Qualifying projects needed to have 30% of financing in place.
Ten feature projects were pitched at Iberseries & Platino Industria’s first features co-production forum in Madrid supported by Secuoya Foundation, Spain’s producers’ rights collection society Egeda, Ibero American producers’ federation Fipca, and the city government.
The event wrapped on Friday (October 6) and the pitch selection comprised eight narrative features, a documentary, and an animated feature. Qualifying projects needed to have 30% of financing in place.
Save Me From Myself (Sálvame De Mí) is a dramedy directed by Uruguay-born Max Zunino, a best fiction winner at Guadalajara Film Festival with Open Cage,...
Ten feature projects were pitched at Iberseries & Platino Industria’s first features co-production forum in Madrid supported by Secuoya Foundation, Spain’s producers’ rights collection society Egeda, Ibero American producers’ federation Fipca, and the city government.
The event wrapped on Friday (October 6) and the pitch selection comprised eight narrative features, a documentary, and an animated feature. Qualifying projects needed to have 30% of financing in place.
Save Me From Myself (Sálvame De Mí) is a dramedy directed by Uruguay-born Max Zunino, a best fiction winner at Guadalajara Film Festival with Open Cage,...
- 10/7/2023
- by Emilio Mayorga
- ScreenDaily
Qualifying projects needed to have 30% of financing in place.
Ten feature projects were pitched at Iberseries & Platino Industria’s first features co-production forum in Madrid supported by Secuoya Foundation, Spain’s producers’ rights collection society Egeda, Ibero American producers’ federation Fipca, and the city government.
The event wrapped on Friday (October 6) and the pitch selection comprised eight narrative features, a documentary, and an animated feature. Qualifying projects needed to have 30% of financing in place.
Save Me From Myself (Sálvame De Mí) is a dramedy directed by Uruguay-born Max Zunino, a best fiction winner at Guadalajara Film Festival with Open Cage,...
Ten feature projects were pitched at Iberseries & Platino Industria’s first features co-production forum in Madrid supported by Secuoya Foundation, Spain’s producers’ rights collection society Egeda, Ibero American producers’ federation Fipca, and the city government.
The event wrapped on Friday (October 6) and the pitch selection comprised eight narrative features, a documentary, and an animated feature. Qualifying projects needed to have 30% of financing in place.
Save Me From Myself (Sálvame De Mí) is a dramedy directed by Uruguay-born Max Zunino, a best fiction winner at Guadalajara Film Festival with Open Cage,...
- 10/7/2023
- by Emilio Mayorga
- ScreenDaily
ViacomCBS International Studios (Vis) president Jc Acosta has used his virtual NATPE address to unveil the studio’s latest slate of content, spanning high-end drama series, TV movies, documentaries, and kids content.
Among the more eye-catching content announced by Jc Acosta was an action heist series, titled Electric Years, which Vis is co-producing with CBS Studios and LatAm production outfit Dynamo.
Created by Fernando Navarro (Veronica) and Cristian Conti (Wild District), the show is set in Europe during the Spring of 1968 throughout the student revolution. At the center of it all is Campano, a wanderer, daredevil, and an unlikely, anachronistic hero who journeys across the Mediterranean.
Acosta also pulled the curtain back on another development: The Gold. Written by Neil Forsyth, the screenwriter behind BBC series Guilt, the true-crime series tells the story of one of Britain’s most notorious criminal investigations.
Elsewhere, The Great and Tin Star scribe Vanessa Alexander...
Among the more eye-catching content announced by Jc Acosta was an action heist series, titled Electric Years, which Vis is co-producing with CBS Studios and LatAm production outfit Dynamo.
Created by Fernando Navarro (Veronica) and Cristian Conti (Wild District), the show is set in Europe during the Spring of 1968 throughout the student revolution. At the center of it all is Campano, a wanderer, daredevil, and an unlikely, anachronistic hero who journeys across the Mediterranean.
Acosta also pulled the curtain back on another development: The Gold. Written by Neil Forsyth, the screenwriter behind BBC series Guilt, the true-crime series tells the story of one of Britain’s most notorious criminal investigations.
Elsewhere, The Great and Tin Star scribe Vanessa Alexander...
- 1/21/2021
- by Jake Kanter
- Deadline Film + TV
Exclusive: Biopic stars Natalia Oreiro at late pop icon Gilda.
Buenos Aires-based FilmSharks is in talks with international buyers on the biopic I Am Gilda (The Latin Music Saint) starring Natalia Oreiro as the late Argentinian pop icon Gilda.
Buena Vista International has boarded Latin American rights and will release the film in the fourth quarter.
Lorena Muñoz directed I Am Gilda (Spanish title Gilda No Me Arrepiento De Este Amor), which charts the story of how Miriam Alejandra Bianchi became the iconic pop star Gilda and her tragic end in a car crash.
Angela Torres, Lautaro Delgado, Susana Pampin and Daniel Melingo also star.
Oreiro has starred in The German Doctor, among others.
Buenos Aires-based FilmSharks is in talks with international buyers on the biopic I Am Gilda (The Latin Music Saint) starring Natalia Oreiro as the late Argentinian pop icon Gilda.
Buena Vista International has boarded Latin American rights and will release the film in the fourth quarter.
Lorena Muñoz directed I Am Gilda (Spanish title Gilda No Me Arrepiento De Este Amor), which charts the story of how Miriam Alejandra Bianchi became the iconic pop star Gilda and her tragic end in a car crash.
Angela Torres, Lautaro Delgado, Susana Pampin and Daniel Melingo also star.
Oreiro has starred in The German Doctor, among others.
- 5/15/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
- Writer/Director Gregg Araki discusses his latest film Kaboom with Film Independent -
Gregg Araki does not like to think of himself as a director of quirky, off-kilter teen movies. Yet somehow, these movies seem to find him. His latest college age saga, Kaboom, has the markings of a loopy cult classic, replete with witchcraft, abductions, cult followers, drug induced hallucinations, and of course, lots and lots of indiscriminate sex. Known as one of the pioneers of the New Queer Cinema and his mid-'90s "teenage apocalypse trilogy," including 1995's The Doom Generation, Araki has also delved into more deeply resonant material with his 2004 film about molestation, Mysterious Skin. Although Kaboom is set in a contemporary college town, Araki, 51, says the film is his most autobiographical. After its recent showing at the Sundance Film Festival, Araki is hoping it will run on to become one of those generational cult classics,...
- 2/3/2011
- by maint
- Film Independent
Gregg Araki does not like to think of himself as a director of quirky, off-kilter teen movies. Yet somehow, these movies seem to find him. His latest college age saga, Kaboom, has the markings of a loopy cult classic, replete with witchcraft, abductions, cult followers, drug induced hallucinations, and of course, lots and lots of indiscriminate sex. Known as one of the pioneers of the New Queer Cinema and his mid-’90s “teenage apocalypse trilogy,” including 1995′s The Doom Generation, Araki has also delved into more deeply resonant material with his 2004 film about molestation, Mysterious Skin. Although Kaboom is set in a contemporary college town, Araki, 51, says the film is his most autobiographical. After its recent showing at the Sundance Film Festival, Araki is hoping it will run on to become one of those generational cult classics, like Donnie Darko-a film that will be embraced by those who get...
- 2/2/2011
- by Film Independent
- Film Independent
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