Poor Things, Oppenheimer and Saltburn won Art Directors Guild (IATSE Local 800) Awards in the categories for fantasy, period and contemporary live action features, respectively, at the 28th Adg Awards, which were handed out Saturday at the Ray Dolby Ballroom in Ovation Hollywood.
Poor Things and Oppenheimer are additionally nominated for the Oscar in production design, alongside Barbie, Killers of the Flower Moon and Napoleon, which were also Adg nominated in their respective categories.
Over the past five years, the winner of the Adg’s period film prize has gone on to win the Oscar for production design twice: In 2020, for Once Upon a Time in Hollywood, and in 2021, for Mank. During that time, the production design Oscar went to the winner of the fantasy category twice, in 2019, for Black Panther, and 2022, for Dune. A year ago, eventual Oscar winner All Quiet on the Western Front was nominated in the period...
Poor Things and Oppenheimer are additionally nominated for the Oscar in production design, alongside Barbie, Killers of the Flower Moon and Napoleon, which were also Adg nominated in their respective categories.
Over the past five years, the winner of the Adg’s period film prize has gone on to win the Oscar for production design twice: In 2020, for Once Upon a Time in Hollywood, and in 2021, for Mank. During that time, the production design Oscar went to the winner of the fantasy category twice, in 2019, for Black Panther, and 2022, for Dune. A year ago, eventual Oscar winner All Quiet on the Western Front was nominated in the period...
- 2/11/2024
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
Production design Oscar nominees “Barbie,” “Poor Things,” “Killers of the Flower Moon,” “Oppenheimer,” “Napoleon” all competed for the 28th Art Directors Guild Awards February 10 at Ovation Hollywood’s Ray Dolby Ballroom. “Poor Things” prevailed over “Barbie” for fantasy, and is now in the driver’s seat to win the Oscar. Throughout the season, it has been a race between these two big feminist films constructed around rebirth and unconventional world-building.
Meanwhile, “Oppenheimer” took period honors over “Asteroid City,” “Killers of the Flower Moon,” “Maestro,” and “Napoleon.” Contemporary winner “Saltburn,” though, is not in the Oscar running. The animated feature winner was “Spider-Man: Across the Spider-Verse.”
The TV winners for one-hour period, fantasy, and contemporary were “The Great,” “The Last of Us,” and “Succession.” Movie or limited series went to “Beef,” and the half-hour series winner was “Reservation Dogs.”
As previously announced, the Adg Awards honored Mimi Leder (Apple TV’s...
Meanwhile, “Oppenheimer” took period honors over “Asteroid City,” “Killers of the Flower Moon,” “Maestro,” and “Napoleon.” Contemporary winner “Saltburn,” though, is not in the Oscar running. The animated feature winner was “Spider-Man: Across the Spider-Verse.”
The TV winners for one-hour period, fantasy, and contemporary were “The Great,” “The Last of Us,” and “Succession.” Movie or limited series went to “Beef,” and the half-hour series winner was “Reservation Dogs.”
As previously announced, the Adg Awards honored Mimi Leder (Apple TV’s...
- 2/11/2024
- by Bill Desowitz
- Indiewire
“Saltburn,” “Oppenheimer” and “Poor Things” were among the winners at the 28th Annual Art Director’s Guild Awards which took place in Hollywood on Saturday evening.
Hosted by Max Greenfield, the Adg Awards celebrated outstanding production design in theatrical motion pictures, television, commercials, animated features and music videos.
“Poor Things” production designers Shona Heath and James Price drew visual references ranging from the paintings of French futurist Albert Robida to Francis Ford Coppola’s “Dracula” to build Yorgos Lanthimos’ extraordinary sets.
In “Oppenheimer,” Ruth De Jong built Los Alamos from the ground up. But her most challenging task came when she had to build the Oval Office for the film’s third act. Working with supervising art director, Samantha Englander, the two had floated the idea of finding a pre-existing build of the Oval Office. They looked no further than HBO’s beloved political satire “Veep.” Not only was “Veep...
Hosted by Max Greenfield, the Adg Awards celebrated outstanding production design in theatrical motion pictures, television, commercials, animated features and music videos.
“Poor Things” production designers Shona Heath and James Price drew visual references ranging from the paintings of French futurist Albert Robida to Francis Ford Coppola’s “Dracula” to build Yorgos Lanthimos’ extraordinary sets.
In “Oppenheimer,” Ruth De Jong built Los Alamos from the ground up. But her most challenging task came when she had to build the Oval Office for the film’s third act. Working with supervising art director, Samantha Englander, the two had floated the idea of finding a pre-existing build of the Oval Office. They looked no further than HBO’s beloved political satire “Veep.” Not only was “Veep...
- 2/11/2024
- by Jazz Tangcay and Jaden Thompson
- Variety Film + TV
The 2024 Art Directors Guild nominations have been unveiled, mirroring the Oscars shortlists for crafts thus far.
The 28th annual Excellence in Production Design Awards celebrates production design achievements in theatrical motion pictures, television, commercials, music videos, and animated feature films. The 2024 Adg Awards winners will be announced at a ceremony on February 10 at the Ray Dolby Ballroom, Ovation Hollywood, with Emmy-nominated actor and comedian Max Greenfield hosting.
As previously announced, legendary production designer Lawrence G. Paull will be inducted into the Adg Hall of Fame as part of the ceremony.
“It’s our honor and privilege to gather the guild to recognize the excellence among our members,” award show producers Michael Allen Glover, Adg and Megan Elizabeth Bell, Adg said in a joint statement.
In the Period Feature Film category, Wes Anderson’s lush “Asteroid City” is up against Martin Scorsese’s gritty “Killers of the Flower Moon,” with...
The 28th annual Excellence in Production Design Awards celebrates production design achievements in theatrical motion pictures, television, commercials, music videos, and animated feature films. The 2024 Adg Awards winners will be announced at a ceremony on February 10 at the Ray Dolby Ballroom, Ovation Hollywood, with Emmy-nominated actor and comedian Max Greenfield hosting.
As previously announced, legendary production designer Lawrence G. Paull will be inducted into the Adg Hall of Fame as part of the ceremony.
“It’s our honor and privilege to gather the guild to recognize the excellence among our members,” award show producers Michael Allen Glover, Adg and Megan Elizabeth Bell, Adg said in a joint statement.
In the Period Feature Film category, Wes Anderson’s lush “Asteroid City” is up against Martin Scorsese’s gritty “Killers of the Flower Moon,” with...
- 1/9/2024
- by Samantha Bergeson
- Indiewire
The Art Directors Guild has unveiled nominations for its 28th annual Excellence in Production Design Awards, which celebrate the year’s best achievements in theatrical motion pictures, TV, commercials, music videos and animated features. See the full list below.
The guild divides its top film prizes into Fantasy, Period and Contemporary Feature categories. Since the trophy show launched in 1996, the winner of one of those has gone on to win the Art Direction/Production Design Oscar in 18 of the 27 years. It had a run of nine in a row snapped last year, when All Quiet on the Western Front went on to score the Academy Award after the Art Directors lauded Everything Everywhere All at Once (Fantasy), Babylon (Period) and Glass Onion: A Knives Out Mystery (Contemporary).
Winners will be announced February 10 at Ovation Hollywood’s Ray Dolby Ballroom. The late production designer Lawrence G. Paull, a Blade Runner Oscar...
The guild divides its top film prizes into Fantasy, Period and Contemporary Feature categories. Since the trophy show launched in 1996, the winner of one of those has gone on to win the Art Direction/Production Design Oscar in 18 of the 27 years. It had a run of nine in a row snapped last year, when All Quiet on the Western Front went on to score the Academy Award after the Art Directors lauded Everything Everywhere All at Once (Fantasy), Babylon (Period) and Glass Onion: A Knives Out Mystery (Contemporary).
Winners will be announced February 10 at Ovation Hollywood’s Ray Dolby Ballroom. The late production designer Lawrence G. Paull, a Blade Runner Oscar...
- 1/9/2024
- by Erik Pedersen
- Deadline Film + TV
“Saltburn,” “Killers of the Flower Moon,” “Asteroid City,” “Barbie” and “Oppenheimer” are among the films singled out for excellence by the Art Directors Guild (IATSE Local 800).
The guild announced the nominations for its 28th Excellence in Production Design Awards in motion pictures, television, commercial and music video categories.
Adg Awards winners will be announced at a ceremony on Feb. 10 at Ovation Hollywood’s Ray Dolby Ballroom. Max Greenfield will host the ceremony.
“It’s our honor and privilege to gather the guild to recognize the excellence among our members,” says award show producers Michael Allen Glover, Adg and Megan Elizabeth Bell, Adg in a joint statement.
The Adg divides live-action features into three categories. “Asteroid City,” “Killers of the Flower Moon”
“Maestro,” “Napoleon” and “Oppenheimer” were nominated in the period feature film category.
“Barbie,” “The Creator,” “Guardians of the Galaxy Vol. 3,” “Poor Things” and “Wonka” led the fantasy film category.
The guild announced the nominations for its 28th Excellence in Production Design Awards in motion pictures, television, commercial and music video categories.
Adg Awards winners will be announced at a ceremony on Feb. 10 at Ovation Hollywood’s Ray Dolby Ballroom. Max Greenfield will host the ceremony.
“It’s our honor and privilege to gather the guild to recognize the excellence among our members,” says award show producers Michael Allen Glover, Adg and Megan Elizabeth Bell, Adg in a joint statement.
The Adg divides live-action features into three categories. “Asteroid City,” “Killers of the Flower Moon”
“Maestro,” “Napoleon” and “Oppenheimer” were nominated in the period feature film category.
“Barbie,” “The Creator,” “Guardians of the Galaxy Vol. 3,” “Poor Things” and “Wonka” led the fantasy film category.
- 1/9/2024
- by Jazz Tangcay
- Variety Film + TV
The Art Directors Guild (IATSE Local 800) has revealed the nominations for its 28th annual Excellence in Production Design Awards, which will be handed out Feb. 10 at the Ray Dolby Ballroom in Ovation Hollywood.
The production designers on Asteroid City, Killers of the Flower Moon, Maestro, Napoleon and Oppenheimer were nominated in the category for a period movie. For a fantasy film, the nominees are Barbie, The Creator, Guardians of the Galaxy Vol. 3, Poor Things and Wonka. And the Adg chose Beau is Afraid, John Wick: Chapter 4, The Killer, Mission: Impossible – Dead Reckoning Part One and Saltburn as its contemporary film noms.
Over the past five years, the winner of the Adg’s period film prize has gone on to win the Oscar for production design twice: In 2020, for Once Upon a Time in Hollywood, and in 2021 for Mank. The production design Oscar went to the winner of...
The production designers on Asteroid City, Killers of the Flower Moon, Maestro, Napoleon and Oppenheimer were nominated in the category for a period movie. For a fantasy film, the nominees are Barbie, The Creator, Guardians of the Galaxy Vol. 3, Poor Things and Wonka. And the Adg chose Beau is Afraid, John Wick: Chapter 4, The Killer, Mission: Impossible – Dead Reckoning Part One and Saltburn as its contemporary film noms.
Over the past five years, the winner of the Adg’s period film prize has gone on to win the Oscar for production design twice: In 2020, for Once Upon a Time in Hollywood, and in 2021 for Mank. The production design Oscar went to the winner of...
- 1/9/2024
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
Spoiler Alert: This story contains spoilers from “Qui,” the sixth episode of “Yellowjackets” Season 2, now streaming on Showtime.
This week’s episode of Showtime’s “Yellowjackets” answers one of the show’s biggest questions, which is: What happened to Teen Shauna’s (Sophie Nélisse) baby? Unfortunately, as we learn, it died in childbirth.
Meanwhile, in the adult Yellowjackets world, Shauna (Melanie Lynskey), Van (Lauren Ambrose), Tai (Tawny Cypress) and Misty (Christina Ricci) converge on Lottie’s (Simone Kessell) “wellness compound” in their efforts to rescue Nat (Juliette Lewis). Toward the end of the episode, a drone shot pulls up to reveal the layout of Lottie’s compound is the mysterious stick-figure symbol.
Director Liz Garbus, who helmed the episode, told Variety that she has no idea what the figure means, which viewers have seen in the wilderness throughout the series. “I have some thoughts,” Garbus said. “It’s nothing that I could explain.
This week’s episode of Showtime’s “Yellowjackets” answers one of the show’s biggest questions, which is: What happened to Teen Shauna’s (Sophie Nélisse) baby? Unfortunately, as we learn, it died in childbirth.
Meanwhile, in the adult Yellowjackets world, Shauna (Melanie Lynskey), Van (Lauren Ambrose), Tai (Tawny Cypress) and Misty (Christina Ricci) converge on Lottie’s (Simone Kessell) “wellness compound” in their efforts to rescue Nat (Juliette Lewis). Toward the end of the episode, a drone shot pulls up to reveal the layout of Lottie’s compound is the mysterious stick-figure symbol.
Director Liz Garbus, who helmed the episode, told Variety that she has no idea what the figure means, which viewers have seen in the wilderness throughout the series. “I have some thoughts,” Garbus said. “It’s nothing that I could explain.
- 5/5/2023
- by Jazz Tangcay
- Variety Film + TV
The second season of Showtime’s “Yellowjackets” begins as winter finally envelops the Canadian Rockies and visits greater misery upon Wiskayok High’s girls soccer team. For the hit survival thriller’s costume department, though, it comes bearing a shot at an Emmy.
“Yellowjackets,” seventh in our combined Drama Series odds and clawing its way toward the top five, follows the aforementioned regional champions after the plane carrying them to nationals crashes in the wilderness, as well as their dysfunctional adult lives back in society two and a half decades later. The verdant setting to which they’d acclimated in Season 1 has become a gnarled, frostbitten Neverland. Amy Parris (“Stranger Things”), taking over for Emmy-winning costume designer Marie Schley (“Transparent”), rises to the creative challenge with striking designs that approximate what wardrobes for retro genre hits like “The Goonies” and “The Breakfast Club” would look like in an A24-produced folk horror.
“Yellowjackets,” seventh in our combined Drama Series odds and clawing its way toward the top five, follows the aforementioned regional champions after the plane carrying them to nationals crashes in the wilderness, as well as their dysfunctional adult lives back in society two and a half decades later. The verdant setting to which they’d acclimated in Season 1 has become a gnarled, frostbitten Neverland. Amy Parris (“Stranger Things”), taking over for Emmy-winning costume designer Marie Schley (“Transparent”), rises to the creative challenge with striking designs that approximate what wardrobes for retro genre hits like “The Goonies” and “The Breakfast Club” would look like in an A24-produced folk horror.
- 4/30/2023
- by Ronald Meyer
- Gold Derby
Warning: This story contains spoilers from “Edible Complex,” the second episode of “Yellowjackets” Season 2, now streaming on Showtime.
It’s official: “Yellowjackets” went there. After the Season 2 premiere ended with — quite literally — a crunch as teen Shauna (Sophie Nélisse) ate the ear of her dead best friend, Jackie (Ella Purnell), the second episode took cannibalism on the show a step further. After the group found out that Shauna had been talking to and putting makeup on Jackie’s corpse, they thought it was best to burn her body. However, the smell of her body being barbecued drew the group outside, and they decided to eat her as a feast.
“She wants us to,” Shauna says before ripping off a piece to eat.
“I think I threw my script! I kind of saw it coming, but not that way,” Jasmin Savoy Brown, who portrays young Taissa, tells Variety about when she first read the scene.
It’s official: “Yellowjackets” went there. After the Season 2 premiere ended with — quite literally — a crunch as teen Shauna (Sophie Nélisse) ate the ear of her dead best friend, Jackie (Ella Purnell), the second episode took cannibalism on the show a step further. After the group found out that Shauna had been talking to and putting makeup on Jackie’s corpse, they thought it was best to burn her body. However, the smell of her body being barbecued drew the group outside, and they decided to eat her as a feast.
“She wants us to,” Shauna says before ripping off a piece to eat.
“I think I threw my script! I kind of saw it coming, but not that way,” Jasmin Savoy Brown, who portrays young Taissa, tells Variety about when she first read the scene.
- 3/31/2023
- by Emily Longeretta
- Variety Film + TV
The undisclosed location to which Natalie (Juliette Lewis) was whisked away in the Season 1 finale of “Yellowjackets” gets more concerning as Season 2 progresses. In the Season 2 premiere — written by showrunners Ashley Lyle and Bart Nickerson and directed by Daisy von Scherler Mayer — Natalie finds herself tied to a bed at a wellness retreat run by Lottie (Simone Kessell), who remains as magnetic to followers today as she was in the wilderness as a teen (Courtney Eaton).
Read More: Winter Is Here on ‘Yellowjackets’ Season 2 — and British Columbia Ran Out of Fake Snow to Make It Happen
There’s more than a touch of the wilderness about Lottie’s upscale wellness center: A procession of white-clad, animal-mask-wearing followers burying a naked man isn’t the usual accompaniment to tasteful neutrals and suburban mom wall art. But production designer Margot Ready and her props team relished the opportunity to create animal masks...
Read More: Winter Is Here on ‘Yellowjackets’ Season 2 — and British Columbia Ran Out of Fake Snow to Make It Happen
There’s more than a touch of the wilderness about Lottie’s upscale wellness center: A procession of white-clad, animal-mask-wearing followers burying a naked man isn’t the usual accompaniment to tasteful neutrals and suburban mom wall art. But production designer Margot Ready and her props team relished the opportunity to create animal masks...
- 3/26/2023
- by Sarah Shachat
- Indiewire
Things are getting gloomier on Season 2 of “Yellowjackets” — and not just because Jackie is dead. The arrival of winter for the teens stranded in the wilderness signals a significant shift in the story and in what Season 2 production designer Margot Ready and her team were tasked with. Perhaps fittingly for a show about how humans negotiate with (or not) their animal instincts, one of the most complicated challenges the production team had to solve was one of the most natural elements imaginable: snow.
“I actually remember, ironically, reading an article about Season 2 before I was on the show [that] they’re gonna shoot it this summer in Vancouver, and there’s going to be a lot of snow. And I was like, ‘Oh geez, how are they gonna do that? Kudos to you guys,’ you know? Not knowing that I was going to be the person doing it,” Ready said.
Read...
“I actually remember, ironically, reading an article about Season 2 before I was on the show [that] they’re gonna shoot it this summer in Vancouver, and there’s going to be a lot of snow. And I was like, ‘Oh geez, how are they gonna do that? Kudos to you guys,’ you know? Not knowing that I was going to be the person doing it,” Ready said.
Read...
- 3/25/2023
- by Sarah Shachat
- Indiewire
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