Swiss documentary festival Visions du Réel has unveiled the projects to be presented at its 2024 industry programme VdR-Industry, taking place April 14-17, including features from Iran-born French filmmaker Mehran Tamadon and Chilean director Tana Gilbert.
A total of 29 projects have been selected. 15 projects in development will be part of VdR–Pitching, and six projects in finishing stages will be presented at the VdR–Work In Progress pitch. Four projects have been selected for both the VdR–Rough Cut Lab and the VdR–Development Lab respectively.
Scroll down for full list of projects
The line-up includes a number of returning Visions du Réel directors.
A total of 29 projects have been selected. 15 projects in development will be part of VdR–Pitching, and six projects in finishing stages will be presented at the VdR–Work In Progress pitch. Four projects have been selected for both the VdR–Rough Cut Lab and the VdR–Development Lab respectively.
Scroll down for full list of projects
The line-up includes a number of returning Visions du Réel directors.
- 3/14/2024
- ScreenDaily
Gianluca Matarrese’s “The Zola Experience,” which will have its world premiere at Venice Days, has been picked up for international sales by Syndicado. Cinecittà will distribute the film in Italy.
According to Matarrese, the film “explores the boundaries between fiction and documentary.” It centers on Anne, a theater director, who has separated from her husband and is moving house. Life for her is dull, and she feels no desire. She meets Ben, a helpful neighbor and jobless actor. He looks at her with passionate eyes, but she never wants to tie herself to a man again.
However, when she decides to embark on a stage production of Émile Zola’s novel “L’Assommoir,” it is to him that she proposes the role of Coupeau, casting herself as Gervaise. As the story unfolds, the boundary between real life and the play becomes increasingly blurred.
The film stars Anne Barbot and Benoît Dallongeville.
According to Matarrese, the film “explores the boundaries between fiction and documentary.” It centers on Anne, a theater director, who has separated from her husband and is moving house. Life for her is dull, and she feels no desire. She meets Ben, a helpful neighbor and jobless actor. He looks at her with passionate eyes, but she never wants to tie herself to a man again.
However, when she decides to embark on a stage production of Émile Zola’s novel “L’Assommoir,” it is to him that she proposes the role of Coupeau, casting herself as Gervaise. As the story unfolds, the boundary between real life and the play becomes increasingly blurred.
The film stars Anne Barbot and Benoît Dallongeville.
- 7/27/2023
- by Leo Barraclough
- Variety Film + TV
Agat Films & Cie
Locarno International Film Festival
LOCARNO, Switzerland -- The ponderous and ineffectual story in Hiner Saleem's "Beneath the Rooftops of Paris" tells of an old man, played by Michel Piccoli, as he lives out his last days in the squalid attic rooms of a dilapidated building. Dependant upon Piccoli's ability to hold the camera and some atmospheric Parisian music, the film, screened in Competition here, fails to achieve its clear objective of howling on behalf of the neglected. Commercial prospects do not appear bright.
With insufficient background provided for Piccoli's character, interest in what happens rests on the actor's considerable skills. That works in scenes with Mylene Demongeot, as a waitress friend who loses her job, where the two old pros are a pleasure to watch. Marie Kramer is stranded, however, as a waif who also befriends the old man.
But writer/director Saleem leaves the performers too much to their own devices and there's little involvement beyond the simple fact of sympathy for old folks living in poverty. It's a worthy sentiment but still requiring some kind of story.
BENEATH THE ROOFTOPS OF PARIS
Agat Films & Cie
Credits:
Writer/director: Hiner Saleem
Producers: Dominique Barneaud, Robert Guediguian
Director of photography: Andreas Sinanos
Production designer: Valerie Valero
Music: Doc Mateo & Lily Margot, Foreign Office
Costume designer: Fanny Drouin
Editor: Joelle Hache
Cast:
Marcel: Michel Piccoli
Therese: Mylene Demongeot
Amar: Maurice Benichou
Julie: Marie Kremer
Bruno: Birol Unel
Matthieu: Rudi Rosenberg
Vincent: Vincent Tepernowski
Running time -- 98 minutes
No MPAA rating...
Locarno International Film Festival
LOCARNO, Switzerland -- The ponderous and ineffectual story in Hiner Saleem's "Beneath the Rooftops of Paris" tells of an old man, played by Michel Piccoli, as he lives out his last days in the squalid attic rooms of a dilapidated building. Dependant upon Piccoli's ability to hold the camera and some atmospheric Parisian music, the film, screened in Competition here, fails to achieve its clear objective of howling on behalf of the neglected. Commercial prospects do not appear bright.
With insufficient background provided for Piccoli's character, interest in what happens rests on the actor's considerable skills. That works in scenes with Mylene Demongeot, as a waitress friend who loses her job, where the two old pros are a pleasure to watch. Marie Kramer is stranded, however, as a waif who also befriends the old man.
But writer/director Saleem leaves the performers too much to their own devices and there's little involvement beyond the simple fact of sympathy for old folks living in poverty. It's a worthy sentiment but still requiring some kind of story.
BENEATH THE ROOFTOPS OF PARIS
Agat Films & Cie
Credits:
Writer/director: Hiner Saleem
Producers: Dominique Barneaud, Robert Guediguian
Director of photography: Andreas Sinanos
Production designer: Valerie Valero
Music: Doc Mateo & Lily Margot, Foreign Office
Costume designer: Fanny Drouin
Editor: Joelle Hache
Cast:
Marcel: Michel Piccoli
Therese: Mylene Demongeot
Amar: Maurice Benichou
Julie: Marie Kremer
Bruno: Birol Unel
Matthieu: Rudi Rosenberg
Vincent: Vincent Tepernowski
Running time -- 98 minutes
No MPAA rating...
- 8/10/2007
- The Hollywood Reporter - Movie News
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