The European Film Awards, Europe’s biggest awards celebration, revealed its major winners during a mostly virtual ceremony on Saturday, December 11. The night was originally slated for an in-person event, but concerns about the Omicron variant moved festivities online. The powerful Bosnian wartime drama “Quo Vadis, Aida?” took home the top prize for Best Film, with its director Jasmila Žbanić and lead actress Jasna Đuričić also winning Best Director and Actress respectively. “Flee,” from Danish filmmaker Jonas Poher Rasmussen, also won in two categories — Documentary and Animated Feature.
The awards ceremony was hosted by German actor Annabelle Mandeng. The hybrid event saw nominees, presenters, and winners participating in a mixture of live, virtual, and pre-recorded formats.
“Quo Vadis, Aida” tells the story of the Srebrenica genocide, during which Serbian troops sent 8,372 Bosniak men and boys to their deaths in July 1995. The powerful story is told through the eyes of Aida,...
The awards ceremony was hosted by German actor Annabelle Mandeng. The hybrid event saw nominees, presenters, and winners participating in a mixture of live, virtual, and pre-recorded formats.
“Quo Vadis, Aida” tells the story of the Srebrenica genocide, during which Serbian troops sent 8,372 Bosniak men and boys to their deaths in July 1995. The powerful story is told through the eyes of Aida,...
- 12/11/2021
- by Jude Dry
- Indiewire
Bosnian war drama also wins best director and best actress.
Jasmila Žbanić’s Quo Vadis, Aida? won three prizes including best film at this year’s European Film Awards, which went ahead as a hybrid event in Berlin tonight (Dec 11).
Žbanić was also named best director by the European Film Academy’s (Efa) 4,200-strong membership, whilst the film’s star Jasna Đuričić won best actress.
In her acceptance speech, Žbanić dedicated her award to “the women of Srebrenica and mothers who taught us how to turn destruction into love. I hope it will encourage more female solidarity, female stories, female perspective in film,...
Jasmila Žbanić’s Quo Vadis, Aida? won three prizes including best film at this year’s European Film Awards, which went ahead as a hybrid event in Berlin tonight (Dec 11).
Žbanić was also named best director by the European Film Academy’s (Efa) 4,200-strong membership, whilst the film’s star Jasna Đuričić won best actress.
In her acceptance speech, Žbanić dedicated her award to “the women of Srebrenica and mothers who taught us how to turn destruction into love. I hope it will encourage more female solidarity, female stories, female perspective in film,...
- 12/11/2021
- by Martin Blaney
- ScreenDaily
The film will receive the awards for best cinematography and best original score at the ceremony in December.
Sebastian Meise’s Great Freedom has won two prizes at the European Film Awards, among the eight winners that have been unveiled ahead of the ceremony on December 11.
An eight-member jury met in Berlin to choose the winners in the categories of cinematography, editing, production design, costume design, make-up and hair, original score, sound and visual effects. All were chosen from the feature film selection of 53 films.
The winners will be honoured at the ceremony in Berlin on December 11.
Scroll down for...
Sebastian Meise’s Great Freedom has won two prizes at the European Film Awards, among the eight winners that have been unveiled ahead of the ceremony on December 11.
An eight-member jury met in Berlin to choose the winners in the categories of cinematography, editing, production design, costume design, make-up and hair, original score, sound and visual effects. All were chosen from the feature film selection of 53 films.
The winners will be honoured at the ceremony in Berlin on December 11.
Scroll down for...
- 11/17/2021
- by Mona Tabbara
- ScreenDaily
Spoilers Ahead: Do not read until you have seen “Lamb,” in theaters now.
Director Valdimar Jóhannsson deliberately kept the ending of “Lamb” vague, wanting audiences to open up discussions.
The film, a viral sensation after its trailer debut follows a childless couple who discover a hybrid lamb baby — half-human, half lamb. They take her in and raise her as their own child, but as Jóhannsson says: When you take from nature, it takes from you.
Jóhannsson talks about the film’s ending, the birthing scene and his reaction to “Lamb” baby going viral.
What was your reaction to the trailer going viral when it first dropped?
I have to admit, I was not expecting that. We wanted to make a film that we wanted to see and had not seen. I wasn’t sure how people would like it or even be interested in it.
What did you want to...
Director Valdimar Jóhannsson deliberately kept the ending of “Lamb” vague, wanting audiences to open up discussions.
The film, a viral sensation after its trailer debut follows a childless couple who discover a hybrid lamb baby — half-human, half lamb. They take her in and raise her as their own child, but as Jóhannsson says: When you take from nature, it takes from you.
Jóhannsson talks about the film’s ending, the birthing scene and his reaction to “Lamb” baby going viral.
What was your reaction to the trailer going viral when it first dropped?
I have to admit, I was not expecting that. We wanted to make a film that we wanted to see and had not seen. I wasn’t sure how people would like it or even be interested in it.
What did you want to...
- 10/15/2021
- by Jazz Tangcay
- Variety Film + TV
[Editor’s note: This interview contains major spoilers for the film “Lamb.”]
The latest entry in A24’s evolving canon of European folk horror is “Lamb,” the feature directorial debut of Icelandic filmmaker Valdimar Jóhannsson. In the vein of “The Witch” and a more dour “Midsommar,” Jóhannsson brings a moody sensibility to this disturbing fairy tale about a pair of shepherds, Maria and Ingvar (Noomi Rapace and Hilmir Snær Guðnason), who make a startling discovery in their barn one day: a half-human, half-lamb hybrid child.
The film is a visual effects feat as the baby is performed partly by actual children, with the VFX-engineered head of a lamb and puppeteers working in tandem. IndieWire spoke to the filmmaker and Stockholm-based visual effects supervisor Fredrik Nord about bringing this strange creature to life.
The film, as even Johannsson would argue, is far closer to a drama than outright horror, and that comes from the director’s own cinematic DNA. Before working as...
The latest entry in A24’s evolving canon of European folk horror is “Lamb,” the feature directorial debut of Icelandic filmmaker Valdimar Jóhannsson. In the vein of “The Witch” and a more dour “Midsommar,” Jóhannsson brings a moody sensibility to this disturbing fairy tale about a pair of shepherds, Maria and Ingvar (Noomi Rapace and Hilmir Snær Guðnason), who make a startling discovery in their barn one day: a half-human, half-lamb hybrid child.
The film is a visual effects feat as the baby is performed partly by actual children, with the VFX-engineered head of a lamb and puppeteers working in tandem. IndieWire spoke to the filmmaker and Stockholm-based visual effects supervisor Fredrik Nord about bringing this strange creature to life.
The film, as even Johannsson would argue, is far closer to a drama than outright horror, and that comes from the director’s own cinematic DNA. Before working as...
- 10/11/2021
- by Ryan Lattanzio
- Indiewire
Poster art by Jeremy Love.
1967, the height of the Red Scare. Australian Prime Minister Harold Holt is embroiled in a power struggle after discovering his spymaster has illegally investigated and exposed Red sympathisers embedded within Holt's administration.
That's the premise for an ambitious new Australian short film set in the period leading up to the Holt's famous disappearance at Victoria's Cheviot Beach.
The Defector is written, directed and produced by Scott Mannion and executive produced by Antonia Barnard, Nick Cole, Greg Dick and Simon de Bruyn, who describes the short as "an Australian spy film made to world class standards."
Mannion came to de Bruyn's attention in his capacity as an acquisitions executive with international sales agent and production company Xyz Films..
"As part of my role at Xyz, and its joint venture Xyz-gfc, I am tracking some of the best genre talent in this region and Scott had quickly...
1967, the height of the Red Scare. Australian Prime Minister Harold Holt is embroiled in a power struggle after discovering his spymaster has illegally investigated and exposed Red sympathisers embedded within Holt's administration.
That's the premise for an ambitious new Australian short film set in the period leading up to the Holt's famous disappearance at Victoria's Cheviot Beach.
The Defector is written, directed and produced by Scott Mannion and executive produced by Antonia Barnard, Nick Cole, Greg Dick and Simon de Bruyn, who describes the short as "an Australian spy film made to world class standards."
Mannion came to de Bruyn's attention in his capacity as an acquisitions executive with international sales agent and production company Xyz Films..
"As part of my role at Xyz, and its joint venture Xyz-gfc, I am tracking some of the best genre talent in this region and Scott had quickly...
- 10/6/2016
- by Harry Windsor
- IF.com.au
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