Today.s audiences are a demanding lot. No longer is the traditional TV platform considered acceptable . audiences want content 24/7 and they want it on all platforms. They can watch their TV program, interact with fans via social network sites, browse alternative content on a mobile device, while diving into the characters. world through an interactive website.
The latter is an increasing area for animation companies, according to the local industry.
.It.s almost becoming a fundamental of any program for it to be Transmedia,. starts animation specialist Luke Jurevicius.
.You have to think that way . people want to be able to continue their experience on other platforms..
Animation producer-turned-Griffith University associate professor, Andi Spark, says creating interactive websites are, however, considered to be small by the clients but take just as much planning, time and effort as making a short film or series episode (and that.s without tackling the...
The latter is an increasing area for animation companies, according to the local industry.
.It.s almost becoming a fundamental of any program for it to be Transmedia,. starts animation specialist Luke Jurevicius.
.You have to think that way . people want to be able to continue their experience on other platforms..
Animation producer-turned-Griffith University associate professor, Andi Spark, says creating interactive websites are, however, considered to be small by the clients but take just as much planning, time and effort as making a short film or series episode (and that.s without tackling the...
- 8/9/2012
- by Sam Dallas
- IF.com.au
The nominees for the South Australian Screen Awards have been announced.
The announcement:
2012 South Australian Screen Awards Nominees Announced
The Media Resource Centre – South Australia’s centre for screen culture development – is pleased to announce the nominations for the 2012 South Australian Screen Awards (Sasa).
Now in its 13th year as Sa’s premier screen awards, Sasa continues to reward excellence and outstanding achievement from South Australian-based filmmakers.
With thousands of dollar in cash and prizes, Sasa provides an exciting platform for South Australian screen practitioners to showcase their work across drama, comedy, documentary, animation, music video, non-narrative and digital media.
Sasa also recognises the invaluable contribution made by Sa key ‘creatives’, offering awards in eight craft categories, as well as two jury prizes recognising notable contributions from Sa’s up-and-coming young filmmakers.
Sasa continues to grow in size and scope along with the quality of short form screen production in this state.
The announcement:
2012 South Australian Screen Awards Nominees Announced
The Media Resource Centre – South Australia’s centre for screen culture development – is pleased to announce the nominations for the 2012 South Australian Screen Awards (Sasa).
Now in its 13th year as Sa’s premier screen awards, Sasa continues to reward excellence and outstanding achievement from South Australian-based filmmakers.
With thousands of dollar in cash and prizes, Sasa provides an exciting platform for South Australian screen practitioners to showcase their work across drama, comedy, documentary, animation, music video, non-narrative and digital media.
Sasa also recognises the invaluable contribution made by Sa key ‘creatives’, offering awards in eight craft categories, as well as two jury prizes recognising notable contributions from Sa’s up-and-coming young filmmakers.
Sasa continues to grow in size and scope along with the quality of short form screen production in this state.
- 3/15/2012
- by Colin Delaney
- Encore Magazine
Short film The Palace has led the nominations at this year's South Australian Screen Arts Awards with seven nominations, including Best Picture.
The Cyprian-Australian co-production was also nominated for Best Drama while writer-director Anthony Maras was nominated for Best Direction, Best Screenplay and Best Editing. Nick Matthews was nominated for Best Cinematography.
Maras was raised in Adelaide but studied film production at the University of California before returning to Australia to direct critically acclaimed films Azadi and Spike Up. He then directed The Palace, which has garnered an array of awards including the Aacta Award for Best Short Fiction Film, as well as the Australia.s Writer.s Guild and the Flickerfest awards for Best Australian Short Film. Maras also picked up last year's If Award for Rising Talent.
Other films nominated at the South Australian Screen Arts Awards include Suburban Samarai, Horace in Slow Motion, Stunt Love and A Tale of Obsession.
The Cyprian-Australian co-production was also nominated for Best Drama while writer-director Anthony Maras was nominated for Best Direction, Best Screenplay and Best Editing. Nick Matthews was nominated for Best Cinematography.
Maras was raised in Adelaide but studied film production at the University of California before returning to Australia to direct critically acclaimed films Azadi and Spike Up. He then directed The Palace, which has garnered an array of awards including the Aacta Award for Best Short Fiction Film, as well as the Australia.s Writer.s Guild and the Flickerfest awards for Best Australian Short Film. Maras also picked up last year's If Award for Rising Talent.
Other films nominated at the South Australian Screen Arts Awards include Suburban Samarai, Horace in Slow Motion, Stunt Love and A Tale of Obsession.
- 3/15/2012
- by Matthew Worboys
- IF.com.au
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