As far as the Marvel Cinematic Universe goes, "Moon Knight" occupies a strange place. Starring Oscar Isaac in the lead role, it involves a superhero with a personality disorder, with the whole show steeped in Egyptian lore. It's unique in and amongst the vast sea of other superhero stuff out there. That was made clear even from the show's opening moments, which see Ethan Hawke's villain Arthur Harrow pouring broken glass in his shoes before walking around in them somewhat casually. It was a twisted moment, particularly for the historically PG-13 MCU. It turns out this moment came from the mind of Hawke himself.
In a 2022 interview with Yahoo, the actor, known for his work in movies like "Training Day" and "Sinister," was asked about the moment in question. Hawke explained that it all stemmed from him trying to figure out the character. In the end, he ended up...
In a 2022 interview with Yahoo, the actor, known for his work in movies like "Training Day" and "Sinister," was asked about the moment in question. Hawke explained that it all stemmed from him trying to figure out the character. In the end, he ended up...
- 5/19/2024
- by Ryan Scott
- Slash Film
There’s a story Alfred Hitchcock always liked to tell about how, when he was five years old, his father dropped him off at the local police station near his home in East London. William Hitchcock left a note for the coppers explaining that his son had been misbehaving. A policeman locked young Alfred in a cell for a few minutes and explained, “This is what we do to naughty boys.”
When Hitchcock recounted that story to Dick Cavett he was in his 70s, but the incident continued to leave a profound mark on the director. He said he was still “terrified of the police” because of that and drew a connection from that to the feelings of guilt and wrong-men-on-the-run paranoia that seeps into so many of his films.
The funny thing is, though, father characters are almost entirely absent from Hitchcock’s work. There are a few: Cedric Hardwicke...
When Hitchcock recounted that story to Dick Cavett he was in his 70s, but the incident continued to leave a profound mark on the director. He said he was still “terrified of the police” because of that and drew a connection from that to the feelings of guilt and wrong-men-on-the-run paranoia that seeps into so many of his films.
The funny thing is, though, father characters are almost entirely absent from Hitchcock’s work. There are a few: Cedric Hardwicke...
- 5/12/2024
- by Christian Blauvelt
- Indiewire
Rereleased for its 50th anniversary, this ultraviolent urban pastoral remains thrilling, sensual, dangerous and effortlessly fluent
Sin and shame are the driving forces of Martin Scorsese’s blistering early classic from 1973, now on rerelease for its 50th anniversary; it is an ultraviolent urban pastoral boiling up from the streets of Little Italy in Lower Manhattan around the time of the annual San Gennaro feast. It’s a thrillingly sensual, dangerous, effortlessly fluent movie which reaches back to the Warner Brothers’ gangster films, but also to Fellini’s I Vitelloni (1953), Godard’s Breathless (1960) and even the Boulting brothers’ Brighton Rock (1948). One year before, Francis Ford Coppola had released his sensational mob drama The Godfather, the great top-down grand political narrative of organised crime. Mean Streets is a great example of the opposite tradition: the ordinary worm’s-eye-view of the mafia, which was to lead to Scorsese’s GoodFellas and David Chase’s The Sopranos,...
Sin and shame are the driving forces of Martin Scorsese’s blistering early classic from 1973, now on rerelease for its 50th anniversary; it is an ultraviolent urban pastoral boiling up from the streets of Little Italy in Lower Manhattan around the time of the annual San Gennaro feast. It’s a thrillingly sensual, dangerous, effortlessly fluent movie which reaches back to the Warner Brothers’ gangster films, but also to Fellini’s I Vitelloni (1953), Godard’s Breathless (1960) and even the Boulting brothers’ Brighton Rock (1948). One year before, Francis Ford Coppola had released his sensational mob drama The Godfather, the great top-down grand political narrative of organised crime. Mean Streets is a great example of the opposite tradition: the ordinary worm’s-eye-view of the mafia, which was to lead to Scorsese’s GoodFellas and David Chase’s The Sopranos,...
- 10/12/2023
- by Peter Bradshaw
- The Guardian - Film News
Even without major stars or Luca Guadagnino’s “Challengers” to buoy it, the opening night of the Venice Film Festival’s 80th edition was high on nostalgia for cinema’s past and excitement for the eight days of movies ahead.
A black-tie crowd gathered in the Palazzo del Cinema’s Sala Grande on the Lido for the presentation of Edoardo De Angelis’ World War II Battle of the Atlantic epic “Comandante,” the opener that replaced Guadagnino’s “Challengers” after that film was moved by MGM/Amazon to April due to the strikes.
First, though, elegant minimalist and icon Charlotte Rampling presented the festival’s Golden Lion for Lifetime Achievement to Liliana Cavani, the Italian director of psychosexual Holocaust drama “The Night Porter,” starring Rampling and from 1974. (Wong Kar Wai muse Tony Leung Chiu-wai will also receive a Lifetime Achievement anointment later in the fest.) Rampling played a concentration camp survivor who finds her ex,...
A black-tie crowd gathered in the Palazzo del Cinema’s Sala Grande on the Lido for the presentation of Edoardo De Angelis’ World War II Battle of the Atlantic epic “Comandante,” the opener that replaced Guadagnino’s “Challengers” after that film was moved by MGM/Amazon to April due to the strikes.
First, though, elegant minimalist and icon Charlotte Rampling presented the festival’s Golden Lion for Lifetime Achievement to Liliana Cavani, the Italian director of psychosexual Holocaust drama “The Night Porter,” starring Rampling and from 1974. (Wong Kar Wai muse Tony Leung Chiu-wai will also receive a Lifetime Achievement anointment later in the fest.) Rampling played a concentration camp survivor who finds her ex,...
- 8/30/2023
- by Ryan Lattanzio
- Indiewire
Margherita Mazzucco on the connection with Saverio Costanzo, Susanna Nicchiarelli, and Chiara: “I was shooting My Brilliant Friend and I received this call from Susanna …” Photo: Anne-Katrin Titze
Susanna Nicchiarelli’s Chiara, starring Margherita Mazzucco was a highlight of Film at Lincoln Center and Cinecittà’s 22nd edition of Open Roads: New Italian Cinema. Resembling Bruno Dumont’s approach of how to look at past centuries through the cinema lens of the 21st century, there are dances and wielding wild nature and commonplace miracles that stun nevertheless.
Margherita Mazzucco as Chiara: “She did these incredible things by herself and I’m very happy to portray this character.”
Chiara, St. Clare of Assisi (played with vigour and poise by Mazzucco), a disciple of St. Francis of Assisi (Andrea Carpenzano), is front and centre in Nicchiarelli’s take on what it could have meant to be a woman in the 13th Century,...
Susanna Nicchiarelli’s Chiara, starring Margherita Mazzucco was a highlight of Film at Lincoln Center and Cinecittà’s 22nd edition of Open Roads: New Italian Cinema. Resembling Bruno Dumont’s approach of how to look at past centuries through the cinema lens of the 21st century, there are dances and wielding wild nature and commonplace miracles that stun nevertheless.
Margherita Mazzucco as Chiara: “She did these incredible things by herself and I’m very happy to portray this character.”
Chiara, St. Clare of Assisi (played with vigour and poise by Mazzucco), a disciple of St. Francis of Assisi (Andrea Carpenzano), is front and centre in Nicchiarelli’s take on what it could have meant to be a woman in the 13th Century,...
- 6/30/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Half a century ago Hollywood was frantically trying to figure out the newly-dominant “youth market.” Since some of that market had recently found Jesus, there was a brief spate of related films: Zefferelli’s hippie-fied St. Francis biopic “Brother Sun, Sister Moon,” adapted stage musicals “Jesus Christ Superstar” and “Godspell,” the Billy Graham-produced “A Time to Run” chief among them. But as the “Jesus Movement” got absorbed into more mainstream institutions, the brief vogue flickered out.
For a moment there, however, counterculture and Christ had a groovy thing going on, one that promised both salvation for those who’d gone overboard on sex, drugs and rock ’n’ roll, as well as a healthy shakeup of churches that had lost touch with younger generations. Dramatizing that moment is “Jesus Revolution,” an engaging, upbeat new effort from co-directors Jon Erwin (“I Can Only Imagine”) and Brent McCorkle (“Unconditional”), adapted from Greg Laurie’s memoir.
For a moment there, however, counterculture and Christ had a groovy thing going on, one that promised both salvation for those who’d gone overboard on sex, drugs and rock ’n’ roll, as well as a healthy shakeup of churches that had lost touch with younger generations. Dramatizing that moment is “Jesus Revolution,” an engaging, upbeat new effort from co-directors Jon Erwin (“I Can Only Imagine”) and Brent McCorkle (“Unconditional”), adapted from Greg Laurie’s memoir.
- 2/23/2023
- by Dennis Harvey
- Variety Film + TV
With “Chiara,” Susanna Nicchiarelli’s portrait of Saint Clare of Assisi – the 13th century saint born into a wealthy family who at age 18 became a nun after hearing St. Francis preach – the Italian director completes her trilogy of female biopics, segueing from “Nico, 1988” and “Miss Marx,” which both launched respectively from Venice’s Horizons and competition sections. She is now back on the Lido in competition with “Chiara.”
Nicchiarelli spoke to Variety about what drew her to portraying this prototypical feminist and directing “My Brilliant Friend” star Margherita Mazzucco in the pic’s titular role. Excerpts.
What drove you to want to tell us this story about St. Clare?
Well, first of all, I was always passionate about Saint Francis. I have a very strong memory when I first saw Franco Zeffirelli’s “Brother Sun, Sister Moon.” I was at school when they showed it to us and this boy,...
Nicchiarelli spoke to Variety about what drew her to portraying this prototypical feminist and directing “My Brilliant Friend” star Margherita Mazzucco in the pic’s titular role. Excerpts.
What drove you to want to tell us this story about St. Clare?
Well, first of all, I was always passionate about Saint Francis. I have a very strong memory when I first saw Franco Zeffirelli’s “Brother Sun, Sister Moon.” I was at school when they showed it to us and this boy,...
- 9/10/2022
- by Nick Vivarelli
- Variety Film + TV
The opening scene of “Moon Knight” doesn’t introduce the MCU’s newest hero, but rather, its villain: Arthur Harrow. And indeed, the scene is harrowing (sorry), as we see him smash a glass, only to put the shards into his shoes — an idea that Ethan Hawke, who plays the man, came up with himself.
“That idea came from me trying to figure out my character. And I was trying to figure out what was his secret?” Hawke explained to TheWrap. “You know, a lot of deeply spiritual people you find out later — like St. Francis and other people — would wear a hair shirt or do strange things to overcome suffering, right? And so I thought, what if this guy secretly poured glass in his shoes? I don’t exactly know how the idea came to me.”
You can watch Hawke’s full breakdown of the scene with TheWrap in the video above.
“That idea came from me trying to figure out my character. And I was trying to figure out what was his secret?” Hawke explained to TheWrap. “You know, a lot of deeply spiritual people you find out later — like St. Francis and other people — would wear a hair shirt or do strange things to overcome suffering, right? And so I thought, what if this guy secretly poured glass in his shoes? I don’t exactly know how the idea came to me.”
You can watch Hawke’s full breakdown of the scene with TheWrap in the video above.
- 3/30/2022
- by Andi Ortiz
- The Wrap
In spite of a disastrous box office situation, the Italian film industry is staying buoyant thanks to increased exports, a friendly rapport with streaming giants and support from the government of Prime Minister Mario Draghi that is pumping money into a revamp of Rome’s Cinecittà Studios.
“Production never stopped and ailing movie theaters have been able to get subsidies,” says Francesco Rutelli, the former Rome mayor who heads Italy’s motion picture association, Anica. The org recently broadened its member base to include executives from Amazon Prime Video, Disney and ViacomCBS, after Netflix had joined.
This move — which is unique in Europe — indicates the level of friendly dialogue between film producers and streaming platforms in Italy, best encapsulated by Paolo Sorrentino’s “The Hand of God,” Italy’s international Oscar nominee. Sorrentino’s Netflix original film was released theatrically in November across the country before dropping on the platform...
“Production never stopped and ailing movie theaters have been able to get subsidies,” says Francesco Rutelli, the former Rome mayor who heads Italy’s motion picture association, Anica. The org recently broadened its member base to include executives from Amazon Prime Video, Disney and ViacomCBS, after Netflix had joined.
This move — which is unique in Europe — indicates the level of friendly dialogue between film producers and streaming platforms in Italy, best encapsulated by Paolo Sorrentino’s “The Hand of God,” Italy’s international Oscar nominee. Sorrentino’s Netflix original film was released theatrically in November across the country before dropping on the platform...
- 2/13/2022
- by Nick Vivarelli
- Variety Film + TV
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