In the grasslands of Southern Ukraine, between Crimea and mainland Ukraine, a natural history researcher named Yura (Dmytro Bahnenko) is hoping to track down and photograph a groundhog. If he succeeds, the land can be protected as a European reserve. This apparently simple premise — the kernel at the outset of “The Editorial Office” — can’t begin to hint at the rugged tapestry of thematic and topical threads that Roman Bondarchuk’s second narrative feature proceeds to weave together, the unique product of both the director’s vision and ambition, and also of the circumstances under which it gestated.
Set and shot just before the Russian invasion of Ukraine, and completed during the war, the film closes with a dedication to editor Viktor Onysko, who lost his life in the conflict during a combat mission.
While attempting to track his groundhog target, Yura catches some arsonists on camera as they set a forest fire.
Set and shot just before the Russian invasion of Ukraine, and completed during the war, the film closes with a dedication to editor Viktor Onysko, who lost his life in the conflict during a combat mission.
While attempting to track his groundhog target, Yura catches some arsonists on camera as they set a forest fire.
- 2/17/2024
- by Catherine Bray
- Variety Film + TV
Anton Corbijn, the renowned Dutch photographer and film director (Control, The American, Life) will head up this year’s competition jury for the 2023 Zurich Film Festival.
Joining Corbijn on the Zurich jury are two-time Oscar-nominated producer Finola Dwyer (Brooklyn, An Education), French director Laure de Clermont-Tonnerre (Mustang), Finnish filmmaker Juho Kuosmanen (Compartment No. 6), and VFX artist Bryce Nielsen (Roma, Iron Man 2). Together they will judge the competition line up at the 2023 Zff, which runs September 28 to October 8, and present the best film Golden Eye honor, which comes with a Chf 25,000 ($27,400) cash prize.
Malte Grunert, producer of 4-time Oscar winner All Quiet on the Western Front, will head up the jury for Zurich’s Focus sidebar, joined by Oscar-nominated producer Gabrielle Tana (Philomena); Katrin Renz, a producer on Margarethe von Trotta’s Ingeborg Bachmann – Journey into the Desert; editor Heike Parplies (Toni Erdmann); and Swiss actor Sven Schelker (Der Kreis...
Joining Corbijn on the Zurich jury are two-time Oscar-nominated producer Finola Dwyer (Brooklyn, An Education), French director Laure de Clermont-Tonnerre (Mustang), Finnish filmmaker Juho Kuosmanen (Compartment No. 6), and VFX artist Bryce Nielsen (Roma, Iron Man 2). Together they will judge the competition line up at the 2023 Zff, which runs September 28 to October 8, and present the best film Golden Eye honor, which comes with a Chf 25,000 ($27,400) cash prize.
Malte Grunert, producer of 4-time Oscar winner All Quiet on the Western Front, will head up the jury for Zurich’s Focus sidebar, joined by Oscar-nominated producer Gabrielle Tana (Philomena); Katrin Renz, a producer on Margarethe von Trotta’s Ingeborg Bachmann – Journey into the Desert; editor Heike Parplies (Toni Erdmann); and Swiss actor Sven Schelker (Der Kreis...
- 9/26/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Netherlands photographer and director Anton Corbijn has been named as president of the main feature film jury for the upcoming Zurich Film Festival.
Oscar-winning producer Malte Grunert (All Quiet On The Western Front) will be the jury president for the Focus competition, reserved for first, second and third features, while another Academy Awards winner, Last Men In Aleppo director Feras Fayyad will head up the documentary competition jury.
The juries each award a Golden Eye endowed with a $27,000.
“Anton presented his film Life about James Dean at Zff eight years ago, now we’re delighted that the world-famous director and photographer is returning to preside over the feature film jury,” said Zurich director Christian Jungen.
“Producer Malte Grunert and documentary film director Feras Fayya are also set to enrich the Zff with their wealth of experience. Our competitions are dedicated to promoting the next generation, so it’s encouraging...
Oscar-winning producer Malte Grunert (All Quiet On The Western Front) will be the jury president for the Focus competition, reserved for first, second and third features, while another Academy Awards winner, Last Men In Aleppo director Feras Fayyad will head up the documentary competition jury.
The juries each award a Golden Eye endowed with a $27,000.
“Anton presented his film Life about James Dean at Zff eight years ago, now we’re delighted that the world-famous director and photographer is returning to preside over the feature film jury,” said Zurich director Christian Jungen.
“Producer Malte Grunert and documentary film director Feras Fayya are also set to enrich the Zff with their wealth of experience. Our competitions are dedicated to promoting the next generation, so it’s encouraging...
- 9/26/2023
- by Melanie Goodfellow
- Deadline Film + TV
The program of this year’s Alfilm – Arab Film Festival Berlin features a diversity of long and short films from the Arab region. Once again, the festival shows which talents this region offers and which impressive stories serve as their inspiration. The short film selection will also include “Maradona’s Legs” by Firas Khoudry. This co-production between Palestine and Germany convinces with a dense narrative pace and two outstanding child actors.
Maradona’s Legs is screening at Alfilm
Set in 1990 during the soccer World Cup, Khoudry’s short film tells the story of two brothers who are big fans of the Brazilian national team. To complete their sticker book, however of all things, they are missing the bottom part of the Maradona picture. It is Maradona’s legs that stand between them and the prize they can win for the complete booklet. To reach this missing picture, the two take...
Maradona’s Legs is screening at Alfilm
Set in 1990 during the soccer World Cup, Khoudry’s short film tells the story of two brothers who are big fans of the Brazilian national team. To complete their sticker book, however of all things, they are missing the bottom part of the Maradona picture. It is Maradona’s legs that stand between them and the prize they can win for the complete booklet. To reach this missing picture, the two take...
- 4/26/2021
- by Teresa Vena
- AsianMoviePulse
Exclusive: Amazon Studios has bought U.S. rights to Cannes Un Certain Regard winner The Invisible Life of Eurídice Gusmão ahead of its North American premiere at Toronto.
European arthouse stalwart The Match Factory and CAA Media Finance brokered the deal for the well-received Brazilian film. CAA has also signed the film’s director Karim Aïnouz, an A-list festival regular.
The Portuguese-language, tropical melodrama about two sisters struggling to define themselves in the machista culture of mid-century Brazil is a strong contender to be the country’s entry for the International Feature Film Oscar. That decision will be made soon. A U.S. release date has yet to be set.
We revealed the film’s first international trailer in Cannes.
The story begins in Rio de Janeiro in 1950. Eurídice, 18, and Guida, 20, are two inseparable sisters living at home with their conservative parents. Although immersed in a traditional life, each...
European arthouse stalwart The Match Factory and CAA Media Finance brokered the deal for the well-received Brazilian film. CAA has also signed the film’s director Karim Aïnouz, an A-list festival regular.
The Portuguese-language, tropical melodrama about two sisters struggling to define themselves in the machista culture of mid-century Brazil is a strong contender to be the country’s entry for the International Feature Film Oscar. That decision will be made soon. A U.S. release date has yet to be set.
We revealed the film’s first international trailer in Cannes.
The story begins in Rio de Janeiro in 1950. Eurídice, 18, and Guida, 20, are two inseparable sisters living at home with their conservative parents. Although immersed in a traditional life, each...
- 8/20/2019
- by Andreas Wiseman
- Deadline Film + TV
Exclusive: Here’s a first international trailer for A-list festival regular Karim Aïnouz’s Cannes Un Certain Regard drama The Invisible Life Of Eurídice Gusmão, which is being sold on the Croisette by The Match Factory.
Rt Features, Pola Pandora, Sony Pictures, Canal Brasil and The Match Factory are behind the Portuguese-language tropical melodrama about two sisters struggling to define themselves in the machista culture of midcentury Brazil. Sony plans to release the film wide in Brazil in November 2019, followed by the rest of Latin America.
The story begins in Rio de Janeiro in 1950. Eurídice, 18, and Guida, 20, are two inseparable sisters living at home with their conservative parents. Although immersed in a traditional life, each one nourishes a dream: Eurídice of becoming a renowned pianist, Guida of finding true love. In a dramatic turn, they are separated by their father and forced to live apart. The sisters take control of their separate destinies,...
Rt Features, Pola Pandora, Sony Pictures, Canal Brasil and The Match Factory are behind the Portuguese-language tropical melodrama about two sisters struggling to define themselves in the machista culture of midcentury Brazil. Sony plans to release the film wide in Brazil in November 2019, followed by the rest of Latin America.
The story begins in Rio de Janeiro in 1950. Eurídice, 18, and Guida, 20, are two inseparable sisters living at home with their conservative parents. Although immersed in a traditional life, each one nourishes a dream: Eurídice of becoming a renowned pianist, Guida of finding true love. In a dramatic turn, they are separated by their father and forced to live apart. The sisters take control of their separate destinies,...
- 5/18/2019
- by Andreas Wiseman
- Deadline Film + TV
Make room on the bench, Sergei Loznitsa (“Donbass”). Scoot along, Myroslav Slaboshpytskiy (“The Tribe”). It’s time to share the title of contemporary Ukraine’s most intriguing filmmaker with helmer Roman Bondarchuk, an erstwhile documentarian (“Ukrainian Sheriffs”), who makes a mesmerizing fiction debut with “Volcano.” An impressively shot drama marbled with welcome notes of absurdist comedy and wry humor, the movie is set in southern Ukraine’s Kherson province, just above Crimea, where a Kiev-based interpreter for the Organization for Security and Cooperation in Europe (Osce) finds himself stranded after a series of misadventures. Following its world premiere in Karlovy Vary last July, the consistently involving film has screened at more than 30 international festivals and collected numerous kudos. Its Ukrainian theatrical rollout begins April 5.
Thirtysomething Lukas is driving three international Osce personnel on an inspection tour of military checkpoints when their SUV breaks down on a dirt road in the steppe.
Thirtysomething Lukas is driving three international Osce personnel on an inspection tour of military checkpoints when their SUV breaks down on a dirt road in the steppe.
- 4/5/2019
- by Alissa Simon
- Variety Film + TV
Maren Ade named best director as female filmmakers flourish.
Toni Erdmann continued its triumphant run at the German Film Awards on Friday night, taking home six coveted Lola statuettes in an evening dominated by strong women filmmakers.
Maren Ade’s tragicomedy received the Golden Lola for Best Feature Film as well as double honours for Ade (pictured at left) herself as director and screenwriter, plus statuettes for her lead actors Sandra Hueller (pictured at right) and Peter Simonischek, and a Lola for the film’s editor Heike Parplies.
Handled internationally by The Match Factory, Toni Erdmann began winning the hearts of critics and audiences around the globe following its premiere in Cannes’ Official Competition last year.
It picked up five European Film Awards in Poland’s Wroclaw last December – in the same categories as the Lolas except for editing – as well as Golden Globe and Oscar nominations.
Hours before Friday night’s ceremony in Berlin, the film’s...
Toni Erdmann continued its triumphant run at the German Film Awards on Friday night, taking home six coveted Lola statuettes in an evening dominated by strong women filmmakers.
Maren Ade’s tragicomedy received the Golden Lola for Best Feature Film as well as double honours for Ade (pictured at left) herself as director and screenwriter, plus statuettes for her lead actors Sandra Hueller (pictured at right) and Peter Simonischek, and a Lola for the film’s editor Heike Parplies.
Handled internationally by The Match Factory, Toni Erdmann began winning the hearts of critics and audiences around the globe following its premiere in Cannes’ Official Competition last year.
It picked up five European Film Awards in Poland’s Wroclaw last December – in the same categories as the Lolas except for editing – as well as Golden Globe and Oscar nominations.
Hours before Friday night’s ceremony in Berlin, the film’s...
- 4/28/2017
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
After being snubbed at the BAFTAs and the Oscars, Maren Ade's tragicomedy Toni Erdmann cleaned up Friday night at home, winning best film at the German Film Awards, or Lolas, which were held in Berlin.
Toni Erdmann picked up a total of six awards, including Lolas for Ade for best director and screenwriter, best actor honors for Peter Simonischek, a best actress prize for Sandra Huller and the trophy for best editing, for Heike Parplies.
The film, which looks at the strained relationship between a career-oriented daughter and her hippie dad, was one of the most critically acclaimed films at...
Toni Erdmann picked up a total of six awards, including Lolas for Ade for best director and screenwriter, best actor honors for Peter Simonischek, a best actress prize for Sandra Huller and the trophy for best editing, for Heike Parplies.
The film, which looks at the strained relationship between a career-oriented daughter and her hippie dad, was one of the most critically acclaimed films at...
- 4/28/2017
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Maren Ade with Peter Simonischek and Sandra Hüller of Toni Erdmann win five European Film Awards Photo: Anne-Katrin Titze
Toni Erdmann, Germany's Oscar submission for Best Foreign Language Film swept the European Film Awards last night, winning Best Film, Best Director and Screenwriter - Maren Ade, Best Actor - Peter Simonischek, and Best Actress - Sandra Hüller.
Maren Ade : "There's really a different dress code for a German business woman than for others." Photo: Anne-Katrin Titze
Maren Ade teamed up again with costume designer Gitti Fuchs and editor Heike Parplies of her The Forest For The Trees (Der Wald Vor Lauter Bäumen) and Everyone Else (Alle Anderen). Sandra Hüller, Maren Ade and I spoke about the costume choices, hierarchies and Rainer Maria Rilke's novel Die Aufzeichnungen des Malte Laurids Brigge.
Toni Erdmann had its world premiere at Cannes, winning the Fipresci Prize and it received the Fipresci Film...
Toni Erdmann, Germany's Oscar submission for Best Foreign Language Film swept the European Film Awards last night, winning Best Film, Best Director and Screenwriter - Maren Ade, Best Actor - Peter Simonischek, and Best Actress - Sandra Hüller.
Maren Ade : "There's really a different dress code for a German business woman than for others." Photo: Anne-Katrin Titze
Maren Ade teamed up again with costume designer Gitti Fuchs and editor Heike Parplies of her The Forest For The Trees (Der Wald Vor Lauter Bäumen) and Everyone Else (Alle Anderen). Sandra Hüller, Maren Ade and I spoke about the costume choices, hierarchies and Rainer Maria Rilke's novel Die Aufzeichnungen des Malte Laurids Brigge.
Toni Erdmann had its world premiere at Cannes, winning the Fipresci Prize and it received the Fipresci Film...
- 12/11/2016
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Sandra Hüller with Toni Erdmann director/writer Maren Ade Photo: Anne-Katrin Titze
Maren Ade has teamed up again with costume designer Gitti Fuchs and editor Heike Parplies of her The Forest For The Trees (Der Wald Vor Lauter Bäumen) and Everyone Else (Alle Anderen) to bring us Germany's Oscar submission Toni Erdmann, starring Sandra Hüller and Peter Simonischek.
Rainer Maria Rilke, Andy Kaufman's Tony Clifton, meerkats (not from Ang Lee's Life Of Pi), Frauke Finsterwalder's Finsterworld, vintage Yves Saint Laurent, and corporate madness came up in my conversation with Maren Ade and Sandra Hüller.
Kent Jones with Maren Ade, Peter Simonischek and Sandra Hüller Photo: Anne-Katrin Titze
With a supporting cast including Viktorija Malektorovych, Hadewych Minis, Lucy Russell, Michael Wittenborn, Ingrid Bisu, Thomas Loibl, and Trystan Pütter, Ade gives her characters a chance to rediscover themselves in song and skin-deep encounters of the third or fourth or fifth kind.
Maren Ade has teamed up again with costume designer Gitti Fuchs and editor Heike Parplies of her The Forest For The Trees (Der Wald Vor Lauter Bäumen) and Everyone Else (Alle Anderen) to bring us Germany's Oscar submission Toni Erdmann, starring Sandra Hüller and Peter Simonischek.
Rainer Maria Rilke, Andy Kaufman's Tony Clifton, meerkats (not from Ang Lee's Life Of Pi), Frauke Finsterwalder's Finsterworld, vintage Yves Saint Laurent, and corporate madness came up in my conversation with Maren Ade and Sandra Hüller.
Kent Jones with Maren Ade, Peter Simonischek and Sandra Hüller Photo: Anne-Katrin Titze
With a supporting cast including Viktorija Malektorovych, Hadewych Minis, Lucy Russell, Michael Wittenborn, Ingrid Bisu, Thomas Loibl, and Trystan Pütter, Ade gives her characters a chance to rediscover themselves in song and skin-deep encounters of the third or fourth or fifth kind.
- 10/26/2016
- by Anne-Katrin Titze
- eyeforfilm.co.uk
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