees include “The Bear,” “Severance” and “The White Lotus.”
Since 1961, only 12 women have won in the best-edited drama feature category. This year, there are two women who made the cut: Terilyn Shropshire for “The Woman King” and Monika Willi for “Tár.” Willi also earned an Oscar nomination for her work.
As previously announced, the Ace Golden Eddie Filmmaker of the Year Award, recognizing a filmmaker who exemplifies distinguished achievements in the art and business of film, will be presented to Gina Prince-Bythewood...
“The Banshees of Inisherin,” “Everything Everywhere All at Once,” “Glass Onion: A Knives Out Mystery,” “The Menu” and “Triangle of Sadness” all received nominations in the best edited comedic feature category.
The TV nominees include “The Bear,” “Severance” and “The White Lotus.”
Since 1961, only 12 women have won in the best-edited drama feature category. This year, there are two women who made the cut: Terilyn Shropshire for “The Woman King” and Monika Willi for “Tár.” Willi also earned an Oscar nomination for her work.
As previously announced, the Ace Golden Eddie Filmmaker of the Year Award, recognizing a filmmaker who exemplifies distinguished achievements in the art and business of film, will be presented to Gina Prince-Bythewood...
- 2/1/2023
- by Jazz Tangcay
- Variety Film + TV
For a show as densely plotted as Fox's "Empire," a mere 42 minutes can be a slim run-time. "It starts off and it's a lot longer," says Joe Leonard, an editor for the hit series, in our exclusive podcast chat. How much longer he won't admit, yet one thing's for certain: whittling it down takes a lot more than a good pair of scissors. "It really becomes this incredible challenge of trying to find the most dynamic ways through it, and a lot of times it's trimming down scenes, and other times the music sort of leads you through it in a certain way. But it has a rhythm that you kind of have to discover each episode – that's a pretty aggressive rhythm – which is fun to cut." (Listen our complete podcast with Leonard below.) -Break- 'Empire' showrunner Ilene Chaiken on blockbuster ratings: 'Bring it on' [Exclusive Video] "Empire" tells the sweeping saga of a domineering music produc.
- 6/9/2015
- Gold Derby
Am I the only one who misses Bloody Face or Jessica Lange's unusually Southern tinged Boston accent from American Horror Story: Asylum? I think not. FX kindly fired over Inside the Asylum . Briarcliff: In Memoriam. Peek through Briarcliff.s doors once more and re-live the insanity of American Horror Story.s last chapter with this chilling recap of Chapter Two of the series, which was known as "Asylum," entitled "Briarcliff: In Memoriam." The video features Dylan McDermott, Sarah Paulson, Evan Peters, Zachary Quinto, Lizzie Brocheré, James Cromwell, Joseph Fiennes, and Lily Rabe; executive producers Brad Buecker, Dante Di Loreto, Tim Minear, James Wong, and Jennifer Salt; cinematographer Michael Goi; editors Joe Leonard, Fabienne Bouville, and Adam Penn; and directors...
- 2/21/2013
- by April MacIntyre
- Monsters and Critics
If sitting through another Wednesday night without "American Horror Story" has got you down, then you'll be happy to hear one final video has popped up online for Chapter Two of the series, which was known as "Asylum," entitled "Briarcliff: In Memoriam."
Peek through Briarcliff's doors once more and relive the insanity of the last chapter of "American Horror Story" with this chilling recap. You'll hear from stars Dylan McDermott, Sarah Paulson, Evan Peters, Zachary Quinto, Lizzie Brocheré, James Cromwell, Joseph Fiennes, and Lily Rabe; executive producers Brad Buecker, Dante Di Loreto, Tim Minear, James Wong, and Jennifer Salt; cinematographer Michael Goi; editors Joe Leonard, Fabienne Bouville, and Adam Penn; and directors Jeremy Podeswa and Alfonso Gomez-Rejon.
For more visit the show's Facebook page along with "American Horror Story" on FX.
Visit The Evilshop @ Amazon!
Got news? Click here to submit it!
Enter the asylum known as the comments section below!
Peek through Briarcliff's doors once more and relive the insanity of the last chapter of "American Horror Story" with this chilling recap. You'll hear from stars Dylan McDermott, Sarah Paulson, Evan Peters, Zachary Quinto, Lizzie Brocheré, James Cromwell, Joseph Fiennes, and Lily Rabe; executive producers Brad Buecker, Dante Di Loreto, Tim Minear, James Wong, and Jennifer Salt; cinematographer Michael Goi; editors Joe Leonard, Fabienne Bouville, and Adam Penn; and directors Jeremy Podeswa and Alfonso Gomez-Rejon.
For more visit the show's Facebook page along with "American Horror Story" on FX.
Visit The Evilshop @ Amazon!
Got news? Click here to submit it!
Enter the asylum known as the comments section below!
- 2/21/2013
- by The Woman In Black
- DreadCentral.com
Word is on the street: The Snuggle Bunny is loose. Man's Most Lovable Predator is at-large. Do not mistake him for another other floppy-eared bunny this Sunday. Legend has it that in 1991, reporter Diana Samborn was attacked on national television by a giant bunny. This is her terrifying expose... on man's most lovable predator, The Snuggle Bunny:snuggle Bunny - Part II: The Scourge - watch more funny videosSNUGGLE Bunny - Part I: That Dreadful Shadow - watch more funny videos For more information and to report sightings of The Snuggle Bunny, please visit: Facebook Snuggle Bunny creator Joe Leonard hails from from St. Louis and graduated from Nyu film. His first feature, .How I Got...
- 4/22/2011
- by April MacIntyre
- Monsters and Critics
"The Social Network" editors, Angus Wall and Kirk Baxter, won the Ace Eddie Award for Best Edited Dramatic Feature at the 61st Annual Ace Eddie Awards. The David Fincher film beat "Black Swan," "The Fighter," "Inception," and "The King's Speech." We'll see if "The Social Network" will beat those movies (except for "Inception" which was not nominated in favor of "127 Hours") at the upcoming 83rd Academy Awards.
In the feature category for Musical or Comedy, Chris Lebenzon of "Alice in Wonderland" took home the trophy, winning over "Easy A," "The Kids Are All Right," "Made in Dagenham," and "Scott Pilgrim vs. The World."
In the Best Edited Animated Featuer Film category, surprise, surprise, "Toy Story 3" won over "How to Train Your Dragon" and "Despicable Me."
Tom Fulford & Chris King of "Exit Through the Gift Shop" won for Best Edited Documentary beating "Inside Job" and "Waiting for Superman."
The 61st Annual...
In the feature category for Musical or Comedy, Chris Lebenzon of "Alice in Wonderland" took home the trophy, winning over "Easy A," "The Kids Are All Right," "Made in Dagenham," and "Scott Pilgrim vs. The World."
In the Best Edited Animated Featuer Film category, surprise, surprise, "Toy Story 3" won over "How to Train Your Dragon" and "Despicable Me."
Tom Fulford & Chris King of "Exit Through the Gift Shop" won for Best Edited Documentary beating "Inside Job" and "Waiting for Superman."
The 61st Annual...
- 2/21/2011
- by Manny
- Manny the Movie Guy
The American Cinema Editors announced their nominees for the 61st Annual Ace Eddie Awards today. The awards ceremony will be held Feb. 19. Among the nominated films are Black Swan, The King’s Speech, Inception, The Social Network, The Kids Are All Right, How To Train Your Dragon, and Toy Story 3. The nominees are:
Best Edited Feature Film (Dramatic):
Black Swan — Andrew Weisblum, A.C.E.
The Fighter — Pamela Martin
Inception — Lee Smith, A.C.E.
The King’s Speech — Tariq Anwar
The Social Network — Angus Wall, A.C.E., & Kirk Baxter
Best Edited Feature Film (Comedy Or Musical...
Best Edited Feature Film (Dramatic):
Black Swan — Andrew Weisblum, A.C.E.
The Fighter — Pamela Martin
Inception — Lee Smith, A.C.E.
The King’s Speech — Tariq Anwar
The Social Network — Angus Wall, A.C.E., & Kirk Baxter
Best Edited Feature Film (Comedy Or Musical...
- 1/14/2011
- by Margaret Lyons
- EW - Inside Movies
hollywoodnews.com: The American Cinema Editors announced the nominees for the 61st annualL Ace Eddie awards. They recognize the best editing of the year.
Ace, the American Cinema Editors, is an honorary society of motion picture editors founded in 1950. Film editors are voted into membership on the basis of their professional achievements, their dedication to the education of others and their commitment to the craft of editing.
Best Edited Feature Film (Dramatic):
Black Swan
Andrew Weisblum, A.C.E.
The Fighter
Pamela Martin
Inception
Lee Smith, A.C.E.
The King’s Speech
Tariq Anwar
The Social Network
Angus Wall, A.C.E. & Kirk Baxter
Best Edited Feature Film (Comedy Or Musical):
Alice in Wonderland
Chris Lebenzon, A.C.E.
Easy A
Susan Littenberg
The Kids Are All Right
Jeffrey M. Werner
Made In Dagenham
Michael Parker
Scott Pilgrim vs. the World
Jonathan Amos & Paul Machliss
Best Edited...
Ace, the American Cinema Editors, is an honorary society of motion picture editors founded in 1950. Film editors are voted into membership on the basis of their professional achievements, their dedication to the education of others and their commitment to the craft of editing.
Best Edited Feature Film (Dramatic):
Black Swan
Andrew Weisblum, A.C.E.
The Fighter
Pamela Martin
Inception
Lee Smith, A.C.E.
The King’s Speech
Tariq Anwar
The Social Network
Angus Wall, A.C.E. & Kirk Baxter
Best Edited Feature Film (Comedy Or Musical):
Alice in Wonderland
Chris Lebenzon, A.C.E.
Easy A
Susan Littenberg
The Kids Are All Right
Jeffrey M. Werner
Made In Dagenham
Michael Parker
Scott Pilgrim vs. the World
Jonathan Amos & Paul Machliss
Best Edited...
- 1/14/2011
- by HollywoodNews.com
- Hollywoodnews.com
How I Got Lost… Well, maybe you should start to answer that with the drunken cab ride out New York to Philadelphia. The film by Joe Leonard follows Andrew (Aaron Stanford) and Jake (Jacob Fishel) a year after the 9/11 attacks. They were two promising kids who grew up into mediocrity. Jake, an aspiring novelist who settles for sports writing, loved and lost a beautiful blond girl named Sarah (Nicole Vicius), a girl who tends to disappear a lot, and Andrew, in the midst of a drunken downward spiral, just lost his father. Andrew tricks Jake into attending the funeral, hence the “surprise” trip to Philadelphia, and then on to Ohio. On their journey, Jake meets a small town waitress, Leslie (Rosemarie Dewitt), and the flirtatious outcome that is more than predictable follows. Andrew, being the loud, obnoxious one of the duo, makes a rude, loud speech to all of the guests at the wake,...
- 11/14/2009
- by Melissa
- WeAreMovieGeeks.com
Monday was Arbor Day for me. That is, I watched two Austin Film Festival films up at the Arbor Cinema. The best anyone can do is three features a day from this point on, but I was too busy watching a screener to make it any earlier (and more on that later).
I don't know how much of it was rainy Monday, post-conference, or just being out of downtown, but the Aff movies at the Arbor were not crowded. That's not to say it was empty -- there was a respectable sized crowd for both films I saw -- but no one was forced for sit in the front row. Keep that in mind for all venues for the next three days; unless you're late, you're likely to get into everything now. If it's at the Paramount, you'll get in.
First up for me was How I Got Lost (pictured...
I don't know how much of it was rainy Monday, post-conference, or just being out of downtown, but the Aff movies at the Arbor were not crowded. That's not to say it was empty -- there was a respectable sized crowd for both films I saw -- but no one was forced for sit in the front row. Keep that in mind for all venues for the next three days; unless you're late, you're likely to get into everything now. If it's at the Paramount, you'll get in.
First up for me was How I Got Lost (pictured...
- 10/27/2009
- by Jenn Brown
- Slackerwood
It’s time for the 16th annual Austin Film Festival (October 22nd ‐ 29th). The Aff always features a strong competition in the narrative and documentary categories, as well as high profile “marquee” premieres (An Education, Youth in Revolt, The Road, The Fourth Kind, Calvin Marshall, and Precious to name a few). Serious_Moonlight_still Opening the festival will be Serious Moonlight (directed by Cheryl Hines and written by the late Adrienne Shelly) on October 22nd at 7pm at the Paramount Theatre with Hines in attendance. up-in-the-air-clooney Closing the festival will be Up in the Air (directed by Jason Reitman and written by Reitman and Sheldon Turner) on October 29th at 8pm at the Paramount Theatre with Reitman in attendance. Along with the film festival, there is also a four-day conference (October 22nd – 25th) featuring over 80 panels, ranging from very personal “Meet and Greets” and round-table discussions to larger Q&A sessions.
- 10/21/2009
- by Don Simpson
- SmellsLikeScreenSpirit
Director: Joe Leonard Writer(s): Joe Leonard Starring: Aaron Stanford, Jacob Fishel, Rosemarie DeWitt, Nicole Vicius, Jill Flint, Emily Wickersham, Lily Holleman, Gregory Konow, Katie Apicella, Gregory Northrop, Peter Mayer, Aidan Nichols, John Pierson Cleverly and meaningfully book-ended by two significantly traumatic dates for New Yorkers in the aughts (September 11, 2001 and August 14, 2003), How I Got Lost tells the story of two friends who are caught in a downward spiral into the depths of depression – and Andrew (Aaron Stanford) and Jake (Jacob Fishel) are not just dealing with the mental repercussions of September 11th, they are both facing much more personal losses. Andrew has developed a taste for booze which he hopelessly attempts to balance with his career as a trader on Wall Street. Andrew’s best friend, Jake, is a broken-hearted sports writer. Jake was recently dumped by the love of his life, Sarah (Nicole Vicius), most likely for...
- 10/21/2009
- by Don Simpson
- SmellsLikeScreenSpirit
Are you an aspiring filmmaker? If not, do you know someone who is? If so, you may see one of their films during the St. Louis Filmmaker’s Showcase. If not, you’ll still see plenty of great feature and short films during this 9th annual love affair with local filmmaking. On that note, even if you just simply love great movies, this is still a wonderful event to patronize.
The Ninth Annual Slfs will be held July 18-23, 2009. This event focuses exclusively on the work of local directors and filmmakers, as well as expatriates with strong local connections who have gone on to use their creative talents in other cities. Tickets are on sale now!
For the filmmakers, Saturday is your day to learn, with filmmaking seminars running throughout the day. For the film buffs and movie geeks, be sure to get out and see at least one of...
The Ninth Annual Slfs will be held July 18-23, 2009. This event focuses exclusively on the work of local directors and filmmakers, as well as expatriates with strong local connections who have gone on to use their creative talents in other cities. Tickets are on sale now!
For the filmmakers, Saturday is your day to learn, with filmmaking seminars running throughout the day. For the film buffs and movie geeks, be sure to get out and see at least one of...
- 7/17/2009
- by Travis
- WeAreMovieGeeks.com
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