Perhaps it’s presumptuous to say, but I sensed during The Passengers of the Night that I was watching another film in the line of The Fabelmans or (God forbid) Belfast: a nostalgic reverie inspired by lockdown-enforced personal reflection. Though in this case, with Full Moon in Paris taking for Mikhaël Hers the place of whatever child-friendly movie little Stevie Spielberg or Kenny Branagh were gazing up at in wonder, with that film’s star Pascale Ogier and the way her life was tragically cut short curiously haunting the proceedings of this ostensible family drama.
A film that can be accurately described as very French (archival footage of Jacques Rivette from the Claire Denis-directed documentary even appears), and furthermore evoking Renoir, Pialat, and (for a more recent comparison) Mia Hansen-Løve in its elliptical yet always character-driven narrative, Hers’ film is a case of one that never quite shatters...
A film that can be accurately described as very French (archival footage of Jacques Rivette from the Claire Denis-directed documentary even appears), and furthermore evoking Renoir, Pialat, and (for a more recent comparison) Mia Hansen-Løve in its elliptical yet always character-driven narrative, Hers’ film is a case of one that never quite shatters...
- 6/29/2023
- by Ethan Vestby
- The Film Stage
Mikhaël Hers is known for his precise, intentional, fulfilling films that effortlessly capture the beauty in the stories he is telling and his 2022 film, “The Passengers Of The Night,” is no different. And now, the filmmaker’s fans are going to get a chance to see the acclaimed film in theaters.
Read More: ‘The Passengers Of The Night’ Review: Charlotte Gainsbourg Eventually Finds Her Way A Moody, Melancholic Drama [Berlin Film Festival]
Premiering at the Berlin International Film Festival, this melancholic drama is set in Paris, France in 1981.
Continue reading ‘The Passengers Of The Night’ Exclusive Trailer: Charlotte Gainsbourg Stars In Mikhaël Hers’ Acclaimed Drama at The Playlist.
Read More: ‘The Passengers Of The Night’ Review: Charlotte Gainsbourg Eventually Finds Her Way A Moody, Melancholic Drama [Berlin Film Festival]
Premiering at the Berlin International Film Festival, this melancholic drama is set in Paris, France in 1981.
Continue reading ‘The Passengers Of The Night’ Exclusive Trailer: Charlotte Gainsbourg Stars In Mikhaël Hers’ Acclaimed Drama at The Playlist.
- 6/6/2023
- by Jamie Rogers
- The Playlist
The Göteborg Film Festival has unveiled the competition titles selected for its 46th edition, which runs from January 27 – February 5. (Scroll down for the full list).
Göteborg is split into four competition strands. The main strand is the Nordic Competition, which features nine films from the Nordic region. The competition’s winner takes home the Dragon Award and a Sek 400 000 cash prize. The rest of the festival comprises the Nordic Documentary Competition, the Ingmar Bergman Competition for first-time filmmakers, and the International Competition.
Among the Nordic highlights is Swedish filmmaker Isabella Carbonell’s thriller Dogborn, starring Swedish rap star Silvana Imam. The pic debuted at Venice last year and follows two homeless twins and their struggle to survive. Hlynur Pálmason’s well-received period piece Godland also screens in competition. Set in the late 19th Century, the drama revolves around a young Danish priest who travels to a remote part of...
Göteborg is split into four competition strands. The main strand is the Nordic Competition, which features nine films from the Nordic region. The competition’s winner takes home the Dragon Award and a Sek 400 000 cash prize. The rest of the festival comprises the Nordic Documentary Competition, the Ingmar Bergman Competition for first-time filmmakers, and the International Competition.
Among the Nordic highlights is Swedish filmmaker Isabella Carbonell’s thriller Dogborn, starring Swedish rap star Silvana Imam. The pic debuted at Venice last year and follows two homeless twins and their struggle to survive. Hlynur Pálmason’s well-received period piece Godland also screens in competition. Set in the late 19th Century, the drama revolves around a young Danish priest who travels to a remote part of...
- 1/10/2023
- by Zac Ntim
- Deadline Film + TV
“Return to Dust,” the latest work from Chinese director Li Ruin won the top Golden Spike at the Seminci Valladolid Film Festival, Spain’s traditional arthouse platform, which this last week sold over 100,000 tickets for the second time in a row, a sign of much needed, if temporary, vitality in Spain’s desperately sagging art pic market.
“An absorbing, beautifully framed drama that makes a virtue — possibly too much a virtue — of simplicity,” stated Variety’s Jessica Kiang in her Berlinale review, “Dust” is set in a decimated Chinese village, where a downtrodden couple in an arranged marriage forge an unexpected bond as they eke out a living from the land. “Return to Dust” was released in China in September.
“Eo” director Jerzy Skolimowski (“11 Minutes”) earned the best director prize for “a damning polemic on our relationship to other intelligent species — as free labor, food and companions — as seen through the dewy,...
“An absorbing, beautifully framed drama that makes a virtue — possibly too much a virtue — of simplicity,” stated Variety’s Jessica Kiang in her Berlinale review, “Dust” is set in a decimated Chinese village, where a downtrodden couple in an arranged marriage forge an unexpected bond as they eke out a living from the land. “Return to Dust” was released in China in September.
“Eo” director Jerzy Skolimowski (“11 Minutes”) earned the best director prize for “a damning polemic on our relationship to other intelligent species — as free labor, food and companions — as seen through the dewy,...
- 11/1/2022
- by Pablo Sandoval
- Variety Film + TV
The Ireland-born French exec also talked about navigating international prejudices.
mk2 Films managing director Fionnuala Jamison shared insights on securing a festival berth at Cannes through to prejudices in the international sales market at a London Film Festival ‘Spotlight’ interview on Wednesday (October 12).
Paris-based producer, sales agent and distributor mk2’s slate includes break out arthouse successes The Worst Person In The World, Portrait Of A Lady On Fire and Cold War. This year’s Golden Bear winner Alcarràs by Carla Simón is also repped by MK2.
The firm had six films in Cannes selection this year, and seven in...
mk2 Films managing director Fionnuala Jamison shared insights on securing a festival berth at Cannes through to prejudices in the international sales market at a London Film Festival ‘Spotlight’ interview on Wednesday (October 12).
Paris-based producer, sales agent and distributor mk2’s slate includes break out arthouse successes The Worst Person In The World, Portrait Of A Lady On Fire and Cold War. This year’s Golden Bear winner Alcarràs by Carla Simón is also repped by MK2.
The firm had six films in Cannes selection this year, and seven in...
- 10/13/2022
- by Tim Dams
- ScreenDaily
A former mk2 films sales executive has been brought in to scout for international co-production opportunities.
Nord-Ouest Films, the French production house behind the cult classic Irreversible and more recent Berlinale title The Passengers Of The Night, has hired former mk2 films sales executive Ola Byszuk as a producer to expand its international footprint.
In her new role, Byszuk will focus on forging links with international talent and producers outside of France.
At mk2 films, Byszuk was responsible for Asia and sealed a number of deals that resulted in some of the biggest box office successes for French-language films in the region in recent years,...
Nord-Ouest Films, the French production house behind the cult classic Irreversible and more recent Berlinale title The Passengers Of The Night, has hired former mk2 films sales executive Ola Byszuk as a producer to expand its international footprint.
In her new role, Byszuk will focus on forging links with international talent and producers outside of France.
At mk2 films, Byszuk was responsible for Asia and sealed a number of deals that resulted in some of the biggest box office successes for French-language films in the region in recent years,...
- 5/5/2022
- by Melanie Goodfellow
- ScreenDaily
There’s something about French films. The impeccably styled but lived-in interiors, the laid-back sensuality that feels like real-people sex, the cigarettes upon cigarettes upon cigarettes. The country’s entire oeuvre (has the word ever been more apropos?) feels like a smoky exhalation of the words “le cinéma.” That said, French films get away with certain things American films wouldn’t dare, for better or for worse. In “The Passengers of the Night” (“Les passagers de la nuit”), which stars Charlotte Gainsbourg as a newly divorced mother, meaning takes a backseat to mood, and character development happens on a whim. Still,
The film opens on election night in 1981. As the winds of change sweep the streets of Paris, bursting with youthful optimism, Elisabeth (Gainsbourg) is on the precipice of a less welcome change. Her marriage over, and she is filled with uncertainty about how to support her two teenage kids,...
The film opens on election night in 1981. As the winds of change sweep the streets of Paris, bursting with youthful optimism, Elisabeth (Gainsbourg) is on the precipice of a less welcome change. Her marriage over, and she is filled with uncertainty about how to support her two teenage kids,...
- 2/15/2022
- by Jude Dry
- Indiewire
The dramatic wattage of Mikhaël Hers’s film about a family upended by divorce might be low, but its positive attitude and teen antics have unshowy charm
Mikhaël Hers has made a likably unassuming and easygoing movie set in 1980s Paris; a world of LPs and stonewashed denim, with TV news archive footage interspersed in the drama. We start with the celebrations that marked Mitterrand’s presidential victory in 1981 and end towards the end of the decade with the younger characters preparing to cast their first vote.
This is a film that doesn’t set out to push your emotional buttons all that hard, or even at all. But it covers a surprising amount of narrative ground and there is always something engaging and tender to it. The director appears to be aiming at the unshowy drama of Éric Rohmer. Three of his teen characters are shown sneaking into a...
Mikhaël Hers has made a likably unassuming and easygoing movie set in 1980s Paris; a world of LPs and stonewashed denim, with TV news archive footage interspersed in the drama. We start with the celebrations that marked Mitterrand’s presidential victory in 1981 and end towards the end of the decade with the younger characters preparing to cast their first vote.
This is a film that doesn’t set out to push your emotional buttons all that hard, or even at all. But it covers a surprising amount of narrative ground and there is always something engaging and tender to it. The director appears to be aiming at the unshowy drama of Éric Rohmer. Three of his teen characters are shown sneaking into a...
- 2/13/2022
- by Peter Bradshaw
- The Guardian - Film News
The complete lineup for the 2022 Berlin International Film Festival, taking place February 10-20, 2022, has been unveiled and it’s a major collection of some of our most-anticipated films of the year. As teased yesterday, Claire Denis’ Fire (which now has the title Avec amour et acharnement (aka Both Sides of the Blade)) will premiere in competition, alongside Hong Sangsoo’s The Novelist’s Film, Carla Simón’s Summer 1993 follow-up Alcarràs, Ulrich Seidl’s Rimini, Rithy Panh’s Everything Will Be Ok, and more.
Elsewhere in the festival is Bertrand Bonello’s Coma, Dario Argento’s Dark Glasses, Andrew Dominik’s Nick Cave & Warren Ellis doc This Much I Know To Be True, Peter Strickland’s Flux Gourmet, Gastón Solnicki’s A Little Love Package, Quentin Dupieux’s Incredible But True, plus new shorts by Lucrecia Martel, Hlynur Pálmason, and more. Also recently announced was the Panorama section, which will open...
Elsewhere in the festival is Bertrand Bonello’s Coma, Dario Argento’s Dark Glasses, Andrew Dominik’s Nick Cave & Warren Ellis doc This Much I Know To Be True, Peter Strickland’s Flux Gourmet, Gastón Solnicki’s A Little Love Package, Quentin Dupieux’s Incredible But True, plus new shorts by Lucrecia Martel, Hlynur Pálmason, and more. Also recently announced was the Panorama section, which will open...
- 1/19/2022
- by Jordan Raup
- The Film Stage
The 72nd Berlin International Film Festival (February 10-20) revealed its Competition line-up on Wednesday, scroll down for the full list.
As previously announced, the International Competition opens this year with François Ozon’s Peter Von Kant. Joining the Ozon pic today were 17 further features, including new films from Hong Sang-soo, Claire Denis, Ulrich Seidl, and Rithy Panh.
This marks Denis’ first time in Berlin’s Competition, having been a regular at Cannes over the years, while her last film High Life debuted at Toronto. The director’s new movie Both Sides of the Blade (previously known as Fire) stars Juliette Binoche and Vincent Lindon.
South Korean filmmaker Hong Sang-soo picked up the Silver Bear for Best Director in 2020 for movie The Woman Who Ran. His latest pic is The Novelist’s Film, which Berlin Artistic Director today said celebrates chance encounters.
The Competition program is 17 world premieres plus one international premiere,...
As previously announced, the International Competition opens this year with François Ozon’s Peter Von Kant. Joining the Ozon pic today were 17 further features, including new films from Hong Sang-soo, Claire Denis, Ulrich Seidl, and Rithy Panh.
This marks Denis’ first time in Berlin’s Competition, having been a regular at Cannes over the years, while her last film High Life debuted at Toronto. The director’s new movie Both Sides of the Blade (previously known as Fire) stars Juliette Binoche and Vincent Lindon.
South Korean filmmaker Hong Sang-soo picked up the Silver Bear for Best Director in 2020 for movie The Woman Who Ran. His latest pic is The Novelist’s Film, which Berlin Artistic Director today said celebrates chance encounters.
The Competition program is 17 world premieres plus one international premiere,...
- 1/19/2022
- by Tom Grater
- Deadline Film + TV
Films by auteurs Claire Denis, Hong Sangsoo and Rithy Panh are part of the lineup in competition at the 72nd Berlin Film Festival.
Berlin’s 2022 selection spans 18 movies, seven directed by women, which will compete for the Golden and Silver Bears. The films originate from 15 countries, with 17 serving as world premieres. Two of the films are first features, both from women.
Artistic director Carlo Chatrian discussed the thematic throughline of “human and emotional bonds” across the selection, with the family unit serving as a key focal point in a number of movies. More than half are set in the present time, and two are within the pandemic era.
The festival hosts 12 returning filmmakers, eight of whom are in competition and five of whom already hold a Bear from Berlin.
The festival will go ahead as an in-person event, albeit with seating capacity in movie theaters reduced to 50% and without any parties or receptions.
Berlin’s 2022 selection spans 18 movies, seven directed by women, which will compete for the Golden and Silver Bears. The films originate from 15 countries, with 17 serving as world premieres. Two of the films are first features, both from women.
Artistic director Carlo Chatrian discussed the thematic throughline of “human and emotional bonds” across the selection, with the family unit serving as a key focal point in a number of movies. More than half are set in the present time, and two are within the pandemic era.
The festival hosts 12 returning filmmakers, eight of whom are in competition and five of whom already hold a Bear from Berlin.
The festival will go ahead as an in-person event, albeit with seating capacity in movie theaters reduced to 50% and without any parties or receptions.
- 1/19/2022
- by Naman Ramachandran
- Variety Film + TV
Dylan Penn, the young actor of Sean Penn’s “Flag Day” which competed at Cannes, will be receiving the Hollywood Rising-Star Award at the upcoming Deauville American Film Festival.
The Hollywood Rising-Star Award launched in 2011 and handed out its inaugural nod to Ryan Gosling and Jessica Chastain, and went on to pay tribute to Paul Dano, Robert Pattinson, Elizabeth Olsen, Chloé Grace Moretz, Daniel Radcliffe, Shailene Woodley, Elle Fanning and Sophie Turner.
Penn, who is the daughter of Sean Penn and Robin Wright, received critical acclaim for her performance in “Flag Day,” in which she held her first major role as Jennifer Vogel. Described as an intimate family portrait, the film is inspired by the real-life story of Vogel and the dysfunctional relationship she had with her fascinating father, who happened to be a flamboyant conman and bank robber.
The Hollywood Rising-Star Award launched in 2011 and handed out its inaugural nod to Ryan Gosling and Jessica Chastain, and went on to pay tribute to Paul Dano, Robert Pattinson, Elizabeth Olsen, Chloé Grace Moretz, Daniel Radcliffe, Shailene Woodley, Elle Fanning and Sophie Turner.
Penn, who is the daughter of Sean Penn and Robin Wright, received critical acclaim for her performance in “Flag Day,” in which she held her first major role as Jennifer Vogel. Described as an intimate family portrait, the film is inspired by the real-life story of Vogel and the dysfunctional relationship she had with her fascinating father, who happened to be a flamboyant conman and bank robber.
- 8/23/2021
- by Elsa Keslassy
- Variety Film + TV
Set to open Aug. 18 with two of Latin America’s biggest stars, Gael Garcia Bernal and Wagner Moura (“Narcos”), the 15th edition of Chile’s Santiago Int’l Film Festival (Sanfic) promises a focus on women directors and producers as it hosts a Women’s Encounter and Chile’s audiovisual guilds ink a pact to safeguard against sexual harassment in the work place.
The fest will kick off with Moura’s controversial directorial debut, “Marighella,” after bestowing career recognition awards on Garcia Bernal and Argentine thesp Graciela Borges.
On day two, Moura will participate in an Actor’s Studio interview open to the public, said Sanfic artistic director Carlos Nuñez and industry head Gabriela Sandoval, partners at Storyboard Media who jointly run the festival.
Three competitive sections – international, Chilean and shorts – will include cash prizes. The international, jury – Borges, Uruguayan producer Sandino Saravia (“Roma”) and Chilean director/editor Valeria Sarmiento,...
The fest will kick off with Moura’s controversial directorial debut, “Marighella,” after bestowing career recognition awards on Garcia Bernal and Argentine thesp Graciela Borges.
On day two, Moura will participate in an Actor’s Studio interview open to the public, said Sanfic artistic director Carlos Nuñez and industry head Gabriela Sandoval, partners at Storyboard Media who jointly run the festival.
Three competitive sections – international, Chilean and shorts – will include cash prizes. The international, jury – Borges, Uruguayan producer Sandino Saravia (“Roma”) and Chilean director/editor Valeria Sarmiento,...
- 8/9/2019
- by Anna Marie de la Fuente
- Variety Film + TV
Eva Husson at Cohen Media Group on Emmanuelle Bercot's war journalist character in Girls of the Sun (Les filles du soleil): "I got my inspiration on the writing from Martha Gellhorn." Photo: Anne-Katrin Titze
Girls Of The Sun (Les Filles Du Soleil), starring Golshifteh Farahani and Emmanuelle Bercot, co-produced by Étienne Comar, was one of the films that did not have a press screening before the uniFrance and Film Society of Lincoln Center's Rendez-Vous With French Cinema luncheon last month at the Loews Regency Hotel on Park Avenue, where I had conversations with the President of uniFrance, Serge Toubiana, directors Emmanuel Mouret on Lady J (Mademoiselle De Joncquières), Sophie Fillières on When Margaux Meets Margaux (La Belle Et La Belle), Pierre Salvadori and his star Pio Marmaï on The Trouble with You (En liberté!), and Mikhaël Hers on Amanda. After the event, I rushed off to the public...
Girls Of The Sun (Les Filles Du Soleil), starring Golshifteh Farahani and Emmanuelle Bercot, co-produced by Étienne Comar, was one of the films that did not have a press screening before the uniFrance and Film Society of Lincoln Center's Rendez-Vous With French Cinema luncheon last month at the Loews Regency Hotel on Park Avenue, where I had conversations with the President of uniFrance, Serge Toubiana, directors Emmanuel Mouret on Lady J (Mademoiselle De Joncquières), Sophie Fillières on When Margaux Meets Margaux (La Belle Et La Belle), Pierre Salvadori and his star Pio Marmaï on The Trouble with You (En liberté!), and Mikhaël Hers on Amanda. After the event, I rushed off to the public...
- 4/18/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Amanda director Mikhaël Hers: "Vincent Lacoste is naturally very intuitive and Stacy Martin, maybe due to her double nationality, is more cerebral, more rational as an actor."
Before the uniFrance and Film Society of Lincoln Center luncheon for the 24th edition of Rendez-Vous with French Cinema in New York - attended by the President of uniFrance Serge Toubiana and Executive Director of uniFrance Isabelle Giordano, Russell Banks, uniFrance’s American ambassador, Sophie Fillières, Agathe Bonitzer, Hélène Fillières, Emmanuel Mouret, Eva Husson, Pierre Salvadori, and Pio Marmaï - Amanda director/screenwriter Mikhaël Hers joined me for a conversation. We spoke about the roles of Vincent Lacoste, Isaure Multrier, Stacy Martin, Marianne Basler, Ophélia Kolb, and Greta Scacchi, dancing to Elvis Presley, film critic Serge Daney's book L'Amateur De Tennis and Mikhaël's love of tennis.
President of uniFrance, Serge Toubiana and Executive Director of uniFrance, Isabelle Giordano with Mikhaël Hers...
Before the uniFrance and Film Society of Lincoln Center luncheon for the 24th edition of Rendez-Vous with French Cinema in New York - attended by the President of uniFrance Serge Toubiana and Executive Director of uniFrance Isabelle Giordano, Russell Banks, uniFrance’s American ambassador, Sophie Fillières, Agathe Bonitzer, Hélène Fillières, Emmanuel Mouret, Eva Husson, Pierre Salvadori, and Pio Marmaï - Amanda director/screenwriter Mikhaël Hers joined me for a conversation. We spoke about the roles of Vincent Lacoste, Isaure Multrier, Stacy Martin, Marianne Basler, Ophélia Kolb, and Greta Scacchi, dancing to Elvis Presley, film critic Serge Daney's book L'Amateur De Tennis and Mikhaël's love of tennis.
President of uniFrance, Serge Toubiana and Executive Director of uniFrance, Isabelle Giordano with Mikhaël Hers...
- 3/19/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Be Kind Unwind: Radiant Performances Buoy Hers Powerful Drama
Unless we’re talking about heist films, preparedness is often a trait lacking in protagonists and when inciting incident flip their worlds upside down, it’s how those characters react to the unexpected that makes a film worth the watch. Featuring a serene Vincent Lacoste as Parisian man who is forced to grow up quickly in the aftermath of a tragedy, Mikhaël Hers‘ moving sixth feature Amanda, is an emotional whirlwind captured in intimate moments. A film that comes across as vast and composed, Hers’ artful handling and the immensely likable and luminous cast for what becomes a second straight film dealing with loss within a confining city scape.…...
Unless we’re talking about heist films, preparedness is often a trait lacking in protagonists and when inciting incident flip their worlds upside down, it’s how those characters react to the unexpected that makes a film worth the watch. Featuring a serene Vincent Lacoste as Parisian man who is forced to grow up quickly in the aftermath of a tragedy, Mikhaël Hers‘ moving sixth feature Amanda, is an emotional whirlwind captured in intimate moments. A film that comes across as vast and composed, Hers’ artful handling and the immensely likable and luminous cast for what becomes a second straight film dealing with loss within a confining city scape.…...
- 3/7/2019
- by Matt Delman
- IONCINEMA.com
With his thoughtful presentation of loss, grief and human connection and youthful melancholy in medium length films (just around the 1-hour mark) Montparnasse and Primrose Hill, I was hooked on Mikhaël Hers’ gentle artistry. With the two features that followed, Memory Lane and That Summer Feeling, he claimed his spot in a little corner in the hearts of many cinephiles as a young talent and the best-kept secret in contemporary French cinema. With his new film Amanda, another picture dealing with the loss of a loved one in the era of Isis and terror attacks, I had a chance to sit down with the filmmaker when he was in town for Rendez-Vous with French Cinema this year. Screen Anarchy: Your films always deal with loss...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 3/7/2019
- Screen Anarchy
President of uniFrance, Serge Toubiana, and I spoke about Robert Bresson's Les Dames du Bois de Boulogne, Jacques Rivette's La Religieuse, and how Diderot's language from Jacques the Fatalist shines in Emmanuel Mouret's Lady J. Photo: Anne-Katrin Titze
At the Rendez-Vous With French Cinema luncheon on Park Avenue in New York, attended by the Executive Director of uniFrance, Isabelle Giordano; Russell Banks, uniFrance’s American ambassador for the festival; Sophie Fillières and Agathe Bonitzer (La Belle Et La Belle); Emmanuel Mouret (Lady J aka Mademoiselle De Joncquières); Hélène Fillières (Raising Colors); Pierre Salvadori and Pio Marmaï (The Trouble With You); Eva Husson (Girls Of The Sun); Judith Davis (Whatever Happened To My Revolution), and Mikhaël Hers (Amanda), I spoke with the President of uniFrance, Serge Toubiana, who was elected in 2017, replacing Jean-Paul Salomé.
Anne-Katrin Titze: This is your second edition of Rendez-Vous With French Cinema.
The Sweet Hereafter...
At the Rendez-Vous With French Cinema luncheon on Park Avenue in New York, attended by the Executive Director of uniFrance, Isabelle Giordano; Russell Banks, uniFrance’s American ambassador for the festival; Sophie Fillières and Agathe Bonitzer (La Belle Et La Belle); Emmanuel Mouret (Lady J aka Mademoiselle De Joncquières); Hélène Fillières (Raising Colors); Pierre Salvadori and Pio Marmaï (The Trouble With You); Eva Husson (Girls Of The Sun); Judith Davis (Whatever Happened To My Revolution), and Mikhaël Hers (Amanda), I spoke with the President of uniFrance, Serge Toubiana, who was elected in 2017, replacing Jean-Paul Salomé.
Anne-Katrin Titze: This is your second edition of Rendez-Vous With French Cinema.
The Sweet Hereafter...
- 3/5/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Jeannette, L'Enfance De Jeanne D'Arc and Ma Loute director Bruno Dumont will present Coincoin And The Extra-Humans Photo: Anne-Katrin Titze
New York's Rendez-Vous with French Cinema opens with Pierre Salvadori's The Trouble With You (nine César Award nominations), starring Adèle Haenel and Pio Marmaï with Audrey Tautou, Vincent Elbaz, and Damien Bonnard, preceded by Clément Cogitore's Les Indes galantes. Eva Husson, Élodie Bouchez, Mia Hansen-Løve, Sophie Fillières, Hélène Fillières, Judith Davis, Mikhaël Hers, Emmanuel Mouret, Sébastien Marnier, and Bruno Dumont are are expected to attend.
Bertrand Tavernier free talk with Russell Banks Photo: Anne-Katrin Titze
Sandrine Kiberlain and Agathe Bonitzer in When Margaux Meets Margaux (La Belle Et La belle); Vincent Lacoste, Isaure Multrier, and Greta Scacchi in Mikhaël Hers' Amanda; Cécile de France, Edouard Baer, and Laure Calamy in Emmanuel Mouret's Mademoiselle de Joncquières (The Art of Seduction), and The Trouble With You (En Liberté!) - give some...
New York's Rendez-Vous with French Cinema opens with Pierre Salvadori's The Trouble With You (nine César Award nominations), starring Adèle Haenel and Pio Marmaï with Audrey Tautou, Vincent Elbaz, and Damien Bonnard, preceded by Clément Cogitore's Les Indes galantes. Eva Husson, Élodie Bouchez, Mia Hansen-Løve, Sophie Fillières, Hélène Fillières, Judith Davis, Mikhaël Hers, Emmanuel Mouret, Sébastien Marnier, and Bruno Dumont are are expected to attend.
Bertrand Tavernier free talk with Russell Banks Photo: Anne-Katrin Titze
Sandrine Kiberlain and Agathe Bonitzer in When Margaux Meets Margaux (La Belle Et La belle); Vincent Lacoste, Isaure Multrier, and Greta Scacchi in Mikhaël Hers' Amanda; Cécile de France, Edouard Baer, and Laure Calamy in Emmanuel Mouret's Mademoiselle de Joncquières (The Art of Seduction), and The Trouble With You (En Liberté!) - give some...
- 2/15/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Gilles Lellouche’s “Sink or Swim,” Mikhaël Hers’s “Amanda,” Louis-Julien Petit’s “Invisibles” and Eva Husson’s “Girls of the Sun” are set to screen at the 24th edition of the Rendez-Vous with French Cinema showcase which is co-organized by The Film Society of Lincoln Center and UniFrance.
After world-premiering out of competition at the Cannes Film Festival, “Sink or Swim” became a box office hit in France and got nominated for 10 Cesar Awards. The film is headlined by a popular French cast, including Mathieu Amalric (“At Eternity’s Gate”), Guillaume Canet (“Rock’n Roll”), Virginie Efira (“Elle”) and Leila Bekhti (“Midnight Sun”).
“Girls of the Sun,” which competed at Cannes, stars Golshifteh Farahani (“Paterson”) as a resistance fighter part of an all-female battalion made up of former captives of extremists who have vowed to reconquer their own land.
Inspired by a true story, “Invisibles” follows the journey of...
After world-premiering out of competition at the Cannes Film Festival, “Sink or Swim” became a box office hit in France and got nominated for 10 Cesar Awards. The film is headlined by a popular French cast, including Mathieu Amalric (“At Eternity’s Gate”), Guillaume Canet (“Rock’n Roll”), Virginie Efira (“Elle”) and Leila Bekhti (“Midnight Sun”).
“Girls of the Sun,” which competed at Cannes, stars Golshifteh Farahani (“Paterson”) as a resistance fighter part of an all-female battalion made up of former captives of extremists who have vowed to reconquer their own land.
Inspired by a true story, “Invisibles” follows the journey of...
- 2/14/2019
- by Elsa Keslassy
- Variety Film + TV
After winning best director at the Venice Film Festival, Jacques Audiard’s The Sisters Brothers” picked up three awards, including best film, director and cinematography, at the 24th Lumières Awards, France’s équivalent to the Golden Globes. The ceremony took place on Monday at the Institut du Monde Arabe.
Although it has not made its way into the awards season in the U.S. despite its fall festival bow, the movie is well-positioned in France where it will be vying for nine Cesar Awards, France’s équivalent to the Oscars, on Feb. 22.
Produced by Pascal Caucheteux’s Why Not, “The Sisters Brothers” stars starring Joaquin Phoenix, John C. Reilly and Jake Gyllenhaal.
“The Sisters Brothers” won over Jeanne Herry’s adoption drama “In Safe Hands,” Mikhaël Hers’ “Amanda,” Alex Lutz’s “Guy” and Emmanuel Mouret’s “Mademoiselle de Joncquières.”
Xavier Legrand’s heart-pounding domestic violence drama “Custody” won best first film.
Although it has not made its way into the awards season in the U.S. despite its fall festival bow, the movie is well-positioned in France where it will be vying for nine Cesar Awards, France’s équivalent to the Oscars, on Feb. 22.
Produced by Pascal Caucheteux’s Why Not, “The Sisters Brothers” stars starring Joaquin Phoenix, John C. Reilly and Jake Gyllenhaal.
“The Sisters Brothers” won over Jeanne Herry’s adoption drama “In Safe Hands,” Mikhaël Hers’ “Amanda,” Alex Lutz’s “Guy” and Emmanuel Mouret’s “Mademoiselle de Joncquières.”
Xavier Legrand’s heart-pounding domestic violence drama “Custody” won best first film.
- 2/5/2019
- by Elsa Keslassy
- Variety Film + TV
The Film Society of Lincoln Center and UniFrance have announced the complete lineup for the 24th edition of Rendez-Vous with French Cinema, the celebrated annual festival that exemplifies the variety and vitality of contemporary French filmmaking, taking place February 28 – March 10 in New York.
The 2019 Opening Night selection is the New York premiere of “The Trouble with You,” the latest comic whirlwind from Pierre Salvadori (“In the Courtyard”), which was recently nominated for nine César Awards including Best Film, Director, Screenplay, and all four acting categories. A standout of the 2018 Cannes Directors’ Fortnight, this hilarious yet tender film stars Adèle Haenel as a woman coping with the recent loss of her husband, and features supporting performances by Audrey Tautou, Vincent Elbaz, and Damien Bonnard.
“This year’s Rendez-Vous brings together established French filmmakers and exciting emerging talents in a lineup that showcases the artistry and innovation at the heart of French cinema,...
The 2019 Opening Night selection is the New York premiere of “The Trouble with You,” the latest comic whirlwind from Pierre Salvadori (“In the Courtyard”), which was recently nominated for nine César Awards including Best Film, Director, Screenplay, and all four acting categories. A standout of the 2018 Cannes Directors’ Fortnight, this hilarious yet tender film stars Adèle Haenel as a woman coping with the recent loss of her husband, and features supporting performances by Audrey Tautou, Vincent Elbaz, and Damien Bonnard.
“This year’s Rendez-Vous brings together established French filmmakers and exciting emerging talents in a lineup that showcases the artistry and innovation at the heart of French cinema,...
- 1/24/2019
- by Jude Dry
- Indiewire
Paris — Two Cannes Critics’ Week hits – ‘Guy,” “Sauvage” – and Erick Zonca’s comeback, “Black Tide,” are three potential highlights in a still-expanding MyFrenchFilmFestival, French promotion org UniFrance’s annual online selection of French and French-language films.
Unveiling MyFFF’s 2019 edition in Paris on Wednesday, UniFrance also revealed that this year’s ninth edition will bow a TV strand, showcasing espionage thriller “The Bureau,” a recent and game-changing Canal Plus Création Originale. The international filmmakers’ jury – unveiled by UniFrance’s president Serge Toubiana and co-managing director Isabelle Giordano on Wednesday morning at Google’s offices in Paris — comprises Jaco Van Dormael (“The Brand New Testament”), Houda Benyamina (“Divines”), Coralie Fargeat (“Revenge”), Mikhaël Hers (“Amanda”) and Kim Nguyen (“Rebelle”). Citing “Divines” which sold to Netflix, and “Revenge” which was acquired by AMC’s Shudder, Toubiana and Giordano said all the filmmakers on the jury have had a connection with a digital service.
Unveiling MyFFF’s 2019 edition in Paris on Wednesday, UniFrance also revealed that this year’s ninth edition will bow a TV strand, showcasing espionage thriller “The Bureau,” a recent and game-changing Canal Plus Création Originale. The international filmmakers’ jury – unveiled by UniFrance’s president Serge Toubiana and co-managing director Isabelle Giordano on Wednesday morning at Google’s offices in Paris — comprises Jaco Van Dormael (“The Brand New Testament”), Houda Benyamina (“Divines”), Coralie Fargeat (“Revenge”), Mikhaël Hers (“Amanda”) and Kim Nguyen (“Rebelle”). Citing “Divines” which sold to Netflix, and “Revenge” which was acquired by AMC’s Shudder, Toubiana and Giordano said all the filmmakers on the jury have had a connection with a digital service.
- 1/9/2019
- by John Hopewell and Elsa Keslassy
- Variety Film + TV
Jacques Audiard’s “The Sisters Brothers” has been nominated for best film and director at the 24th Lumieres Awards, France’s equivalent of the Golden Globes.
The Western starring Joaquin Phoenix, John C. Reilly and Jake Gyllenhaal world-premiered at Venice Film Festival, where it earned Audiard a best director award.
Produced by Paris-based company Why Not, “The Sisters’ Brothers” is vying for best film against Jeanne Herry’s adoption drama “In Safe Hands,” Mikhaël Hers’ “Amanda,” Alex Lutz’s “Guy” and Emmanuel Mouret’s “Mademoiselle de Joncquières.”
“In Safe Hands” and “Mademoiselle de Joncquières” lead the nominations with four each. Mouret’s critically acclaimed French period drama, “Mademoiselle de Joncquières,” world-premiered at Toronto and was recently acquired by Netflix for most rights worldwide. The film’s star, Cecile de France, has been nominated for best actress, along with Elodie Bouchez for “In Safe Hands,” Léa Drucker for “Custody,” Virginie Efira...
The Western starring Joaquin Phoenix, John C. Reilly and Jake Gyllenhaal world-premiered at Venice Film Festival, where it earned Audiard a best director award.
Produced by Paris-based company Why Not, “The Sisters’ Brothers” is vying for best film against Jeanne Herry’s adoption drama “In Safe Hands,” Mikhaël Hers’ “Amanda,” Alex Lutz’s “Guy” and Emmanuel Mouret’s “Mademoiselle de Joncquières.”
“In Safe Hands” and “Mademoiselle de Joncquières” lead the nominations with four each. Mouret’s critically acclaimed French period drama, “Mademoiselle de Joncquières,” world-premiered at Toronto and was recently acquired by Netflix for most rights worldwide. The film’s star, Cecile de France, has been nominated for best actress, along with Elodie Bouchez for “In Safe Hands,” Léa Drucker for “Custody,” Virginie Efira...
- 12/17/2018
- by Elsa Keslassy
- Variety Film + TV
Museums and the Eiffel Tower will also close on Saturday.
Cinemas based on and around Paris’s Champs-Elysées are due to close for business this Saturday (Dec 8) as the French capital braces itself for a fresh round of ’yellow vest’ protests.
The world-famous boulevard has been a flash-point for wildcat demonstrations by France’s ’yellow vest’ movement, which sprang up spontaneously to protest a duty hike on diesel, but is symptomatic of a deeper malaise in French society over rising living costs.
Rioting and looting on the boulevard last weekend saw the entrances of popular theatres such as the Ugc Normandie,...
Cinemas based on and around Paris’s Champs-Elysées are due to close for business this Saturday (Dec 8) as the French capital braces itself for a fresh round of ’yellow vest’ protests.
The world-famous boulevard has been a flash-point for wildcat demonstrations by France’s ’yellow vest’ movement, which sprang up spontaneously to protest a duty hike on diesel, but is symptomatic of a deeper malaise in French society over rising living costs.
Rioting and looting on the boulevard last weekend saw the entrances of popular theatres such as the Ugc Normandie,...
- 12/7/2018
- by Melanie Goodfellow
- ScreenDaily
The film premiered in the Venice Film Festival’s Orizzonti section.
UK distributor Curzon has acquired rights to French director Mikhaël Hers’ drama Amanda, about a young man rebuilding his life after the sudden, tragic death of his sister.
“Mikhaël is such an assured filmmaker and we’re delighted to be able to deliver this unique and tender film to our audiences. It’s a pleasure to work once again with our friends at mk2,” said Curzon managing director Louise Dent.
Vincent Lacoste stars as David, a happy-go-lucky young man getting by in Paris on a series of odd jobs,...
UK distributor Curzon has acquired rights to French director Mikhaël Hers’ drama Amanda, about a young man rebuilding his life after the sudden, tragic death of his sister.
“Mikhaël is such an assured filmmaker and we’re delighted to be able to deliver this unique and tender film to our audiences. It’s a pleasure to work once again with our friends at mk2,” said Curzon managing director Louise Dent.
Vincent Lacoste stars as David, a happy-go-lucky young man getting by in Paris on a series of odd jobs,...
- 11/29/2018
- by Melanie Goodfellow
- ScreenDaily
The film premiered in the Venice Film Festival’s Orizzonti section.
UK distributor Curzon Artificial Eye has acquired rights to French director Mikhaël Hers’ drama Amanda, about a young man rebuilding his life after the sudden, tragic death of his sister.
“Mikhaël is such an assured filmmaker and we’re delighted to be able to deliver this unique and tender film to our audiences. It’s a pleasure to work once again with our friends at mk2,” said Curzon managing director Louise Dent.
Vincent Lacoste stars as David, a happy-go-lucky young man getting by in Paris on a series of odd jobs,...
UK distributor Curzon Artificial Eye has acquired rights to French director Mikhaël Hers’ drama Amanda, about a young man rebuilding his life after the sudden, tragic death of his sister.
“Mikhaël is such an assured filmmaker and we’re delighted to be able to deliver this unique and tender film to our audiences. It’s a pleasure to work once again with our friends at mk2,” said Curzon managing director Louise Dent.
Vincent Lacoste stars as David, a happy-go-lucky young man getting by in Paris on a series of odd jobs,...
- 11/29/2018
- by Melanie Goodfellow
- ScreenDaily
Total of 16 titles set for this year’s Competition line-up.
Tokyo International Film Festival has announced the 16 titles that will compete in its International Competition, including the world premieres of His Master’s Voice, from Hungary’s Gyorgy Palfi, Fruit Chan’s Three Husbands, Veit Helmer’s The Bra and Liu Hao’s The Poet.
Tiff’s competition line-up will also include the world premieres of two Japanese titles – Junji Sakamoto’s Another World and Rikiya Imaizumi’s Just Only Love (see full line-up below).
Leading Philippines filmmaker Brillante Ma Mendoza is heading this year’s Competition jury, which also comprises Us producer Bryan Burk,...
Tokyo International Film Festival has announced the 16 titles that will compete in its International Competition, including the world premieres of His Master’s Voice, from Hungary’s Gyorgy Palfi, Fruit Chan’s Three Husbands, Veit Helmer’s The Bra and Liu Hao’s The Poet.
Tiff’s competition line-up will also include the world premieres of two Japanese titles – Junji Sakamoto’s Another World and Rikiya Imaizumi’s Just Only Love (see full line-up below).
Leading Philippines filmmaker Brillante Ma Mendoza is heading this year’s Competition jury, which also comprises Us producer Bryan Burk,...
- 9/25/2018
- by Liz Shackleton
- ScreenDaily
French director Mikhaël Hers’ timely drama is heading to Japan, Japan and Italy.
Paris-based mk2 films has unveiled a raft of sales on French director Mikhaël Hers’ timely drama Amanda following its well-received premiere at the Venice Film Festival’s Orizzonti selection.
The film has captured the attention of Asian buyers, selling to Japan (Bitters End), China (Hualu), Taiwan (Andrews).
The first European distributors on board include Benelux (Cinéart), Switzerland (Jmh), Italy (Officine Ubu), Scandinavia (Angel), Poland (Best Film). The film has also sold to Israël (Lev) and Brazil (Imovision).
Amanda is Hers’ third feature after Memory Lane and This Summer Feeling.
Paris-based mk2 films has unveiled a raft of sales on French director Mikhaël Hers’ timely drama Amanda following its well-received premiere at the Venice Film Festival’s Orizzonti selection.
The film has captured the attention of Asian buyers, selling to Japan (Bitters End), China (Hualu), Taiwan (Andrews).
The first European distributors on board include Benelux (Cinéart), Switzerland (Jmh), Italy (Officine Ubu), Scandinavia (Angel), Poland (Best Film). The film has also sold to Israël (Lev) and Brazil (Imovision).
Amanda is Hers’ third feature after Memory Lane and This Summer Feeling.
- 9/14/2018
- by Melanie Goodfellow
- ScreenDaily
French director Mikhaël Hers’ timely drama is heading to Japan, Japan and Italy.
Paris-based mk2 films has unveiled a raft of sales on French director Mikhaël Hers’ timely drama Amanda following its well-received premiere at the Venice Film Festival’s Orizzonti selection.
The film has captured the attention of Asian buyers, selling to Japan (Bitters End), China (Hualu), Taiwan (Andrews).
The first European distributors on board include Benelux (Cinéart), Switzerland (Jmh), Italy (Officine Ubu), Scandinavia (Angel), Poland (Best Film). The film has also sold to Israël (Lev) and Brazil (Imovision).
Amanda is Hers’ third feature after Memory Lane and This Summer Feeling.
Paris-based mk2 films has unveiled a raft of sales on French director Mikhaël Hers’ timely drama Amanda following its well-received premiere at the Venice Film Festival’s Orizzonti selection.
The film has captured the attention of Asian buyers, selling to Japan (Bitters End), China (Hualu), Taiwan (Andrews).
The first European distributors on board include Benelux (Cinéart), Switzerland (Jmh), Italy (Officine Ubu), Scandinavia (Angel), Poland (Best Film). The film has also sold to Israël (Lev) and Brazil (Imovision).
Amanda is Hers’ third feature after Memory Lane and This Summer Feeling.
- 9/14/2018
- by Melanie Goodfellow
- ScreenDaily
In the decade between adolescence and adulthood, Vincent Lacoste has grown one of contemporary French cinema’s great faces: at once beautiful and wonky, shaped by mischief and worry, like a Belmondo reflected in the surface of a choppy lake. That we get to see it move, think and crumple in ways we haven’t quite before is the strongest selling point of “Amanda,” a film already not short on unassuming charm. Following a sweetly feckless twentysomething jolted into adulthood when tragedy appoints him the guardian of his seven-year-old niece, it tells a familiar story furrowed by quiet emotional conviction, much of it in Lacoste’s unhurried, unaffected turn. A nourishingly classical tear-jerker as well as a glowing valentine to Paris’s endurance in the age of modern terrorism, Mikhaël Hers’s third feature will count on warm festival word of mouth to boost its distribution prospects.
For much of its running time,...
For much of its running time,...
- 9/2/2018
- by Guy Lodge
- Variety Film + TV
Company details sales on Ash, Asako I & II and Sorry Angel ahead of busy Tiff and New York Film Festival.
Jia Zhangke will present a recut version of his Cannes Palme d’Or contender Ash Is Purest White at its North American premiere in the Masters section of the Toronto International Film Festival (Sept 6-16), its Paris-based sales company mk2 films has announced.
The contemporary tale of love and survival, starring Zhao Tao as a small-town bar owner whose passion for a local mobster changes the course of her life, has been trimmed by six minutes, mk2 films has revealed.
Jia Zhangke will present a recut version of his Cannes Palme d’Or contender Ash Is Purest White at its North American premiere in the Masters section of the Toronto International Film Festival (Sept 6-16), its Paris-based sales company mk2 films has announced.
The contemporary tale of love and survival, starring Zhao Tao as a small-town bar owner whose passion for a local mobster changes the course of her life, has been trimmed by six minutes, mk2 films has revealed.
- 8/31/2018
- by Melanie Goodfellow
- ScreenDaily
Company details sales on Ash, Asako I & II and Sorry Angel ahead of busy Tiff and New York Film Festival.
Jia Zhangke will present a recut version of his Cannes Palme d’Or contender Ash Is Purist White at its North American premiere in the Masters section of the Toronto International Film Festival (Sept 6-16), its Paris-based sales company mk2 films has announced.
The contemporary tale of love and survival, starring Zhao Tao as a small-town bar owner whose passion for a local mobster changes the course of her life, has been trimmed by six minutes, mk2 films has revealed.
Jia Zhangke will present a recut version of his Cannes Palme d’Or contender Ash Is Purist White at its North American premiere in the Masters section of the Toronto International Film Festival (Sept 6-16), its Paris-based sales company mk2 films has announced.
The contemporary tale of love and survival, starring Zhao Tao as a small-town bar owner whose passion for a local mobster changes the course of her life, has been trimmed by six minutes, mk2 films has revealed.
- 8/31/2018
- by Melanie Goodfellow
- ScreenDaily
A well-meaning but sometimes obtuse French drama about a seven-year-old whose mother is killed in a mass shooting
The devastation and loss caused by terrorist attacks in Paris, Nice and elsewhere form the starting point for this determinedly gentle French film from director and co-writer Mikhaël Hers, about a fictionalised violent incident. It’s a calm, healing movie with a sweetly emollient musical score, and it consciously – counterintuitively – refuses to engage with the divisive political anger and revulsion that might be expected to be the focus of a film about terror victims. I sometimes wondered if it would look all that different if the character involved died of cancer, rather than in a horrendous mass shooting in a public park.
There is a kind of authenticity in it. Behind the headlines, there are loved ones who have to get on with their day-to-day lives. Death is commonplace. But Amanda is sometimes obtuse,...
The devastation and loss caused by terrorist attacks in Paris, Nice and elsewhere form the starting point for this determinedly gentle French film from director and co-writer Mikhaël Hers, about a fictionalised violent incident. It’s a calm, healing movie with a sweetly emollient musical score, and it consciously – counterintuitively – refuses to engage with the divisive political anger and revulsion that might be expected to be the focus of a film about terror victims. I sometimes wondered if it would look all that different if the character involved died of cancer, rather than in a horrendous mass shooting in a public park.
There is a kind of authenticity in it. Behind the headlines, there are loved ones who have to get on with their day-to-day lives. Death is commonplace. But Amanda is sometimes obtuse,...
- 8/30/2018
- by Peter Bradshaw
- The Guardian - Film News
Non-FictionThe programme for the 2018 edition of the Venice Film Festival has been unveiled, and includes new films from Tsai Ming-liang, Frederick Wiseman, Sergei Loznitsa, Olivier Assayas, the Coen Brothers, and many more.COMPETITIONFirst Man (Damien Chazelle)The Mountain (Rick Alverson)Non-Fiction (Olivier Assayas)The Sisters Brothers (Jacques Audiard)The Ballad of Buster ScruggsVox Lux (Brady Corbet)Roma (Alfonso Cuarón)22 July (Paul Greengrass)Suspiria (Luca Guadagnino)Werk ohne autor (Florian Henckel von Donnersmarck)The Nightingale (Jennifer Kent)The Favourite (Yorgos Lanthimos)Peterloo (Mike Leigh)Capri-revolution (Mario Martone)What You Gonna Do When the World's On Fire? (Roberto Minervini)Sunset (László Nemes)Frères ennemis (David Oeloffen)Where Life is Born (Carlos Reygadas)At Eternity's Gate (Julian Schnabel)Acusada (Gonzalo Tobal)Killing (Shinya Tsukamoto)Out Of COMPETITIONFeaturesThe Other Side of the Wind (Orson Welles)They'll Love Me When I'm Dead (Morgan Neville)L'amica geniale (Saverio Costanzo)Il diario di angela - noi...
- 7/25/2018
- MUBI
Exclusive: The company has also come onboard as a producer.
Paris-based mk2 films has boarded sales on Romanian director and Cannes regular Corneliu Porumboiu’s upcoming black comedy Gomera.
The film, set on the Canary Island of La Gomera, stars long-time Porumboiu collaborator Vlad Ivanov as a Romanian policeman on a mission to free a crooked businessman from prison which involves learning the local coded whistled language, known as El Silbo.
The company has also come on board the $3.87m project as a co-producer alongside Sylvie Pialat’s Les Films du Worso, Julie Gayet and Nadia Turincev’s joint company Rouge International, and Apaches in Spain. Porumboiu was last in Cannes in 2015 with The Treasure, which premiered in Un Certain Regard.
Gomera is among a trio of titles boarded by mk2 films on the eve of Cannes, including Mikhaël Hers’ third film Amanda and directorial duo Caroline Poggi and Jonathan Vinel’s debut feature Jessica Forever.
[link...
Paris-based mk2 films has boarded sales on Romanian director and Cannes regular Corneliu Porumboiu’s upcoming black comedy Gomera.
The film, set on the Canary Island of La Gomera, stars long-time Porumboiu collaborator Vlad Ivanov as a Romanian policeman on a mission to free a crooked businessman from prison which involves learning the local coded whistled language, known as El Silbo.
The company has also come on board the $3.87m project as a co-producer alongside Sylvie Pialat’s Les Films du Worso, Julie Gayet and Nadia Turincev’s joint company Rouge International, and Apaches in Spain. Porumboiu was last in Cannes in 2015 with The Treasure, which premiered in Un Certain Regard.
Gomera is among a trio of titles boarded by mk2 films on the eve of Cannes, including Mikhaël Hers’ third film Amanda and directorial duo Caroline Poggi and Jonathan Vinel’s debut feature Jessica Forever.
[link...
- 5/17/2017
- ScreenDaily
They didn’t make our final Top 100 cut, but here is a list of foreign film titles that are on our radar for 2015. We being with…
200. Remember – Dir. Atom Egoyan
199. Suffragette – Dir. Sarah Gavron
198. Kills on Wheels – Dir. Attila Till
197. Crouching Tiger, Hidden Dragon: The Green Legend – Dir. Yuen Woo-ping
196. The Go-Between – Dir. Pete Travis
195. Peur de Rien Dir. Danielle Arbid
194. Regular Boy – Dir. Michele Civetta
193. Flaskepost – Dir. Nikolaj Arcel
192. The Lady in the Van – Dir. Nicolas Hytner
191. Zoom – Dir. Pedro Morelli
190. Away from the Sea – Dir. Imanol Uribe
189. Tulip Fever – Dir. Justin Chadwick
188. Ulrike’s Brain – Dir. Bruce La Bruce
187. Tsunami – Dir. Jacques Deschamps
186. And Your Sister? – Dir. Marion Vernoux
185. There Was Las Vegas – Dir. Alexandre Castas
184. Prejudice – Dir. Antoine Cuypers
183. Stepne – Dir. Maryna Vroda
182. Irreplaceable – Dir. Olivier Masset-Depasse
181. Histoire de Judas Iscariot – Dir. Rabah Ameur-Zaimeche
180. The First, the Last – Dir. Bouli Lanners
179. Selection Officielle – Dir. Jacques Richard
178. Desierto – Dir.
200. Remember – Dir. Atom Egoyan
199. Suffragette – Dir. Sarah Gavron
198. Kills on Wheels – Dir. Attila Till
197. Crouching Tiger, Hidden Dragon: The Green Legend – Dir. Yuen Woo-ping
196. The Go-Between – Dir. Pete Travis
195. Peur de Rien Dir. Danielle Arbid
194. Regular Boy – Dir. Michele Civetta
193. Flaskepost – Dir. Nikolaj Arcel
192. The Lady in the Van – Dir. Nicolas Hytner
191. Zoom – Dir. Pedro Morelli
190. Away from the Sea – Dir. Imanol Uribe
189. Tulip Fever – Dir. Justin Chadwick
188. Ulrike’s Brain – Dir. Bruce La Bruce
187. Tsunami – Dir. Jacques Deschamps
186. And Your Sister? – Dir. Marion Vernoux
185. There Was Las Vegas – Dir. Alexandre Castas
184. Prejudice – Dir. Antoine Cuypers
183. Stepne – Dir. Maryna Vroda
182. Irreplaceable – Dir. Olivier Masset-Depasse
181. Histoire de Judas Iscariot – Dir. Rabah Ameur-Zaimeche
180. The First, the Last – Dir. Bouli Lanners
179. Selection Officielle – Dir. Jacques Richard
178. Desierto – Dir.
- 1/5/2015
- by Nicholas Bell
- IONCINEMA.com
In its first year, Cannes’ Cinéfondation’s Atelier invited projects from relative filmmaker unknowns such as Gerardo Naranjo (I’m Gonna Explode), Lisandro Alonso (Liverpool) and Aida Begic (Snow). Celebrating year number 10, this year’s group of fifteen that will benefit from Croisette meetings and future coin include the likes of Quebecer Guy Édoin (Marécages), Cannes Critics’ Week winner for Aquí y allá in filmmaker Antonio Méndez Esparza, and 2011 Camera d’Or winner Pablo Giorgelli (pictured above) who broke out with Las Acacias (review).
Invisible (Pablo Giorgelli, Argentina)
Territoria (Nora Martirosyan, Armenia)
Tabija (Igor Drljača, Bosnia)
Saudade (Antonio Méndez Esparza, Brazil)
Ville-Marie (Guy Édoin, Canada)
In the Shade of the Trees (Matías Rojas Valencia, Chile)
Ce sentiment de l’été (Mikhaël Hers, France)
Aliyushka (Adilkhan Yerzhanov, Kazakhstan)
The Darkness (Daniel Castro Zimbrón, Mexico)
White Sun (Deepak Rauniyar, Nepal)
To All Naked Men (Bassam Chekhes, Netherlands/Syria)
Oil on Water (Newton I. Aduaka,...
Invisible (Pablo Giorgelli, Argentina)
Territoria (Nora Martirosyan, Armenia)
Tabija (Igor Drljača, Bosnia)
Saudade (Antonio Méndez Esparza, Brazil)
Ville-Marie (Guy Édoin, Canada)
In the Shade of the Trees (Matías Rojas Valencia, Chile)
Ce sentiment de l’été (Mikhaël Hers, France)
Aliyushka (Adilkhan Yerzhanov, Kazakhstan)
The Darkness (Daniel Castro Zimbrón, Mexico)
White Sun (Deepak Rauniyar, Nepal)
To All Naked Men (Bassam Chekhes, Netherlands/Syria)
Oil on Water (Newton I. Aduaka,...
- 3/10/2014
- by Eric Lavallee
- IONCINEMA.com
The Cinéfondation’s Atelier is hosting its tenth edition this year and is set to invite 15 directors to Cannes whose projects have been considered particularly promising. Together with their producers, the selected directors will be able to meet potential partners, a necessary step to finish their project and start the making of their film. Created in 2005, the Cinéfondation’s l'Atelier goal is to encourage the emergence of a new generation of filmmakers. So far, out of 141 projects accompanied by l’Atelier, 85 have received theatrical distribution and 44 are currently in pre-production. For L’Atelier’s 10th edition, 15 projects from 15 countries were chosen:Invisible (Pablo Giorgelli, Argentina)Territoria (Nora Martirosyan, Armenia)Tabija (Igor Drljača, Bosnia)Saudade (Antonio Méndez Esparza, Brazil)Ville-Marie (Guy Édoin, Canada)In the Shade of the Trees (Matías Rojas Valencia, Chile)Ce sentiment de l'été (Mikhaël Hers, France)Aliyushka (Adilkhan Yerzhanov, Kazakhstan)The...
- 3/10/2014
- by Beth Hanna
- Thompson on Hollywood
The tenth edition of the co-production showcase at the Cannes Film Festival includes new projects from Brazil’s Antonio Méndez Esparza and Mexico’s Daniel Castro Zimbrón.
The Cinéfondation’s Atelier hosts its tenth edition this year and will invite 15 directors and their projects to the Cannes Film Festival.
Together with their producers, they will be given the opportunity to meet potential partners in a bid to finish their projects and start the making their films.
From May 16-22, L’Atelier will arrange meetings with the directors for film industry professionals interested in investing in their projects.
The Project Book and the meeting request forms will be available online at the beginning of April at www.cinefondation.com.
The project line-up includes Saudade, Brazilian director Antonio Méndez Esparza’s follow up to Aqui y Alla, which won Cannes’ Critics Week in 2012. The new film, set in Spain, focusses on immigration through a mother-son story.
Argentina’s [link...
The Cinéfondation’s Atelier hosts its tenth edition this year and will invite 15 directors and their projects to the Cannes Film Festival.
Together with their producers, they will be given the opportunity to meet potential partners in a bid to finish their projects and start the making their films.
From May 16-22, L’Atelier will arrange meetings with the directors for film industry professionals interested in investing in their projects.
The Project Book and the meeting request forms will be available online at the beginning of April at www.cinefondation.com.
The project line-up includes Saudade, Brazilian director Antonio Méndez Esparza’s follow up to Aqui y Alla, which won Cannes’ Critics Week in 2012. The new film, set in Spain, focusses on immigration through a mother-son story.
Argentina’s [link...
- 3/10/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
The tenth edition of the co-production showcase at the Cannes Film Festival includes new projects from Brazil’s Antonio Méndez Esparza and Mexico’s Daniel Castro Zimbrón.
The Cinéfondation’s Atelier hosts its tenth edition this year and will invite 15 directors and their projects to the Cannes Film Festival.
Together with their producers, they will be given the opportunity to meet potential partners in a bid to finish their projects and start the making their films.
From May 16-22, L’Atelier will arrange meetings with the directors for film industry professionals interested in investing in their projects.
The Project Book and the meeting request forms will be available online at the beginning of April at www.cinefondation.com.
The project line-up includes Saudade, Brazilian director Antonio Méndez Esparza’s follow up to Aqui y Alla, which won Cannes’ Critics Week in 2012. The new film, set in Spain, focusses on immigration through a mother-son story.
Argentina’s [link...
The Cinéfondation’s Atelier hosts its tenth edition this year and will invite 15 directors and their projects to the Cannes Film Festival.
Together with their producers, they will be given the opportunity to meet potential partners in a bid to finish their projects and start the making their films.
From May 16-22, L’Atelier will arrange meetings with the directors for film industry professionals interested in investing in their projects.
The Project Book and the meeting request forms will be available online at the beginning of April at www.cinefondation.com.
The project line-up includes Saudade, Brazilian director Antonio Méndez Esparza’s follow up to Aqui y Alla, which won Cannes’ Critics Week in 2012. The new film, set in Spain, focusses on immigration through a mother-son story.
Argentina’s [link...
- 3/10/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
The tenth edition of the talent showcase includes new projects from Brazil’s Antonio Méndez Esparza and Mexico’s Daniel Castro Zimbrón.
The Cinéfondation’s Atelier hosts its tenth edition this year and will invite 15 directors and their projects to the Cannes Film Festival.
Together with their producers, they will be given the opportunity to meet potential partners in a bid to finish their projects and start the making their films.
From May 16-22, L’Atelier will arrange meetings with the directors for film industry professionals interested in investing in their projects.
The Project Book and the meeting request forms will be available online at the beginning of April at www.cinefondation.com.
The project line-up includes Saudade, Brazilian director Antonio Méndez Esparza’s follow up to Aqui y Alla, which won Cannes’ Critics Week in 2012. The new film, set in Spain, focusses on immigration through a mother-son story.
Argentina’s Pablo Giorgelli will bring Invisible, his second...
The Cinéfondation’s Atelier hosts its tenth edition this year and will invite 15 directors and their projects to the Cannes Film Festival.
Together with their producers, they will be given the opportunity to meet potential partners in a bid to finish their projects and start the making their films.
From May 16-22, L’Atelier will arrange meetings with the directors for film industry professionals interested in investing in their projects.
The Project Book and the meeting request forms will be available online at the beginning of April at www.cinefondation.com.
The project line-up includes Saudade, Brazilian director Antonio Méndez Esparza’s follow up to Aqui y Alla, which won Cannes’ Critics Week in 2012. The new film, set in Spain, focusses on immigration through a mother-son story.
Argentina’s Pablo Giorgelli will bring Invisible, his second...
- 3/10/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
The 17th edition of the International Film Festival of Kerala (Iffk) has announced its lineup. The festival will run from 7th to 14th December, 2012 in Thiruvananthapuram, Kerala.
Some of the highlights of the lineup are festival favourites of the year Amour, Chitrangada, Samhita, The Sapphires, Drapchi, Miss Lovely, Me and You, Celluloid Man, and Baandhon.
Fourteen films will screen in the Competition section while seven contemporary films will be screened in “Indian Cinema Now” section.
Complete list of films:
Competition Films
Fourteen feature films from Asia, Africa and Latin America will compete for the coveted “Suvarna Chakoram” (Golden Crow Pheasant) and other awards.
Always Brando by Ridha Behi (Tunisia)
Inheritors of the Earth by T V Chandran (India)
A Terminal Trust by by Masayuki Suo (Japan)
Shutter by Joy Mathew (India)
Today by Alain Gomis (Senegal-France)
The Repentant by Merzak Allouache (Algeria)
Sta. Niña by Manny Palo (Philippines)
Present Tense...
Some of the highlights of the lineup are festival favourites of the year Amour, Chitrangada, Samhita, The Sapphires, Drapchi, Miss Lovely, Me and You, Celluloid Man, and Baandhon.
Fourteen films will screen in the Competition section while seven contemporary films will be screened in “Indian Cinema Now” section.
Complete list of films:
Competition Films
Fourteen feature films from Asia, Africa and Latin America will compete for the coveted “Suvarna Chakoram” (Golden Crow Pheasant) and other awards.
Always Brando by Ridha Behi (Tunisia)
Inheritors of the Earth by T V Chandran (India)
A Terminal Trust by by Masayuki Suo (Japan)
Shutter by Joy Mathew (India)
Today by Alain Gomis (Senegal-France)
The Repentant by Merzak Allouache (Algeria)
Sta. Niña by Manny Palo (Philippines)
Present Tense...
- 11/2/2012
- by NewsDesk
- DearCinema.com
From today through February 1, we're partnering with the My French Film Festival to show you ten recently released French features (first and second films) and ten French shorts. Presented by Unifrance, the festival invites you to award points to the films you like at the main site — and these points count, as six prizes will be awarded (three for features, three for shorts): the Internet Users Prize, Social Networks Prize and International Press Prize.
Outside of both competitions, we've also got a few extra presentations. The online festival was a hit around the world last year and you won't want to miss this second edition.
A few quick notes on the films, starting with the features:
Rebecca Zlotowski's Belle épine (Dear Prudence), winner of the prestigious Prix Louis Delluc for Best First Film, is "closer to a sobering character study than a classical youth film," finds Chris Cabin in Slant.
Outside of both competitions, we've also got a few extra presentations. The online festival was a hit around the world last year and you won't want to miss this second edition.
A few quick notes on the films, starting with the features:
Rebecca Zlotowski's Belle épine (Dear Prudence), winner of the prestigious Prix Louis Delluc for Best First Film, is "closer to a sobering character study than a classical youth film," finds Chris Cabin in Slant.
- 1/11/2012
- MUBI
In anticipation of the Wednesday launch of the 40th edition of the Museum of Modern Art and the Film Society of the Lincoln Center’s New Directors/New Films festival, indieWIRE releases two additions to our annual 'Meet the Nd/Nf Filmmakers' series. Today "Memory Lane" director Mikhaël Hers and "Some Days Are Better Than Others"' Matt McCormick are profiled. The 2011 Nd/Nf runs March 23 - April 3. Click here for the ...
- 3/22/2011
- indieWIRE - People
In anticipation of the Wednesday launch of the 40th edition of the Museum of Modern Art and the Film Society of the Lincoln Center’s New Directors/New Films festival, indieWIRE releases two additions to our annual 'Meet the Nd/Nf Filmmakers' series. Today "Memory Lane" director Mikhaël Hers and "Some Days Are Better Than Others"' Matt McCormick are profiled. The 2011 Nd/Nf runs March 23 - April 3. Click here for the ...
- 3/22/2011
- Indiewire
During the long days and soft breezes of summer, seven twenty-something friends come together in their hometown. Some have never left; others have created lives for themselves far away and see themselves as just passing through. Mikhaël Hers’s lovely "Memory Lane" is a film about characters caught “in between”—between city and country, friendship and love, life and death, and youthful dreams and the impending realities of growing up. Setting in ...
- 3/22/2011
- indieWIRE - People
During the long days and soft breezes of summer, seven twenty-something friends come together in their hometown. Some have never left; others have created lives for themselves far away and see themselves as just passing through. Mikhaël Hers’s lovely "Memory Lane" is a film about characters caught “in between”—between city and country, friendship and love, life and death, and youthful dreams and the impending realities of growing up. Setting in ...
- 3/22/2011
- indieWIRE - People
During the long days and soft breezes of summer, seven twenty-something friends come together in their hometown. Some have never left; others have created lives for themselves far away and see themselves as just passing through. Mikhaël Hers’s lovely "Memory Lane" is a film about characters caught “in between”—between city and country, friendship and love, life and death, and youthful dreams and the impending realities of growing up. Setting in ...
- 3/22/2011
- Indiewire
Have you picked up your tickets yet?
It’s that time of the year, when the early film festivals debut/premiere some of the films that we’ll be talking about later on in the year.
Sundance, Berlin, Pan African, Fespaco, and South By Southwest Film Festivals are done! And this week, the 40th installment of the New Directors/New Films Film Festival here in New York City, begins!
Press screenings for the festival end today, and I saw around 10 films. I’ve already reviewed 4 or so of them, with another 5 or 6 reviews coming, today and tomorrow. I’ll also include a brief write-up of what to expect at the festival, films you should see, those that you could skip, etc… so stay tuned for that.
The lineup of the New Directors/New Films Film Festival follows below, and those of you who live in New York, or who are...
It’s that time of the year, when the early film festivals debut/premiere some of the films that we’ll be talking about later on in the year.
Sundance, Berlin, Pan African, Fespaco, and South By Southwest Film Festivals are done! And this week, the 40th installment of the New Directors/New Films Film Festival here in New York City, begins!
Press screenings for the festival end today, and I saw around 10 films. I’ve already reviewed 4 or so of them, with another 5 or 6 reviews coming, today and tomorrow. I’ll also include a brief write-up of what to expect at the festival, films you should see, those that you could skip, etc… so stay tuned for that.
The lineup of the New Directors/New Films Film Festival follows below, and those of you who live in New York, or who are...
- 3/21/2011
- by Tambay
- ShadowAndAct
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