To celebrate the release of Oz the Great and Powerful this week, here is a round-up of the best fantasy costume related posts at Clothes on Film. Some stretch a few years back but are still worth a read. Also do not forget to check out our review of Oz Here.
Click the image to take you to the article.
Her name is Effie and she dresses in McQueen.
We speak to simulation supervisor Claudia Chung about designing costumes for Oscar winning animation Brave.
With Catching Fire on the way this November, revisit our review of The Hunger Games. Costume designer Trish Summerville replaces Judianna Makovsky for the new one.
Penny Rose talks to us about her designs for Prince of Persia. Rose’s next project The Long Ranger is due in July.
A look at Aggie Guerard Rodgers’ fabulous costumes for Beetle Juice – with exclusive notes from Rodgers herself.
Click the image to take you to the article.
Her name is Effie and she dresses in McQueen.
We speak to simulation supervisor Claudia Chung about designing costumes for Oscar winning animation Brave.
With Catching Fire on the way this November, revisit our review of The Hunger Games. Costume designer Trish Summerville replaces Judianna Makovsky for the new one.
Penny Rose talks to us about her designs for Prince of Persia. Rose’s next project The Long Ranger is due in July.
A look at Aggie Guerard Rodgers’ fabulous costumes for Beetle Juice – with exclusive notes from Rodgers herself.
- 3/10/2013
- by Chris Laverty
- Clothes on Film
With the release of Disney/Pixar’s latest adventure Brave (directed by Brenda Chapman and Mark Andrews); featuring colourful tartan cloaks and the Tudor-esque dresses of its heroine Merida (voiced by Kelly Macdonald), it is worth considering exactly what role costume plays in animated film. Does this craft even exist for animation?
Clothes on Film talk exclusively to simulation supervisor for Brave, Claudia Chung, about this process and whether or not costume truly has a viable, practical function outside of live action cinema:
Educated at University of California-Berkeley, Claudia Chung joined Pixar in 2002 after interning for summer in 2001. Her first role was as rendering technical director on Finding Nemo (2003), progressing to simulation and rendering technical director for The Incredibles (2004) and Ratatouille (2007), then as cloth lead on Up (2009). For Brave, her role was to oversee all aspects of grooming, costuming and shot simulation.
Mild Spoilers
Clothes on Film: What is the...
Clothes on Film talk exclusively to simulation supervisor for Brave, Claudia Chung, about this process and whether or not costume truly has a viable, practical function outside of live action cinema:
Educated at University of California-Berkeley, Claudia Chung joined Pixar in 2002 after interning for summer in 2001. Her first role was as rendering technical director on Finding Nemo (2003), progressing to simulation and rendering technical director for The Incredibles (2004) and Ratatouille (2007), then as cloth lead on Up (2009). For Brave, her role was to oversee all aspects of grooming, costuming and shot simulation.
Mild Spoilers
Clothes on Film: What is the...
- 8/16/2012
- by Chris Laverty
- Clothes on Film
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