You've gotta watch this wildly weird trailer for the upcoming supernatural horror/fantasy film November. This movie is filled with unsettling dream-fueled folklore that seriously looks so freakin' odd. But just wait until you see the black and white cinematography of this thing! This movie may be strange, but it's visually stunning. This synopsis will give you a little tease of what to expect, but it's the trailer that will give you the full effect of this blend of movie genre madness.
In this tale of love and survival in 19th century Estonia, peasant girl Liina longs for village boy Hans, but Hans is inexplicably infatuated by the visiting German baroness that possesses all that he longs for. For Liina, winning Hans’ requited love proves incredibly complicated in this dark, harsh landscape where spirits, werewolves, plagues, and the devil himself converge, where thievery is rampant, and where souls are highly regarded,...
In this tale of love and survival in 19th century Estonia, peasant girl Liina longs for village boy Hans, but Hans is inexplicably infatuated by the visiting German baroness that possesses all that he longs for. For Liina, winning Hans’ requited love proves incredibly complicated in this dark, harsh landscape where spirits, werewolves, plagues, and the devil himself converge, where thievery is rampant, and where souls are highly regarded,...
- 2/5/2018
- by Joey Paur
- GeekTyrant
November Trailer Rainer Sarnet‘s November (2017) movie trailer stars Rea Lest, Jörgen Liik, Arvo Kukumägi, Arvo Kukumägi, Taavi Eelmaa, and Dieter Laser. November’s plot synopsis: based on the novel by Andrus Kivirähk, “The story is set in a pagan Estonian village where werewolves, the plague, and spirits roam. The villagers’ main problem is how to survive [...]
Continue reading: November (2017) Movie Trailer: Peasants & the Supernatural Co-mingle in a 19th Century Village...
Continue reading: November (2017) Movie Trailer: Peasants & the Supernatural Co-mingle in a 19th Century Village...
- 2/2/2018
- by Rollo Tomasi
- Film-Book
"Take your pants off and put them on your head." Oscilloscope Labs has debuted the official Us trailer for an insane fantasy horror romance film from Estonia titled November, which first premiered at the Tribeca Film Festival last year. Adapted from the best-selling novel Rehepapp by Andrus Kivirähk, the film is set in a 19th century village, where the peasant girl Liina longs for the simple boy Hans, but Hans is inexplicably infatuated by a visiting German baroness who possesses all that he longs for. Rea Lest stars as Liina, and Jörgen Liik as Hans, with a full cast including Arvo Kukumägi, Katariina Unt, Taavi Eelmaa, Heino Kalm, Meelis Rämmeld, and Dieter Laser. This film won Best Cinematography at Tribeca last year, and stopped by a bunch of other festivals. It certainly looks great, also seems weird and twisted and dark as hell. Here's the first official trailer (+ poster) for Rainer Sarnet's November,...
- 2/1/2018
- by Alex Billington
- firstshowing.net
Watch: Michael Winterbottom, Park Chan-Wook & Adam Wingard Set Their Short Films on Fire (Literally)
Estonian director Veiko Õunpuu and actor Taavi Eelmaa are the brains behind 60 Seconds of Solitude in Year Zero, a recent film event that went up in flames. An international collective of directors ranging from Oldboy's Park Chan-wook and 9 Songs' Michael Winterbottom, to up-and-comers like A Horrible Way to Die's Adam Wingard contributed their shorts to the single 35 mm film anthology that was screened for an audience one time — as part of Estonia's 2011 European Capital of Culture celebration — and then burned to the ground (along with the screen itself). Why, exactly? The project's website describes it as "flying in the face of the cynicism of marketing, production, business operators, and the moral majority...
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- 12/27/2011
- by Alison Nastasi
- Movies.com
David of Victim of the Time reporting from the 54th BFI London Film Festival.
I'd like to stick some exciting star sightings into my little introduction here, but sadly the only famous body part I've laid eyes on (so far) is Freida Pinto's head. Before we get to the enticing capsules -two starkly different Foreign Film Oscar contenders and one harrowing prison drama that trumps them both - a bit on one of the highlights so far:
Meek’s Cutoff feels like the natural evolution of Reichardt’s attitude towards her filmmaking – it is broader than but not indistinct from her previous films, an experiment in how starkly different elements (of plot, of acting, of character) can be understood in the low-key shooting style many admire her for.More on Meek's here.
Now about that harrowing prison drama...
It’s part of the festival experience to overload your schedule,...
I'd like to stick some exciting star sightings into my little introduction here, but sadly the only famous body part I've laid eyes on (so far) is Freida Pinto's head. Before we get to the enticing capsules -two starkly different Foreign Film Oscar contenders and one harrowing prison drama that trumps them both - a bit on one of the highlights so far:
Meek’s Cutoff feels like the natural evolution of Reichardt’s attitude towards her filmmaking – it is broader than but not indistinct from her previous films, an experiment in how starkly different elements (of plot, of acting, of character) can be understood in the low-key shooting style many admire her for.More on Meek's here.
Now about that harrowing prison drama...
It’s part of the festival experience to overload your schedule,...
- 10/19/2010
- by Dave
- FilmExperience
Exceedingly esoteric, “The Temptation of St. Tony” by Estonian writer-director Veiko Õunpuu is an exercise in cinematic homage. It calls on the imagery of generations of filmmakers, starting with luminous black and white cinematography. The references come so fast so often, though, that only the most conversant of cineastes could possibly keep up, rendering the film inaccessible to those who less immersed in the realm of cinema.
A middle-aged, mid-level manager, Tony (Taavi Eelmaa) has been having a rough go as of late. His father has died. His boss has forced him to shut down a factory and fire all the employees who work there. His wife is having an affair. Amid all this bad news, Tony enters a midlife crisis, questioning the value of being good and descending into a carnival-esque existential nightmare. At the center is the alluring daughter of one of his former workers, a kidnapping victim whom he attempts to rescue.
A middle-aged, mid-level manager, Tony (Taavi Eelmaa) has been having a rough go as of late. His father has died. His boss has forced him to shut down a factory and fire all the employees who work there. His wife is having an affair. Amid all this bad news, Tony enters a midlife crisis, questioning the value of being good and descending into a carnival-esque existential nightmare. At the center is the alluring daughter of one of his former workers, a kidnapping victim whom he attempts to rescue.
- 9/22/2010
- Moving Pictures Magazine
Director: Veiko Õunpuu Writer(s): Veiko Õunpuu Starring: Taavi, Eelmaa, Ravshana Kurkova, Tiina Tauraite, Sten Ljunggren The Temptation of St. Tony opens with death -- a funeral procession to be exact. Then, a car crash; which at first seems random and absurd, but in the grand scheme of this surrealist interlocking of events it’s significance is revealed when one of the survivors of the car crash drips blood on the immaculate interior of Tony’s (Taavi Eelmaa) new Mercedes Benz. This causes Tony to drive over a black dog, which prompts Tony to discover a stash of dismembered body parts, which delivers Tony to the local police department where he meets a mysterious woman (Ravshana Kurkova). The chain of events continues for nearly two hours... Tony, the frizzy-haired manager of a local factory, waxes to tremendous existential lengths about his -- and mankind’s -- reason for being.
- 9/20/2010
- by Don Simpson
- SmellsLikeScreenSpirit
Sundance released their slate for 2010. It includes:43 documentaries on the Middle East12 films about friends who 'discover' something33 movies about people you've never heard about1 comedyHopefully the lineup this year is strong but it doesn't look that way compared to last year. Last year we had Push (Precious), that Lil Wayne documentary that never went anywhere, Mystery Team which might make my top ten, Moon, Mike Tyson documentary, Cold Souls. Just so much last January that was excellent. I hope I don't go out therer and freeze my tail off just to see...I don't know, a documentary about a former Pakistani prime minister or something silly like that.Here's the lineup so far: Premieres To showcase the diversity to contemporary independent cinema, the Sundance Film Festival Premieres section offers the latest work from American and international directors as well as world premieres of highly anticipated films. Presented by Entertainment Weekly.
- 12/3/2009
- LRMonline.com
I feel a special bond with the Sundance Film Festival. Not because I’ve been there, but because the guy in charge of it this year, John Cooper, shares my name. Because we share this bond, I feel that I’m able to take license in referring to the man as Coop for the rest of this article.
For the annual event held in Park City, Utah from January 21-31, thousands of films are submitted and screened — this year, 3,724 films were viewed by the festival’s ten programmers. I wonder when they slept.
Coop has high hopes for the festival as a whole:
“We may even be going into a golden age for independent films, in that the technology will make it possible for the films to be made and for audiences to see them. The industry is going through a major evolutionary stage right now, there’s no doubt about that,...
For the annual event held in Park City, Utah from January 21-31, thousands of films are submitted and screened — this year, 3,724 films were viewed by the festival’s ten programmers. I wonder when they slept.
Coop has high hopes for the festival as a whole:
“We may even be going into a golden age for independent films, in that the technology will make it possible for the films to be made and for audiences to see them. The industry is going through a major evolutionary stage right now, there’s no doubt about that,...
- 12/3/2009
- by John Cooper
- ReelLoop.com
Sundance released their slate for 2010. It includes:43 documentaries on the Middle East12 films about friends who 'discover' something33 movies about people you've never heard about1 comedyHopefully the lineup this year is strong but it doesn't look that way compared to last year. Last year we had Push (Precious), that Lil Wayne documentary that never went anywhere, Mystery Team which might make my top ten, Moon, Mike Tyson documentary, Cold Souls. Just so much last January that was excellent. I hope I don't go out therer and freeze my tail off just to see...I don't know, a documentary about a former Pakistani prime minister or something silly like that.Here's the lineup so far: U.S. Documentary Competition This year’s 16 films were selected from 862 submissions. Each film is a world premiere. Bhutto(Directors: Jessica Hernandez and Johnny O'Hara; Screenwriter: Johnny O'Hara)—A riveting journey through the life and work of recently assassinated Benazir Bhutto,...
- 12/3/2009
- LRMonline.com
The Sundance Film Festival has unveiled the lineup of films playing in competition from January 21 through January 31, 2010. The early fest typically debuts some of the best films the year has to offer, like 2009’s Precious, (500) Days of Summer, and Moon.
I’m bummed I won’t be in Park City, Utah next month because the lineup looks great, and these are just the films playing in competition. Here’s a few that stood out to me:
The Allen Ginsberg trial film Howl starring James Franco, a documentary by Alex Gibney (a truly great filmmaker) on Jack Abramoff, Mark Ruffalo’s directorial debut Sympathy for Delicious, a doc about Joan Rivers, the directorial debut of “How I Met Your Mother” star Josh Radnor titled Happythankyoumoreplease (I wrote a glowing script review of it here), Hesher with Joseph Gordon-Levitt and Natalie Portman, and Blue Valentine starring Ryan Gosling and Michelle Williams.
I...
I’m bummed I won’t be in Park City, Utah next month because the lineup looks great, and these are just the films playing in competition. Here’s a few that stood out to me:
The Allen Ginsberg trial film Howl starring James Franco, a documentary by Alex Gibney (a truly great filmmaker) on Jack Abramoff, Mark Ruffalo’s directorial debut Sympathy for Delicious, a doc about Joan Rivers, the directorial debut of “How I Met Your Mother” star Josh Radnor titled Happythankyoumoreplease (I wrote a glowing script review of it here), Hesher with Joseph Gordon-Levitt and Natalie Portman, and Blue Valentine starring Ryan Gosling and Michelle Williams.
I...
- 12/3/2009
- by Jeff Leins
- newsinfilm.com
Sundance Film Festival 2010 is a little over a month away and that means we can now bring you a list of the competition films that will be playing. Here you go boys and girls… enjoy!
Documentary Competition
“Blue Valentine” – Directed by Derek Cianfrance, written by Cianfrance, Cami Delavigne and Joey Curtis, a portrait of an American marriage that charts the evolution of a relationship over time. With Ryan Gosling, Michelle Williams, Mike Vogel, John Doman. “Douchebag” – Directed by Drake Doremus, written by Lindsay Stidham, Doremus, Jonathan Schwartz and Andrew Dickler, in which a man about to be married takes his younger brother on a wild goose chase to find the latter’s fifth-grade girlfriend. Features Dickler, Ben York Jones, Marguerite Moreau, Nicole Vicius, Amy Ferguson, Wendi McClendon-Covey. “The Dry Land” – Directed and written by Ryan Piers Williams, in which a returning U.S. soldier tries to reconcile his experiences overseas with his life in Texas.
Documentary Competition
“Blue Valentine” – Directed by Derek Cianfrance, written by Cianfrance, Cami Delavigne and Joey Curtis, a portrait of an American marriage that charts the evolution of a relationship over time. With Ryan Gosling, Michelle Williams, Mike Vogel, John Doman. “Douchebag” – Directed by Drake Doremus, written by Lindsay Stidham, Doremus, Jonathan Schwartz and Andrew Dickler, in which a man about to be married takes his younger brother on a wild goose chase to find the latter’s fifth-grade girlfriend. Features Dickler, Ben York Jones, Marguerite Moreau, Nicole Vicius, Amy Ferguson, Wendi McClendon-Covey. “The Dry Land” – Directed and written by Ryan Piers Williams, in which a returning U.S. soldier tries to reconcile his experiences overseas with his life in Texas.
- 12/3/2009
- by Scott
- WeAreMovieGeeks.com
Photo: Sundance Today the Sundance Institute announced the films that will be in competition at the 2010 Sundance Film Festival in both the U.S. and International dramatic and documentary categories. The festival will run from January 21-31 in Park City, Utah. There are a few changes this year as there will be no opening-night picture and the festival will take select festival films to eight cities during as the fest plays out.
Last year notable films such as this year's major Oscar contenders Precious and An Education debuted at Sundance 2009 as did audience and critical favorite (500) Days of Summer.
As for this year's crop I have highlighted a few titles among the list below in red, but I have primarily done so considering the names attached to the pictures not necessarily based on any advanced buzz I've heard around any of the films. Names to look out for include Ryan Gosling,...
Last year notable films such as this year's major Oscar contenders Precious and An Education debuted at Sundance 2009 as did audience and critical favorite (500) Days of Summer.
As for this year's crop I have highlighted a few titles among the list below in red, but I have primarily done so considering the names attached to the pictures not necessarily based on any advanced buzz I've heard around any of the films. Names to look out for include Ryan Gosling,...
- 12/2/2009
- by Brad Brevet
- Rope of Silicon
And the first announcement is upon us and includes quite a few movies we've already reported on.. What does that include?
The incredible looking Estonian drama The Temptation of St. Tony for which we got the exclusive trailer on a while ago. It's by Veiko Õunpuu who did the incredible Sügisball and I'm greatly looking forward to seeing this.
From Spencer Susser, the director of the incredible zombie short I love Sarah Jane comes Hesher, his first feature which stars Jgl!
David Michôd's Australian thriller Animal Kingdom which stars Guy Pearce.
From Taiki Waititi, director of Eagle vs Shark comes Boy which we previously reported on, but then it was known as The Volcano.
Full list after the break!
U.S. Documentary Competition
This year’s 16 films were selected from 862 submissions. Each film is a world premiere.
Bhutto (Directors: Jessica Hernandez and Johnny O'Hara; Screenwriter: Johnny O'Hara)—A riveting...
The incredible looking Estonian drama The Temptation of St. Tony for which we got the exclusive trailer on a while ago. It's by Veiko Õunpuu who did the incredible Sügisball and I'm greatly looking forward to seeing this.
From Spencer Susser, the director of the incredible zombie short I love Sarah Jane comes Hesher, his first feature which stars Jgl!
David Michôd's Australian thriller Animal Kingdom which stars Guy Pearce.
From Taiki Waititi, director of Eagle vs Shark comes Boy which we previously reported on, but then it was known as The Volcano.
Full list after the break!
U.S. Documentary Competition
This year’s 16 films were selected from 862 submissions. Each film is a world premiere.
Bhutto (Directors: Jessica Hernandez and Johnny O'Hara; Screenwriter: Johnny O'Hara)—A riveting...
- 12/2/2009
- QuietEarth.us
Estonian Film Foundation
Strong on atmosphere and angst, the multistrand drama Autumn Ball takes its time bringing together its orbiting characters, a half-dozen aching souls in a housing complex on the outskirts of Tallinn, Estonia. Although it sometimes suffers from ennui overload, the film gets under the skin, its darkly comic observations filtered through Tarkovsky, Kieslowski and Cassavetes but alive with their own bracing melancholy. Winner of the Horizons Award at the Venice Film Festival and a competition selection at the recent AFI Fest, the film is sure to make an impression as it travels the fest circuit.
Writer-director Veiko Ounpuu's adaptation of Sugisball (Autumn Ball), a 1979 novel by Mati Unt, a leading literary figure of Soviet-era Estonia, is set in the pre-independence 1980s. The future-forward high-rise suburb at the center of the story, abutted by desolate fields, stands as a dated monument to the crumbling USSR. Striking lensing by Mart Taniel makes the most of the cold natural light, penetrating the facades of the well-played characters and the sad spaces they inhabit. Ulo Krigul's brooding score is a key asset as well, especially in the film's wordless stretches, like the powerful breakup scene that opens the film.
Writer Mati (Rain Tolk) stands on his apartment balcony as though poised between life and death. His farewell hug to his departing wife (Mirtel Pohla) turns into a desperate attack. Left alone, he soon embarks on a binge. When not at his typewriter in a room that appears to be constructed of books, he's out making a fool of himself at clubs.
Alcohol comforts and undoes many of the characters. Fueled by brandy, self-consciously fashionable architect Maurer (Juhan Ulfsak) is heartlessly honest with his unhappy wife, Ulvi (Tiina Tauraite). A single mother (Maarja Jakobson) fends off the blunt overtures of strangers, calming her nerves with dainty glasses of liqueur. Sobbing over the "forbidden love" of The Thorn Birds, she's unaware that her young daughter (Iris Persson) is drawn to Kaski (Sulevi Peltola), a friendless barber.
For Theo (Taavi Eelmaa), a doorman at a depressing red-curtained nightclub, the opiate of choice is sex. He tallies his one-night stands -- first name and astrological sign -- adding numbers 210 and 211 after a spirited threesome. But like most everything here, the encounter ends on a note of disconnection. In their botched, often cruel encounters, the characters are often monstrous. In their aloneness -- whether writing, dancing solo or eating breakfast -- they become more human.
Strong on atmosphere and angst, the multistrand drama Autumn Ball takes its time bringing together its orbiting characters, a half-dozen aching souls in a housing complex on the outskirts of Tallinn, Estonia. Although it sometimes suffers from ennui overload, the film gets under the skin, its darkly comic observations filtered through Tarkovsky, Kieslowski and Cassavetes but alive with their own bracing melancholy. Winner of the Horizons Award at the Venice Film Festival and a competition selection at the recent AFI Fest, the film is sure to make an impression as it travels the fest circuit.
Writer-director Veiko Ounpuu's adaptation of Sugisball (Autumn Ball), a 1979 novel by Mati Unt, a leading literary figure of Soviet-era Estonia, is set in the pre-independence 1980s. The future-forward high-rise suburb at the center of the story, abutted by desolate fields, stands as a dated monument to the crumbling USSR. Striking lensing by Mart Taniel makes the most of the cold natural light, penetrating the facades of the well-played characters and the sad spaces they inhabit. Ulo Krigul's brooding score is a key asset as well, especially in the film's wordless stretches, like the powerful breakup scene that opens the film.
Writer Mati (Rain Tolk) stands on his apartment balcony as though poised between life and death. His farewell hug to his departing wife (Mirtel Pohla) turns into a desperate attack. Left alone, he soon embarks on a binge. When not at his typewriter in a room that appears to be constructed of books, he's out making a fool of himself at clubs.
Alcohol comforts and undoes many of the characters. Fueled by brandy, self-consciously fashionable architect Maurer (Juhan Ulfsak) is heartlessly honest with his unhappy wife, Ulvi (Tiina Tauraite). A single mother (Maarja Jakobson) fends off the blunt overtures of strangers, calming her nerves with dainty glasses of liqueur. Sobbing over the "forbidden love" of The Thorn Birds, she's unaware that her young daughter (Iris Persson) is drawn to Kaski (Sulevi Peltola), a friendless barber.
For Theo (Taavi Eelmaa), a doorman at a depressing red-curtained nightclub, the opiate of choice is sex. He tallies his one-night stands -- first name and astrological sign -- adding numbers 210 and 211 after a spirited threesome. But like most everything here, the encounter ends on a note of disconnection. In their botched, often cruel encounters, the characters are often monstrous. In their aloneness -- whether writing, dancing solo or eating breakfast -- they become more human.
- 11/14/2007
- The Hollywood Reporter - Movie News
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