The Creepshow TV series wrapped up its first season this past Halloween on Shudder, but the anthology series lives on courtesy of Fright-Rags! New, officially licensed apparel including T-shirts and enamel pins for the show are now available. Also in today's Horror Highlights: a trailer and poster Automation trailer and poster and Rojo and Midday Demons release details.
Fright-Rags' Creepshow TV Series Apparel Release Details: "Officially Licensed Creepshow - The Series T-Shirt! Artwork by Justin Osbourn.
Printed on our super soft 4.5oz 100% pre-shrunk ringspun cotton shirts.
Ships in 1-2 business days.
Us customers: Please allow 3-5 days for delivery.
International customers: Please allow 10-14 days for delivery."
For more information, visit Fright-Rags' website.
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Automation Trailer and Release Details: "A workplace robot, Auto, transforms into a killing machine when he discovers he will be replaced by a more efficient model.
Garo Setian directed, produced, and edited Automation, and co-wrote alongside...
Fright-Rags' Creepshow TV Series Apparel Release Details: "Officially Licensed Creepshow - The Series T-Shirt! Artwork by Justin Osbourn.
Printed on our super soft 4.5oz 100% pre-shrunk ringspun cotton shirts.
Ships in 1-2 business days.
Us customers: Please allow 3-5 days for delivery.
International customers: Please allow 10-14 days for delivery."
For more information, visit Fright-Rags' website.
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Automation Trailer and Release Details: "A workplace robot, Auto, transforms into a killing machine when he discovers he will be replaced by a more efficient model.
Garo Setian directed, produced, and edited Automation, and co-wrote alongside...
- 11/8/2019
- by Tamika Jones
- DailyDead
The past is a hurriedly abandoned house, ripe for the looting, in Benjamin Naishtat’s superbly sinister and stylish “Rojo.” And so it begins with one: A mid-sized, detached 1970s home, its windows shuttered like the closed eyes of a coma patient. A portly, well-dressed man emerges carrying an ornamental clock — this scoreless scene, set to chilly early-morning birdsong, is already tinged with absurdity — before a girl scurries off with an armful of clothes, an older lady totters out under the weight of a gilt mirror and some men maneuver a TV through the doorway. They are not residents, nor neighbors attending a yard sale; they are scavengers, implicitly turning some unseen family’s misfortune to their own end. This is regional Argentina in 1975, and while the coup d’état won’t happen for months, the unease of it is already an airborne disease carried backward on the wind. Argentina...
- 9/28/2018
- by Jessica Kiang
- Variety Film + TV
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