“Oppenheimer” got a big boost in its bid for Best Editing at the Oscars with a win at the Ace Golden Eddie Awards on March 3. It prevailed in the drama race at these awards bestowed by American Cinema Editors over two of its Oscar rivals –“Anatomy of a Fall” and “Killers of the Flower Moon ” — as well as “Maestro” and “Past Lives.”
Another of the Oscar nominees, “The Holdovers ” won the comedy/musical category over the fifth Oscar contender, “Poor Things,” plus “Air”, “American Fiction” and “Barbie.”
Since 1990, the film that came up with one of the ACEs went on to win the top prize at the Academy Awards 19 times, including the 2023 winner for best comedy/musical editing, “Everything Everywhere All at Once” and the 2020 winner for best drama editing, “Parasite.” And in 10 of the 14 years when the Ace barometer was wrong, at least one of the Eddie champs was a contender for Best Picture.
Another of the Oscar nominees, “The Holdovers ” won the comedy/musical category over the fifth Oscar contender, “Poor Things,” plus “Air”, “American Fiction” and “Barbie.”
Since 1990, the film that came up with one of the ACEs went on to win the top prize at the Academy Awards 19 times, including the 2023 winner for best comedy/musical editing, “Everything Everywhere All at Once” and the 2020 winner for best drama editing, “Parasite.” And in 10 of the 14 years when the Ace barometer was wrong, at least one of the Eddie champs was a contender for Best Picture.
- 3/4/2024
- by Paul Sheehan
- Gold Derby
Cillian Murphy and writer, director, and producer Christopher Nolan on the set of ‘Oppenheimer’ (Photo © Universal Pictures)
Oppenheimer continues its winning ways, adding the Ace Eddie Awards’ Best Edited Feature Film award to its lengthy list of honors. The 74th Annual Ace Eddie Awards, held on March 3, 2024, named The Holdovers as the Best Edited Feature Film winner, and Spider-Man: Across the Spider-Verse took home the Best Edited Animated Feature Film prize.
Presented by American Cinema Editors, this year’s Ace Eddie Awards was held at UCLA’s Royce Hall and hosted by Nina West. In addition to announcing winners in the competitive categories, the 2024 Ace Eddie Awards presented John Waters with the Ace Golden Eddie Award. Kate Amend and Walter Murch were recognized with Career Achievement Awards, and Stephen Lovejoy was honored with the Ace Heritage Award.
74th Annual Ace Eddie Awards Winners:
Best Edited Feature Film:
Oppenheimer
Jennifer Lame,...
Oppenheimer continues its winning ways, adding the Ace Eddie Awards’ Best Edited Feature Film award to its lengthy list of honors. The 74th Annual Ace Eddie Awards, held on March 3, 2024, named The Holdovers as the Best Edited Feature Film winner, and Spider-Man: Across the Spider-Verse took home the Best Edited Animated Feature Film prize.
Presented by American Cinema Editors, this year’s Ace Eddie Awards was held at UCLA’s Royce Hall and hosted by Nina West. In addition to announcing winners in the competitive categories, the 2024 Ace Eddie Awards presented John Waters with the Ace Golden Eddie Award. Kate Amend and Walter Murch were recognized with Career Achievement Awards, and Stephen Lovejoy was honored with the Ace Heritage Award.
74th Annual Ace Eddie Awards Winners:
Best Edited Feature Film:
Oppenheimer
Jennifer Lame,...
- 3/4/2024
- by Rebecca Murray
- Showbiz Junkies
Best Picture favorite “Oppenheimer” and “The Holdovers” were the drama and comedy editing winners at the 74th Ace Eddie Awards, March 3 at UCLA’s Royce Hall. “Oppenheimer” editor Jennifer Lame is now a step closer to winning the Oscar for deftly balancing Christopher Nolan’s interlocking, subjective POVs of J. Robert Oppenheimer (Best Actor nominee Cillian Murphy) in color and adversary Admiral Lewis Strauss (Best Supporting Actor nominee Robert Downey Jr.) in black-and-white.
The other Oscar nominees are “The Holdovers” (edited by Ace president Kevin Tent), Killers of the Flower Moon,” “Anatomy of Fall,” and “Poor Things.”
“Spider-Man: Across the Universe” won the animation award, “Still: A Michael J. Fox Movie” earned theatrical documentary honors, and “Escaping Twin Flames” took the non-theatrical prize.
TV editing winners included “The Last of Us” for drama series, “Beef” for limited series, “How I Met Your Father” for multi-camera comedy series, “The Bear” for single-camera comedy series,...
The other Oscar nominees are “The Holdovers” (edited by Ace president Kevin Tent), Killers of the Flower Moon,” “Anatomy of Fall,” and “Poor Things.”
“Spider-Man: Across the Universe” won the animation award, “Still: A Michael J. Fox Movie” earned theatrical documentary honors, and “Escaping Twin Flames” took the non-theatrical prize.
TV editing winners included “The Last of Us” for drama series, “Beef” for limited series, “How I Met Your Father” for multi-camera comedy series, “The Bear” for single-camera comedy series,...
- 3/4/2024
- by Bill Desowitz
- Indiewire
Universal’s Oppenheimer and Focus Features’ The Holdovers won the top theatrical prizes Sunday at the 74th Annual Ace Eddie Awards, presented by the American Cinema Editors at UCLA’s Royce Hall.
Ace president Kevin Tent, who presided over the event, won best edited feature film, comedy, for The Holdovers, while the drama feature award went to Oppenheimer editor Jennifer Lame.
Other theatrical winners include animated feature winner Michael Andrews for Sony’s Spider-Man: Across the Spider-Verse and documentary winner Michael Harte for Apple’s Still: A Michael J. Fox Movie. Television winners include The Bear‘s Joanna Naugle, who won for the acclaimed episode “Fishes” that featured a star-studded lineup of guest actors led by Jamie Lee Curtis; The Last of Us‘ Timothy A. Good, for the episode “Long, Long Time;” Beef‘s Harry Yoon and Laura Zempel; and How I Met Your Father‘s Russell Griffin.
The team...
Ace president Kevin Tent, who presided over the event, won best edited feature film, comedy, for The Holdovers, while the drama feature award went to Oppenheimer editor Jennifer Lame.
Other theatrical winners include animated feature winner Michael Andrews for Sony’s Spider-Man: Across the Spider-Verse and documentary winner Michael Harte for Apple’s Still: A Michael J. Fox Movie. Television winners include The Bear‘s Joanna Naugle, who won for the acclaimed episode “Fishes” that featured a star-studded lineup of guest actors led by Jamie Lee Curtis; The Last of Us‘ Timothy A. Good, for the episode “Long, Long Time;” Beef‘s Harry Yoon and Laura Zempel; and How I Met Your Father‘s Russell Griffin.
The team...
- 3/4/2024
- by Tyler Coates
- The Hollywood Reporter - Movie News
Oppenheimer took the marquee Best Edited Feature Film (Dramatic) honor and The Holdovers landed the top Best Edited Feature Film (Comedy) award at the 74th Ace Eddie Awards Sunday. Hosted by Nina West, the winners were announced live in a ceremony at UCLA’s Royce Hall.
Jennifer Lame Ace, edited Oppenheimer, a film that has so far swept awards season with recent SAG Awards, PGA, DGA, for director Christopher Nolan, BAFTA, and more. The honor puts Oppenheimer and The Holdovers in frontrunner status in the Best Film Editing Oscar race, for which both are nominated, along with Anatomy of a Fall, Killers of the Flower Moon and Poor Things.
Since the turn of the 21st century, the Eddie winner for theatrical drama has gone on to score the Academy Award for Best Editing 13 of 23 times — but none of the past four years. In a twist, it was the Eddies’ 2023 comedy winner,...
Jennifer Lame Ace, edited Oppenheimer, a film that has so far swept awards season with recent SAG Awards, PGA, DGA, for director Christopher Nolan, BAFTA, and more. The honor puts Oppenheimer and The Holdovers in frontrunner status in the Best Film Editing Oscar race, for which both are nominated, along with Anatomy of a Fall, Killers of the Flower Moon and Poor Things.
Since the turn of the 21st century, the Eddie winner for theatrical drama has gone on to score the Academy Award for Best Editing 13 of 23 times — but none of the past four years. In a twist, it was the Eddies’ 2023 comedy winner,...
- 3/4/2024
- by Denise Petski and Erik Pedersen
- Deadline Film + TV
Christopher Nolan’s “Oppenheimer” topped the dramatic feature editing category at the American Cinema Editors’ 74th Ace Eddie Awards, while “The Holdovers” won the category for best edited comedic feature during Sunday’s ceremony at UCLA’s Royce Hall.
Jennifer Lame edited “Oppenheimer,” which also took top honors at last week’s SAG Awards and Producers Guild Awards. The recent honor further cements the film’s position to take top prize at the Oscars next weekend. But she faces competition from Kevin Tent, who won here for “The Holdovers.”
Should Lame go on to win the Oscar, it will mark nine years since a woman has won. Margaret Sixel won in 2015 for “Mad Max: Fury Road.”
Tent, also president of Ace, kicked off the ceremony addressing last year’s labor strikes, saying, “It’s great to look out and see so many rock star editors…Last year was an extraordinarily...
Jennifer Lame edited “Oppenheimer,” which also took top honors at last week’s SAG Awards and Producers Guild Awards. The recent honor further cements the film’s position to take top prize at the Oscars next weekend. But she faces competition from Kevin Tent, who won here for “The Holdovers.”
Should Lame go on to win the Oscar, it will mark nine years since a woman has won. Margaret Sixel won in 2015 for “Mad Max: Fury Road.”
Tent, also president of Ace, kicked off the ceremony addressing last year’s labor strikes, saying, “It’s great to look out and see so many rock star editors…Last year was an extraordinarily...
- 3/4/2024
- by Jazz Tangcay
- Variety Film + TV
The nominations for the 2024 Ace Eddie Awards announced on Thursday (Jan. 25) include our Oscar frontrunner for Best Film Editing, “Oppenheimer,” along with the other four films contending in that race: “Anatomy of a Fall,” “Killers of the Flower Moon,” “Poor Things” and “The Holdovers.”
The Ace Eddie Awards divide their prizes for editing between dramas and comedies/musicals.
“Anatomy of a Fall,” “Killers of the Flower Moon” and “Oppenheimer” contend here in the drama race, which is rounded out by “Maestro” and “Past Lives.”
Facing off against “Poor Things” and “The Holdovers” on the comedy side are “Air,” “American Fiction” and “Barbie.”
In 1992, the Eddies went from three to five nominees (matching that of the Oscars) and in 2000 it split the award in two, with five nominees for each of drama and comedy/musical. Over the past 31 years, 139 of the 155 Academy Awards nominees for Best Film Editing have reaped an...
The Ace Eddie Awards divide their prizes for editing between dramas and comedies/musicals.
“Anatomy of a Fall,” “Killers of the Flower Moon” and “Oppenheimer” contend here in the drama race, which is rounded out by “Maestro” and “Past Lives.”
Facing off against “Poor Things” and “The Holdovers” on the comedy side are “Air,” “American Fiction” and “Barbie.”
In 1992, the Eddies went from three to five nominees (matching that of the Oscars) and in 2000 it split the award in two, with five nominees for each of drama and comedy/musical. Over the past 31 years, 139 of the 155 Academy Awards nominees for Best Film Editing have reaped an...
- 1/25/2024
- by Paul Sheehan
- Gold Derby
Ryan Gosling as Ken and Margot Robbie as Barbie in ‘Barbie’ ((Photo Courtesy Warner Bros. Pictures)
Taylor Swift: The Eras Tour, Oppenheimer, The Bear, and Barbie are among the nominees for the 74th Annual Ace Eddie Awards, recognizing outstanding editing in film, television, and documentaries. In addition to the 14 competitive categories, the American Cinema Editors (Ace) will honor filmmaker John Waters and editors Kate Amend, Stephen Lovejoy, and Walter Murch with special awards during this year’s ceremony.
Winners will be announced at the Ace Eddie Awards to be held on Sunday, March 3, 2024 at UCLA’s Royce Hall. Drag queen, performer, and queer activist Nina West (Hairspray) will handle hosting duties.
2024 Ace Eddie Awards Nominees:
Best Edited Feature Film:
Anatomy of a Fall, Laurent Sénéchal
Killers of the Flower Moon, Thelma Schoonmaker, Ace
Maestro, Michelle Tesoro, Ace
Oppenheimer, Jennifer Lame, Ace
Past Lives, Keith Fraase
Best Edited Feature Film:
Air,...
Taylor Swift: The Eras Tour, Oppenheimer, The Bear, and Barbie are among the nominees for the 74th Annual Ace Eddie Awards, recognizing outstanding editing in film, television, and documentaries. In addition to the 14 competitive categories, the American Cinema Editors (Ace) will honor filmmaker John Waters and editors Kate Amend, Stephen Lovejoy, and Walter Murch with special awards during this year’s ceremony.
Winners will be announced at the Ace Eddie Awards to be held on Sunday, March 3, 2024 at UCLA’s Royce Hall. Drag queen, performer, and queer activist Nina West (Hairspray) will handle hosting duties.
2024 Ace Eddie Awards Nominees:
Best Edited Feature Film:
Anatomy of a Fall, Laurent Sénéchal
Killers of the Flower Moon, Thelma Schoonmaker, Ace
Maestro, Michelle Tesoro, Ace
Oppenheimer, Jennifer Lame, Ace
Past Lives, Keith Fraase
Best Edited Feature Film:
Air,...
- 1/25/2024
- by Rebecca Murray
- Showbiz Junkies
The 2024 American Cinema Editors (Ace) Eddie Award nominations have been unveiled.
As announced today, January 25, the 74th Annual Ace Eddie Awards will recognize Thelma Schoonmaker’s work on “Killers of the Flower Moon,” Jennifer Lame’s editing skills on “Oppenheimer,” Nick Houy’s vision for “Barbie,” Laurent Sénéchal for “Anatomy of a Fall,” and more nominees across drama and comedy.
The annual awards ceremony honors outstanding editing in 14 categories of film, television, and documentaries. The winners will be announced live during the Ace Eddie Awards on Sunday, March 3, 2024 at UCLA’s Royce Hall at a special brunch celebration, with “Hairspray” actress, drag queen, and queer activist Nina West hosting.
TV nominees include “The Bear,” “Succession,” “Barry,” “Ahsoka,” “The Last of Us,” and “Beef.”
“Hairspray” director John Waters will receive the Ace Golden Eddie Filmmaker of the Year Award, which recognizes filmmakers who exemplify distinguished achievement in the art and business of film.
As announced today, January 25, the 74th Annual Ace Eddie Awards will recognize Thelma Schoonmaker’s work on “Killers of the Flower Moon,” Jennifer Lame’s editing skills on “Oppenheimer,” Nick Houy’s vision for “Barbie,” Laurent Sénéchal for “Anatomy of a Fall,” and more nominees across drama and comedy.
The annual awards ceremony honors outstanding editing in 14 categories of film, television, and documentaries. The winners will be announced live during the Ace Eddie Awards on Sunday, March 3, 2024 at UCLA’s Royce Hall at a special brunch celebration, with “Hairspray” actress, drag queen, and queer activist Nina West hosting.
TV nominees include “The Bear,” “Succession,” “Barry,” “Ahsoka,” “The Last of Us,” and “Beef.”
“Hairspray” director John Waters will receive the Ace Golden Eddie Filmmaker of the Year Award, which recognizes filmmakers who exemplify distinguished achievement in the art and business of film.
- 1/25/2024
- by Samantha Bergeson
- Indiewire
The American Cinema Editors unwrapped the nominees for its 74th Eddie Awards.
Ace’s live-action theatrical feature competition is divided into two categories, for drama and comedy. Nominees in the category for best edited dramatic theatrical feature are Laurent Sénéchal for Anatomy of a Fall, Thelma Schoonmaker for Killers of the Flower Moon, Michelle Tesoro for Maestro, Jennifer Lame for Oppenheimer and Keith Fraase for Past Lives. Nominees for best edited comedic theatrical feature are William Goldenberg for Air, Hilda Rasula for American Fiction, Nick Houy for Barbie; Kevin Tent for The Holdovers and Yorgos Mavropsaridis for Poor Things.
The Eddie nominees include the five nominees for the Oscar in film editing: Anatomy of a Fall, Killers of the Flower Moon and Oppenheimer (from the drama category); and The Holdovers and Poor Things (from the comedy category). With the nomination for Killers of the Flower Moon, Martin Scorsese’s longtime...
Ace’s live-action theatrical feature competition is divided into two categories, for drama and comedy. Nominees in the category for best edited dramatic theatrical feature are Laurent Sénéchal for Anatomy of a Fall, Thelma Schoonmaker for Killers of the Flower Moon, Michelle Tesoro for Maestro, Jennifer Lame for Oppenheimer and Keith Fraase for Past Lives. Nominees for best edited comedic theatrical feature are William Goldenberg for Air, Hilda Rasula for American Fiction, Nick Houy for Barbie; Kevin Tent for The Holdovers and Yorgos Mavropsaridis for Poor Things.
The Eddie nominees include the five nominees for the Oscar in film editing: Anatomy of a Fall, Killers of the Flower Moon and Oppenheimer (from the drama category); and The Holdovers and Poor Things (from the comedy category). With the nomination for Killers of the Flower Moon, Martin Scorsese’s longtime...
- 1/25/2024
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
The American Cinema Editors (Ace) have nominated “Anatomy of a Fall,” Killers of the Flower Moon,”
“Maestro,” “Oppenheimer” and “Past Lives” in the category of feature film drama for the 74th annual Ace Eddie Awards. “Air,” “Barbie,” “American Fiction,” “Poor Things” and “The Holdovers” received nominations in the best edited comedic feature category.
The TV nominees include “The Bear,” “Barry,” “Succession,” Only Murders in the Building” and “Ahsoka.” Also landing a nomination for editing was the team behind “Taylor Swift: The Eras Tour.”
As previously announced, John Waters will receive the Ace Golden Eddie Filmmaker of the Year award. Film editors Kate Amend, Ace and Walter Murch, Ace will receive career achievement awards for their outstanding contributions to film editing. Stephen Lovejoy, Ace will receive the Heritage award for his unwavering commitment to Ace.
“RuPaul’s Drag Race” alumni and star of “Hairspray” Nina West will emcee the event. The winners...
“Maestro,” “Oppenheimer” and “Past Lives” in the category of feature film drama for the 74th annual Ace Eddie Awards. “Air,” “Barbie,” “American Fiction,” “Poor Things” and “The Holdovers” received nominations in the best edited comedic feature category.
The TV nominees include “The Bear,” “Barry,” “Succession,” Only Murders in the Building” and “Ahsoka.” Also landing a nomination for editing was the team behind “Taylor Swift: The Eras Tour.”
As previously announced, John Waters will receive the Ace Golden Eddie Filmmaker of the Year award. Film editors Kate Amend, Ace and Walter Murch, Ace will receive career achievement awards for their outstanding contributions to film editing. Stephen Lovejoy, Ace will receive the Heritage award for his unwavering commitment to Ace.
“RuPaul’s Drag Race” alumni and star of “Hairspray” Nina West will emcee the event. The winners...
- 1/25/2024
- by Jazz Tangcay
- Variety Film + TV
American Cinemas Editors has cut together the nominees for its 74rd annual Ace Eddie Awards, which will be handed out next month. See the list of all 13 film and TV categories below.
The group also said today that Nina West, who played Divine in Weird: The Al Yankovic Story and Edna Turnblad in the touring production of Hairspray, will host the March 3 ceremony at UCLA’s Royce Hall in Westwood.
Vying for the marquee prize of Best Edited Feature Film are the editors behind Anatomy of a Fall, Killers of the Flower Moon, Maestro, Oppenheimer and Past Lives. The Comedy Theatrical race will be among Air, American Fiction, Barbie, The Holdovers and Poor Things.
Since the turn of the 21st century, the Eddie winner for theatrical drama has gone on to score the Academy Award for Best Editing 13 of 23 times — but none of the past four years. In a twist,...
The group also said today that Nina West, who played Divine in Weird: The Al Yankovic Story and Edna Turnblad in the touring production of Hairspray, will host the March 3 ceremony at UCLA’s Royce Hall in Westwood.
Vying for the marquee prize of Best Edited Feature Film are the editors behind Anatomy of a Fall, Killers of the Flower Moon, Maestro, Oppenheimer and Past Lives. The Comedy Theatrical race will be among Air, American Fiction, Barbie, The Holdovers and Poor Things.
Since the turn of the 21st century, the Eddie winner for theatrical drama has gone on to score the Academy Award for Best Editing 13 of 23 times — but none of the past four years. In a twist,...
- 1/25/2024
- by Erik Pedersen
- Deadline Film + TV
Perhaps you may have already noticed but Netflix’s documentary release schedule has become … aggressive. It seems like every time something like The Devil on Trial premieres, a Get Gotti arrives quickly on its heels to bump it out of the “Top 10” on the streamer’s homepage.
That elevated pace is good news for viewers who crave a consistent content pipeline of non-fiction to consume. It also unfortunately means some quality docs run the risk of falling by the wayside before they have a chance to catch on. We certainly hope that’s not the fate awaiting Escaping Twin Flames – a Netflix docuseries that tackles one of the more interesting subjects that streaming has in some time.
Created by Cecilia Peck and Inbal B. Lessner (the team behind Seduced: Inside the Nxivm Cult), Escaping Twin Flames delves into the modern day high-control group (re: cult) known as “Twin Flames Universe.
That elevated pace is good news for viewers who crave a consistent content pipeline of non-fiction to consume. It also unfortunately means some quality docs run the risk of falling by the wayside before they have a chance to catch on. We certainly hope that’s not the fate awaiting Escaping Twin Flames – a Netflix docuseries that tackles one of the more interesting subjects that streaming has in some time.
Created by Cecilia Peck and Inbal B. Lessner (the team behind Seduced: Inside the Nxivm Cult), Escaping Twin Flames delves into the modern day high-control group (re: cult) known as “Twin Flames Universe.
- 11/8/2023
- by Alec Bojalad
- Den of Geek
Cults and multi-level marketing schemes have an awful lot in common: they target the vulnerable, separate members into different tiers to create a hierarchy for control, and only really serve the people at the very top. In the three-episode Netflix documentary miniseries "Escaping Twin Flames," filmmakers Cecilia Peck and Inbal B. Lessner argue that Twin Flames Universe might be both. The doc digs deep into Twin Flames Universe, created by husband and wife Jeff and Shaleia Ayan to be a relationship coaching service to help people find and keep their "twin flame," which is a sort of glorified soulmate. Combining interviews with former members and family of current members with footage from Twin Flames Universe's YouTube, Zoom meetings, and the Ayans' personal YouTube channels, the filmmakers expose Twin Flames Universe as something uniquely dangerous.
"Escaping Twin Flames" is an uncomfortable look at how two people were able to create immense...
"Escaping Twin Flames" is an uncomfortable look at how two people were able to create immense...
- 11/1/2023
- by Danielle Ryan
- Slash Film
Some people look for love in all the wrong places, and when Netflix‘s new docuseries Escaping Twin Flames debuts, we’ll explore one of the darkest corners of false promises, deception, and cultism. The three-part series investigates the Twin Flames dating platform, which devotes itself to finding people’s true love. However, what sounds like a cure for loneliness is a deceptive scam with cult-like consequences.
Escaping Twin Flames debuts on Netflix on November 8. The investigative series hails from Cecilia Peck, director of Starz’s Seduced: Inside the Nxivm Cult, and Good Caper Content, the ITV America production company. Peck’s new docuseries revolves around Jeff and Shaleia Divine, the orchestrators of the Twin Flames Universe. The couple sells online classes for lonely hearts looking to connect with their destined partner. Sadly, the Twin Flames Universe is a predatory front for an online community that preys on people hoping to connect with their soulmates.
Escaping Twin Flames debuts on Netflix on November 8. The investigative series hails from Cecilia Peck, director of Starz’s Seduced: Inside the Nxivm Cult, and Good Caper Content, the ITV America production company. Peck’s new docuseries revolves around Jeff and Shaleia Divine, the orchestrators of the Twin Flames Universe. The couple sells online classes for lonely hearts looking to connect with their destined partner. Sadly, the Twin Flames Universe is a predatory front for an online community that preys on people hoping to connect with their soulmates.
- 10/4/2023
- by Steve Seigh
- JoBlo.com
Exclusive: Netflix is lining up its next cult documentary.
The streamer has ordered Escaping Twin Flames, a three-part series about the Twin Flames dating platform. The service promised to find people’s true love, or Twin Flame, but what sounded like love might have been more of a dangerous obsession rooted in a cultish mindset.
The series, which launches November 8, comes from Cecilia Peck, who directed Starz’s Seduced: Inside the Nxivm Cult, and Good Caper Content, the ITV America production company behind TLC’s Taken At Birth.
It will explore the story of Jeff and Shaleia Divine, the leaders of Twin Flames Universe, who sell online classes that guarantee harmonious union with your destined partner and will pull back the veil of the universe, a controversial online community that preys on people looking for love.
Related: ‘Seduced: Inside The Nxivm Cult’: Starz Reveals Trailer For Four-Part Docuseries
The...
The streamer has ordered Escaping Twin Flames, a three-part series about the Twin Flames dating platform. The service promised to find people’s true love, or Twin Flame, but what sounded like love might have been more of a dangerous obsession rooted in a cultish mindset.
The series, which launches November 8, comes from Cecilia Peck, who directed Starz’s Seduced: Inside the Nxivm Cult, and Good Caper Content, the ITV America production company behind TLC’s Taken At Birth.
It will explore the story of Jeff and Shaleia Divine, the leaders of Twin Flames Universe, who sell online classes that guarantee harmonious union with your destined partner and will pull back the veil of the universe, a controversial online community that preys on people looking for love.
Related: ‘Seduced: Inside The Nxivm Cult’: Starz Reveals Trailer For Four-Part Docuseries
The...
- 10/4/2023
- by Peter White
- Deadline Film + TV
Below, editors Inbal Lessner and Kim Roberts discuss their work on Nancy Schwartzman’s Sundance-premiering Netflix documentary, Victim/Suspect, her follow-up to the doc Roll Red Roll. The film deals with alleged victims rape and sexual assault who find themselves on the other end of legal charges when they are accused of making false accusations. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Lessner: Nancy Schwartzman and I crossed paths briefly when […]
The post “Most Films Go Through What I Call an Accordion Process:” Editors Inbal Lessner and Kim Roberts on Victim/Suspect first appeared on Filmmaker Magazine.
The post “Most Films Go Through What I Call an Accordion Process:” Editors Inbal Lessner and Kim Roberts on Victim/Suspect first appeared on Filmmaker Magazine.
- 1/31/2023
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Below, editors Inbal Lessner and Kim Roberts discuss their work on Nancy Schwartzman’s Sundance-premiering Netflix documentary, Victim/Suspect, her follow-up to the doc Roll Red Roll. The film deals with alleged victims rape and sexual assault who find themselves on the other end of legal charges when they are accused of making false accusations. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Lessner: Nancy Schwartzman and I crossed paths briefly when […]
The post “Most Films Go Through What I Call an Accordion Process:” Editors Inbal Lessner and Kim Roberts on Victim/Suspect first appeared on Filmmaker Magazine.
The post “Most Films Go Through What I Call an Accordion Process:” Editors Inbal Lessner and Kim Roberts on Victim/Suspect first appeared on Filmmaker Magazine.
- 1/31/2023
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Exclusive: Kandoo Films has acquired worldwide rights to Famous, a drama from writer-director Michael Leoni that melds elements of live theater and film to shine a light on the impact of abuse in the entertainment industry. The indie distributor will release the pic in 10 U.S. theaters to start December 10 day-and-date with digital platforms.
Chris Kattan, Brooke Butler, Cj Valleroy and Josh Pafchek lead the ensemble cast of the film, which centers on A-list celebrity Jason Mast (Pafchek), who driven by a devastating need to expose the truth pushes the boundaries of friendship to reveal the true cost of fame. What appears to be a night of celebration turns out to be an intricate plan to confront his past in a story about Young Hollywood in the 1990s that confronts abuse, and the abuse of power, in the industry.
Check out the trailer below.
“I have a deep love and...
Chris Kattan, Brooke Butler, Cj Valleroy and Josh Pafchek lead the ensemble cast of the film, which centers on A-list celebrity Jason Mast (Pafchek), who driven by a devastating need to expose the truth pushes the boundaries of friendship to reveal the true cost of fame. What appears to be a night of celebration turns out to be an intricate plan to confront his past in a story about Young Hollywood in the 1990s that confronts abuse, and the abuse of power, in the industry.
Check out the trailer below.
“I have a deep love and...
- 10/8/2021
- by Patrick Hipes
- Deadline Film + TV
Documentarians Cecilia Peck and Inbal B. Lessner (“Seduced: Inside the Nxivm Cult”) and Heidi Ewing and Rachel Grady (“Love Fraud”) not only share similar shooting philosophies, in focusing on vérité, but they are also passionate about centering their projects on female survivors’ stories.
The four-part Starz series “Seduced” explores the connection between a few women, including India Oxenberg, who escaped the clutches of Nxivm and its more dangerous subsets Jness and Dos, while the four-part “Love Fraud” for Showtime follows a group of women (including bounty hunter Carla Campbell) as they go after the con man who stole their hearts and a lot of their money.
These four powerhouses came together to talk about their experiences making these two Emmy contending series, as well as the sense of healing and justice they wanted for their subjects.
There is often a debate over how much to say a criminal’s name...
The four-part Starz series “Seduced” explores the connection between a few women, including India Oxenberg, who escaped the clutches of Nxivm and its more dangerous subsets Jness and Dos, while the four-part “Love Fraud” for Showtime follows a group of women (including bounty hunter Carla Campbell) as they go after the con man who stole their hearts and a lot of their money.
These four powerhouses came together to talk about their experiences making these two Emmy contending series, as well as the sense of healing and justice they wanted for their subjects.
There is often a debate over how much to say a criminal’s name...
- 6/17/2021
- by Danielle Turchiano
- Variety Film + TV
The Gracie Awards, which are bestowed by the Alliance for Women in Media Foundation to honor standout women in the media industry and recognize entertainment and news programming that addressed timely topics and social issues, has unveiled its winners for its 46th edition.
Kerry Washington, Lena Waithe, Kelly Clarkson, Michelle Obama, Hillary Rodham Clinton and Erin Andrews are among this year’s winners, along with shows including Today, CBS This Morning, Black-ish and Taylor Swift’s hybrid Folklore: The Long Pond Studio Sessions. FX’s Mrs. America won twice, for Limited Series and Ensemble.
In other TV categories, 60 Minutes, Taste the Nation with Padma Lakshmi and This Is Us also scored wins, as did Caitriona Balfe of Outlander, Catherine O’Hara of Schitt’s Creek, Maitreyi Ramakrishnan of Never Have I Ever and P-Valley’s Shannon Thornton. Obama and Clinton won for their work in their respective podcasts.
Winners will be...
Kerry Washington, Lena Waithe, Kelly Clarkson, Michelle Obama, Hillary Rodham Clinton and Erin Andrews are among this year’s winners, along with shows including Today, CBS This Morning, Black-ish and Taylor Swift’s hybrid Folklore: The Long Pond Studio Sessions. FX’s Mrs. America won twice, for Limited Series and Ensemble.
In other TV categories, 60 Minutes, Taste the Nation with Padma Lakshmi and This Is Us also scored wins, as did Caitriona Balfe of Outlander, Catherine O’Hara of Schitt’s Creek, Maitreyi Ramakrishnan of Never Have I Ever and P-Valley’s Shannon Thornton. Obama and Clinton won for their work in their respective podcasts.
Winners will be...
- 6/9/2021
- by Patrick Hipes
- Deadline Film + TV
In the narrative world, sequels are all the rage for films and even “limited” series if the first installment is wildly successful, but seldom do you see follow-ups for documentaries. But all six filmmakers at Gold Derby’s Meet the Experts: Documentary panel — Samantha Stark (“The New York Times Presents: Framing Britney Spears”), J. Clay Tweel (“Heaven’s Gate: The Cult of Cults”), Cecilia Peck and Inbal B. Lessner (“Seduced: Inside the Nxivm Cult”), Tom Beard (“The Year Earth Changed”) and Jeff Orlowski (“The Social Dilemma”) — are definitely not opposed to sequels to their films, some of which cover ongoing stories.
Click on each name above to watch that person’s individual panel interview. Watch our full panel above to hear everyone’s answers and more.
“With our film it feels like it just cracked us open,” Stark says of “Framing Britney Spears,” which spotlights the 13-year conservatorship the pop icon...
Click on each name above to watch that person’s individual panel interview. Watch our full panel above to hear everyone’s answers and more.
“With our film it feels like it just cracked us open,” Stark says of “Framing Britney Spears,” which spotlights the 13-year conservatorship the pop icon...
- 5/17/2021
- by Joyce Eng
- Gold Derby
Gold Derby’s group discussion with six outstanding directors of TV documentaries launched our popular “Meet the Experts” panel series featuring Emmy contenders. Our senior editor Joyce Eng moderated the chat that included Samantha Stark (“Framing Britney Spears”), J. Clay Tweel (“Heaven’s Gate: The Cult of Cults”), Cecilia Peck, Inbal B. Lessner (“Seduced: Inside the Nxivm Cult”), Tom Beard (“The Year Earth Changed”), Jeff Orlowski (‘The Social Dilemma’).
- 5/10/2021
- by Tom O'Neil
- Gold Derby
Six top TV documentary directors will reveal details behind their projects when they join Gold Derby’s special “Meet the Experts” Q&a event with key 2021 guild and Emmy contenders this month. Each person will participate in two video discussions to premiere on Monday, May 10, at 5:00 p.m. Pt; 8:00 p.m. Et. We’ll have a one-on-one with our senior editor Joyce Eng and a group chat with Joyce and all of the group together.
RSVP today to this specific event by clicking here to book your reservation. Or click here to RSVP for our entire ongoing panel series. We’ll send you a reminder a few minutes before the start of the show.
This “Meet the Experts” panel welcomes the following 2021 guild and Emmy contenders:
“Framing Britney Spears”: Samantha Stark
Stark was a News Emmy nominee for “Coming Out.” Other projects have included “They Get Brave,...
RSVP today to this specific event by clicking here to book your reservation. Or click here to RSVP for our entire ongoing panel series. We’ll send you a reminder a few minutes before the start of the show.
This “Meet the Experts” panel welcomes the following 2021 guild and Emmy contenders:
“Framing Britney Spears”: Samantha Stark
Stark was a News Emmy nominee for “Coming Out.” Other projects have included “They Get Brave,...
- 5/3/2021
- by Chris Beachum and Joyce Eng
- Gold Derby
Nxivm marketed itself as a self-help program that would show participants the way to more meaningful lives and greater professional success. The reality was far more sinister.
The four-part Starz documentary Seduced: Inside the Nxivm Cult reveals the organization was actually set up to fleece participants out of their money and, chillingly, to satisfy the misogynistic sexual desires of founder Keith Raniere.
“[Raniere] really was a master salesman and he knew how to target, how to build this product and how to micro-target his customers,” producer Inbal B. Lessner said during Deadline’s Contenders Television: Documentary + Unscripted awards-season event. “He implemented…manipulation tactics to get people hooked, get people in, really all in. …They started manipulating your thinking and brain and making you push and forget your boundaries.”
Nxivm recruited among the wealthy and individuals connected with Hollywood. Actress Catherine Oxenberg signed up for an introductory session and brought her daughter India along.
The four-part Starz documentary Seduced: Inside the Nxivm Cult reveals the organization was actually set up to fleece participants out of their money and, chillingly, to satisfy the misogynistic sexual desires of founder Keith Raniere.
“[Raniere] really was a master salesman and he knew how to target, how to build this product and how to micro-target his customers,” producer Inbal B. Lessner said during Deadline’s Contenders Television: Documentary + Unscripted awards-season event. “He implemented…manipulation tactics to get people hooked, get people in, really all in. …They started manipulating your thinking and brain and making you push and forget your boundaries.”
Nxivm recruited among the wealthy and individuals connected with Hollywood. Actress Catherine Oxenberg signed up for an introductory session and brought her daughter India along.
- 5/1/2021
- by Matthew Carey
- Deadline Film + TV
It’s a couple more months until summer officially starts, but Saturday is shining bright with the new season of Deadline’s Contenders Television franchise. Padma Lakshmi, Demi Lovato, Stephen Colbert, Jameela Jamil, Amy Schumer and the Queer Eye guys are among the panelists in the lineup as we launch our newest TV award-season event.
Deadline’s first-ever Contenders Television: Documentary + Unscripted starts at 8 a.m. Pt with a full day spotlighting the most vital shows and top talent in the genres, packed with virtual presentations from almost 40 shows from 19 outlets.
To watch the livestream of today’s event, click here.
Starting with Starz’s rollicking Men in Kilts: A Roadtrip With Sam and Graham, today’s lineup features Hulu’s Taste the Nation with Padma Lakshmi, YouTube Originals’ Demi Lovato: Dancing with the Devil and Netflix’s Queer Eye, as well as Fox’s The Masked Singer and FX...
Deadline’s first-ever Contenders Television: Documentary + Unscripted starts at 8 a.m. Pt with a full day spotlighting the most vital shows and top talent in the genres, packed with virtual presentations from almost 40 shows from 19 outlets.
To watch the livestream of today’s event, click here.
Starting with Starz’s rollicking Men in Kilts: A Roadtrip With Sam and Graham, today’s lineup features Hulu’s Taste the Nation with Padma Lakshmi, YouTube Originals’ Demi Lovato: Dancing with the Devil and Netflix’s Queer Eye, as well as Fox’s The Masked Singer and FX...
- 5/1/2021
- by Dominic Patten
- Deadline Film + TV
“The Trial of the Chicago 7” got a big boost in its bid for Best Editing at the Oscars with a win at the Ace Golden Eddie Awards on April 17. It prevailed in the drama race at these awards bestowed by American Cinema Editors over two of its Oscar rivals — “Nomadland” and “Sound of Metal” — as well as “Mank” and “Minari.”
Another of the Oscar nominees, “Promising Young Woman,” lost the comedy/musical category to “Palm Springs.” The other contenders in that race were “Borat Subsequent Moviefilm,” “I Care a Lot” and “On the Rocks.”
Oscar watchers were sure to be watching Saturday’s virtual ceremony. These kudos have previewed of the 18 out of the last 30 Best Picture winners and a whopping 22 of the last 30 Film Editing Oscar champs. Not surprisingly, the Golden Eddies are also prescient when it comes to predicting the five Film Editing Oscar slots. Four of...
Another of the Oscar nominees, “Promising Young Woman,” lost the comedy/musical category to “Palm Springs.” The other contenders in that race were “Borat Subsequent Moviefilm,” “I Care a Lot” and “On the Rocks.”
Oscar watchers were sure to be watching Saturday’s virtual ceremony. These kudos have previewed of the 18 out of the last 30 Best Picture winners and a whopping 22 of the last 30 Film Editing Oscar champs. Not surprisingly, the Golden Eddies are also prescient when it comes to predicting the five Film Editing Oscar slots. Four of...
- 4/17/2021
- by Paul Sheehan
- Gold Derby
The American Cinema Editors guild, which hands out its awards on April 17, has a good track record as a preview of the Oscar winner for Best Picture (18 out of the last 30) and a great one for forecasting who will win the Film Editing Oscar (22 of the last 30). Not surprisingly, it is also fairly prescient when it comes to predicting the five Film Editing Oscar slots. Four of this year’s Academy Awards nominees contend for this cutting prize; “The Father” was snubbed by the American Cinema Editors.
The Ace Eddie Awards divide their prizes for editing between dramas and comedies/musicals. Oscar nominees “Nomadland,” “Sound of Metal and “The Trial of the Chicago 7” contend here in the drama race, which is rounded out by “Mank” and “Minari.” Facing off on the comedy side against Oscar nominee “Promising Young Woman” are “Borat Subsequent Moviefilm,” “I Care a Lot,” “On the Rocks” and “Palm Springs.
The Ace Eddie Awards divide their prizes for editing between dramas and comedies/musicals. Oscar nominees “Nomadland,” “Sound of Metal and “The Trial of the Chicago 7” contend here in the drama race, which is rounded out by “Mank” and “Minari.” Facing off on the comedy side against Oscar nominee “Promising Young Woman” are “Borat Subsequent Moviefilm,” “I Care a Lot,” “On the Rocks” and “Palm Springs.
- 4/16/2021
- by Paul Sheehan
- Gold Derby
The nominations for the 2021 Ace Eddie Awards announced on Thursday (March 11) include our Oscar frontrunner for Best Film Editing, “The Trial of the Chicago 7,” along with three of the other four films we’re predicting to reap bids in that race: “Mank,” “Nomadland” and “Sound of Metal.” While “The Father” was snubbed by the American Cinema Editors we expect it to be the fifth Academy Awards contender.
The Ace Eddie Awards divide their prizes for editing between dramas and comedies/musicals. “Mank,” “Nomadland,” “Sound of Metal and “The Trial of the Chicago 7” contend here in the drama race, which is rounded out by “Minari.” Facing off on the comedy side are “Borat Subsequent Moviefilm,” “I Care a Lot,” “On the Rocks,” “Palm Springs” and “Promising Young Woman.”
In 1992, the Eddies went from three to five nominees (matching that of the Oscars) and in 2000 it split the award in two,...
The Ace Eddie Awards divide their prizes for editing between dramas and comedies/musicals. “Mank,” “Nomadland,” “Sound of Metal and “The Trial of the Chicago 7” contend here in the drama race, which is rounded out by “Minari.” Facing off on the comedy side are “Borat Subsequent Moviefilm,” “I Care a Lot,” “On the Rocks,” “Palm Springs” and “Promising Young Woman.”
In 1992, the Eddies went from three to five nominees (matching that of the Oscars) and in 2000 it split the award in two,...
- 3/11/2021
- by Paul Sheehan
- Gold Derby
“Mank,” “Minari,” “Nomadland,” “Sound of Metal” and “The Trial of the Chicago 7” have been nominated in the dramatic-film category at the American Cinema Editors’ 71st annual Ace Eddie Awards, which honors the best in film and television editing.
In the comedy film category, the nominees are “Borat Subsequent Moviefilm,” “I Care a Lot,” “On the Rocks,” “Palm Springs” and “Promising Young Woman.”
The films that were bypassed in the Ace nominations include “Tenet,” “News of the World,” “The Father,” “Da 5 Bloods” and “Ma Rainey’s Black Bottom.”
Over the past decade, 90% of the Oscar nominees for Best Film Editing have first been nominated by the American Cinema Editors. The Oscar nominees are heavily weighted toward the Ace dramatic category, with 34 nominees coming from that category since 2010, as opposed to 11 nominees from the comedy category.
The Ace Eddies’ animated feature nominations went to “The Croods: A New Age,” “Onward,” “Over the Moon,...
In the comedy film category, the nominees are “Borat Subsequent Moviefilm,” “I Care a Lot,” “On the Rocks,” “Palm Springs” and “Promising Young Woman.”
The films that were bypassed in the Ace nominations include “Tenet,” “News of the World,” “The Father,” “Da 5 Bloods” and “Ma Rainey’s Black Bottom.”
Over the past decade, 90% of the Oscar nominees for Best Film Editing have first been nominated by the American Cinema Editors. The Oscar nominees are heavily weighted toward the Ace dramatic category, with 34 nominees coming from that category since 2010, as opposed to 11 nominees from the comedy category.
The Ace Eddies’ animated feature nominations went to “The Croods: A New Age,” “Onward,” “Over the Moon,...
- 3/11/2021
- by Steve Pond
- The Wrap
This year’s American Cinema Editors (Ace) nominations include “Nomadland,” “Mank,” “Minari,” “Sound of Metal” and “The Trial of Chicago 7.”
The guild, which will hand out its awards in a virtual ceremony on April 17, has a good track record forecasting the Oscar best picture winner — it has predicted 18 out of the last 29 winners. Last year, best edited feature film – dramatic went to “Parasite’s” Yang Jin-mo, and the film went on to win best picture at the Oscars. It also has a good record for predicting who wins the best editing Oscar — 23 out of the last 29 winners.
Nominees in comedy feature include “Borat Subsequent Moviefilm,” “I Care a Lot,” “On The Rocks” “Palm Springs” and “Promising Young Woman.”
As previously announced, Spike Lee will receive the Ace Golden Eddie Filmmaker of the Year Award, recognizing a filmmaker who exemplifies distinguished achievement in the art and business of film. Editors Lynzee Klingman...
The guild, which will hand out its awards in a virtual ceremony on April 17, has a good track record forecasting the Oscar best picture winner — it has predicted 18 out of the last 29 winners. Last year, best edited feature film – dramatic went to “Parasite’s” Yang Jin-mo, and the film went on to win best picture at the Oscars. It also has a good record for predicting who wins the best editing Oscar — 23 out of the last 29 winners.
Nominees in comedy feature include “Borat Subsequent Moviefilm,” “I Care a Lot,” “On The Rocks” “Palm Springs” and “Promising Young Woman.”
As previously announced, Spike Lee will receive the Ace Golden Eddie Filmmaker of the Year Award, recognizing a filmmaker who exemplifies distinguished achievement in the art and business of film. Editors Lynzee Klingman...
- 3/11/2021
- by Jazz Tangcay
- Variety Film + TV
Editors on films ranging from Amazon’s Borat Subsequent Moviefilm to Netflix’s The Trial of the Chicago 7 have been nominated for the 71st annual Ace Eddie Awards, presented by the American Cinema Editors to recognize the year’s best in picture editing in 14 film, TV and documentary categories.
Winners will be announced during a virtual awards ceremony April 17, where Spike Lee will receive the Ace Golden Eddie Filmmaker of the Year Award and Lynzee Klingman and Sidney Wolinsky will receive the group’s Career Achievement Awards.
As for today’s nominees, the marquee film categories are split into Dramatic and Comedy. The former features Chicago 7 along with Netflix’s Mank, A24’s Minari, Searchlight’s Nomadland (edited by writer-director Chloé Zhao) and Amazon’s Sound of Metal. The comedy nominees include Borat, Netflix’s I Care a Lot, Apple’s On the Rocks, Neon/Hulu’s Palm Springs...
Winners will be announced during a virtual awards ceremony April 17, where Spike Lee will receive the Ace Golden Eddie Filmmaker of the Year Award and Lynzee Klingman and Sidney Wolinsky will receive the group’s Career Achievement Awards.
As for today’s nominees, the marquee film categories are split into Dramatic and Comedy. The former features Chicago 7 along with Netflix’s Mank, A24’s Minari, Searchlight’s Nomadland (edited by writer-director Chloé Zhao) and Amazon’s Sound of Metal. The comedy nominees include Borat, Netflix’s I Care a Lot, Apple’s On the Rocks, Neon/Hulu’s Palm Springs...
- 3/11/2021
- by Patrick Hipes
- Deadline Film + TV
Nominees for the 71st annual Ace Eddie Awards include such Best Picture contenders as Chloé Zhao’s “Nomadland,” David Fincher’s monochromatic “Mank,” Aaron Sorkin’s “The Trial of the Chicago 7,” Lee Isaac Chung’s “Minari,” Emerald Fennell’s “Promising Young Woman” (as a comedy), and Darius Marder’s “Sound of Metal.”
The awards show will be held live on April 17 at 11:00 a.m. Pt.
Overlooked, though, were “News of the World” (edited by “Argo” Oscar-winner William Goldenberg) and “Tenet,” as well as three Black-led dramas, “Da 5 Bloods,” “Ma Rainey’s Black Bottom,” and “One Night in Miami.” However, there’s still the possibility of one or two of these making the final Oscar nominations, along with the buzzy “Minari” and “Promising Young Woman.”
In terms of using the Editing win as an Oscar bellwether for predicting Best Picture, the last time the winners coincided was “Argo” in...
The awards show will be held live on April 17 at 11:00 a.m. Pt.
Overlooked, though, were “News of the World” (edited by “Argo” Oscar-winner William Goldenberg) and “Tenet,” as well as three Black-led dramas, “Da 5 Bloods,” “Ma Rainey’s Black Bottom,” and “One Night in Miami.” However, there’s still the possibility of one or two of these making the final Oscar nominations, along with the buzzy “Minari” and “Promising Young Woman.”
In terms of using the Editing win as an Oscar bellwether for predicting Best Picture, the last time the winners coincided was “Argo” in...
- 3/11/2021
- by Bill Desowitz
- Indiewire
Nxivm is known as the branding cult, and India Oxenberg was the first person to submit her flesh to the irons. She was told the symbol represented the elements, but will now tell her own story of coercion, abuse, and recovery in Seduced: Inside the Nxivm Cult. The four-part Starz Original docuseries will premiere on Sunday, Oct. 18 at 9 p.m.
Seduced: Inside the Nxivm Cult centers on India Oxenberg, the daughter of Hollywood actress Catherine Oxenberg and a descendant of European royalty. “This is the first time India Oxenberg will speak publicly about her experience with the cult’s abuses as she retraces her steps, taking viewers deep inside the cult, meeting with former members, lawyers, therapists and cult analysts,” Starz President of Original Programming Christina Davis said in a statement.
The series follows India’s seduction, indoctrination, enslavement, escape — and her role as “co-conspirator” in assisting the U.S. government...
Seduced: Inside the Nxivm Cult centers on India Oxenberg, the daughter of Hollywood actress Catherine Oxenberg and a descendant of European royalty. “This is the first time India Oxenberg will speak publicly about her experience with the cult’s abuses as she retraces her steps, taking viewers deep inside the cult, meeting with former members, lawyers, therapists and cult analysts,” Starz President of Original Programming Christina Davis said in a statement.
The series follows India’s seduction, indoctrination, enslavement, escape — and her role as “co-conspirator” in assisting the U.S. government...
- 10/13/2020
- by Alec Bojalad
- Den of Geek
It was the kind of story Hollywood might dream up — but not only was it real, it had some ties to the industry. Starz has set Sunday for the premiere of Seduced: Inside the Nxivm Cult, a four-part documentary series that takes a first-person look at the sex cult that was broken open in April 2018. It premieres at 9 p.m. this Sunday, October 16. Watch the trailer above and see the key art below.
Hailing from the filmmaking team of Cecilia Peck and Inbal B. Lessner (Brave Miss World), Seduced follows the harrowing journey of India Oxenberg, the daughter of former Dynasty actress Catherine Oxenberg and a descendant of European royalty — who was seduced into the modern-day sex-slave cult Nxivm. More than 17,000 people, including India, enrolled in its “Executive Success Programs,” a front for the cult and a hunting ground for its leader, master predator Keith Raniere — who was convicted on...
Hailing from the filmmaking team of Cecilia Peck and Inbal B. Lessner (Brave Miss World), Seduced follows the harrowing journey of India Oxenberg, the daughter of former Dynasty actress Catherine Oxenberg and a descendant of European royalty — who was seduced into the modern-day sex-slave cult Nxivm. More than 17,000 people, including India, enrolled in its “Executive Success Programs,” a front for the cult and a hunting ground for its leader, master predator Keith Raniere — who was convicted on...
- 10/13/2020
- by Erik Pedersen
- Deadline Film + TV
The Kering Foundation, in partnership with the Cannes Film Festival, created ‘Women in Motion’ as a five-year initiative to advocate women’s rights and fair representation of their perspectives and stories in the film industry. Kering is a luxury goods company, originally called Ppr when founded in 1963 by French billionaire François Pinault. Now run by his son François-Henri Pinault, Chairman and CEO, it has recently changed its name to Kering to signify the profound change in the strategy of the group. Its two segments include Luxury and Sporting Groups. Think of the luxury offered by Balenciaga, Gucci, Alexander McQueen, Stella McCartney, Bottega Veneto, Boucheron, Brioni among others in this group and Sport & Lifestyle which includes Puma, Volcom and others.
When Thierry Fremaux of Cannes introduced the Cannes Film Festival line-up this year at the official press conference, he also introduced Kering as a Cannes Partner and in doing so unleashed accusations of commercial opportunism Never before has Cannes linked its festival films in the press conference with commercial sponsorship.
When Kering made the announcement that they would work with Cannes, critics closest to them, that is, the French press particularly, accused Kering of being opportunistic in taking up the banner of women, their rights, stopping the violence against women, as if jumping on the band wagon of a cause for reasons other than those of altruism was not legitimate for a commercial entity.
Thierry Fremaux is also the constant target of criticism on the woman front and has stated (erroneously) that only during Cannes does the subject of the paucity of women directors and in the industry at large make headlines. In fact, women have been weighing the imbalance of women in this public form of entertainment for the past five years and at every key event they have been making public statements and holding meetings about the disproportion of women to men in a concerted effort to bring continued momentum to the movement toward equal representation.
Furthermore and for the record, Kering has expressed its strategic shift to a new sort of advocacy away from outright branding to showing its interest in events of value to society in other ways beyond this important event in Cannes.
François-Henri Pinault was the first to stand up publicly against Shariah law of active discrimination of the Lgbt community by forbidding Kering employees in all its companies from entering the Dorchester chain of hotels such as the Beverly Wilshire Hotel, Beverly Hills Hotel, The Bel Air Hotel, the Peninsula, St. Regis, Raffles, Claridges, Mandarin, Principe de Savoie, Adlon Kempensky and other worldwide luxury class hotels owned by the Republic of Bahrain which enforces its religious (Shariah) laws of discrimination with cruel and unusual punishment against homosexuality, lesbianism and transexuality.
He is also married to Salma Hayek, one of our most socially committed, feminist actors. Kering’s privileged position is a visible asset in standing up and out for women’s equality. And in today’s world of social networking, the nature of “advertising” is changing drastically. Attaching companies’ logos to every event and every item is often crassly “in your face”. (I won’t go into FIFA here). To quote one of my favorite brands, Bottega Veneta, also one of the Kering Group: “When your own initials are enough”, then you can attach value to more than a brand name product.
By attaching the name Kering to issues that matter on the level of humane well-being, the luxury products of Kering are enhanced by a benevolence for those who buy them or want to buy them. Caring people today are more consciously allying themselves with products which support humane causes for well-being rather than going for brand-names announcing their ability to pay high prices for things. I would prefer to buy Puma than a sports shoe whose company flaunts humane labor laws for example.
This trend in fact was recently elaborated upon by Johann Rupert, chairman of Richemont, owner of Cartier and Van Cleef & Arpels who warned of the damage the luxury goods industry faces from growing wealth inequality and resentment among the have-nots of those who flaunt luxury watches and jewellery. Read more about this side of the discussion in the Financial Times reporting from the Ft Business of Luxury Summit in Monaco as Rupert discussed his fear that artificial intelligence will kill jobs. At the same time he appealed to Kering and Lvmh to join the online retailer being created by the merger of Yoox of Italy and Richemont’s Net-a-Porter in order to increase their 6% market share online to reach its 32% share now held through branded stores.
Today’s ubiquitous commercial opportunism takes a break at the great cultural event taking place every year at Cannes. And so, let us move on to the content of Kering’s Women in Motion.
Read: Kering to Launch 'Women in Motion' Awards and Discussion ...
The series opened with a Presidential Dinner:
Presidential Dinner honored Jane Fonda, Olivia de Haviland, the first female Jury Head in Cannes 50 years ago and Megan Ellison of Annapurna Productions. Olivia de Haviland was one of the most influential women of the world of cinema. What became known as the "de Havilland decision" was a court ruling in the 1940s that studios could no longer treat their performers as mere cattle. She and Joan Fontaine are the first sisters to win Oscars and the first ones to be Oscar-nominated in the same year. In 1965, she became the first female president of the jury at the Cannes Film Festival.
The first Women in Motion opening conference featured Isabella Rossellini, this year’s President of the Jury for Un Certain Regard. She spoke with French producer Claudie Ossard about Female Discrimination in Media. That was a very closed affair as was the exclusive and star-studded Presidential Dinner.
Other speakers in the series included:
Claire Denis with her guests Chinese female director and producer from La Fabrique des Cinémas du Monde, Isabelle Huppert with Coen Brothers’ Sylvie Pialat moderated by Le Figaro’s François Aubel; Rebecca Zlotowski speaking about Femininity/Masculinity, in collaboration with Le Deuxième Regard, Golshifteh Farahani, Agnès Varda, Salma Hayek Pinault, Frnaces McDermond and Thierry Frémaux
Some portions were covered by my colleagues at Indiewire.
Read Women in Hollywood’s Laura Berger . Read Erin Grover’s coverage of the Roundtable Discussion on Gender Equality and Rape. How can cinema help improve women’s rights? Cinema as a platform to raise awareness about women’s causes has examples. On the roundtable are Inbal Lessner, producer and editor, and Linor Abargil, Miss World 1998, rape survivor, and activist (“Brave Miss World”) Leslee Udwin, director, producer and actress (“India's Daughter”) Deniz Gamze, director and actress (“ Mustang”) The discussion was moderated by Eric Garandeau, former president of Centre National du Cinéma (France’s national film board). o “Brave Miss World” (2013) sold internationally by Cinephil. At 18, Israeli beauty queen Linor Abargil was violently raped in Milan, Italy, and won the Miss World crown only six weeks later. The Emmy nominated documentary “Brave Miss World” follows her fight for justice and journey to encourage survivors globally to speak out about rape, from South Africa to Hollywood’s living rooms, to U.S. college campuses. When her serial rapist becomes eligible for parole, Linor has to track down his previous victims in order to help keep him behind bars.
o “India's Daughter” (2015) is the story of the short life, and brutal gang rape and murder in Delhi in December 2012, of an exceptional and inspiring young woman. The rape of the 23 year old medical student and her death sparked unprecedented protests and riots throughout India and led to the first glimmers of a change of mind-set. The film examines the society and values which spawn such violent acts, and makes an optimistic and impassioned plea for change.
o “Mustang”(2015) sold internationally by Kinology, is a French-Turkish movie to be released in 2015 that tells the story of a family of five teenage sisters in a small Turkish village. The film highlights their fight to break free from social constraints and sexual taboo. It screened in the Directors’ Fortnight section at the 2015 Cannes Film Festival.
You can watch all the speakers live on The Kering Group videos here: https://vimeo.com/keringgroup/videos
The Kering Foundation combats violence against women. In line with the Group’s new identity and to enhance its impact internationally, the Foundation has refocused its actions on three geographic areas and prioritizes one cause in each:
Sexual violence in the Americas (United-States, Brazil and Argentina) Harmful traditional practices in Western Europe (France, Italy and United-Kingdom) Domestic violence in Asia (China) The Foundation structures its action around 3 key pillars:
Supporting local and international NGOs Awarding Social Entrepreneurs (Social Entrepreneurs Awards) Organizing awareness campaigns Launched in 2009, the Kering Corporate Foundation combats Violence against Women. It supports NGOs and social entrepreneurs, helps raise awareness on Violence against Women and encourages employee involvement in the Americas, Western Europe and Asia. More than 140,000 women have benefited from the Foundation’s support since its inception.
For more information: www.keringfoundation.org @KeringForWomen
Follow the next two Women in Motion presentations on SydneysBuzz.
When Thierry Fremaux of Cannes introduced the Cannes Film Festival line-up this year at the official press conference, he also introduced Kering as a Cannes Partner and in doing so unleashed accusations of commercial opportunism Never before has Cannes linked its festival films in the press conference with commercial sponsorship.
When Kering made the announcement that they would work with Cannes, critics closest to them, that is, the French press particularly, accused Kering of being opportunistic in taking up the banner of women, their rights, stopping the violence against women, as if jumping on the band wagon of a cause for reasons other than those of altruism was not legitimate for a commercial entity.
Thierry Fremaux is also the constant target of criticism on the woman front and has stated (erroneously) that only during Cannes does the subject of the paucity of women directors and in the industry at large make headlines. In fact, women have been weighing the imbalance of women in this public form of entertainment for the past five years and at every key event they have been making public statements and holding meetings about the disproportion of women to men in a concerted effort to bring continued momentum to the movement toward equal representation.
Furthermore and for the record, Kering has expressed its strategic shift to a new sort of advocacy away from outright branding to showing its interest in events of value to society in other ways beyond this important event in Cannes.
François-Henri Pinault was the first to stand up publicly against Shariah law of active discrimination of the Lgbt community by forbidding Kering employees in all its companies from entering the Dorchester chain of hotels such as the Beverly Wilshire Hotel, Beverly Hills Hotel, The Bel Air Hotel, the Peninsula, St. Regis, Raffles, Claridges, Mandarin, Principe de Savoie, Adlon Kempensky and other worldwide luxury class hotels owned by the Republic of Bahrain which enforces its religious (Shariah) laws of discrimination with cruel and unusual punishment against homosexuality, lesbianism and transexuality.
He is also married to Salma Hayek, one of our most socially committed, feminist actors. Kering’s privileged position is a visible asset in standing up and out for women’s equality. And in today’s world of social networking, the nature of “advertising” is changing drastically. Attaching companies’ logos to every event and every item is often crassly “in your face”. (I won’t go into FIFA here). To quote one of my favorite brands, Bottega Veneta, also one of the Kering Group: “When your own initials are enough”, then you can attach value to more than a brand name product.
By attaching the name Kering to issues that matter on the level of humane well-being, the luxury products of Kering are enhanced by a benevolence for those who buy them or want to buy them. Caring people today are more consciously allying themselves with products which support humane causes for well-being rather than going for brand-names announcing their ability to pay high prices for things. I would prefer to buy Puma than a sports shoe whose company flaunts humane labor laws for example.
This trend in fact was recently elaborated upon by Johann Rupert, chairman of Richemont, owner of Cartier and Van Cleef & Arpels who warned of the damage the luxury goods industry faces from growing wealth inequality and resentment among the have-nots of those who flaunt luxury watches and jewellery. Read more about this side of the discussion in the Financial Times reporting from the Ft Business of Luxury Summit in Monaco as Rupert discussed his fear that artificial intelligence will kill jobs. At the same time he appealed to Kering and Lvmh to join the online retailer being created by the merger of Yoox of Italy and Richemont’s Net-a-Porter in order to increase their 6% market share online to reach its 32% share now held through branded stores.
Today’s ubiquitous commercial opportunism takes a break at the great cultural event taking place every year at Cannes. And so, let us move on to the content of Kering’s Women in Motion.
Read: Kering to Launch 'Women in Motion' Awards and Discussion ...
The series opened with a Presidential Dinner:
Presidential Dinner honored Jane Fonda, Olivia de Haviland, the first female Jury Head in Cannes 50 years ago and Megan Ellison of Annapurna Productions. Olivia de Haviland was one of the most influential women of the world of cinema. What became known as the "de Havilland decision" was a court ruling in the 1940s that studios could no longer treat their performers as mere cattle. She and Joan Fontaine are the first sisters to win Oscars and the first ones to be Oscar-nominated in the same year. In 1965, she became the first female president of the jury at the Cannes Film Festival.
The first Women in Motion opening conference featured Isabella Rossellini, this year’s President of the Jury for Un Certain Regard. She spoke with French producer Claudie Ossard about Female Discrimination in Media. That was a very closed affair as was the exclusive and star-studded Presidential Dinner.
Other speakers in the series included:
Claire Denis with her guests Chinese female director and producer from La Fabrique des Cinémas du Monde, Isabelle Huppert with Coen Brothers’ Sylvie Pialat moderated by Le Figaro’s François Aubel; Rebecca Zlotowski speaking about Femininity/Masculinity, in collaboration with Le Deuxième Regard, Golshifteh Farahani, Agnès Varda, Salma Hayek Pinault, Frnaces McDermond and Thierry Frémaux
Some portions were covered by my colleagues at Indiewire.
Read Women in Hollywood’s Laura Berger . Read Erin Grover’s coverage of the Roundtable Discussion on Gender Equality and Rape. How can cinema help improve women’s rights? Cinema as a platform to raise awareness about women’s causes has examples. On the roundtable are Inbal Lessner, producer and editor, and Linor Abargil, Miss World 1998, rape survivor, and activist (“Brave Miss World”) Leslee Udwin, director, producer and actress (“India's Daughter”) Deniz Gamze, director and actress (“ Mustang”) The discussion was moderated by Eric Garandeau, former president of Centre National du Cinéma (France’s national film board). o “Brave Miss World” (2013) sold internationally by Cinephil. At 18, Israeli beauty queen Linor Abargil was violently raped in Milan, Italy, and won the Miss World crown only six weeks later. The Emmy nominated documentary “Brave Miss World” follows her fight for justice and journey to encourage survivors globally to speak out about rape, from South Africa to Hollywood’s living rooms, to U.S. college campuses. When her serial rapist becomes eligible for parole, Linor has to track down his previous victims in order to help keep him behind bars.
o “India's Daughter” (2015) is the story of the short life, and brutal gang rape and murder in Delhi in December 2012, of an exceptional and inspiring young woman. The rape of the 23 year old medical student and her death sparked unprecedented protests and riots throughout India and led to the first glimmers of a change of mind-set. The film examines the society and values which spawn such violent acts, and makes an optimistic and impassioned plea for change.
o “Mustang”(2015) sold internationally by Kinology, is a French-Turkish movie to be released in 2015 that tells the story of a family of five teenage sisters in a small Turkish village. The film highlights their fight to break free from social constraints and sexual taboo. It screened in the Directors’ Fortnight section at the 2015 Cannes Film Festival.
You can watch all the speakers live on The Kering Group videos here: https://vimeo.com/keringgroup/videos
The Kering Foundation combats violence against women. In line with the Group’s new identity and to enhance its impact internationally, the Foundation has refocused its actions on three geographic areas and prioritizes one cause in each:
Sexual violence in the Americas (United-States, Brazil and Argentina) Harmful traditional practices in Western Europe (France, Italy and United-Kingdom) Domestic violence in Asia (China) The Foundation structures its action around 3 key pillars:
Supporting local and international NGOs Awarding Social Entrepreneurs (Social Entrepreneurs Awards) Organizing awareness campaigns Launched in 2009, the Kering Corporate Foundation combats Violence against Women. It supports NGOs and social entrepreneurs, helps raise awareness on Violence against Women and encourages employee involvement in the Americas, Western Europe and Asia. More than 140,000 women have benefited from the Foundation’s support since its inception.
For more information: www.keringfoundation.org @KeringForWomen
Follow the next two Women in Motion presentations on SydneysBuzz.
- 6/19/2015
- by Sydney Levine
- Sydney's Buzz
Cannes 2015: The Kering Foundation Sponsors Round Table Discussion To Address Gender Equality & Rape
Cannes is much more than the glitz and glamour of the red carpet. It’s a place where filmmakers gather to share important perspectives of a changing world, where the issues of a global society and human rights can be addressed through creativity, conversation and media.
While Kering launched this year the ‘Women in Motion’ series, a five year initiative in partnership with the Cannes Film Festival, the Kering Foundation, which advocates women’s rights and fair representation of their perspectives and stories in the film industry, organized a round table discussion “How can cinema help improve women’s rights?” addressed how cinema can be used as “a platform to raise awareness about women’s causes” and specifically focused on the universal issue of rape and the abuse of women.
Panelists included Inbal Lessner, producer and editor, and Linor Abargil, Miss World 1998, rape survivor, and activist (Brave Miss World) Leslee Udwin, director, producer and actress (India’s daughter) Deniz Gamze, director and actress (Mustang) and was moderated by Eric Garandeau, former president of Centre National du Cinéma (France’s national film board).
With humor, grace & courage, Linor Abargil shared her story of how she was raped just before she won Miss World in 1998. The documentary of her story “Brave Miss World” was created to as a tool of awareness to empower men and women everywhere to speak out about rape. You can learn more about the film and how to take action by visiting the film’s website. “Brave Miss World” is also available on Netflix.
Panelist Leslee Udwin shared the impact of her film “India’s Daughter”, a documentary about Jyoti Singh who was brutally raped to death on a bus in India in 2012. Regardless of India’s ban of the film, it has received a groundswell of support from Indians and people worldwide, and has gone viral on the Internet, with over 1 million views and counting. “India’s Daughter” will continue to be used to facilitate gender equality on the international scale through the support of international nonprofits.
More About The Kering Foundation:
Kering Foundation. Launched in 2009, the Kering Corporate Foundation combats Violence against Women. It supports NGOs and social entrepreneurs, helps raise awareness on Violence against Women and encourages employee involvement in the Americas, Western Europe and Asia. More than 140,000 women benefited from the Foundation’s support since its inception.
While Kering launched this year the ‘Women in Motion’ series, a five year initiative in partnership with the Cannes Film Festival, the Kering Foundation, which advocates women’s rights and fair representation of their perspectives and stories in the film industry, organized a round table discussion “How can cinema help improve women’s rights?” addressed how cinema can be used as “a platform to raise awareness about women’s causes” and specifically focused on the universal issue of rape and the abuse of women.
Panelists included Inbal Lessner, producer and editor, and Linor Abargil, Miss World 1998, rape survivor, and activist (Brave Miss World) Leslee Udwin, director, producer and actress (India’s daughter) Deniz Gamze, director and actress (Mustang) and was moderated by Eric Garandeau, former president of Centre National du Cinéma (France’s national film board).
With humor, grace & courage, Linor Abargil shared her story of how she was raped just before she won Miss World in 1998. The documentary of her story “Brave Miss World” was created to as a tool of awareness to empower men and women everywhere to speak out about rape. You can learn more about the film and how to take action by visiting the film’s website. “Brave Miss World” is also available on Netflix.
Panelist Leslee Udwin shared the impact of her film “India’s Daughter”, a documentary about Jyoti Singh who was brutally raped to death on a bus in India in 2012. Regardless of India’s ban of the film, it has received a groundswell of support from Indians and people worldwide, and has gone viral on the Internet, with over 1 million views and counting. “India’s Daughter” will continue to be used to facilitate gender equality on the international scale through the support of international nonprofits.
More About The Kering Foundation:
Kering Foundation. Launched in 2009, the Kering Corporate Foundation combats Violence against Women. It supports NGOs and social entrepreneurs, helps raise awareness on Violence against Women and encourages employee involvement in the Americas, Western Europe and Asia. More than 140,000 women benefited from the Foundation’s support since its inception.
- 5/24/2015
- by Erin Grover
- Sydney's Buzz
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