From Thomas Imbach’s “Nemesis” and Michele Pennetta’s “Il Mio Corpo” to a 13-title National Competition – featuring Nick Brandestini’s section winner “Sapelo,” celebrated French screenwriter Antoine Jaccoud’s directorial debut “Back to Visegrad” and Tribeca world premiere “Wake Up on Mars – ” this year’s Visions du Réel festival proved, as ever, a notable launchpad for Swiss documentaries.
Held online on May 4, a Swiss Films presentation of five upcoming doc features added to this impact, and suggested much about the nature of Switzerland documentary scene.
A power in movie production – in 2018 only Europe’s “big five” territories and Russia produced more features – Switzerland is also a European doc talent hub. The five docs presented Monday were all produced by Swiss companies. Only one, Roland Colla’s “W. What Remains of the Lie” was directed by a Swiss director, though at least there of the other helmers have either studied...
Held online on May 4, a Swiss Films presentation of five upcoming doc features added to this impact, and suggested much about the nature of Switzerland documentary scene.
A power in movie production – in 2018 only Europe’s “big five” territories and Russia produced more features – Switzerland is also a European doc talent hub. The five docs presented Monday were all produced by Swiss companies. Only one, Roland Colla’s “W. What Remains of the Lie” was directed by a Swiss director, though at least there of the other helmers have either studied...
- 5/4/2020
- by John Hopewell
- Variety Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.