The Johnny Depp film “Jeanne du Barry” from director and star (and producer and co-writer) Maïwenn will open in U.S. theaters on May 2 as part of a special engagement via Fathom Events and distributor Vertical.
The film will open exclusively in more than 500 U.S. theaters on May 2, 2024, with the possibility that the film could run longer than its “limited” engagement if it’s a success. The first big theatrical release of May 2024 is 20th Century’s “Kingdom of the Planet of the Apes,” which will command many more screens beginning May 10.
“Jeanne du Barry” was the opening night film at last year’s Cannes Film Festival and was a modest box office hit, grossing $13 million outside of the states. Vertical picked it up last June but has yet to release it here.
With more than 500 screens in tow, the movie will be the widest opening for Depp in the U.
The film will open exclusively in more than 500 U.S. theaters on May 2, 2024, with the possibility that the film could run longer than its “limited” engagement if it’s a success. The first big theatrical release of May 2024 is 20th Century’s “Kingdom of the Planet of the Apes,” which will command many more screens beginning May 10.
“Jeanne du Barry” was the opening night film at last year’s Cannes Film Festival and was a modest box office hit, grossing $13 million outside of the states. Vertical picked it up last June but has yet to release it here.
With more than 500 screens in tow, the movie will be the widest opening for Depp in the U.
- 3/6/2024
- by Brian Welk
- Indiewire
“Jeanne du Barry,” the much-discussed Cannes opening night film featuring Johnny Depp as Louis Xv, has been acquired for North American distribution. Vertical grabbed rights to the Maïwenn-directed drama, which stars the writer/director as Jeanne Vaubernier. Vaubernier was a working-class woman in 18th Century France who rose in the social ranks and became King Louis Xv’s lover.
The co-writers are Teddy Lussi-Modeste and Nicolas Livecchi and the film’s producers are Pascal Caucheteux and Grégoire Sorlat. The production companies are Why Not Productions, France 2 Cinéma, France 3 Cinéma, La Petite Reine, Impala Productions, Les Films de Batna, In.2 Film, and Les Films du Fleuve. Below-the-line talent on the film includes cinematographer Laurent Dailland, editor Laure Gardette, production designer Angelo Zamparutti, costume designer Jürgen Doering, and composer Stephen Warbeck.
Johnny Depp in ‘Jeanne du Barry’
“’Jeanne du Barry’ was by far the most talked about film at this year’s Cannes Film Festival,...
The co-writers are Teddy Lussi-Modeste and Nicolas Livecchi and the film’s producers are Pascal Caucheteux and Grégoire Sorlat. The production companies are Why Not Productions, France 2 Cinéma, France 3 Cinéma, La Petite Reine, Impala Productions, Les Films de Batna, In.2 Film, and Les Films du Fleuve. Below-the-line talent on the film includes cinematographer Laurent Dailland, editor Laure Gardette, production designer Angelo Zamparutti, costume designer Jürgen Doering, and composer Stephen Warbeck.
Johnny Depp in ‘Jeanne du Barry’
“’Jeanne du Barry’ was by far the most talked about film at this year’s Cannes Film Festival,...
- 6/7/2023
- by Scott Mendelson
- The Wrap
“Jeanne Du Barry,” the latest film from French director Maïwenn that stars Johnny Depp, has found a North American distributor in Vertical following its Cannes debut, an individual with knowledge told IndieWire.
“Jeanne Du Barry” was the opening night film at the Cannes Film Festival last month, where it received a 7-minute standing ovation from the crowd in the Palais. But it was a controversial choice because of Depp’s continued career rehab following the highly publicized defamation trial between him and ex-wife Amber Heard, but also because of a report against Maïwenn that accused her of assaulting a journalist, an accusation she later admitted to.
The film stars Depp as the French King Louis Xv in a supporting role and primarily follows Maïwenn as Jeanne Vaubernier, an 18th Century French working class woman who became King Louis Xv’s lover. Here’s the full synopsis:
“Jeanne du Barry” follows...
“Jeanne Du Barry” was the opening night film at the Cannes Film Festival last month, where it received a 7-minute standing ovation from the crowd in the Palais. But it was a controversial choice because of Depp’s continued career rehab following the highly publicized defamation trial between him and ex-wife Amber Heard, but also because of a report against Maïwenn that accused her of assaulting a journalist, an accusation she later admitted to.
The film stars Depp as the French King Louis Xv in a supporting role and primarily follows Maïwenn as Jeanne Vaubernier, an 18th Century French working class woman who became King Louis Xv’s lover. Here’s the full synopsis:
“Jeanne du Barry” follows...
- 6/7/2023
- by Brian Welk
- Indiewire
Playtime has boarded “Monsieur Aznavour,” the prestige biopic of legendary French-Armenian Charles Aznavour starring Tahar Rahim. Budgeted at €26 million, the film will start principal photography on May 30. Pathé has scooped French rights and will give it a wide release in theaters.
Surely one of the hottest packages to hit this year’s Cannes market, the film will chart Aznavour’s sprawling life journey, from his poor childhood to his rise to fame, from his triumphs to his failures, from Paris to New York. Aznavour was devoted to his art until the very end, singing his songs in ten languages, on every stage, in every city, desperately searching for perfection. He sold more than 180 million records around the world.
Rahim, who’s rolling off Marvel’s “Madame Web” and Ridley Scott’s “Napoleon,” is highly committed to the part and has been preparing it for months. He will be in Cannes...
Surely one of the hottest packages to hit this year’s Cannes market, the film will chart Aznavour’s sprawling life journey, from his poor childhood to his rise to fame, from his triumphs to his failures, from Paris to New York. Aznavour was devoted to his art until the very end, singing his songs in ten languages, on every stage, in every city, desperately searching for perfection. He sold more than 180 million records around the world.
Rahim, who’s rolling off Marvel’s “Madame Web” and Ridley Scott’s “Napoleon,” is highly committed to the part and has been preparing it for months. He will be in Cannes...
- 5/17/2023
- by Elsa Keslassy
- Variety Film + TV
Cohen Media Group has dropped the trailer for Francois Ozon’s drama “Everything Went Fine” ahead of its theatrical release in New York on April 14 and Los Angeles on April 21, followed by a national expansion.
“Everything Went Fine” is based on the autobiographical novel by author Emmanuèle Bernheim who previously collaborated on Ozon’s screenplays for “Under The Sand,” “Swimming Pool” and “Ricky.”
The movie follows 85-year-old art collector André Bernheim (André Dussolier) who, after a debilitating stroke, demands that his daughter Emmanuèle (Sophie Marceau), help him end life on his own terms. Faced with a painful decision, Emmanuèle, with the grudging support of her younger sister Pascale (Géraldine Pailhas), begins sorting through the processes and bureaucratic hurdles necessary to fulfill her father’s final wish, as she is forced to reconcile her past with a complicated, stubborn, yet charismatic man.
Here’s the trailer:
“Everything Went Fine” also stars...
“Everything Went Fine” is based on the autobiographical novel by author Emmanuèle Bernheim who previously collaborated on Ozon’s screenplays for “Under The Sand,” “Swimming Pool” and “Ricky.”
The movie follows 85-year-old art collector André Bernheim (André Dussolier) who, after a debilitating stroke, demands that his daughter Emmanuèle (Sophie Marceau), help him end life on his own terms. Faced with a painful decision, Emmanuèle, with the grudging support of her younger sister Pascale (Géraldine Pailhas), begins sorting through the processes and bureaucratic hurdles necessary to fulfill her father’s final wish, as she is forced to reconcile her past with a complicated, stubborn, yet charismatic man.
Here’s the trailer:
“Everything Went Fine” also stars...
- 3/30/2023
- by Elsa Keslassy
- Variety Film + TV
A new documentary about “The Power of the Dog” director Jane Campion has been picked up for sales by WestEnd Films and Cinephil.
Directed by César Award-winning “Since Otar Left…” helmer Julie Bertuccelli, “Jane Campion, The Cinema Woman” is screening as part of the Cannes Classics line-up.
The New Zealand director was the first woman to win the Palme d’Or at Cannes, for “The Piano,” and this year won the best director Oscar for her Netflix western “The Power of the Dog.” Bertuccelli’s documentary on the 68-year-old filmmaker, which spans 40 years, is described as “the portrait [Campion] deserves, in a film that is unapologetically subjective and offbeat, very much mirroring [Campion’s] own trailblazing journey in cinema and life.”
The film is produced by Academy Award nominee Estelle Fialon, and crew members include editors Laure Gardette and Svetlana Vaynblat (“Flickering Ghosts of Loves Gone By”), as well as César Award-winning sound editor and mixer Olivier Goinard.
Directed by César Award-winning “Since Otar Left…” helmer Julie Bertuccelli, “Jane Campion, The Cinema Woman” is screening as part of the Cannes Classics line-up.
The New Zealand director was the first woman to win the Palme d’Or at Cannes, for “The Piano,” and this year won the best director Oscar for her Netflix western “The Power of the Dog.” Bertuccelli’s documentary on the 68-year-old filmmaker, which spans 40 years, is described as “the portrait [Campion] deserves, in a film that is unapologetically subjective and offbeat, very much mirroring [Campion’s] own trailblazing journey in cinema and life.”
The film is produced by Academy Award nominee Estelle Fialon, and crew members include editors Laure Gardette and Svetlana Vaynblat (“Flickering Ghosts of Loves Gone By”), as well as César Award-winning sound editor and mixer Olivier Goinard.
- 5/6/2022
- by Manori Ravindran
- Variety Film + TV
Emmanuel Mouret’s Les Choses Qu’On Dit, Les Choses Qu’On Fait, aka Love Affair(s), leads France’s César Award nominations with a total 13 including each of the top acting categories as well as Best Director and Best Film. The official 2020 Cannes Film Festival selection is followed by Albert Dupontel’s comedy/drama Adieu Les Cons (Bye Bye Morons) and François Ozon’s Eté 85 (Summer Of 85) with 12 each. The latter was released locally last summer and played Toronto in September.
Other titles to make the cut this morning include the Oscar shortlisted Two Of Us (Deux) from Filippo Meneghetti with Best Actress nods for leads Martine Chevallier and Barbara Sukowa as well as Best Original Screenplay and Best Debut Feature.
In the Foreign Film category are Sam Mendes’ 1917, Todd Haynes’ Dark Waters, Thomas Vinterberg’s Another Round (also Oscar shortlisted on Tuesday), Jan Komasa’s La Communion...
Other titles to make the cut this morning include the Oscar shortlisted Two Of Us (Deux) from Filippo Meneghetti with Best Actress nods for leads Martine Chevallier and Barbara Sukowa as well as Best Original Screenplay and Best Debut Feature.
In the Foreign Film category are Sam Mendes’ 1917, Todd Haynes’ Dark Waters, Thomas Vinterberg’s Another Round (also Oscar shortlisted on Tuesday), Jan Komasa’s La Communion...
- 2/10/2021
- by Nancy Tartaglione
- Deadline Film + TV
Actor-auteur Maïwenn bills herself last in the principal cast credits for “DNA,” adding the distinguishing curlicue of an “and” citation when her name eventually pops up on screen. On the one hand, it seems a courtesy to the formidable ensemble of her fifth feature as director, stacked as it is with stars from Fanny Ardant to Louis Garrel to Marine Vacth — all on fine, uninhibited form in a dysfunctional-family drama that frequently demands maximum volume from them. Yet the modesty seems coy in a film that eventually becomes a magnified, almost impenetrably personal star vehicle for Maïwenn herself, inspired by her own investigation of her diverse cultural identity. Despite her plainly impassioned investment in the project, and some intense, raucously entertaining scenes of intimate warfare along the way, “DNA” becomes less engaging as its focus narrows.
Despite premiering in low-key fashion at the Deauville American Film Festival — somewhat ironically, for...
Despite premiering in low-key fashion at the Deauville American Film Festival — somewhat ironically, for...
- 9/21/2020
- by Guy Lodge
- Variety Film + TV
François Ozon on By The Grace Of God (Grâce À Dieu): “It was important to show the complexity of all these characters.” Photo: Anne-Katrin Titze
François Ozon’s timely and relevant By The Grace Of God (Grâce À Dieu), shot by Manuel Dacosse (Jean-François Richet’s The Emperor Of Paris) edited by Laure Gardette, and costumes by Pascaline Chavanne, stars Melvil Poupaud, Denis Ménochet and Swann Arlaud with Aurélia Petit, Josiane Balasko, Éric Caravaca, Martine Erhel, François Marthouret, Bernard Verley, Amélie Daure, Hélène Vincent, Max Libert, Nicolas Bauwens, Zuri François, Timi-Joy Marbot, and Zéli Marbot.
Alexandre Guérin (Melvil Poupaud) and François Debord (Denis Ménochet) with Gilles Perret (Éric Caravaca)
In the second half of my in-depth conversation with the director/screenwriter we discuss the complexity of the characters who are struggling to come to grips with memories from the past and the importance of the flashbacks in telling the story.
François Ozon’s timely and relevant By The Grace Of God (Grâce À Dieu), shot by Manuel Dacosse (Jean-François Richet’s The Emperor Of Paris) edited by Laure Gardette, and costumes by Pascaline Chavanne, stars Melvil Poupaud, Denis Ménochet and Swann Arlaud with Aurélia Petit, Josiane Balasko, Éric Caravaca, Martine Erhel, François Marthouret, Bernard Verley, Amélie Daure, Hélène Vincent, Max Libert, Nicolas Bauwens, Zuri François, Timi-Joy Marbot, and Zéli Marbot.
Alexandre Guérin (Melvil Poupaud) and François Debord (Denis Ménochet) with Gilles Perret (Éric Caravaca)
In the second half of my in-depth conversation with the director/screenwriter we discuss the complexity of the characters who are struggling to come to grips with memories from the past and the importance of the flashbacks in telling the story.
- 10/25/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Versatile in a way that few directors at his level of recognition dare to be, prolific French auteur François Ozon follows his psychosexual thriller “Double Lover” with a multi-narrative drama based on true events. “By the Grace of God” offers a masterfully structured and sublimely acted account of a group of men reckoning with childhood sexual abuse at the hands of a priest neglectfully entrusted with their innocence.
While a procedural like Tom McCarthy’s “Spotlight” took a journalistic angle on the subject, and Pablo Larraín’s “The Club” functioned as fiery character study centered on the perpetrators, Ozon’s compassionate and ideologically balanced take on the Catholic Church’s disgraceful inaction against pedophilia within its ranks serves the victims’ stories first and foremost. The ramifications of the ongoing suffering caused by such despicable criminal acts guide the film through the lives of three distinct survivors.
Email correspondence in voice-over...
While a procedural like Tom McCarthy’s “Spotlight” took a journalistic angle on the subject, and Pablo Larraín’s “The Club” functioned as fiery character study centered on the perpetrators, Ozon’s compassionate and ideologically balanced take on the Catholic Church’s disgraceful inaction against pedophilia within its ranks serves the victims’ stories first and foremost. The ramifications of the ongoing suffering caused by such despicable criminal acts guide the film through the lives of three distinct survivors.
Email correspondence in voice-over...
- 10/18/2019
- by Carlos Aguilar
- The Wrap
Capernaum, which roughly means chaos, is much more than a reductionist's vision of the vulnerability of children in a world of extreme poverty.
We have seen films about impoverished children right from Salaam Bombay to Slumdog Millionaire?to Liono?and a pack of Iranian films to boot. But this one, on the emotional quotient is very intense and almost unbearable to witness as it surpasses any other film seen earlier.
Narrated in a non-linear format and designed as a documentary, the director uses the courtroom trial as the framing device where a singularly focused, self-possessed Zain (Zain Al Rafeea), faces off for a crime he did and later sues his parents (Kawsar Al Haddad and Fadi Kamel Yousef) for neglect, abuse and for the crime of bringing him into this terrible world.
"I'm living in hell," that's how he describes his life to the judge.
Zain, a child close to adolescence,...
We have seen films about impoverished children right from Salaam Bombay to Slumdog Millionaire?to Liono?and a pack of Iranian films to boot. But this one, on the emotional quotient is very intense and almost unbearable to witness as it surpasses any other film seen earlier.
Narrated in a non-linear format and designed as a documentary, the director uses the courtroom trial as the framing device where a singularly focused, self-possessed Zain (Zain Al Rafeea), faces off for a crime he did and later sues his parents (Kawsar Al Haddad and Fadi Kamel Yousef) for neglect, abuse and for the crime of bringing him into this terrible world.
"I'm living in hell," that's how he describes his life to the judge.
Zain, a child close to adolescence,...
- 6/22/2019
- GlamSham
Before Hollywood takes the spotlight this weekend, the film world turns its eyes to France for the annual Cesar Awards. Presented by the French Academy, this year’s nominees represent a distinct blend of international favorites, festival standouts and homegrown hits.
Paul Verhoeven’s “Elle” led this year’s nominees, scoring 11 nominations for Verhoeven as Best Director, lead actress Isabelle Huppert, Best Adapted Screenplay and a trio of other acting awards.
Read More: ‘Elle,’ Isabelle Huppert, Xavier Dolan Nominated in France’s Cesar Awards
The evening’s winners at Paris’ Salle Pleyel featured a variety of upsets and sure things. Huppert, going into a busy weekend in the States, won her category. In a pair of surprises, Xavier Dolan and Gaspard Ulliel both won their respective categories for Dolan’s “It’s Only the End of the World.” Houda Benyamina’s debut feature “Divines” also won big, taking home prizes for Best First Film,...
Paul Verhoeven’s “Elle” led this year’s nominees, scoring 11 nominations for Verhoeven as Best Director, lead actress Isabelle Huppert, Best Adapted Screenplay and a trio of other acting awards.
Read More: ‘Elle,’ Isabelle Huppert, Xavier Dolan Nominated in France’s Cesar Awards
The evening’s winners at Paris’ Salle Pleyel featured a variety of upsets and sure things. Huppert, going into a busy weekend in the States, won her category. In a pair of surprises, Xavier Dolan and Gaspard Ulliel both won their respective categories for Dolan’s “It’s Only the End of the World.” Houda Benyamina’s debut feature “Divines” also won big, taking home prizes for Best First Film,...
- 2/24/2017
- by Steve Greene
- Indiewire
France’s film community congratulated Isabelle Huppert on her Oscar nomination, adding yet another to her growing list of accolades for her performance in “Elle.” The French Academy announced its nominees for what Americans call the “French Oscars” on Wednesday morning. “Elle” received 11 nominations in total, including best film and best director for Paul Verhoeven.
Following in a close send was Francois Ozon’s “Frantz,” which garnered 10 nominations, and Bruno Dumont’s “Slack Bay,” which received nine. Xavier Dolan received a best director nomination for “It’s Only the End of the World.” Actors Vincent Cassel, Gaspard Ulliel, and Nathalie Baye were all nominated for their work in Dolan’s film as well.
Read More: Oscars 2017 Surprises and Snubs: Amy Adams and ‘Weiner’ Out, Mel Gibson and ‘Passengers’ In
The Cesars have little import on the Oscars, though there is often some crossover. The French Academy did recognize Kenneth Lonergan...
Following in a close send was Francois Ozon’s “Frantz,” which garnered 10 nominations, and Bruno Dumont’s “Slack Bay,” which received nine. Xavier Dolan received a best director nomination for “It’s Only the End of the World.” Actors Vincent Cassel, Gaspard Ulliel, and Nathalie Baye were all nominated for their work in Dolan’s film as well.
Read More: Oscars 2017 Surprises and Snubs: Amy Adams and ‘Weiner’ Out, Mel Gibson and ‘Passengers’ In
The Cesars have little import on the Oscars, though there is often some crossover. The French Academy did recognize Kenneth Lonergan...
- 1/25/2017
- by Jude Dry
- Indiewire
Jean Dujardin, Bérénice Bejo, The Artist Jean Dujardin can't win 'em all. For his (in my humble opinion brilliant) performance as a fading silent-film star in Michel Hazanavicius' The Artist, he was voted Best Actor at the Cannes Film Festival, the British Academy Awards, the SAG Awards, the Golden Globes, and the Australian Film Institute Awards (as Best International Actor). He was also chosen as the Best Actor of 2011 by both the London Film Critics Circle and the Academy of French Film Journalists. [List of César winners.] Earlier this evening, however, Dujardin lost the Best Actor César du Cinéma. The 2012 French equivalent of the Oscars went instead to comedian Omar Sy, who co-stars with François Cluzet in the feel-good box-office blockbuster Intouchables / Untouchable. Perhaps enough members of the French Academy of Motion Picture Arts and Crafts were envious of Dujardin's international success and/or felt he had already won too many awards. Or...
- 2/25/2012
- by Andre Soares
- Alt Film Guide
Jean Dujardin, Missi Pyle, The Artist The Artist Wins, Jean Dujardin Loses: César Awards Best Film La guerre est déclarée / Declaration of War produced by Edouard Weil, directed by Valérie Donzelli Le Havre produced by Fabienne Vonier, directed by Aki Kaurismäki * The Artist produced by Thomas Langmann, directed by Michel Hazanavicius Intouchables / Untouchable produced by Denis Freyd, directed by Eric Toledano, Olivier Nakache L'exercice de l'État / The Minister produced by Nicolas Duval Adassovsky, Yann Zenou, Laurent Zeitoun, directed by Pierre Schöller Pater produced by Michel Seydoux, directed by Alain Cavalier Polisse produced by Alain Attal, directed by Maïwenn Best Foreign Film Drive (United States) directed by Nicolas Winding Refn Black Swan (United States) directed by Darren Aronofsky Incendies (Canada) directed by Denis Villeneuve Melancholia (Denmark / Sweden / France / Germany) directed by Lars von Trier * A Separation (Iran) directed by Asghar Farhadi The King's Speech (United Kingdom) directed by Tom Hooper Le...
- 2/25/2012
- by Andre Soares
- Alt Film Guide
François Cluzet, Intouchables / Untouchable The 2012 César winners will be announced on February 24. The ceremony will be presided by Guillaume Canet; Antoine de Caunes will act as master of ceremonies. Best Film La guerre est déclarée / Declaration of War produced by Edouard Weil, directed by Valérie Donzelli Le Havre produced by Fabienne Vonier, directed by Aki Kaurismäki The Artist produced by Thomas Langmann, directed by Michel Hazanavicius Intouchables / Untouchable produced by Denis Freyd, directed by Eric Toledano, Olivier Nakache L'exercice de l'État / The Minister produced by Nicolas Duval Adassovsky, Yann Zenou, Laurent Zeitoun, directed by Pierre Schoeller Pater produced by Michel Seydoux, directed by Alain Cavalier Polisse produced by Alain Attal, directed by Maïwenn Best Foreign Film Drive (United States) directed by Nicolas Winding Refn Black Swan (United States) directed by Darren Aronofsky Incendies (Canada) directed by Denis Villeneuve Melancholia (Denmark / Sweden / France / Germany) directed by Lars von Trier A Separation...
- 2/21/2012
- by Steve Montgomery
- Alt Film Guide
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