One of the most puzzling (non-) happenings in international cinema this year is the lack of U.S. distribution for Philippe Garrel’s stellar new drama The Plough. A family affair starring Louis Garrel, Damien Mongin, Esther Garrel, Lena Garrel, Francine Bergé Aurélien Recoing, Mathilde Weil, and Asma Messaoudene, the film about a company of puppeteers premiered at Berlinale this year and is still looking for a home here. However, it’ll open in France this September, and with it the first trailer has arrived.
Rory O’Connor said in his Berlinale review, “In 1947, ten years before becoming an actor, Philippe Garrel’s father, Maurice, joined a company of puppeteers. That piece of history is like a well of inspiration in The Plough, Garrel’s latest cinematic family affair and a film as effortless as they come. It stars all three of Philippe’s children––Louie, Lena, and Esther––as brother...
Rory O’Connor said in his Berlinale review, “In 1947, ten years before becoming an actor, Philippe Garrel’s father, Maurice, joined a company of puppeteers. That piece of history is like a well of inspiration in The Plough, Garrel’s latest cinematic family affair and a film as effortless as they come. It stars all three of Philippe’s children––Louie, Lena, and Esther––as brother...
- 7/24/2023
- by Jordan Raup
- The Film Stage
In 1947, ten years before becoming an actor, Philippe Garrel’s father, Maurice, joined a company of puppeteers. That piece of history is like a well of inspiration in The Plough, Garrel’s latest cinematic family affair and a film as effortless as they come. It stars all three of Philippe’s children––Louie, Lena, and Esther––as brother and sisters; the patriarch role is filled by Louie’s godfather, Aurélien Recoing, whose own father worked alongside Maurice all those years ago. The grandmother is played by Francine Bergé––no relation, but maybe the performance of the lot. A briskly charming, bracingly anachronistic, sometimes achingly sensual film, it tracks the company in their late halcyon days as well as the siblings’ strained attempts to keep things going once their father dies.
Curiously, The Plough is Garrel’s first color film since A Burning Hot Summer, a maligned work from 2011 that was,...
Curiously, The Plough is Garrel’s first color film since A Burning Hot Summer, a maligned work from 2011 that was,...
- 3/9/2023
- by Rory O'Connor
- The Film Stage
Given the reportedly frequent use of puppets as aids to the therapeutic process, one might expect a family of third-generation puppeteers to be among the most well-adjusted people in the world. Or among the least, given the other connotation of puppetry, as a conduit for demonic, psychotic or otherwise malign energies. Sadly, neither is the case with the clan in Philippe Garrel’s “The Plough,” a featherweight folderol even by the director’s uneven recent standards, which seems mainly conceived as a cozy way for the veteran director to spend a little time reminding his real-life family how much they will miss him when he’s gone. It’s all about relationships but for anyone not surnamed Garrel, trying to find anything much to relate to in “The Plough” is a lonely furrow indeed.
Le Grand Chariot is the puppet theater run by Simon (Aurélien Recoing) alongside his aspiring actor...
Le Grand Chariot is the puppet theater run by Simon (Aurélien Recoing) alongside his aspiring actor...
- 2/24/2023
- by Jessica Kiang
- Variety Film + TV
Writer, director and occasional actor Philippe Garrel shot his first full-length movie, Marie pour mémoire, when he was only 19. That was amid the turmoil of May 1968, and since then he has made a new feature every few years, becoming a regular fixture in festivals and arthouses, especially in his native France.
Working with unknown or established actors, including Catherine Deneuve and Jean-Pierre Léaud, his intimate tales of emotional unrest — often the same story told again and again, during different epochs, in color or black-and-white — have turned him into a dependable auteur but also an acquired taste. If you don’t like French movies about love, sex, family, adultery and anguish, then you probably won’t like Garrel.
His work has always had an autobiographical bent to it, and one of his best films, 1970’s La Cicatrice Intérieure, starred his girlfriend at the time, Nico of The Velvet Underground. But his latest feature,...
Working with unknown or established actors, including Catherine Deneuve and Jean-Pierre Léaud, his intimate tales of emotional unrest — often the same story told again and again, during different epochs, in color or black-and-white — have turned him into a dependable auteur but also an acquired taste. If you don’t like French movies about love, sex, family, adultery and anguish, then you probably won’t like Garrel.
His work has always had an autobiographical bent to it, and one of his best films, 1970’s La Cicatrice Intérieure, starred his girlfriend at the time, Nico of The Velvet Underground. But his latest feature,...
- 2/21/2023
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
Le Grande Chariot
Cinema for the Garrels has always been a family affair but Philippe Garrel‘s 28th features feel a tad more special. Starring Louis Garrel, Esther Garrel, Léna Garrel, Aurélien Recoing, Damien Mongin, Francine Bergé, Mathilde Weil, Asma Messaoudene and marionette artists, Le Grande Chariot (formerly known as “La lune crevée”) moved into production early in 2022. Written by the director alongside Jean-Claude Carrière, Arlette Langmann and Caroline Deruas, the story charts the fantastic yet tragic destiny of three puppet artist siblings.
Gist: Three siblings, a father and a grandmother who run a travelling puppet show. When the father dies during a performance, the remaining family members try to keep his legacy alive.…...
Cinema for the Garrels has always been a family affair but Philippe Garrel‘s 28th features feel a tad more special. Starring Louis Garrel, Esther Garrel, Léna Garrel, Aurélien Recoing, Damien Mongin, Francine Bergé, Mathilde Weil, Asma Messaoudene and marionette artists, Le Grande Chariot (formerly known as “La lune crevée”) moved into production early in 2022. Written by the director alongside Jean-Claude Carrière, Arlette Langmann and Caroline Deruas, the story charts the fantastic yet tragic destiny of three puppet artist siblings.
Gist: Three siblings, a father and a grandmother who run a travelling puppet show. When the father dies during a performance, the remaining family members try to keep his legacy alive.…...
- 1/12/2023
- by Eric Lavallée
- IONCINEMA.com
As of late the work of prolific French director Philippe Garrel has gone a bit unappreciated here in the States, the perceived notion being that he keeps recycling the same themes with little invention. For those who don’t prescribe to that theory (e.g. this writer) the announcement of a new project still carries much anticipation.
Such is the case for his next film La lune crevée (roughly translated to The Burst Moon), which was first reported on late last year but we’re getting wind of thanks to new funding from Cnc (via Cineuropa). Set to once again be a family affair, the director’s 28th film stars his three children as well as Aurélien Recoing, Damien Mongin, Francine Bergé, Mathilde Weil, and Asma Messaoudene.
Co-written by Garrel, Jean-Claude Carrière (Rip), Arlette Langmann, and Caroline Deruas, the plot will tell “the romantic and tragic destiny of a family of puppeteer artists,...
Such is the case for his next film La lune crevée (roughly translated to The Burst Moon), which was first reported on late last year but we’re getting wind of thanks to new funding from Cnc (via Cineuropa). Set to once again be a family affair, the director’s 28th film stars his three children as well as Aurélien Recoing, Damien Mongin, Francine Bergé, Mathilde Weil, and Asma Messaoudene.
Co-written by Garrel, Jean-Claude Carrière (Rip), Arlette Langmann, and Caroline Deruas, the plot will tell “the romantic and tragic destiny of a family of puppeteer artists,...
- 3/1/2022
- by Jordan Raup
- The Film Stage
A romantic surprise has unexpected consequences in a gentle comedy channelling Éric Rohmer crossed with Carry on Camping
Here is a terrifically fresh, funny and gentle film from director and co-writer Guillaume Brac, which takes quite seriously something that’s always getting dismissed or patronised in pop culture: the holiday romance. The French title is À L’Abordage!, more properly translated as “Attack!” and the film is about seizing the day, going on the offensive and fortune favouring the bold.
Newcomer Eric Nantchouang plays Félix, an easygoing young guy in Paris with a naturally smiley open face; he has a moment with Alma (Asma Messaoudene) and when she says she’s going on holiday with her parents and sister in the beautiful valley of Die in south-eastern France, Félix secretly resolves to go there himself and give her what he is confident will be a wonderful romantic surprise. But he...
Here is a terrifically fresh, funny and gentle film from director and co-writer Guillaume Brac, which takes quite seriously something that’s always getting dismissed or patronised in pop culture: the holiday romance. The French title is À L’Abordage!, more properly translated as “Attack!” and the film is about seizing the day, going on the offensive and fortune favouring the bold.
Newcomer Eric Nantchouang plays Félix, an easygoing young guy in Paris with a naturally smiley open face; he has a moment with Alma (Asma Messaoudene) and when she says she’s going on holiday with her parents and sister in the beautiful valley of Die in south-eastern France, Félix secretly resolves to go there himself and give her what he is confident will be a wonderful romantic surprise. But he...
- 8/4/2021
- by Peter Bradshaw
- The Guardian - Film News
The American Film Institute has unveiled its lineup of 124 films, adding notable titles including the documentaries “Belushi,” “Citizen Penn” and “Hopper/Welles” and the Albert and Allen Hughes thriller “Dead Presidents.”
AFI Fest, which is going virtual this year without the usual glitzy Hollywood premieres at the Tcl Chinese Theatre, had announced previously that Rachel Brosnahan’s crime drama “I’m Your Woman” had been selected as its opening night title on Oct. 15. The festival also announced last month that it would close Oct. 22 with “My Psychedelic Love Story,” and host the world premieres of Kelly Oxford’s “Pink Skies Ahead” and Angel Kristi Williams’ “Really Love,” in addition to special presentations of Florian Zeller’s “The Father,” Werner Herzog and Clive Oppenheimer’s “Fireball” and Mira Nair’s “A Suitable Boy.”
“Belushi” is directed by R.J. Cutler and features interviews with John Belushi, Jim Belushi, Chevy Chase, Carrie Fisher, Dan Aykroyd and Penny Marshall.
AFI Fest, which is going virtual this year without the usual glitzy Hollywood premieres at the Tcl Chinese Theatre, had announced previously that Rachel Brosnahan’s crime drama “I’m Your Woman” had been selected as its opening night title on Oct. 15. The festival also announced last month that it would close Oct. 22 with “My Psychedelic Love Story,” and host the world premieres of Kelly Oxford’s “Pink Skies Ahead” and Angel Kristi Williams’ “Really Love,” in addition to special presentations of Florian Zeller’s “The Father,” Werner Herzog and Clive Oppenheimer’s “Fireball” and Mira Nair’s “A Suitable Boy.”
“Belushi” is directed by R.J. Cutler and features interviews with John Belushi, Jim Belushi, Chevy Chase, Carrie Fisher, Dan Aykroyd and Penny Marshall.
- 10/6/2020
- by Dave McNary
- Variety Film + TV
The American Film Institute (AFI) has today announced the full lineup of this year’s AFI Fest, including the World Cinema, New Auteurs, and Documentary sections. These titles, including buzzy festival features like “I Carry You with Me,” “Shadow in the Cloud,” “Jumbo,” “Farewell Amor,” “Wander Darkly,” “Tragic Jungle,” “Sound of Metal,” “Wolfwalkers,” “New Order,” and “Hopper/Welles,” join previously announced films, including Julia Hart’s “I’m Your Woman,” which will open the festival, and Errol Morris’ “My Psychedelic Love Story,” which will close it.
This year’s complete AFI Fest program includes 124 titles of which 53 percent are directed by women, 39 percent are directed by Bipoc, and 17 percent are directed by Lbgtq+.
“AFI Fest is committed to supporting diverse perspectives and new voices in cinema and this year is no different,” said Sarah Harris, Director of Programming, AFI Festivals, in an official statement. “While we wish we were able to be together in Hollywood,...
This year’s complete AFI Fest program includes 124 titles of which 53 percent are directed by women, 39 percent are directed by Bipoc, and 17 percent are directed by Lbgtq+.
“AFI Fest is committed to supporting diverse perspectives and new voices in cinema and this year is no different,” said Sarah Harris, Director of Programming, AFI Festivals, in an official statement. “While we wish we were able to be together in Hollywood,...
- 10/6/2020
- by Kate Erbland
- Indiewire
Guillaume Brac’s film walks away with the Grand Prize at the 34th edition of the Normandy festival dedicated to romantic cinema, the first public event to be held post Covid-19. The first public film gathering to be held in France since the end of nationwide lockdown, the 34th Cabourg Film Festival, Journées Romantiques will close tomorrow in the Norman city after three days of screenings in Normandy and Ciné Plage cinemas. The various juries, meanwhile, have already delivered their verdicts, with the panel in charge of the feature film competition, presided over by actor Benoît Magimel, awarding the 2020 Grand Prize to the hugely entertaining, intelligent and refreshing À l’abordage by Guillaume Brac. Unveiled in the Berlinale’s Panorama line-up, chiefly starring Éric Nantchouang, Salif Cissé, Édouard Sulpice and Asma Messaoudene, and co-written by the director in league with Catherine Paillé, the film tells of the impromptu holiday and pie-in-the-sky love.
, Guillaume Brac’s wise, witty “À l’abordage” is an optimistic portrait of gentle disappointment, the kind a youthful generation has to experience before growing up a little bit. It’s also a delightful showcase for the talents of its diverse, fresh-faced cast, whose own stories and experiences contributed to Brac and co-screenwriter Catherine Paillé’s loose-limbed narrative. That improvisational approach lends “À l’abordage” an amiably meandering rhythm while still bringing its breezy journey to a close with everyone in a subtly but profoundly different place to where they started.
The title, which translates somewhere between “All aboard!” and “Attack!”, was supposedly the battle-cry of French pirates when they drew up alongside an enemy ship. Not that there’s any bloodthirstiness here; instead the words conjure up a kids’ game of make-believe, as though these attractive, benignly muddled twentysomethings are play-acting their bravado as surely as kids sporting plastic eyepatches waving cardboard cutlasses around.
The title, which translates somewhere between “All aboard!” and “Attack!”, was supposedly the battle-cry of French pirates when they drew up alongside an enemy ship. Not that there’s any bloodthirstiness here; instead the words conjure up a kids’ game of make-believe, as though these attractive, benignly muddled twentysomethings are play-acting their bravado as surely as kids sporting plastic eyepatches waving cardboard cutlasses around.
- 3/24/2020
- by Jessica Kiang
- Variety Film + TV
The director’s new fiction film will have its world premiere in the Panorama section of the German festival. A Geko Films production sold by Jour2Fête. Revealed with the mid-length feature A World Without Women in 2011, followed by Tonnerre (a fiction feature debut unveiled in competition in Locarno in 2013 and nominated for the Louis Delluc prize for Best First Film in 2014), July Tales (out of competition in Locarno in 2017) and the documentary Treasure Island (in competition in Karlovy Vary in 2018), eclectic director Guillaume Brac returns with À l’abordage, a fiction film to be unveiled in the Panorama section of the 70th Berlinale (20 February - 1 March). A new work which saw the director cast young actors from the 2020 class of the National Academy of Dramatic Arts in Paris, more specifically Éric Nantchouang, Salif Cissé, Édouard Sulpice, Asma Messaoudene and Ana Blagojevič. Written by the...
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