Amélie Hoeferle, Gavin Warren, Nancy Lenehan, Wyatt Russell, and Kerry Condon in ‘Night Swim’ (Photo © 2023 Universal Studios)
January is here. That’s the time when studios will traditionally and unceremoniously dump movies in which they don’t have a lot of confidence. That usually includes a lot of horror movies. But last year, January gave us such well-received offerings as M3GAN, Knock at the Cabin, and Skinamarink. So, what does this January have in store for us? We shall see. First up – the new Blumhouse Studios movie Night Swim.
Night Swim is about a former baseball player named Ray Waller (Overlord’s Wyatt Russell) who is suffering from Multiple Sclerosis. Along with his wife Eve (Kerry Condon from The Banshees of Inisherin) and kids Izzy (Amélie Hoeferle from The Hunger Games: The Ballad of Songbirds and Snakes) and Elliot (Fear the Walking Dead’s Gavin Warren), he seems to find...
January is here. That’s the time when studios will traditionally and unceremoniously dump movies in which they don’t have a lot of confidence. That usually includes a lot of horror movies. But last year, January gave us such well-received offerings as M3GAN, Knock at the Cabin, and Skinamarink. So, what does this January have in store for us? We shall see. First up – the new Blumhouse Studios movie Night Swim.
Night Swim is about a former baseball player named Ray Waller (Overlord’s Wyatt Russell) who is suffering from Multiple Sclerosis. Along with his wife Eve (Kerry Condon from The Banshees of Inisherin) and kids Izzy (Amélie Hoeferle from The Hunger Games: The Ballad of Songbirds and Snakes) and Elliot (Fear the Walking Dead’s Gavin Warren), he seems to find...
- 1/4/2024
- by James Jay Edwards
- Showbiz Junkies
In “Don’t Breathe 2,” now playing in theaters, Stephen Lang returns as the blind man and former Navy Seal Norman Nordstrom, who is harboring a terrible secret about his wicked ways. He uses his other senses to enhance his abilities, fighting off those who challenge him.
Separated from the home invasion incident that fueled the plot of 2016’s “Don’t Breathe,” this sequel finds Norman once again relying on what he hears to guide him through a night of terror against new criminals looking to take away the young orphaned girl he’s been raising.
As with the first film, as intense as the situation can get, much of the film relies on silence, which can be very difficult to achieve on film, according to supervising sound editor Mandell Winter. “You want to strip out the unwanted noise from production, and a lot of times, it means using Adr [Automated Dialogue Replacement] to help sell that.
Separated from the home invasion incident that fueled the plot of 2016’s “Don’t Breathe,” this sequel finds Norman once again relying on what he hears to guide him through a night of terror against new criminals looking to take away the young orphaned girl he’s been raising.
As with the first film, as intense as the situation can get, much of the film relies on silence, which can be very difficult to achieve on film, according to supervising sound editor Mandell Winter. “You want to strip out the unwanted noise from production, and a lot of times, it means using Adr [Automated Dialogue Replacement] to help sell that.
- 8/16/2021
- by Aaron Neuwirth
- Variety Film + TV
‘Babyteeth’ is the feature debut of established theatre and TV director Shannon Murphy.
Shannon Murphy’s drama Babyteeth has swept the board at the Australian Academy of Cinema and Television Arts (Aacta) awards, winning nine prizes including best film and all four acting awards.
The Australian title – which premiered in Competition at the Venice Fil Festival in 2019 – was nominated for 13 awards, also taking home best direction for Murphy, best screenplay for Rita Kalnejais, best original score for Amanda Brown and best casting for Kirsty McGregor and Stevie Ray.
Other film winners included Universal Pictures’ The Invisible Man, which picked up best cinematography,...
Shannon Murphy’s drama Babyteeth has swept the board at the Australian Academy of Cinema and Television Arts (Aacta) awards, winning nine prizes including best film and all four acting awards.
The Australian title – which premiered in Competition at the Venice Fil Festival in 2019 – was nominated for 13 awards, also taking home best direction for Murphy, best screenplay for Rita Kalnejais, best original score for Amanda Brown and best casting for Kirsty McGregor and Stevie Ray.
Other film winners included Universal Pictures’ The Invisible Man, which picked up best cinematography,...
- 11/30/2020
- by Ben Dalton
- ScreenDaily
“Bohemian Rhapsody” and “A Quiet Place” split the top sound editing prizes Sunday at the 66th annual Mpse Golden Reel Awards. “Bohemian Rhapsody” took Dialogue/Adr and Musical honors while the innovative “A Quiet Place” scored for Effects/Foley at the Westin Bonaventure Hotel.
This sets up a competitive Oscar race down to the wire next Sunday between the two frontrunners. But there’s also a good chance that the popular Freddie Mercury biopic will sweep both categories as a result of its Cas sound mixing victory on Saturday.
Read More: Oscars 2019: Best Sound Editing Predictions
Meanwhile, “Roma” took the foreign trophy for its nuanced soundscape, “Free Solo” and Peter Jackson’s “They Shall Not Grow Old” tied in the documentary category, and “Spider-Man: Into the Spider-Verse” snagged animation and music score honors.
TV winners included “Westworld” (“The Riddle of the Sphinx”), “Altered Carbon” (“Out of the Past”), “The Marvelous Mrs. Maisel...
This sets up a competitive Oscar race down to the wire next Sunday between the two frontrunners. But there’s also a good chance that the popular Freddie Mercury biopic will sweep both categories as a result of its Cas sound mixing victory on Saturday.
Read More: Oscars 2019: Best Sound Editing Predictions
Meanwhile, “Roma” took the foreign trophy for its nuanced soundscape, “Free Solo” and Peter Jackson’s “They Shall Not Grow Old” tied in the documentary category, and “Spider-Man: Into the Spider-Verse” snagged animation and music score honors.
TV winners included “Westworld” (“The Riddle of the Sphinx”), “Altered Carbon” (“Out of the Past”), “The Marvelous Mrs. Maisel...
- 2/18/2019
- by Bill Desowitz
- Indiewire
“Bohemian Rhapsody” followed up love from Cinema Audio Society sound mixers with a pair of honors at the Motion Picture Sound Editors’ 66th annual Golden Reel Awards Sunday night. The musical biopic scored wins for dialogue and Adr as well as sound editing in a musical.
The film is nominated for sound editing at the Oscars along with “First Man” and two other films that received Golden Reel Awards: “A Quiet Place” and “Roma.”
“Spider-Man: Into the Spider-Verse” also received a pair of awards.
TV prizes went to FX’s “The Americans” and “Atlanta,” Amazon’s “The Marvelous Mrs. Maisel,” HBO’s “Westworld” and Netflix’s “Altered Carbon.”
There were a pair of ties: In feature documentary, “Free Solo” and “They Shall Not Grow Old” locked horns. For episodic short form music/musical work, “American Horror Story: Apocalypse” and “Vikings” ended up in a dead heat.
Director Antoine Fuqua received the Mpse’s filmmaker award,...
The film is nominated for sound editing at the Oscars along with “First Man” and two other films that received Golden Reel Awards: “A Quiet Place” and “Roma.”
“Spider-Man: Into the Spider-Verse” also received a pair of awards.
TV prizes went to FX’s “The Americans” and “Atlanta,” Amazon’s “The Marvelous Mrs. Maisel,” HBO’s “Westworld” and Netflix’s “Altered Carbon.”
There were a pair of ties: In feature documentary, “Free Solo” and “They Shall Not Grow Old” locked horns. For episodic short form music/musical work, “American Horror Story: Apocalypse” and “Vikings” ended up in a dead heat.
Director Antoine Fuqua received the Mpse’s filmmaker award,...
- 2/18/2019
- by Kristopher Tapley
- Variety Film + TV
It was a clear victory for sci-fi sound editing Sunday night at the 65th annual Mpse Golden Reel Awards at the Westin Bonaventure. “War for the Planet of the Apes” was the surprise winner for Dialogue/Adr, splitting honors with “Blade Runner 2049,” which grabbed the Effects/Foley prize. The big loser was “Dunkirk” (which won the BAFTA sound award earlier Sunday). However, Christopher Nolan’s World War II survival epic took home the Music Score award and remains the sound editing Oscar favorite.
In addition, “The Greatest Showman,” “Coco,” “Loveless,” and “Jane” earned sound editing awards for Musical, Animation, Foreign Language, and Documentary. The big TV winner was “Game of Thrones” (“The Spoils of War”) for Dialogue/Adr and Effects/Foley. Other TV honorees included “Black Mirror” (“USS Callister”) for Episodic Long Form Dialogue/Adr; “Godless” (“Homecoming”) and “Ozark” (“The Toll”) for Episodic Long Form Effects/Foley; “The Get...
In addition, “The Greatest Showman,” “Coco,” “Loveless,” and “Jane” earned sound editing awards for Musical, Animation, Foreign Language, and Documentary. The big TV winner was “Game of Thrones” (“The Spoils of War”) for Dialogue/Adr and Effects/Foley. Other TV honorees included “Black Mirror” (“USS Callister”) for Episodic Long Form Dialogue/Adr; “Godless” (“Homecoming”) and “Ozark” (“The Toll”) for Episodic Long Form Effects/Foley; “The Get...
- 2/19/2018
- by Bill Desowitz
- Indiewire
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