When Nicolas Winding Refn first made the leap from theatrical films to streaming series, he followed in the outsized footsteps of his indulgent predecessors: He went long. “Too Old To Die Young,” his 2019 Prime Video original, isn’t just 13 hours long; it’s three hours longer than the 10-hour season he was supposed to shoot. Like David Lynch returning to “Twin Peaks,” Refn was initially hooked by the prospect of telling a story that unfolded over whatever amount of time he deemed sufficient, but (also like Lynch) the Danish provocateur was further fascinated by the ways streaming reshaped the form. He believed younger audiences see the internet “as a kind of coexistence — like it’s a beam around them that they’ll just drop in and drop out of,” and he made his first TV show to be consumed similarly. Watch all 13 hours, start to finish, or just pick up...
- 1/5/2023
- by Ben Travers
- Indiewire
Are you ready for a taste of ... Netflix Winding Refn?
Yes, filmmaker Nicolas Winding Refn has returned to his native Denmark for his newest project, "Copenhagen Cowboy." His second venture into the world of streaming after the 2019 crime drama "Too Old to Die Young" but his first with Netflix, "Copenhagen Cowboy" is a six-part tale centered on a mostly-silent, enigmatic lead prone to shocking outbursts of violence as they undertake a dangerous odyssey across a neon-soaked criminal underworld. It is, in other words, a Nicolas Winding Refn creation through and through.
In this case, however, "Copenhagen Cowboy" was actually cooked up during the pandemic lockdowns by Refn, his wife Liv Corfixen (who's also a producer on the series), and their daughter Lola Corfixen, the latter of whom co-stars as the character Rakel. Speaking at a press conference at the 2022 Venice Film Festival (via Deadline), where the show made its debut,...
Yes, filmmaker Nicolas Winding Refn has returned to his native Denmark for his newest project, "Copenhagen Cowboy." His second venture into the world of streaming after the 2019 crime drama "Too Old to Die Young" but his first with Netflix, "Copenhagen Cowboy" is a six-part tale centered on a mostly-silent, enigmatic lead prone to shocking outbursts of violence as they undertake a dangerous odyssey across a neon-soaked criminal underworld. It is, in other words, a Nicolas Winding Refn creation through and through.
In this case, however, "Copenhagen Cowboy" was actually cooked up during the pandemic lockdowns by Refn, his wife Liv Corfixen (who's also a producer on the series), and their daughter Lola Corfixen, the latter of whom co-stars as the character Rakel. Speaking at a press conference at the 2022 Venice Film Festival (via Deadline), where the show made its debut,...
- 11/23/2022
- by Sandy Schaefer
- Slash Film
After enjoying quite an embrace in the first half of the 2010s, Nicolas Winding Refn has moved from the world of theatrical features to telling more extended stories on television. Following the ten-part, Miles Teller-led crime drama Too Old to Die Young, he’s now back with a new six-part series for Netflix titled Copenhagen Cowboy, marking his first project shot in Denmark since his Pusher trilogy. Ahead of a January 5 release, the first trailer has now arrived.
Described as a “neon-drenched noir series,” the story follows an enigmatic young heroine named Miu (Angela Bundalovic). After a lifetime of servitude and on the verge of a new beginning, she traverses the ominous landscape of Copenhagen’s criminal netherworld. Searching for justice and enacting vengeance, she encounters her nemesis, Rakel (Lola Corfixen), as they embark on an odyssey through the natural and the supernatural. The past ultimately transforms and defines their future,...
Described as a “neon-drenched noir series,” the story follows an enigmatic young heroine named Miu (Angela Bundalovic). After a lifetime of servitude and on the verge of a new beginning, she traverses the ominous landscape of Copenhagen’s criminal netherworld. Searching for justice and enacting vengeance, she encounters her nemesis, Rakel (Lola Corfixen), as they embark on an odyssey through the natural and the supernatural. The past ultimately transforms and defines their future,...
- 11/23/2022
- by Jordan Raup
- The Film Stage
Nicolas Winding Refn is bringing his signature stylized violence to Netflix. The “Drive” director’s upcoming miniseries “Copenhagen Cowboy” is set to release January 5. In addition, a trailer for the series dropped on Wednesday, and you can watch it below.
The six-episode series stars Angela Bundalovic as Miu, an enigmatic young woman who has devoted her life to serving a shadowy criminal organization. Returning to her hometown of Copenhagen, Miu goes on a surreal, supernatural odyssey through the seedy underbelly of the city, in an attempt to track down and defeat her archenemy Rakel (Lola Corfixen). Based on the trailer, Miu’s journey carries all the hallmarks of Winding Refn’s filmmaking, with neon lighting, a synthwave soundtrack, and tons of bloodshed.
“I don’t know who you are, or know what you’re capable of, but people around you die,” a character narrates about Miu in the trailer. “Either that,...
The six-episode series stars Angela Bundalovic as Miu, an enigmatic young woman who has devoted her life to serving a shadowy criminal organization. Returning to her hometown of Copenhagen, Miu goes on a surreal, supernatural odyssey through the seedy underbelly of the city, in an attempt to track down and defeat her archenemy Rakel (Lola Corfixen). Based on the trailer, Miu’s journey carries all the hallmarks of Winding Refn’s filmmaking, with neon lighting, a synthwave soundtrack, and tons of bloodshed.
“I don’t know who you are, or know what you’re capable of, but people around you die,” a character narrates about Miu in the trailer. “Either that,...
- 11/23/2022
- by Wilson Chapman
- Indiewire
After providing a brief look at Nicolas Winding Refn’s upcoming six-episode series Copenhagen Cowboy in September, Netflix today has dropped the first full official trailer (check it out above). The streamer has also set the global launch for January 5, 2023.
The neon-drenched noir series follows enigmatic young heroine, Miu (Angela Bundalovic). After a lifetime of servitude and on the verge of a new beginning, she traverses the ominous landscape of Copenhagen’s criminal netherworld. Searching for justice and enacting vengeance, she encounters her nemesis, Rakel (Lola Corfixen), as they embark on an odyssey through the natural and the supernatural. The past ultimately transforms and defines their future, as the two women discover they are not alone, they are many.
Also starring are Zlatko Buric, Andreas Lykke Jørgensen, Jason Hendil-Forssell, LiIi Zhang and Dragana Milutinovic.
The series originally debuted at the Venice Film Festival. When it was first announced, Winding Refn, the filmmaker behind the Pusher trilogy, Drive and The Neon Demon, said, “With Copenhagen Cowboy, I am returning to my past to shape my future by creating a series, an expansion of my constantly evolving alter-egos, now in the form of my young heroine, Miu.”...
The neon-drenched noir series follows enigmatic young heroine, Miu (Angela Bundalovic). After a lifetime of servitude and on the verge of a new beginning, she traverses the ominous landscape of Copenhagen’s criminal netherworld. Searching for justice and enacting vengeance, she encounters her nemesis, Rakel (Lola Corfixen), as they embark on an odyssey through the natural and the supernatural. The past ultimately transforms and defines their future, as the two women discover they are not alone, they are many.
Also starring are Zlatko Buric, Andreas Lykke Jørgensen, Jason Hendil-Forssell, LiIi Zhang and Dragana Milutinovic.
The series originally debuted at the Venice Film Festival. When it was first announced, Winding Refn, the filmmaker behind the Pusher trilogy, Drive and The Neon Demon, said, “With Copenhagen Cowboy, I am returning to my past to shape my future by creating a series, an expansion of my constantly evolving alter-egos, now in the form of my young heroine, Miu.”...
- 11/23/2022
- by Nancy Tartaglione
- Deadline Film + TV
It took a pandemic and a lockdown for “Drive” director Nicolas Winding Refn to make a directorial comeback in Denmark, where he had delivered the “Pusher” trilogy early in his career.
“Sometimes the strangest things come in mysterious ways, and this is one of those,” Refn says of “Copenhagen Cowboy,” his Netflix original series, slated to world premiere Sept. 9 at the Venice Film Festival.
Since “Drive,” Winding Refn has directed the Bangkok-set thriller “Only God Forgives,” with “Drive” star Ryan Gosling; “The Neon Demon,” with Elle Fanning playing an aspiring model in Los Angeles.; and the Amazon Prime Video series “Too Old to Die Young,” starring Miles Teller as a grieving cop in crime-ridden Southern California. He was preparing another project set abroad when the pandemic hit.
“We were stuck as a family back in Denmark and I came up with this idea,” he says, noting his wife, Liv Corfixen,...
“Sometimes the strangest things come in mysterious ways, and this is one of those,” Refn says of “Copenhagen Cowboy,” his Netflix original series, slated to world premiere Sept. 9 at the Venice Film Festival.
Since “Drive,” Winding Refn has directed the Bangkok-set thriller “Only God Forgives,” with “Drive” star Ryan Gosling; “The Neon Demon,” with Elle Fanning playing an aspiring model in Los Angeles.; and the Amazon Prime Video series “Too Old to Die Young,” starring Miles Teller as a grieving cop in crime-ridden Southern California. He was preparing another project set abroad when the pandemic hit.
“We were stuck as a family back in Denmark and I came up with this idea,” he says, noting his wife, Liv Corfixen,...
- 9/4/2022
- by Elsa Keslassy
- Variety Film + TV
Thriller marks director’s first project in native Denmark in 15 years.
Danish director Nicolas Winding Refn has wrapped filming on a six-part noir series Copenhagen Cowboy for Netflix.
Angela Bundalovic stars as a young woman who travels through Copenhagen’s criminal netherworld.
Copenhagen Cowboy marks Winding Refn’s first production in his native Denmark in 15 years. He is best known for the Pusher trilogy (1996–2005), Bronson (2008), Valhalla Rising (2009), Drive (2011), Only God Forgives (2013), The Neon Demon (2016), and the series Too Old to Die Young (2019).
“With Copenhagen Cowboy, I am returning to my past to shape my future by creating a series, an...
Danish director Nicolas Winding Refn has wrapped filming on a six-part noir series Copenhagen Cowboy for Netflix.
Angela Bundalovic stars as a young woman who travels through Copenhagen’s criminal netherworld.
Copenhagen Cowboy marks Winding Refn’s first production in his native Denmark in 15 years. He is best known for the Pusher trilogy (1996–2005), Bronson (2008), Valhalla Rising (2009), Drive (2011), Only God Forgives (2013), The Neon Demon (2016), and the series Too Old to Die Young (2019).
“With Copenhagen Cowboy, I am returning to my past to shape my future by creating a series, an...
- 7/22/2022
- by Tim Dams
- ScreenDaily
Thriller marks director’s first project in native Denmark in 15 years.
Danish director Nicolas Winding Refn has wrapped filming on a six-part noir series Copenhagen Cowboy for Netflix.
Angela Bundalovic stars as a young woman who travels through Copenhagen’s criminal netherworld.
Copenhagen Cowboy marks Winding Refn’s first production in his native Denmark in 15 years. He is best known for the Pusher trilogy (1996–2005), Bronson (2008), Valhalla Rising (2009), Drive (2011), Only God Forgives (2013), The Neon Demon (2016), and the series Too Old to Die Young (2019).
“With Copenhagen Cowboy, I am returning to my past to shape my future by creating a series, an...
Danish director Nicolas Winding Refn has wrapped filming on a six-part noir series Copenhagen Cowboy for Netflix.
Angela Bundalovic stars as a young woman who travels through Copenhagen’s criminal netherworld.
Copenhagen Cowboy marks Winding Refn’s first production in his native Denmark in 15 years. He is best known for the Pusher trilogy (1996–2005), Bronson (2008), Valhalla Rising (2009), Drive (2011), Only God Forgives (2013), The Neon Demon (2016), and the series Too Old to Die Young (2019).
“With Copenhagen Cowboy, I am returning to my past to shape my future by creating a series, an...
- 7/22/2022
- by Tim Dams
- ScreenDaily
Over the course of its eight-day run, Fantastic Fest 2018 played host to over 100 feature and short films, and Daily Dead had the opportunity to screen numerous titles while in Austin for all the festivities. Here are my thoughts on three wildly different films I had the opportunity of seeing: Jeremy Saulnier’s Hold the Dark, Luz from up-and-coming director Tilman Singer, and the latest from The Greasy Strangler’s Jim Hosking, An Evening with Beverly Luff Linn.
Hold the Dark: For his latest movie, Jeremy Saulnier re-teams with Macon Blair to bring William Giraldi’s novel Hold the Dark to life, and while the adaptation features strong performances, stunning cinematography, and perfectly showcases Saulnier’s keen abilities as a storyteller who never shies away from provocative and challenging material, as a whole, I just never really connected with Hold the Dark as a viewer, and its rumination on the...
Hold the Dark: For his latest movie, Jeremy Saulnier re-teams with Macon Blair to bring William Giraldi’s novel Hold the Dark to life, and while the adaptation features strong performances, stunning cinematography, and perfectly showcases Saulnier’s keen abilities as a storyteller who never shies away from provocative and challenging material, as a whole, I just never really connected with Hold the Dark as a viewer, and its rumination on the...
- 10/1/2018
- by Heather Wixson
- DailyDead
“Hold the Dark” is a perfectly adequate film made by an especially talented director, Jeremy Saulnier. Alternately pulse-racing and somnambulant, it’s a thriller that starts strong before running out of gas.
It begins in the Alaskan wilderness, where three children have recently been killed. The locals suspect the culprit is a pack of vicious wolves. Medora Slone (Riley Keough) has a similar hunch after the disappearance of her son, Bailey (Beckam Crawford).
Enraged and scared, she enlists author Russell Core (Jeffrey Wright) to fly cross-country and help track down her missing child. Russell has experience with locating (and terminating) wolves. His acclaimed book details his grisly entanglements.
Also Read: HBO Greenlights 'True Detective' Season 3 With Mahershala Ali and Director Jeremy Saulnier
There’s more: Once Russell arrives in Alaska, Medora explains her situation: That she and her boy were left alone while her husband Vernon (Alexander Skarsgård) fought in the Middle East.
It begins in the Alaskan wilderness, where three children have recently been killed. The locals suspect the culprit is a pack of vicious wolves. Medora Slone (Riley Keough) has a similar hunch after the disappearance of her son, Bailey (Beckam Crawford).
Enraged and scared, she enlists author Russell Core (Jeffrey Wright) to fly cross-country and help track down her missing child. Russell has experience with locating (and terminating) wolves. His acclaimed book details his grisly entanglements.
Also Read: HBO Greenlights 'True Detective' Season 3 With Mahershala Ali and Director Jeremy Saulnier
There’s more: Once Russell arrives in Alaska, Medora explains her situation: That she and her boy were left alone while her husband Vernon (Alexander Skarsgård) fought in the Middle East.
- 9/26/2018
- by Sam Fragoso
- The Wrap
If there’s an animal mentioned in the title of a film, there’s a good chance that you’re going to cry by the end of it. Sometimes it’s the animal itself, sometimes it’s just the portal towards human emotion. This week, Lean on Pete opens to try and give your tear ducts some exercise. Whether it has to do with the animal who gives the movie its title or the events that happen to the protagonist, I’ll leave for you to discover, but this is the sort of picture that would love for you to cry. Luckily though, it never feels manipulative. Andrew Haigh actually tells the story in a distant enough way that the organic moments of emotion are more on your part than on the part of the filmmaker or the actors. That’s an accomplishment. This movie is a drama that initially...
- 4/5/2018
- by Joey Magidson
- Hollywoodnews.com
Leaving one’s comfort zone is seldom easy. When it comes to the world of filmmaking it’s a fact that might apply to directors more than others in the business. Credit should always be given to those brave (or maybe foolhardy) enough to do so. This is especially true when considering location, more so when it comes to somewhere like the United States, a difficulty even further magnified comes to that nation’s countryside. Indeed, for every Paris, Texas there is at least one This Must Be The Place. Andrew Haigh, whose films to this point have been drenched in the authenticity of his British midlands locales, might have fallen victim to this particular juju and gotten tipsy on all that rural iconography. Indeed, large portions of his latest film, Lean on Pete, while exquisitely photographed, are devoted to admiring those stunning vistas, but you might be left wondering what happened to the plot.
- 9/3/2017
- by Rory O'Connor
- The Film Stage
Bridgend
Directed by Jeppe Rønde
Denmark, 2015
Philadelphia Film Festival
Bridgend is harrowing and haunting. It’s also oppressive and relentlessly bleak. The title is a town in Wales that is experiencing an inexplicable rash of teenage suicides. Sara (Hannah Murray) moves back to town with her father Dave (Steven Waddington), a police officer investigating the deaths. Sara meets a local group of teenagers led by the mercurial Thomas (Scott Arthur), and the brooding Jamie (Josh O’Connor) and is soon sucked into their hypnotic, angst-filled, and cult-like behavior.
There’s something of the small town doom of The Wicker Man in Bridgend, and also something of a slowly paced music video. Director Jeppe Rønde’s film is undeniably gorgeous. He and cinematographer Magnus Nordenhof Jønck favor dark images, with highlights in the background and the characters themselves very often nearly underexposed. There’s a lot of frosted glass and translucent,...
Directed by Jeppe Rønde
Denmark, 2015
Philadelphia Film Festival
Bridgend is harrowing and haunting. It’s also oppressive and relentlessly bleak. The title is a town in Wales that is experiencing an inexplicable rash of teenage suicides. Sara (Hannah Murray) moves back to town with her father Dave (Steven Waddington), a police officer investigating the deaths. Sara meets a local group of teenagers led by the mercurial Thomas (Scott Arthur), and the brooding Jamie (Josh O’Connor) and is soon sucked into their hypnotic, angst-filled, and cult-like behavior.
There’s something of the small town doom of The Wicker Man in Bridgend, and also something of a slowly paced music video. Director Jeppe Rønde’s film is undeniably gorgeous. He and cinematographer Magnus Nordenhof Jønck favor dark images, with highlights in the background and the characters themselves very often nearly underexposed. There’s a lot of frosted glass and translucent,...
- 11/3/2015
- by Neal Dhand
- SoundOnSight
The Tribeca Film Festival of 2015 closed the books on Sunday as it always does, with a day full of screenings of the prize-winning films. And, as I noted on Day Three, it bears noting that the festival’s reputation of being for “indies that aren’t really indies” almost never bears out during the awards ceremony. All of the films that played on Sunday will be launching new talent into American arthouses, rather than showing a new dimension for established stars.
The Tribeca jury gives awards to Actor, Actress, Screenplay, Editing, Cinematography, New Director for each of narrative and documentary, Director for each of narrative and documentary, a special Nora Ephron prize honoring new female filmmakers, Best Documentary Feature, and Best Narrative feature. The Tribeca Audience Awards cover the best narrative film and best documentary as well. I confess to being completely unable to judge good editing, but I will...
The Tribeca jury gives awards to Actor, Actress, Screenplay, Editing, Cinematography, New Director for each of narrative and documentary, Director for each of narrative and documentary, a special Nora Ephron prize honoring new female filmmakers, Best Documentary Feature, and Best Narrative feature. The Tribeca Audience Awards cover the best narrative film and best documentary as well. I confess to being completely unable to judge good editing, but I will...
- 4/29/2015
- by Mark Young
- SoundOnSight
Over the weekend, the 2015 Tribeca Film Festival gave out their annual awards, putting a bow on the latest installment of the fest. It was a pretty solid festival, as far as I could tell, though in all fairness I saw less movies this year than I usually do at Tribeca. Still, the films that I did wind up privy to wound up impressing me, by and large. Most of my favorite titles weren’t cited by these awards, but one sort of was, and that was Leslye Headland’s wonderful Sleeping with Other People. That was a runner up (as you’ll see below), but it deserved plenty more. I personally would have given some awards to not just Sleeping with Other People, but also titles like Grandma, Misery Loves Comedy, and Slow West as well. I might do my own awards/best of piece later on in the week,...
- 4/27/2015
- by Joey Magidson
- Hollywoodnews.com
Virgin Mountain Gentle Icelandic drama Virgin Mountain (Fúsi) was named best dramatic film at Tribeca. The film, which tells an offbeat love story, won a purse of $25,000 for director Dagur Kári, who took home a $5,000 bonus for best screenplay. The film's hat-trick of awards saw Gunnar Jónsson named as best actor for his role as shy man mountain Fúsi, whose subtle performance that relies as much on small gestures and looks as scripting, is fully deserving of recognition.
The other chief winner at this year's festival was a Danish film - shot in the UK - Bridgend. The film is certainly controversial, as it draws on the real-life suicides of teenagers and young adults in the Welsh town of the title and although some of the craft behind the film is good - particularly Magnus Jønck's excellent cinematography - I found the reductive nature of the picture painted (every.
The other chief winner at this year's festival was a Danish film - shot in the UK - Bridgend. The film is certainly controversial, as it draws on the real-life suicides of teenagers and young adults in the Welsh town of the title and although some of the craft behind the film is good - particularly Magnus Jønck's excellent cinematography - I found the reductive nature of the picture painted (every.
- 4/27/2015
- by Amber Wilkinson
- eyeforfilm.co.uk
Virgin Mountain and Bridgend were among the winners at the 14th annual Tribeca Film Festival; King Jack and Transfatty Lives take the audience awards.
It was also announced that, starting this year, the new name of the Best New Documentary Director Award is The Albert Maysles New Documentary Director Award, which was awarded on Thursday by the filmmaker’s children Philip Maysles and Sara Maysles.
The winners of the audience awards sponsored by At&T were King Jack, directed by Felix Thompson, in the narrative category, and TransFatty Lives, directed by Patrick O’Brien, in the documentary category .
World Narrative Competition Categories
The Founders Award for Best Narrative Feature – Virgin Mountain (Iceland-Denmark), dir Dagur Kári. Winner receives $25,000 sponsored by At&T and the art award Ash Eroded Film Reel by Daniel Arsham.
Best Actor in a Narrative Feature Film – Gunnar Jónsson as Fúsi in Virgin Mountain. Winner receives $2,500 sponsored by Citrin Cooperman.
Best Actress...
It was also announced that, starting this year, the new name of the Best New Documentary Director Award is The Albert Maysles New Documentary Director Award, which was awarded on Thursday by the filmmaker’s children Philip Maysles and Sara Maysles.
The winners of the audience awards sponsored by At&T were King Jack, directed by Felix Thompson, in the narrative category, and TransFatty Lives, directed by Patrick O’Brien, in the documentary category .
World Narrative Competition Categories
The Founders Award for Best Narrative Feature – Virgin Mountain (Iceland-Denmark), dir Dagur Kári. Winner receives $25,000 sponsored by At&T and the art award Ash Eroded Film Reel by Daniel Arsham.
Best Actor in a Narrative Feature Film – Gunnar Jónsson as Fúsi in Virgin Mountain. Winner receives $2,500 sponsored by Citrin Cooperman.
Best Actress...
- 4/24/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Virgin Mountain and Bridgend were among the winners at the 14th annual Tribeca Film Festival’s New York awards show at Spring Studios on Thursday night.
It was also announced that, starting this year, the new name of the Best New Documentary Director Award is The Albert Maysles New Documentary Director Award, which was awarded on Thursday by the filmmaker’s children Philip Maysles and Sara Maysles.
The winners of the audience awards sponsored by At&T will be announced on April 25.
World Narrative Competition Categories
The Founders Award for Best Narrative Feature – Virgin Mountain (Iceland-Denmark), dir Dagur Kári. Winner receives $25,000 sponsored by At&T and the art award Ash Eroded Film Reel by Daniel Arsham.
Best Actor in a Narrative Feature Film – Gunnar Jónsson as Fúsi in Virgin Mountain. Winner receives $2,500 sponsored by Citrin Cooperman.
Best Actress in a Narrative Feature Film – Hannah Murray as Sara in Bridgend (Denmark, pictured). Winner...
It was also announced that, starting this year, the new name of the Best New Documentary Director Award is The Albert Maysles New Documentary Director Award, which was awarded on Thursday by the filmmaker’s children Philip Maysles and Sara Maysles.
The winners of the audience awards sponsored by At&T will be announced on April 25.
World Narrative Competition Categories
The Founders Award for Best Narrative Feature – Virgin Mountain (Iceland-Denmark), dir Dagur Kári. Winner receives $25,000 sponsored by At&T and the art award Ash Eroded Film Reel by Daniel Arsham.
Best Actor in a Narrative Feature Film – Gunnar Jónsson as Fúsi in Virgin Mountain. Winner receives $2,500 sponsored by Citrin Cooperman.
Best Actress in a Narrative Feature Film – Hannah Murray as Sara in Bridgend (Denmark, pictured). Winner...
- 4/24/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Virgin Mountain and Bridgend were among the winners at the 14th annual Tribeca Film Festival’s New York awards show at Spring Studios on Thursday night.
It was also announced that, starting this year, the new name of the Best New Documentary Director Award is The Albert Maysles New Documentary Director Award, which was awarded on Thursday by the filmmaker’s children Philip Maysles and Sara Maysles.
The winners of the audience awards sponsored by At&T will be announced on April 25.
World Narrative Competition Categories
The Founders Award for Best Narrative Feature – Virgin Mountain (Iceland-Denmark, pictured), dir Dagur Kári. Winner receives $25,000 sponsored by At&T and the art award Ash Eroded Film Reel by Daniel Arsham.
Best Actor in a Narrative Feature Film – Gunnar Jónsson as Fúsi in Virgin Mountain. Winner receives $2,500 sponsored by Citrin Cooperman.
Best Actress in a Narrative Feature Film – Hannah Murray as Sara in Bridgend (Denmark). Winner receives $2,500 sponsored by Citrin Cooperman...
It was also announced that, starting this year, the new name of the Best New Documentary Director Award is The Albert Maysles New Documentary Director Award, which was awarded on Thursday by the filmmaker’s children Philip Maysles and Sara Maysles.
The winners of the audience awards sponsored by At&T will be announced on April 25.
World Narrative Competition Categories
The Founders Award for Best Narrative Feature – Virgin Mountain (Iceland-Denmark, pictured), dir Dagur Kári. Winner receives $25,000 sponsored by At&T and the art award Ash Eroded Film Reel by Daniel Arsham.
Best Actor in a Narrative Feature Film – Gunnar Jónsson as Fúsi in Virgin Mountain. Winner receives $2,500 sponsored by Citrin Cooperman.
Best Actress in a Narrative Feature Film – Hannah Murray as Sara in Bridgend (Denmark). Winner receives $2,500 sponsored by Citrin Cooperman...
- 4/24/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Virgin Mountain and Bridgend were among the winners at the 14th annual Tribeca Film Festival’s New York awards show at Spring Studios on Thursday night.
It was also announced that, starting this year, the new name of the Best New Documentary Director Award is The Albert Maysles New Documentary Director Award, which was awarded on Thursday by the filmmaker’s children Philip Maysles and Sara Maysles.
The winners of the audience awards sponsored by At&T will be announced on April 25.
World Narrative Competition Categories
The Founders Award for Best Narrative Feature – Virgin Mountain (Iceland-Denmark, pictured), dir Dagur Kári. Winner receives $25,000 sponsored by At&T and the art award Ash Eroded Film Reel by Daniel Arsham.
Best Actor in a Narrative Feature Film – Gunnar Jónsson as Fúsi in Virgin Mountain. Winner receives $2,500 sponsored by Citrin Cooperman.
Best Actress in a Narrative Feature Film – Hannah Murray as Sara in Bridgend (Denmark). Winner receives $2,500 sponsored by Citrin Cooperman...
It was also announced that, starting this year, the new name of the Best New Documentary Director Award is The Albert Maysles New Documentary Director Award, which was awarded on Thursday by the filmmaker’s children Philip Maysles and Sara Maysles.
The winners of the audience awards sponsored by At&T will be announced on April 25.
World Narrative Competition Categories
The Founders Award for Best Narrative Feature – Virgin Mountain (Iceland-Denmark, pictured), dir Dagur Kári. Winner receives $25,000 sponsored by At&T and the art award Ash Eroded Film Reel by Daniel Arsham.
Best Actor in a Narrative Feature Film – Gunnar Jónsson as Fúsi in Virgin Mountain. Winner receives $2,500 sponsored by Citrin Cooperman.
Best Actress in a Narrative Feature Film – Hannah Murray as Sara in Bridgend (Denmark). Winner receives $2,500 sponsored by Citrin Cooperman...
- 4/24/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The 12th edition of the Mumbai Film Festival by Mami (Mumbai Academy of Moving Image) is scheduled to take place from Oct 21 to Oct 28 in Mumbai. Following is the complete list of all the films that are going to be premiered for the first time ever at the festival: 1. The Way Home - Biju Kumar World Premiere Synopsis - The plot revolves around a doctor with a haunting past. Now working at a Prison Hospital, the Doctor is assigned the case of a woman a surviving member from a notorious terrorist group. .Before dying she entrusts him to find her five-year-old son and unite him with his father who is the head of terrorist group. Finding the boy from a village the Doctor and child set out on a journey to find his father. The journey is happening through the contemporary and mysterious path of the terrorist network in the vast country with many incidents.
- 10/15/2010
- by Bollywood Hungama News Network
- BollywoodHungama
The 12th edition of the Mumbai Film Festival by Mami (Mumbai Academy of Moving Image) is scheduled to take place from Oct 21 to Oct 28 in Mumbai. Following is the complete list of all the films that are going to be premiered for the first time ever at the festival: 1. The Way Home - Biju Kumar World Premiere Synopsis - The plot revolves around a doctor with a haunting past. Now working at a Prison Hospital, the Doctor is assigned the case of a woman a surviving member from a notorious terrorist group. .Before dying she entrusts him to find her five-year-old son and unite him with his father who is the head of terrorist group. Finding the boy from a village the Doctor and child set out on a journey to find his father. The journey is happening through the contemporary and mysterious path of the terrorist network in the vast country with many incidents.
- 10/15/2010
- by Bollywood Hungama News Network
- BollywoodHungama
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