Halfway through Sandhya Suri’s engrossing police procedural Santosh, an older police officer (Sunita Rajwar) reminds a younger constable (Shahana Goswami) that when it comes to criminal cases, everyone — from the victim’s family to the detectives — is playing a role. One party lodges an accusation and the other delivers justice. Whether things are based in truth or reality counts less than one might think. The sentiment, hardly comforting to begin with, adopts a more sinister dimension later in the film, when the two women race against time to find the person who murdered a teenage girl in the Dalit community of a small town in northern India.
A few days after her parents reported her missing, Devika’s body was found in the well. The discovery of the girl (Nandani Tharu), whose swollen body contaminates the community water supply, sets off a storm of bad press for the local authorities.
A few days after her parents reported her missing, Devika’s body was found in the well. The discovery of the girl (Nandani Tharu), whose swollen body contaminates the community water supply, sets off a storm of bad press for the local authorities.
- 5/24/2024
- by Lovia Gyarkye
- The Hollywood Reporter - Movie News
Movies don’t always need to have a message. Themes are inherent to storytelling, but there are plenty of movies that can simply coast on vibes and star power, or which undermine their own messaging when it gets heavy-handed and preachy. The films that often get audiences really thinking are the ones that cushion that messaging in a mesmerizing story, which don’t tell you what to think but what to think about. Writer and director Sandhya Suri’s debut feature, “Santosh,” premiering at Cannes, is one such film.
“Santosh” is named after its lead character, Santosh Saini — a young widow unaccustomed to working but is now forced to by necessity, who inherits her husband’s profession due to a bizarre legal loophole (a real clause known as “appointment on compassionate ground”). Overnight, Santosh finds herself thrust into the local police force, where a murder investigation becomes a crash course...
“Santosh” is named after its lead character, Santosh Saini — a young widow unaccustomed to working but is now forced to by necessity, who inherits her husband’s profession due to a bizarre legal loophole (a real clause known as “appointment on compassionate ground”). Overnight, Santosh finds herself thrust into the local police force, where a murder investigation becomes a crash course...
- 5/20/2024
- by Proma Khosla
- Indiewire
While often more intellectually stimulating than emotionally engaging, “Santosh” lays bare the dark heart of communal divisions in modern India. Sandhya Suri’s narrative debut follows a driven young Hindu widow who inherits her husband’s job as police constable thanks to a government scheme. While the movie speaks the language of a fiercely feminist empowerment saga, it also zeroes in on what power actually means in a highly stratified society when a murky crime leads to the incendiary unfurling of dimensions of religion and caste.
“Santosh” is tethered to the perspective of its titular character. Actor Shahana Goswami embodies Santosh’s grief with striking resilience as she navigates a labyrinth of institutionalized misogyny and post-mortem red tape, but the movie is quick to put her in the khaki uniform of the Indian police. She’s rarely seen without it, and becomes a cinematic symbol in the process. “Santosh” may...
“Santosh” is tethered to the perspective of its titular character. Actor Shahana Goswami embodies Santosh’s grief with striking resilience as she navigates a labyrinth of institutionalized misogyny and post-mortem red tape, but the movie is quick to put her in the khaki uniform of the Indian police. She’s rarely seen without it, and becomes a cinematic symbol in the process. “Santosh” may...
- 5/20/2024
- by Siddhant Adlakha
- Variety Film + TV
Sandhya Suri’s fiction feature debut “Santosh,” which bows in the Cannes Film Festival’s Un Certain Regard strand, has unveiled its first clip.
In the film, a government scheme sees newly widowed Santosh inherit her slain husband’s job as a police constable in the rural badlands of northern India. When an underage girl from one of India’s so-called “lower castes” is murdered, Santosh is pulled into the investigation by charismatic feminist inspector Sharma.
Suri is known for her documentaries “I for India” (2005), which bowed at Sundance, and “Around India with a Movie Camera” (2018) and Toronto-winning and BAFTA nominated fiction short “The Field” (2018). The “Santosh” script, which predates “The Field,” participated in the Sundance lab. “I was researching things about violence against women and trying to make a sort of anatomy of a violence and I couldn’t find a way to do it in documentary. So I found this way into fiction,...
In the film, a government scheme sees newly widowed Santosh inherit her slain husband’s job as a police constable in the rural badlands of northern India. When an underage girl from one of India’s so-called “lower castes” is murdered, Santosh is pulled into the investigation by charismatic feminist inspector Sharma.
Suri is known for her documentaries “I for India” (2005), which bowed at Sundance, and “Around India with a Movie Camera” (2018) and Toronto-winning and BAFTA nominated fiction short “The Field” (2018). The “Santosh” script, which predates “The Field,” participated in the Sundance lab. “I was researching things about violence against women and trying to make a sort of anatomy of a violence and I couldn’t find a way to do it in documentary. So I found this way into fiction,...
- 5/20/2024
- by Naman Ramachandran
- Variety Film + TV
The electronic program guide for the forthcoming British streaming service Freely. (Courtesy photo)
The United Kingdom has a new option to watch live television from its free-to-air broadcasters.
Freely TV debuted this week, bringing streaming versions of the BBC, ITV, Channel 4 and Channel 5’s linear broadcast channels to streamers across the U.K.
The Freely TV app is now available on smart TVs sold throughout the country, and is intended to help Britain’s free-to-air broadcasters embrace the trend of TV consumers moving away from traditional forms of TV consumption toward digital platforms like streaming.
In addition to offering linear content channels from Britain’s public service broadcasters, Freely TV serves up thousands of TV shows and movies from the on-demand catalogs of the participating TV networks.
Freely TV is the first app that offers streaming channels from all four main public service broadcasters.
“The launch of Freely...
The United Kingdom has a new option to watch live television from its free-to-air broadcasters.
Freely TV debuted this week, bringing streaming versions of the BBC, ITV, Channel 4 and Channel 5’s linear broadcast channels to streamers across the U.K.
The Freely TV app is now available on smart TVs sold throughout the country, and is intended to help Britain’s free-to-air broadcasters embrace the trend of TV consumers moving away from traditional forms of TV consumption toward digital platforms like streaming.
In addition to offering linear content channels from Britain’s public service broadcasters, Freely TV serves up thousands of TV shows and movies from the on-demand catalogs of the participating TV networks.
Freely TV is the first app that offers streaming channels from all four main public service broadcasters.
“The launch of Freely...
- 4/30/2024
- by Matthew Keys
- The Desk
Prashanth Goswami, reflecting on his experience working with Raashii Khanna and Sidharth Malhotra in the upcoming film ‘Yodha’, praised Raashii Khanna for her warmth and professionalism on set. Despite her stature in the industry, he described her as affable, patient, and accommodating.
Goswami recalled a scene where they had to coordinate tightly timed dialogue and movements, and Khanna generously offered to run lines with him to ensure their synchronization and create a conducive environment on set.
He was touched by her warmth and friendliness, which made their scenes together more enjoyable.
Regarding his interaction with Sidharth Malhotra, Goswami admired Malhotra’s dedication and passion for the project, particularly noting his commitment during a courtroom scene they shared. In the film, Goswami portrays a national security officer named Pathak, who works under Raashii Khanna’s character, Priyamvada.
Pathak’s role revolves around providing crucial intelligence and support to Priyamvada during a...
Goswami recalled a scene where they had to coordinate tightly timed dialogue and movements, and Khanna generously offered to run lines with him to ensure their synchronization and create a conducive environment on set.
He was touched by her warmth and friendliness, which made their scenes together more enjoyable.
Regarding his interaction with Sidharth Malhotra, Goswami admired Malhotra’s dedication and passion for the project, particularly noting his commitment during a courtroom scene they shared. In the film, Goswami portrays a national security officer named Pathak, who works under Raashii Khanna’s character, Priyamvada.
Pathak’s role revolves around providing crucial intelligence and support to Priyamvada during a...
- 3/10/2024
- by Editorial Desk
- GlamSham
Gandhinagar, Gujarat – (Filmfare Awards 2024): The 69th edition of the prestigious Filmfare Awards unfolded in grandeur on Sunday, featuring dazzling performances hosted by the charismatic Karan Johar. The star-studded event witnessed a celebration of cinematic excellence, honoring the outstanding talents in the film industry.
Filmfare Awards 2024 full list of winners:CategoryNomineeMovie Winner Best Film (Popular)12th Fail–WinnerJawan–Omg 2–Pathaan–Rocky Aur Rani Kii Prem Kahaani–Best Film (Critics)12th Fail–Bheed–Faraaz–Joram–WinnerSam Bahadur–Three Of Us–Zwigato–Best DirectorAmir Rai (Omg 2)–Atlee (Jawan)–Karan Johar (Rocky Aur Rani Kii Prem Kahaani)–Sandeep Reddy Vanga (Animal)–Siddharth Anand (Pathaan)–Vidhu Vinod Chopra (12th Fail)–WinnerBest Actor In A Leading RoleRanbir Kapoor (Animal)–WinnerRanveer Singh (Rocky Aur Rani Kii Prem Kahaani)–Shah Rukh Khan (Dunki)–Shah Rukh Khan (Jawan)–Sunny Deol (Gadar 2)–Vicky Kaushal (Sam Bahadur)–Best Actor (Critics)Abhishek Bachchan (Ghoomer)–Jaideep Ahlawat (Three Of Us)–Manoj Bajpayee (Joram...
Filmfare Awards 2024 full list of winners:CategoryNomineeMovie Winner Best Film (Popular)12th Fail–WinnerJawan–Omg 2–Pathaan–Rocky Aur Rani Kii Prem Kahaani–Best Film (Critics)12th Fail–Bheed–Faraaz–Joram–WinnerSam Bahadur–Three Of Us–Zwigato–Best DirectorAmir Rai (Omg 2)–Atlee (Jawan)–Karan Johar (Rocky Aur Rani Kii Prem Kahaani)–Sandeep Reddy Vanga (Animal)–Siddharth Anand (Pathaan)–Vidhu Vinod Chopra (12th Fail)–WinnerBest Actor In A Leading RoleRanbir Kapoor (Animal)–WinnerRanveer Singh (Rocky Aur Rani Kii Prem Kahaani)–Shah Rukh Khan (Dunki)–Shah Rukh Khan (Jawan)–Sunny Deol (Gadar 2)–Vicky Kaushal (Sam Bahadur)–Best Actor (Critics)Abhishek Bachchan (Ghoomer)–Jaideep Ahlawat (Three Of Us)–Manoj Bajpayee (Joram...
- 1/29/2024
- by Chesta Singh
- ReferSMS
Indian filmmaker Kiran Rao’s sophomore effort, “Laapataa Ladies” (“Lost Ladies”), bows as a Centrepiece selection at the Toronto International Film Festival.
Set in 2001 in rural India, the film follows two young brides wearing identical crimson veils who get swapped during a train ride to their husbands’ villages after their weddings. It is based on “Two Brides” by Biplab Goswami, one of the winning scripts at the Cinestaan India Storytellers Contest, where Bollywood superstar Aamir Khan, one of the producers of “Lost Ladies,” was on the jury. The script was subsequently worked on by Sneha Desai and Divyanidhi Sharma, keeping Goswami’s vision intact.
“The script talks about women and opportunities and ideas that I’m very attracted to, especially freedoms for women,” Rao tells Variety. “The idea of these two girls on an adventure, trying to find their way, trying to figure out what they want to do with their lives,...
Set in 2001 in rural India, the film follows two young brides wearing identical crimson veils who get swapped during a train ride to their husbands’ villages after their weddings. It is based on “Two Brides” by Biplab Goswami, one of the winning scripts at the Cinestaan India Storytellers Contest, where Bollywood superstar Aamir Khan, one of the producers of “Lost Ladies,” was on the jury. The script was subsequently worked on by Sneha Desai and Divyanidhi Sharma, keeping Goswami’s vision intact.
“The script talks about women and opportunities and ideas that I’m very attracted to, especially freedoms for women,” Rao tells Variety. “The idea of these two girls on an adventure, trying to find their way, trying to figure out what they want to do with their lives,...
- 9/7/2023
- by Naman Ramachandran
- Variety Film + TV
Actress Shahana Goswami, best known for her roles in films such as ‘Rock On!’, ‘Midnight’s Children’ and ‘Tu Hai Mera Sunday’, said that she has actively chosen roles which “challenge conventional narratives” to represent real women.
She said: “I have actively chosen roles that challenge conventional narratives, opting for characters that break away from cliches. I want to represent real women who one can relate to.”
In an industry where social connections and networking play a pivotal role, Goswami decided to let her acting do the talking instead.
The actress has not cared much for the traditional concept of networking, instead preferring to rely more on her acting prowess, emphasising that craft trumps everything else in the artistic industry.
Elaborating on the topic, Goswami said: “The measure of success lies in the quality of one’s work rather than the number of connections they have. Throughout my career, I have...
She said: “I have actively chosen roles that challenge conventional narratives, opting for characters that break away from cliches. I want to represent real women who one can relate to.”
In an industry where social connections and networking play a pivotal role, Goswami decided to let her acting do the talking instead.
The actress has not cared much for the traditional concept of networking, instead preferring to rely more on her acting prowess, emphasising that craft trumps everything else in the artistic industry.
Elaborating on the topic, Goswami said: “The measure of success lies in the quality of one’s work rather than the number of connections they have. Throughout my career, I have...
- 6/23/2023
- by Agency News Desk
- GlamSham
Mumbai, May 21 (Ians) Winning the third edition of the Mumbai leg of the Mi Junior Inter-School cricket tournament was not only a memorable moment for players from Swami Vivekanand, Borivali (Boys’ U-14 Team), Shardashram Vidyamandir (Girls’ U-15 Team) and Anjuman Islam, Cst (Boys’ U16 Team).
The victory also earned them a chance to attend a special camp conducted by former India coach John Wright and former India women’s team member Jhulan Goswami.
Continuing the practice from the previous years, where the winners of Mi Juniors get the chance to attend an exclusive coaching clinic by members of the Mi coaching team. This season’s winners attended a camp conducted by John Wright, former chief coach of the Indian national team and Mumbai Indians, and Jhulan Goswami, team mentor and bowling coach for the women’s team of Mumbai Indians, who passed on their techniques and knowledge to the winners.
The victory also earned them a chance to attend a special camp conducted by former India coach John Wright and former India women’s team member Jhulan Goswami.
Continuing the practice from the previous years, where the winners of Mi Juniors get the chance to attend an exclusive coaching clinic by members of the Mi coaching team. This season’s winners attended a camp conducted by John Wright, former chief coach of the Indian national team and Mumbai Indians, and Jhulan Goswami, team mentor and bowling coach for the women’s team of Mumbai Indians, who passed on their techniques and knowledge to the winners.
- 5/21/2023
- by Agency News Desk
- GlamSham
The impact player rule, introduced from Ipl 2023, was first used in last year’s Syed Mushtaq Ali Trophy. So far, the rule has given the batting teams license to accumulate more runs, with 26 times scores above 200 being hit, as well as strike-rate, number of fours and sixes also witnessing a surge with the tournament largely being played on flat pitches.
"The impact player rule has definitely enhanced a lot of things (in the Ipl). As team management, you can choose when you want to use a batter or a bowler at a crucial time. It is something new and is going well so far.
"Hopefully, in the coming year, we will see the same rule in the domestic season for women’s cricket also. I will not be surprised if I see that rule implemented in the coming season of women’s domestic cricket," said Goswami in a virtual interaction organised by Jio Cinema,...
"The impact player rule has definitely enhanced a lot of things (in the Ipl). As team management, you can choose when you want to use a batter or a bowler at a crucial time. It is something new and is going well so far.
"Hopefully, in the coming year, we will see the same rule in the domestic season for women’s cricket also. I will not be surprised if I see that rule implemented in the coming season of women’s domestic cricket," said Goswami in a virtual interaction organised by Jio Cinema,...
- 5/5/2023
- by Agency News Desk
- GlamSham
Zwigato
Directed by Nandita Das
How does one deal with life when it serves you juiceless lemons? You won’t find Nandita Das and her co-writer Samir Patil juicing the tragic circumstances of her delivery-boy Manas (Kapil Sharma) for tears in this gently effective drama of fringe employment, produced by Applause Entertainment..
This well-cut nugget has no room for tears. Kapil’s Zwigato delivery-boy delivers a performance that is keenly observant of reality: the languorous paunchy body language , the endless rounds on two-wheelers, handling difficult insulting customers at work , an invalid mother and two children at home… Kapil brings the entire force of destiny down on his character’s shoulder without making him a cry baby.
There is a beautiful moment where Manas put his head on his ailing mother’s lap. His wife Pratima walks in, sees the mother and son together, a walks out quietly.
This is my...
Directed by Nandita Das
How does one deal with life when it serves you juiceless lemons? You won’t find Nandita Das and her co-writer Samir Patil juicing the tragic circumstances of her delivery-boy Manas (Kapil Sharma) for tears in this gently effective drama of fringe employment, produced by Applause Entertainment..
This well-cut nugget has no room for tears. Kapil’s Zwigato delivery-boy delivers a performance that is keenly observant of reality: the languorous paunchy body language , the endless rounds on two-wheelers, handling difficult insulting customers at work , an invalid mother and two children at home… Kapil brings the entire force of destiny down on his character’s shoulder without making him a cry baby.
There is a beautiful moment where Manas put his head on his ailing mother’s lap. His wife Pratima walks in, sees the mother and son together, a walks out quietly.
This is my...
- 3/17/2023
- by Subhash K Jha
- Bollyspice
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