Exclusive: Deadline has the first pair of exclusive tracks from Thomas Newman’s score for Operation Mincemeat, which is set for digital release via Lakeshore Records tomorrow, as Warner Bros. releases the film in the UK and Ireland.
Operation Mincemeat tells the extraordinary story of two intelligence officers that changed the course of World War II, saving tens of thousands of lives and breaking Hitler’s deadly grip on Europe by recruiting the skills of the most unlikely of secret agents: a dead man.
For the drama, Newman looked to craft a striking orchestral score, which evoked intensely dramatic action, while befitting more nuanced moments. The film was directed by John Madden, with whom Newman had previously collaborated on titles including The Best Exotic Marigold Hotel, The Second Best Exotic Marigold Hotel and The Debt. “John Madden is the perfect collaborator. Whip-smart, full of humor and a savvy listener,” says the composer.
Operation Mincemeat tells the extraordinary story of two intelligence officers that changed the course of World War II, saving tens of thousands of lives and breaking Hitler’s deadly grip on Europe by recruiting the skills of the most unlikely of secret agents: a dead man.
For the drama, Newman looked to craft a striking orchestral score, which evoked intensely dramatic action, while befitting more nuanced moments. The film was directed by John Madden, with whom Newman had previously collaborated on titles including The Best Exotic Marigold Hotel, The Second Best Exotic Marigold Hotel and The Debt. “John Madden is the perfect collaborator. Whip-smart, full of humor and a savvy listener,” says the composer.
- 4/14/2022
- by Matt Grobar
- Deadline Film + TV
The Production Guild of Great Britain (Pggb) has unveiled its award winners for 2022 ahead of the prize ceremony on Saturday. Scroll down for the full list.
The Production Team of the Year Award was won by the crew behind Northman, Robert Eggers follow-up to The Lighthouse, including producer Mark Huffam.
According to jury chair Callum McDougal, the decision was made in part because the film was the first major feature to shoot in Northern Ireland during Covid, which sent “a sign across the world that we could continue to work safely in this country and deliver film successfully.”
A special mention in the category went to the team behind Sarah Gavron’s Rocks.
The Pggb High-End TV Production Team of the Year Award went to Andrew Haigh’s See-Saw series The North Water following a challenging shoot.
“The North Water team demonstrated how to survive the perfect production storm: you...
The Production Team of the Year Award was won by the crew behind Northman, Robert Eggers follow-up to The Lighthouse, including producer Mark Huffam.
According to jury chair Callum McDougal, the decision was made in part because the film was the first major feature to shoot in Northern Ireland during Covid, which sent “a sign across the world that we could continue to work safely in this country and deliver film successfully.”
A special mention in the category went to the team behind Sarah Gavron’s Rocks.
The Pggb High-End TV Production Team of the Year Award went to Andrew Haigh’s See-Saw series The North Water following a challenging shoot.
“The North Water team demonstrated how to survive the perfect production storm: you...
- 3/25/2022
- by Tom Grater
- Deadline Film + TV
Barbara Broccoli, Charlotte Riley Among Winners at The Production Guild Of Great Britain Awards 2022
Bond producers Barbara Broccoli and Michael G. Wilson will be among the winners at the Production Guild of Great Britain (Pggb) awards on Friday night alongside actor Charlotte Riley and senior vice president of studio operations Warner Bros. Studios Leavesden Emily Stillman.
The awards, which are in association with Warner Bros. Studios Leavesden will be presented on Saturday night in Hertfordshire, in a ceremony hosted by comedian Patrick Kielty.
As well as honouring the winners and nominees, they will also pay tribute to producer and Hartswood Films’ founder, Beryl Vertue, who died last month.
Other than the Pggb Contribution to the Industry Award, which is voted on by the Pggb board, all the winners were nominated by Pggb’s members and selected by juries of leading industry professionals.
Lyndsay Duthie, Pggb’s CEO, said: “As British content continues to be in demand, we are delighted to be able to celebrate...
The awards, which are in association with Warner Bros. Studios Leavesden will be presented on Saturday night in Hertfordshire, in a ceremony hosted by comedian Patrick Kielty.
As well as honouring the winners and nominees, they will also pay tribute to producer and Hartswood Films’ founder, Beryl Vertue, who died last month.
Other than the Pggb Contribution to the Industry Award, which is voted on by the Pggb board, all the winners were nominated by Pggb’s members and selected by juries of leading industry professionals.
Lyndsay Duthie, Pggb’s CEO, said: “As British content continues to be in demand, we are delighted to be able to celebrate...
- 3/24/2022
- by K.J. Yossman
- Variety Film + TV
Newly-created role will report to Iain Canning, Emile Sherman.
UK-based production firm See-Saw Films has promoted Simon Gillis to chief operating officer across film and television,
Gillis steps up to the role from his prior position as COO of film. He will continue to be based in London, and will report directly to See-Saw’s managing directors Iain Canning and Emile Sherman.
As well as supervising the film and TV divisions’ day-to-day operations across the London and Sydney offices, Gillis will be responsible for leading the commercial strategy across the group. This will include designing and implementing the financing, sales...
UK-based production firm See-Saw Films has promoted Simon Gillis to chief operating officer across film and television,
Gillis steps up to the role from his prior position as COO of film. He will continue to be based in London, and will report directly to See-Saw’s managing directors Iain Canning and Emile Sherman.
As well as supervising the film and TV divisions’ day-to-day operations across the London and Sydney offices, Gillis will be responsible for leading the commercial strategy across the group. This will include designing and implementing the financing, sales...
- 3/11/2021
- by Ben Dalton
- ScreenDaily
BBC Royal Family & The Press Doc
The BBC has ordered a new 2x60min BBC Two series about the relationship between the Duke and Duchess of Cambridge, the Duke and Duchess of Sussex, and the media. The program will be accompanied by a Radio 4 podcast for BBC Sounds. Both programs will be fronted by the BBC’s Media Editor Amol Rajan, who is also set to host a new interview series for BBC Two. The interview series will see Rajan sit down with high-profile global guests from tech barons to business leaders to cultural influencers. Rajan will also be joining the Radio 4 Today program presenting team later this spring and stepping back from hosting duties on The Media Show and from presenting on BBC Radio 2.
See-Saw Films Hires & Promotions
See-Saw Films has promoted Simon Gillis to Chief Operating Officer for the company effective immediately. Gillis was previously COO of...
The BBC has ordered a new 2x60min BBC Two series about the relationship between the Duke and Duchess of Cambridge, the Duke and Duchess of Sussex, and the media. The program will be accompanied by a Radio 4 podcast for BBC Sounds. Both programs will be fronted by the BBC’s Media Editor Amol Rajan, who is also set to host a new interview series for BBC Two. The interview series will see Rajan sit down with high-profile global guests from tech barons to business leaders to cultural influencers. Rajan will also be joining the Radio 4 Today program presenting team later this spring and stepping back from hosting duties on The Media Show and from presenting on BBC Radio 2.
See-Saw Films Hires & Promotions
See-Saw Films has promoted Simon Gillis to Chief Operating Officer for the company effective immediately. Gillis was previously COO of...
- 3/11/2021
- by Andreas Wiseman
- Deadline Film + TV
In today’s Global Bulletin, a two-parter on the BBC’s controversial 1995 interview with Princess Diana sells around the world; “Catfish U.K.” plans to premiere four episodes on MTV U.K. this spring; See-Saw Films ups Simon Gillis to COO; Wirecard scandal film being developed; and Women in Film and Television U.K. is to expand its mentoring programs for mid-career women to Scotland and Wales.
U.K. production funding and distribution agency Drive has sold two-part documentary series “The Diana Interview: Revenge of a Princess” to Channel Nine in Australia, Reelz in the U.S., TV 2 in Norway, Servus TV in Austria, Rtl Netherlands and Tvnow in Germany, to broadcast this year.
Produced by Minnow Films for U.K. broadcaster ITV, the series focuses on the controversial 1995 interview when Diana, Princess of Wales, poured her heart out on current affairs show “Panorama” to BBC journalist Martin Bashir.
U.K. production funding and distribution agency Drive has sold two-part documentary series “The Diana Interview: Revenge of a Princess” to Channel Nine in Australia, Reelz in the U.S., TV 2 in Norway, Servus TV in Austria, Rtl Netherlands and Tvnow in Germany, to broadcast this year.
Produced by Minnow Films for U.K. broadcaster ITV, the series focuses on the controversial 1995 interview when Diana, Princess of Wales, poured her heart out on current affairs show “Panorama” to BBC journalist Martin Bashir.
- 3/11/2021
- by Naman Ramachandran
- Variety Film + TV
A short-lived sense of security from plummeting coronavirus cases prompted several global-facing projects in the U.K. to restart over the summer, but as the threat of new Covid-19 restrictions looms large, the industry is rushing to crank out film and TV productions this fall, in what could be the last gasp for production in 2020.
A rising caseload prompted six-month-long restrictions on group gatherings and early closures for the hospitality sector on Sept. 24, but the U.K. remains one of the most active production hubs in Europe. Getting cameras rolling, as evidenced by “The Batman” brouhaha, is a major gamble, but those who can afford to take the plunge say there’s much to be gained — if they can pull it off.
Roughcut TV is shooting in south London, where cameras rolled Sept. 2 on six-part comedy “Bloods” for Comcast-backed broadcaster Sky. Managing director Ash Atalla began planning the shoot...
A rising caseload prompted six-month-long restrictions on group gatherings and early closures for the hospitality sector on Sept. 24, but the U.K. remains one of the most active production hubs in Europe. Getting cameras rolling, as evidenced by “The Batman” brouhaha, is a major gamble, but those who can afford to take the plunge say there’s much to be gained — if they can pull it off.
Roughcut TV is shooting in south London, where cameras rolled Sept. 2 on six-part comedy “Bloods” for Comcast-backed broadcaster Sky. Managing director Ash Atalla began planning the shoot...
- 10/10/2020
- by Manori Ravindran
- Variety Film + TV
Simon Gillis.
See-Saw Films has promoted Simon Gillis to the newly created position of chief operating officer of the company’s film division.
Based in London, Gillis will continue to report directly to joint managing directors Emile Sherman and Iain Canning. Having most recently served as See-Saw’s head of commercial affairs, Gillis will now oversee the film division’s day-to-day operations across its London, Sydney and La offices, including production finance and strategy, business development, legal and business affairs.
He will work with heads of production Nicky Earnshaw (UK), Libby Sharpe (Australia), and head of development, Katherine Bridle. See-Saw’s TV division will continue to be co-run by its COO, Hakan Kousetta and head of TV, Jamie Laurenson.
Gillis will be responsible for sourcing and structuring the financing, sales and distribution for See-Saw’s feature film slate, as well as exploring new lines of business. He will also...
See-Saw Films has promoted Simon Gillis to the newly created position of chief operating officer of the company’s film division.
Based in London, Gillis will continue to report directly to joint managing directors Emile Sherman and Iain Canning. Having most recently served as See-Saw’s head of commercial affairs, Gillis will now oversee the film division’s day-to-day operations across its London, Sydney and La offices, including production finance and strategy, business development, legal and business affairs.
He will work with heads of production Nicky Earnshaw (UK), Libby Sharpe (Australia), and head of development, Katherine Bridle. See-Saw’s TV division will continue to be co-run by its COO, Hakan Kousetta and head of TV, Jamie Laurenson.
Gillis will be responsible for sourcing and structuring the financing, sales and distribution for See-Saw’s feature film slate, as well as exploring new lines of business. He will also...
- 1/23/2019
- by jkeast
- IF.com.au
See-Saw Films’ Head of Commercial Affairs Simon Gillis has been promoted to the newly created position of Chief Operating Officer of the company’s film division, effective immediately.
Based in London, Gillis will continue to report directly to joint MDs Emile Sherman and Iain Canning and will oversee the film division’s day-to-day operations across its London, Sydney and La offices, including production finance and strategy, business development, legal and business affairs.
Gillis will continue to work closely with the film division’s Heads of Production, Nicky Earnshaw (UK), Libby Sharpe (Australia), and Head of Development, Katherine Bridle. See-Saw’s TV division will continue to be co-run by its COO, Hakan Kousetta and Head of TV, Jamie Laurenson.
See-Saw’s upcoming slate includes Francis Lee’s Ammonite, starring Kate Winslet and Saoirse Ronan, which will start shooting in March. Gillis recently brokered pre-sales on Ammonite on behalf of See-Saw’s in-house sales arm,...
Based in London, Gillis will continue to report directly to joint MDs Emile Sherman and Iain Canning and will oversee the film division’s day-to-day operations across its London, Sydney and La offices, including production finance and strategy, business development, legal and business affairs.
Gillis will continue to work closely with the film division’s Heads of Production, Nicky Earnshaw (UK), Libby Sharpe (Australia), and Head of Development, Katherine Bridle. See-Saw’s TV division will continue to be co-run by its COO, Hakan Kousetta and Head of TV, Jamie Laurenson.
See-Saw’s upcoming slate includes Francis Lee’s Ammonite, starring Kate Winslet and Saoirse Ronan, which will start shooting in March. Gillis recently brokered pre-sales on Ammonite on behalf of See-Saw’s in-house sales arm,...
- 1/23/2019
- by Andreas Wiseman
- Deadline Film + TV
King’s Speech producer ups former Universal exec.
UK, Australian and Us production powerhouse See-Saw Films has promoted Simon Gillis to chief operating officer of the company’s film division, effectively immediately.
Gillis joined the Widows and The King’s Speech producer in 2016 as head of commercial affairs. He previously held roles at Universal Pictures, Disney and BBC Films.
In his new role, he will oversee the film division’s day-to-day operations across its London, Sydney and Los Angeles offices, including production finance and strategy, business development, legal and business affairs.
He will work closely with the film division’s heads of production,...
UK, Australian and Us production powerhouse See-Saw Films has promoted Simon Gillis to chief operating officer of the company’s film division, effectively immediately.
Gillis joined the Widows and The King’s Speech producer in 2016 as head of commercial affairs. He previously held roles at Universal Pictures, Disney and BBC Films.
In his new role, he will oversee the film division’s day-to-day operations across its London, Sydney and Los Angeles offices, including production finance and strategy, business development, legal and business affairs.
He will work closely with the film division’s heads of production,...
- 1/23/2019
- by Tom Grater
- ScreenDaily
Parry has been in the role since June on an interim basis.
Line producer Tori Parry has joined Film4 as its head of physical production, making permanent a role she has held on an interim basis since June.
Parry succeeds Tracey Josephs in the position. Josephs left Film4 last year to join The Ink Factory as head of production.
With credits including Billy Elliot, Gosford Park and Love Actually, Parry has worked as a freelance co-producer, line producer and unit production manager on studio and independent films as well as high-end TV drama for 20 years.
Recently she was co-producer on...
Line producer Tori Parry has joined Film4 as its head of physical production, making permanent a role she has held on an interim basis since June.
Parry succeeds Tracey Josephs in the position. Josephs left Film4 last year to join The Ink Factory as head of production.
With credits including Billy Elliot, Gosford Park and Love Actually, Parry has worked as a freelance co-producer, line producer and unit production manager on studio and independent films as well as high-end TV drama for 20 years.
Recently she was co-producer on...
- 12/18/2018
- by Ben Dalton
- ScreenDaily
Film4 has appointed experienced line producer Tori Parry as their permanent Head of Physical Production. Parry has been in the role since June on an interim basis, and succeeds Tracey Josephs who left the UK broadcaster to join The Ink Factory.
Parry has 20 years’ experience as a freelance co-producer, line producer and unit production manager, spanning studio and independent film as well as high end TV drama. Her recent credits include co-producer on Danny Boyle’s Getty saga Trust (FX Network) and line producer on BBC1 primetime drama Taboo from Scott Free. Notable film credits include Billy Elliot, Gosford Park, Love Actually, About Time and Everest.
Director of Film4 Daniel Battsek commented, “Tori has fitted seamlessly into the Film4 team since joining us in June, immediately inspiring confidence in both colleagues and our producing partners. We’re delighted she’s agreed to join us on a permanent basis, and I...
Parry has 20 years’ experience as a freelance co-producer, line producer and unit production manager, spanning studio and independent film as well as high end TV drama. Her recent credits include co-producer on Danny Boyle’s Getty saga Trust (FX Network) and line producer on BBC1 primetime drama Taboo from Scott Free. Notable film credits include Billy Elliot, Gosford Park, Love Actually, About Time and Everest.
Director of Film4 Daniel Battsek commented, “Tori has fitted seamlessly into the Film4 team since joining us in June, immediately inspiring confidence in both colleagues and our producing partners. We’re delighted she’s agreed to join us on a permanent basis, and I...
- 12/18/2018
- by Andreas Wiseman
- Deadline Film + TV
Walters appointed head of development for television.
London-based See-Saw Films have promoted Patrick Walters from development executive to head of development for television.
Walters will continue developing projects across See-Saw’s TV slate in the UK, Us and Australia, and see him move to an executive producer role on selected UK projects.
He will report to head of television Jamie Laurenson and COO of television Hakan Kousetta.
Walters, who joined See-Saw in 2014, has worked on Top Of The Lake: China Girl, The New Legends Of Monkey and upcoming limited series The North Water directed by Andrew Haigh.
Walters has previously...
London-based See-Saw Films have promoted Patrick Walters from development executive to head of development for television.
Walters will continue developing projects across See-Saw’s TV slate in the UK, Us and Australia, and see him move to an executive producer role on selected UK projects.
He will report to head of television Jamie Laurenson and COO of television Hakan Kousetta.
Walters, who joined See-Saw in 2014, has worked on Top Of The Lake: China Girl, The New Legends Of Monkey and upcoming limited series The North Water directed by Andrew Haigh.
Walters has previously...
- 6/13/2018
- by Orlando Parfitt
- ScreenDaily
Walters appointed head of development for television.
London-based See-Saw Films have promoted Patrick Walters from development executive to head of development for television.
Walters will continue developing projects across See-Saw’s TV slate in the UK, Us and Australia, and see him move to an executive producer role on selected UK projects.
He will report to head of television Jamie Laurenson and COO of television Hakan Kousetta.
Walters, who joined See-Saw in 2014, has worked on Top Of The Lake: China Girl, The New Legends Of Monkey and upcoming limited series The North Water directed by Andrew Haigh.
Other upcoming See-Saw...
London-based See-Saw Films have promoted Patrick Walters from development executive to head of development for television.
Walters will continue developing projects across See-Saw’s TV slate in the UK, Us and Australia, and see him move to an executive producer role on selected UK projects.
He will report to head of television Jamie Laurenson and COO of television Hakan Kousetta.
Walters, who joined See-Saw in 2014, has worked on Top Of The Lake: China Girl, The New Legends Of Monkey and upcoming limited series The North Water directed by Andrew Haigh.
Other upcoming See-Saw...
- 6/13/2018
- by Orlando Parfitt
- ScreenDaily
Iain Canning and Emile Sherman’s See-Saw Films has appointed Nicky Earnshaw as Head of Production for the UK film and TV divisions. The exec is moving to the Lion and King’s Speech producer from Film4 where she has been acting Head of Production. At See-Saw, she is replacing Amy Jackson who is moving into independent producing and will continue to collaborate with the company on various projects.
Earnshaw, who at Film4 oversaw physical production on such titles as Disobedience, Beast and I Am Not A Witch, will be responsible for the production and day-to-day operations of See-Saw’s expanding film and TV slate developed and produced out of the UK office. In addition, she will oversee productions greenlit through the recently announced first look deal with New Regency, as part of See-Saw’s increasing presence in the U.S.
She will report to Co-Managing Directors Canning and...
Earnshaw, who at Film4 oversaw physical production on such titles as Disobedience, Beast and I Am Not A Witch, will be responsible for the production and day-to-day operations of See-Saw’s expanding film and TV slate developed and produced out of the UK office. In addition, she will oversee productions greenlit through the recently announced first look deal with New Regency, as part of See-Saw’s increasing presence in the U.S.
She will report to Co-Managing Directors Canning and...
- 5/31/2018
- by Nancy Tartaglione
- Deadline Film + TV
See-Saw Films has hired veteran executive Nicky Earnshaw as head of production for its U.K. film and television divisions, effective July 9.
Earnshaw will be responsible for the production and day-to-day operations of See-Saw’s film and TV slate developed and produced out of the U.K. office. In addition, she will oversee productions greenlit through the recently announced first-look deal with New Regency, as part of See-Saw’s increasing presence in the U.S.
Managing directors Iain Canning and Emile Sherman said: “Nicky is undeniably one of the most experienced and respected production executives in the business, with extensive industry knowledge particularly in the U.K. and excellent relationships with globally renowned filmmakers and talent. We are excited to have her join our team and have no doubt she will be an extraordinary asset to our growing film and television business.”
Earnshaw takes over the role from Amy Jackson,...
Earnshaw will be responsible for the production and day-to-day operations of See-Saw’s film and TV slate developed and produced out of the U.K. office. In addition, she will oversee productions greenlit through the recently announced first-look deal with New Regency, as part of See-Saw’s increasing presence in the U.S.
Managing directors Iain Canning and Emile Sherman said: “Nicky is undeniably one of the most experienced and respected production executives in the business, with extensive industry knowledge particularly in the U.K. and excellent relationships with globally renowned filmmakers and talent. We are excited to have her join our team and have no doubt she will be an extraordinary asset to our growing film and television business.”
Earnshaw takes over the role from Amy Jackson,...
- 5/31/2018
- by Dave McNary
- Variety Film + TV
Nicky Earnshaw joins The King’s Speech producer.
Iain Canning and Emile Sherman’s London-based See-Saw Films has hired Nicky Earnshaw as the company’s new head of production.
Earnshaw joins from Film4 where she has been working as acting head of production. At Film4, she worked across titles including Disobedience, Beast, I Am Not a Witch and The Festival. Her previous roles include head of production for Pinewood Pictures.
At See-Saw, Earnshaw will work across the company’s film and TV divisions, managing day-to-day operations across the production slate. She will be based in the UK office but will...
Iain Canning and Emile Sherman’s London-based See-Saw Films has hired Nicky Earnshaw as the company’s new head of production.
Earnshaw joins from Film4 where she has been working as acting head of production. At Film4, she worked across titles including Disobedience, Beast, I Am Not a Witch and The Festival. Her previous roles include head of production for Pinewood Pictures.
At See-Saw, Earnshaw will work across the company’s film and TV divisions, managing day-to-day operations across the production slate. She will be based in the UK office but will...
- 5/31/2018
- by Tom Grater
- ScreenDaily
Participants include executives from Disney, Film4, Altitude and Entertainment One.
The National Film and TV School (Nfts) has revealed the line-up for the 2017 edition of its Inside Pictures programme
Participants at the business training and development initiative this year include: Sophie Doherty, sales manager - theatrical film at Disney; Nicky Earnshaw, production executive at Film4; Tobias Alexander Seiffert - acquisitions / co-productions, Tobis Film; Nish Panchal - agent, Curtis Brown; and Faith Taylor, senior marketing manager at Entertainment One UK. See the full line-up below.
This year’s industry ambassador is David Kosse, president of Stx International, who will champion the course and be present at key stages throughout the programme.
The course takes place over three one-week modules in London and Los Angeles between June 2017 and January 2018, and aims to arm the participants with industry business knowledge and management skills.
The scheme is open to applicants from around the world who demonstrate a firm commitment to the...
The National Film and TV School (Nfts) has revealed the line-up for the 2017 edition of its Inside Pictures programme
Participants at the business training and development initiative this year include: Sophie Doherty, sales manager - theatrical film at Disney; Nicky Earnshaw, production executive at Film4; Tobias Alexander Seiffert - acquisitions / co-productions, Tobis Film; Nish Panchal - agent, Curtis Brown; and Faith Taylor, senior marketing manager at Entertainment One UK. See the full line-up below.
This year’s industry ambassador is David Kosse, president of Stx International, who will champion the course and be present at key stages throughout the programme.
The course takes place over three one-week modules in London and Los Angeles between June 2017 and January 2018, and aims to arm the participants with industry business knowledge and management skills.
The scheme is open to applicants from around the world who demonstrate a firm commitment to the...
- 4/10/2017
- by orlando.parfitt@screendaily.com (Orlando Parfitt)
- ScreenDaily
Exclusive: Pinewood’s former head of production appointed production finance executive.
Film4 has hired former Pinewood Pictures head of production Nicky Earnshaw as production finance executive.
Earnshaw, head of production at Pinewood for three and a half years, joined the broadcaster last week.
In her new role she will supervise physical production on a number of projects, reporting to Film4’s head of production Tracey Josephs.
Three Film4 backed projects commence production in the Us in the next month: Andrew Haigh’s Lean On Pete, Lynne Ramsay’s You Were Never Really Here, and Yorgos Lanthimos’s The Killing Of A Sacred Deer.
At Pinewood Pictures, Earnshaw oversaw production on films including Lone Scherfig’s forthcoming Their Finest, Spooks: The Greater Good and Belle.
Prior to joining Pinewood, she freelanced for 13 years in various production roles including production manager and line producer, on films including Cuban Fury, Berberian Sound Studio and Johnny English Reborn.
Film4 has hired former Pinewood Pictures head of production Nicky Earnshaw as production finance executive.
Earnshaw, head of production at Pinewood for three and a half years, joined the broadcaster last week.
In her new role she will supervise physical production on a number of projects, reporting to Film4’s head of production Tracey Josephs.
Three Film4 backed projects commence production in the Us in the next month: Andrew Haigh’s Lean On Pete, Lynne Ramsay’s You Were Never Really Here, and Yorgos Lanthimos’s The Killing Of A Sacred Deer.
At Pinewood Pictures, Earnshaw oversaw production on films including Lone Scherfig’s forthcoming Their Finest, Spooks: The Greater Good and Belle.
Prior to joining Pinewood, she freelanced for 13 years in various production roles including production manager and line producer, on films including Cuban Fury, Berberian Sound Studio and Johnny English Reborn.
- 8/8/2016
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.