European Film Promotion has revealed the participants for its Producers on the Move program, which runs before and during the Cannes Film Festival.
The promotion and networking program, which is celebrating its 25th anniversary, brings together 20 of Europe’s most promising producers. This year, Efp will also put a spotlight on the numerous collaborations that have developed between the around 500 participants from 37 European countries over the past quarter century.
The 20 producers were selected for the program from the nominations submitted by Efp’s member organizations, which are all European national film promotion institutes.
They are Katharina Posch (Austria), Elisa Heene (Belgium/Flanders), Kalin Kalinov (Bulgaria), Tibor Keser (Croatia), Tonia Mishiali (Cyprus), Kristýna Michálek Květová (Czech Republic), Lina Flint (Denmark), Delphine Schmit (France), Fabian Driehorst (Germany), Maria Kontogianni (Greece), Sara Nassim (Iceland), Evan Horan (Ireland), Giedrė Žickytė (Lithuania), Katarzyna Ozga (Luxembourg), Angela Nestorovska (North Macedonia), Anita Rehoff Larsen (Norway), Isabel Machado...
The promotion and networking program, which is celebrating its 25th anniversary, brings together 20 of Europe’s most promising producers. This year, Efp will also put a spotlight on the numerous collaborations that have developed between the around 500 participants from 37 European countries over the past quarter century.
The 20 producers were selected for the program from the nominations submitted by Efp’s member organizations, which are all European national film promotion institutes.
They are Katharina Posch (Austria), Elisa Heene (Belgium/Flanders), Kalin Kalinov (Bulgaria), Tibor Keser (Croatia), Tonia Mishiali (Cyprus), Kristýna Michálek Květová (Czech Republic), Lina Flint (Denmark), Delphine Schmit (France), Fabian Driehorst (Germany), Maria Kontogianni (Greece), Sara Nassim (Iceland), Evan Horan (Ireland), Giedrė Žickytė (Lithuania), Katarzyna Ozga (Luxembourg), Angela Nestorovska (North Macedonia), Anita Rehoff Larsen (Norway), Isabel Machado...
- 4/30/2024
- by Leo Barraclough
- Variety Film + TV
The producers of festival-winning titles Lamb, Holly and Our Mothers are among those selected for European Film Promotion’s (Efp) Producers On The Move programme, which showcases rising talent and fosters international co-productions.
Some 20 European producers have been selected for the 2024 Efp programme, which celebrates its 25th anniversary this year.
Scroll down for full list
The group will take part in a programme that aims to foster international co-productions, share experiences and create professional networks. The Pre-Festival online programme, starts today and runs until 3 May, and includes speed meetings, roundtables and pitching sessions. The producers will then meet in...
Some 20 European producers have been selected for the 2024 Efp programme, which celebrates its 25th anniversary this year.
Scroll down for full list
The group will take part in a programme that aims to foster international co-productions, share experiences and create professional networks. The Pre-Festival online programme, starts today and runs until 3 May, and includes speed meetings, roundtables and pitching sessions. The producers will then meet in...
- 4/30/2024
- ScreenDaily
Former Flanders Image manager Christian De Schutter has joined Tine Klint’s Denmark-based Scandinavian sales and aggregation company LevelK as festival consultant.
De Schutter left Flanders Image suddenly in December last year, announced via a short email from Flanders Audiovisual Fund CEO Koen Van Bockstal. Over 150 leading international industry figures then signed an open letter in support of De Schutter.
De Schutter had worked at Flanders Image since 2003, with responsibility for promoting Flemish films and TV dramas internationally. The organisation boosted the careers of filmmakers including Lukas Dhont, Fien Troch and Felix Van Groeningen, and scored Oscar nominations for films including Bullhead,...
De Schutter left Flanders Image suddenly in December last year, announced via a short email from Flanders Audiovisual Fund CEO Koen Van Bockstal. Over 150 leading international industry figures then signed an open letter in support of De Schutter.
De Schutter had worked at Flanders Image since 2003, with responsibility for promoting Flemish films and TV dramas internationally. The organisation boosted the careers of filmmakers including Lukas Dhont, Fien Troch and Felix Van Groeningen, and scored Oscar nominations for films including Bullhead,...
- 3/11/2024
- ScreenDaily
Debbie Harry, lead singer of Blondie, will be among those taking part in on-stage talks at the International Film Festival Rotterdam, which runs Jan. 25 to Feb. 4.
Harry narrates the latest film by Amanda Kramer, “So Unreal,” an essay-documentary about the relationships between cinema, humanity and technology. On Jan. 27, the two will give an IFFR Talk discussing their work as artists with distinctive esthetics whose careers have developed across film and music.
As previously announced, other speakers in the IFFR Talk program include actor Sandra Hüller, and directors Anne Fontaine, Marco Bellocchio, Bill Plympton and Billy Woodberry.
Directors attending with their titles in the Limelight section, which is for films from established filmmakers, include Mexican filmmaker Amat Escalante with “Lost in the Night,” Polish filmmaker Agnieszka Holland with “Green Border” and Tunisian filmmaker Kaouther Ben Hania with “Four Daughters,” which is shortlisted for an Oscar.
Fontaine will attend the world premiere of her 19th feature film,...
Harry narrates the latest film by Amanda Kramer, “So Unreal,” an essay-documentary about the relationships between cinema, humanity and technology. On Jan. 27, the two will give an IFFR Talk discussing their work as artists with distinctive esthetics whose careers have developed across film and music.
As previously announced, other speakers in the IFFR Talk program include actor Sandra Hüller, and directors Anne Fontaine, Marco Bellocchio, Bill Plympton and Billy Woodberry.
Directors attending with their titles in the Limelight section, which is for films from established filmmakers, include Mexican filmmaker Amat Escalante with “Lost in the Night,” Polish filmmaker Agnieszka Holland with “Green Border” and Tunisian filmmaker Kaouther Ben Hania with “Four Daughters,” which is shortlisted for an Oscar.
Fontaine will attend the world premiere of her 19th feature film,...
- 1/16/2024
- by Leo Barraclough
- Variety Film + TV
They claim the Flemish cultural sector will now suffer without De Schutter’s expertise and international contacts.
Over 150 leading figures from the European and international industry have signed an open letter in support of Christian De Schutter, former managing director of Flanders Image, whose sudden removal from his role was announced in a short email sent by Koen Van Bockstal, CEO of Flanders Audiovisual Fund (Vaf), on December 20.
“We’re all flummoxed by the situation and as his longtime colleagues we think we deserve some sort of explanation. We know that many people in Belgium, including your leading filmmakers, are also confused and angered,...
Over 150 leading figures from the European and international industry have signed an open letter in support of Christian De Schutter, former managing director of Flanders Image, whose sudden removal from his role was announced in a short email sent by Koen Van Bockstal, CEO of Flanders Audiovisual Fund (Vaf), on December 20.
“We’re all flummoxed by the situation and as his longtime colleagues we think we deserve some sort of explanation. We know that many people in Belgium, including your leading filmmakers, are also confused and angered,...
- 1/12/2024
- by Geoffrey Macnab
- ScreenDaily
Mountain thriller Kingdom Of The Blind and ground-breaking Guadeloupe-set feature Zion were among the in-development feature projects and works-in-progress picking up prizes at Les Arcs Film Festival’s 15th Industry Village on Monday.
Around 700 cinema professionals from across Europe are attending the meeting taking place within the framework of the festival, unfolding in the French Alps from December 16 to 23.
The industry meeting, running December 16-19, encompasses the Coproduction Village and the Talent Village, for projects at development stage, as well as a Works-in-Progress showcase and the Music Village.
French director François Robic’s drama Kingdom Of The Blind scooped the €6,000 Coproduction Village ArteKino International Award.
The thriller was among 18 European film projects presented at the Coproduction Village, selected from 269 submitted projects.
Set in an imaginary valley in the French Pyrenees mountains, the picture revolves around a woman with a dark secret from her childhood who attempts to start a new life under another identity.
Around 700 cinema professionals from across Europe are attending the meeting taking place within the framework of the festival, unfolding in the French Alps from December 16 to 23.
The industry meeting, running December 16-19, encompasses the Coproduction Village and the Talent Village, for projects at development stage, as well as a Works-in-Progress showcase and the Music Village.
French director François Robic’s drama Kingdom Of The Blind scooped the €6,000 Coproduction Village ArteKino International Award.
The thriller was among 18 European film projects presented at the Coproduction Village, selected from 269 submitted projects.
Set in an imaginary valley in the French Pyrenees mountains, the picture revolves around a woman with a dark secret from her childhood who attempts to start a new life under another identity.
- 12/18/2023
- by Melanie Goodfellow
- Deadline Film + TV
Slovenia, Italy, Croatia, Serbia and France are all producing the title.
Urska Djukic’s Little Trouble Girls, a co-production between five European countries, is among the winners at the Les Arcs Film Festival Industry Village, which handed out its prizes this evening.
The film took the €10,000 post-production services award in the Work in Progress section. Slovenia’s Spok Film and Nosorogi, Italy’s Staragara I.T., Croatia’s Izazov, Serbia’s Non-Aligned Films and France’s Sister Productions are all producing the film.
Scroll down for the full list of winners
The feature debut of Slovenian director Djukic, Little Trouble Girls...
Urska Djukic’s Little Trouble Girls, a co-production between five European countries, is among the winners at the Les Arcs Film Festival Industry Village, which handed out its prizes this evening.
The film took the €10,000 post-production services award in the Work in Progress section. Slovenia’s Spok Film and Nosorogi, Italy’s Staragara I.T., Croatia’s Izazov, Serbia’s Non-Aligned Films and France’s Sister Productions are all producing the film.
Scroll down for the full list of winners
The feature debut of Slovenian director Djukic, Little Trouble Girls...
- 12/18/2023
- by Ben Dalton
- ScreenDaily
The Les Arcs Film Festival has unveiled the 13 upcoming features selected for its Work-in Progress showcase.
The selection includes respected French, New York-based artist and filmmaker Marie Losier’s bio-doc Peaches Goes Bananas about Canadian electronic musician Merrill Beth Nisker, aka Peaches.
Danish director Jeppe Rønde, who made waves with mass teen suicide drama Bridgend, is participating with second fiction feature Acts of Love, about a taboo sibling relationship within the confines of a religious community on Denmark’s west coast. (scroll down for full list).
Excerpts from the selected productions will be screened to industry professionals on December 17 as part of the festival’s Industry Village events, which also includes the Coproduction Village.
Both events are taking place within the framework of the festival’s 15th edition running from December 16 to 19 in the French Alps resort of Les Arcs.
The showcase received a record 181 project submissions this year, 38% of which are directed women.
The selection includes respected French, New York-based artist and filmmaker Marie Losier’s bio-doc Peaches Goes Bananas about Canadian electronic musician Merrill Beth Nisker, aka Peaches.
Danish director Jeppe Rønde, who made waves with mass teen suicide drama Bridgend, is participating with second fiction feature Acts of Love, about a taboo sibling relationship within the confines of a religious community on Denmark’s west coast. (scroll down for full list).
Excerpts from the selected productions will be screened to industry professionals on December 17 as part of the festival’s Industry Village events, which also includes the Coproduction Village.
Both events are taking place within the framework of the festival’s 15th edition running from December 16 to 19 in the French Alps resort of Les Arcs.
The showcase received a record 181 project submissions this year, 38% of which are directed women.
- 12/7/2023
- by Melanie Goodfellow
- Deadline Film + TV
Three festival-goers will choose the winner of the international series competition.
Switzerland’s Geneva International Film Festival (Giff) has unveiled the programme for its 29th edition, with festival hits including Polite Society and The Sweet East, and a new format for its international series competition.
The festival includes 110 works, of which 53 are films, 27 are series, 28 are immersive experiences and two are installations.
Scroll down for the feature and series competition titles
Giff includes four competition sections: international feature, international series, international immersive and the convergent competition – the latter section featuring projects from all three formats.
All 12 titles in the international...
Switzerland’s Geneva International Film Festival (Giff) has unveiled the programme for its 29th edition, with festival hits including Polite Society and The Sweet East, and a new format for its international series competition.
The festival includes 110 works, of which 53 are films, 27 are series, 28 are immersive experiences and two are installations.
Scroll down for the feature and series competition titles
Giff includes four competition sections: international feature, international series, international immersive and the convergent competition – the latter section featuring projects from all three formats.
All 12 titles in the international...
- 10/12/2023
- by Ben Dalton
- ScreenDaily
A total of 39 European companies, surpassing 2022, will promote and sell films from the continent at Busan International Film Festival’s accompanying Asian Contents & Film Market (Acfm).
Of these, 32 will be onsite while seven more will participate online. The companies will operate under the Europe! Umbrella, a long-standing collaboration between Efp and Unifrance that has been an Acfm regular for years.
To help with the promotion of European cinema to East Asia at the market, Efp is awarding Film Sales Support (Fss) to 10 sales companies to enhance their digital and physical marketing campaigns. Alpha Violet, Fandango, Film Factory Entertainment, Films Boutique, Indie Sales, Kinology, Latido Films, LevelK, Pulsar Content and TrustNordisk will benefit from the support.
The European presence at the festival includes French-Canadian co-production “The Beast” by Bertrand Bonello (Kinology); Polish Oscar entry “The Peasants” by D.K. and Hugh Welchman; “An Endless Sunday” by Alain Parroni; Danish Oscar entry...
Of these, 32 will be onsite while seven more will participate online. The companies will operate under the Europe! Umbrella, a long-standing collaboration between Efp and Unifrance that has been an Acfm regular for years.
To help with the promotion of European cinema to East Asia at the market, Efp is awarding Film Sales Support (Fss) to 10 sales companies to enhance their digital and physical marketing campaigns. Alpha Violet, Fandango, Film Factory Entertainment, Films Boutique, Indie Sales, Kinology, Latido Films, LevelK, Pulsar Content and TrustNordisk will benefit from the support.
The European presence at the festival includes French-Canadian co-production “The Beast” by Bertrand Bonello (Kinology); Polish Oscar entry “The Peasants” by D.K. and Hugh Welchman; “An Endless Sunday” by Alain Parroni; Danish Oscar entry...
- 10/5/2023
- by Naman Ramachandran
- Variety Film + TV
A pair of noteworthy Cannes titles in Jonathan Glazer’s The Zone of Interest and Tran Anh Hung’s The Pot-au-Feu, some Locarno items such as Do Not Expect Too Much from the End of the World but with a major slew of Venice-preemed films are part of the 21 newly added titles to be considered for a whole bunch of prizes for the upcoming European Film Awards. The European Film Academy have now set their 4600 members with a batch of 40 films competing for various prizes at the ceremony that will be set for December 9th in Berlin. Here are the added films:
Animal – Sofia Exarchou (Greece/Austria/Bulgaria/Romania/Cyprus)
Blaga’s Lessons – Stephan Komandarev (Bulgaria/Germany)
Club Zero – Jessica Hausner (Austria/UK/Germany/France/Denmark/Qatar)
Do Not Expect Too Much from the End of the World – Radu Jude (Romania/Luxembourg/France/Croatia)
Excursion – Una Gunjak (Bosnia and Herzegovina/Croatia...
Animal – Sofia Exarchou (Greece/Austria/Bulgaria/Romania/Cyprus)
Blaga’s Lessons – Stephan Komandarev (Bulgaria/Germany)
Club Zero – Jessica Hausner (Austria/UK/Germany/France/Denmark/Qatar)
Do Not Expect Too Much from the End of the World – Radu Jude (Romania/Luxembourg/France/Croatia)
Excursion – Una Gunjak (Bosnia and Herzegovina/Croatia...
- 9/27/2023
- by Eric Lavallée
- IONCINEMA.com
40 feature films now selected for Academy’s 2023 shortlist.
The European Film Academy has added a further 21 features to its shortlist for the 2023 European Film Awards, including Cannes premieres The Zone of Interest and Club Zero and Venice competition titles The Green Border and Io Capitano.
The shortlist for the European Film Awards now comprises 40 features. The first 19 titles titles in the running for the 2023 European Film Awards were unveiled in August and included Anatomy Of A Fall, How To Have Sex, The Old Oak and Firebrand.
The European Film Academy said that more than 40% of all selected films are directed by women.
The European Film Academy has added a further 21 features to its shortlist for the 2023 European Film Awards, including Cannes premieres The Zone of Interest and Club Zero and Venice competition titles The Green Border and Io Capitano.
The shortlist for the European Film Awards now comprises 40 features. The first 19 titles titles in the running for the 2023 European Film Awards were unveiled in August and included Anatomy Of A Fall, How To Have Sex, The Old Oak and Firebrand.
The European Film Academy said that more than 40% of all selected films are directed by women.
- 9/27/2023
- by Tim Dams
- ScreenDaily
We came, we saw, we conquered. Our Nicholas Bell was in review overdrive assessing the entire competition and much more. We’ll still have film reviews to populate the site and this page in the near future, but for the time being here is a handy quick link to the wealth of richness (and some rubbish) selections that made up all sections of the Lido this year.
Competition:
Adagio – Stefano Sollima [Review]
La Bête – Bertrand Bonello [Review]
Comandante – Edoardo De Angelis [Review]
Dogman – Luc Besson [Review]
El Conde – Pablo Larraín [Review]
Enea – Pietro Castellitto [Review]
Evil Does Not Exist – Ryusuke Hamaguchi [Review]
Ferrari – Michael Mann [Review]
Finalmente l’alba – Saverio Costanzo [Review]
Green Border – Agnieszka Holland [Review]
Holly – Fien Troch [Review]
Io capitano – Matteo Garrone [Review]
The Killer – David Fincher [Review]
Lubo – Giorgio Diritti [Review]
Maestro – Bradley Cooper [Review]
Memory – Michel Franco [Review]
Origin – Ava DuVernay [Review]
Hors-saison – Stéphane Brizé [Review]
Poor Things – Yorgos Lanthimos [Review]
Priscilla – Sofia Coppola [Review]
The Promised Land – Nikolaj Arcel [Review]
The Theory of Everything – Timm Kröger [Review]
Woman Of…...
Competition:
Adagio – Stefano Sollima [Review]
La Bête – Bertrand Bonello [Review]
Comandante – Edoardo De Angelis [Review]
Dogman – Luc Besson [Review]
El Conde – Pablo Larraín [Review]
Enea – Pietro Castellitto [Review]
Evil Does Not Exist – Ryusuke Hamaguchi [Review]
Ferrari – Michael Mann [Review]
Finalmente l’alba – Saverio Costanzo [Review]
Green Border – Agnieszka Holland [Review]
Holly – Fien Troch [Review]
Io capitano – Matteo Garrone [Review]
The Killer – David Fincher [Review]
Lubo – Giorgio Diritti [Review]
Maestro – Bradley Cooper [Review]
Memory – Michel Franco [Review]
Origin – Ava DuVernay [Review]
Hors-saison – Stéphane Brizé [Review]
Poor Things – Yorgos Lanthimos [Review]
Priscilla – Sofia Coppola [Review]
The Promised Land – Nikolaj Arcel [Review]
The Theory of Everything – Timm Kröger [Review]
Woman Of…...
- 9/26/2023
- by Eric Lavallée
- IONCINEMA.com
‘Girl’ and ’Close’ director Dhont will select five emerging filmmaking talents for The Future Five.
Flanders Image’s annual film and TV showcase Connext (October 9-10) will present new work from the region’s creatives including Adil El Arbi and Bilall Fallah, and see Lukas Dhont curate the first edition of new talent showcase The Future Five.
Girl and Close director Dhont will select five emerging filmmaking talents for The Future Five, who will be presented to international industry attending Connext in Antwerp on the event’s first day. The initiative is in association with Screen International.
Scroll down for...
Flanders Image’s annual film and TV showcase Connext (October 9-10) will present new work from the region’s creatives including Adil El Arbi and Bilall Fallah, and see Lukas Dhont curate the first edition of new talent showcase The Future Five.
Girl and Close director Dhont will select five emerging filmmaking talents for The Future Five, who will be presented to international industry attending Connext in Antwerp on the event’s first day. The initiative is in association with Screen International.
Scroll down for...
- 9/19/2023
- by Orlando Parfitt
- ScreenDaily
‘Girl’ and ’Close’ director Dhont will select five emerging filmmaking talents for The Future Five.
Flanders Image’s annual film and TV showcase Connext (October 9-10) will present new work from regional filmmakers including Adil El Arbi and Bilall Fallah, and see Lukas Dhont curate the first edition of new talent showcase The Future Five.
Girl and Close director Dhont will select five emerging filmmaking talents for The Future Five, who will be presented to international industry attending Connext in Antwerp on the event’s first day. The initiative is in association with Screen International.
Scroll down for line-ups
Among...
Flanders Image’s annual film and TV showcase Connext (October 9-10) will present new work from regional filmmakers including Adil El Arbi and Bilall Fallah, and see Lukas Dhont curate the first edition of new talent showcase The Future Five.
Girl and Close director Dhont will select five emerging filmmaking talents for The Future Five, who will be presented to international industry attending Connext in Antwerp on the event’s first day. The initiative is in association with Screen International.
Scroll down for line-ups
Among...
- 9/19/2023
- by Orlando Parfitt
- ScreenDaily
Johnny Jewel’s latest project is the soundtrack to the Dutch drama film Holly. Before the full Ost is out October 13th via his label Italians Do It Better, he’s shared a preview of it with the lead single “The Witch.” He’s also announced a run of European tour dates, during which he’ll play sets comprising music from his prolific film score discography.
Directed and written by Fien Troch, Holly centers around a 15-year-old girl whose school is largely destroyed by a fire one day after she calls out of class. As her community grieves, they begin to see some unspoken quality in Holly that makes her an unlikely source of support, though perhaps at the sacrifice of her own wellbeing.
“I used music to usher in the unseen elements of Holly’s story,” Jewel says in a press release, citing spine-chilling scores by John Carpenter, Goblin,...
Directed and written by Fien Troch, Holly centers around a 15-year-old girl whose school is largely destroyed by a fire one day after she calls out of class. As her community grieves, they begin to see some unspoken quality in Holly that makes her an unlikely source of support, though perhaps at the sacrifice of her own wellbeing.
“I used music to usher in the unseen elements of Holly’s story,” Jewel says in a press release, citing spine-chilling scores by John Carpenter, Goblin,...
- 9/15/2023
- by Abby Jones
- Consequence - Film News
Johnny Jewel’s latest project is the soundtrack to the Dutch drama film Holly. Before the full Ost is out October 13th via his label Italians Do It Better, he’s shared a preview of it with the lead single “The Witch.” He’s also announced a run of European tour dates, during which he’ll play sets comprising music from his prolific film score discography.
Directed and written by Fien Troch, Holly centers around a 15-year-old girl whose school is largely destroyed by a fire one day after she calls out of class. As her community grieves, they begin to see some unspoken quality in Holly that makes her an unlikely source of support, though perhaps at the sacrifice of her own wellbeing.
“I used music to usher in the unseen elements of Holly’s story,” Jewel says in a press release, citing spine-chilling scores by John Carpenter, Goblin,...
Directed and written by Fien Troch, Holly centers around a 15-year-old girl whose school is largely destroyed by a fire one day after she calls out of class. As her community grieves, they begin to see some unspoken quality in Holly that makes her an unlikely source of support, though perhaps at the sacrifice of her own wellbeing.
“I used music to usher in the unseen elements of Holly’s story,” Jewel says in a press release, citing spine-chilling scores by John Carpenter, Goblin,...
- 9/15/2023
- by Abby Jones
- Consequence - Music
Prior selections Close, Drive My Car, The Worst Person In The World all garnered international feature film Oscar submissions.
Aki Kaurismäki’s Cannes jury prize winner Fallen Leaves and Nuri Bilge Ceylan’s About Dry Grasses starring Cannes best actress winner Merve Dizdar – both Oscar submissions this year – are among the international line-up at the upcoming 59th Chicago International Film Festival (October 11–22).
Alice Rohrwacher’s La Chimera and Kleber Mendonça Filho’s Pictures Of Ghosts are two other Cannes selections to feature in the roster, while Ryusuke Hamaguchi’s Evil Does Not Exist and Lina Soualem’s Bye Bye Tiberias both launched in Venice.
Aki Kaurismäki’s Cannes jury prize winner Fallen Leaves and Nuri Bilge Ceylan’s About Dry Grasses starring Cannes best actress winner Merve Dizdar – both Oscar submissions this year – are among the international line-up at the upcoming 59th Chicago International Film Festival (October 11–22).
Alice Rohrwacher’s La Chimera and Kleber Mendonça Filho’s Pictures Of Ghosts are two other Cannes selections to feature in the roster, while Ryusuke Hamaguchi’s Evil Does Not Exist and Lina Soualem’s Bye Bye Tiberias both launched in Venice.
- 9/14/2023
- by Jeremy Kay
- ScreenDaily
Holly rings her school to tell them she is staying at home. She isn’t sick. She just can’t bring herself to go. “Bad things are going to happen today,” she says just above a whisper, her voice cracking.
But bad things happen to Holly most days; she is bullied constantly, little jibes from girls who say she smells or classmates who go through elaborate efforts not to touch “the witch,” as they call her. It is hard to see why. The central character in Holly is just the designated victim, as she will soon become a designated savior. Two ends of the same straw, each tormenting in their own way.
She is right about that bad day. A fire breaks out in the school. Ten people die. In the face of such heartbreak, there is not much discussion of...
But bad things happen to Holly most days; she is bullied constantly, little jibes from girls who say she smells or classmates who go through elaborate efforts not to touch “the witch,” as they call her. It is hard to see why. The central character in Holly is just the designated victim, as she will soon become a designated savior. Two ends of the same straw, each tormenting in their own way.
She is right about that bad day. A fire breaks out in the school. Ten people die. In the face of such heartbreak, there is not much discussion of...
- 9/9/2023
- by Stephanie Bunbury
- Deadline Film + TV
The 2023 Venice Film Festival persevered despite a dimmed Hollywood presence, with much of the onscreen talent sitting this year’s Lido event out due to the strikes. There in Italy, however, were directors like Michael Mann, David Fincher, Yorgos Lanthimos, Ava DuVernay, Wes Anderson, Ryusuke Hamaguchi, Richard Linklater, Sofia Coppola, and even Woody Allen to present their latest films and do the talking on behalf of their sidelined actors.
Saturday at the Sala Grande, the jury headed up by president Damien Chazelle revealed the winners of the 2023 competition awards. Jurors including Martin McDonagh, Jane Campion, and Mia Hansen-Løve saw 23 movies over the last week and a half, including Lanthimos’ raved-about “Poor Things,” Coppola’s well-liked “Priscilla,” Bertrand Bonello’s daring “The Beast,” Fincher’s assassin thriller “The Killer,” Bradley Cooper’s Oscar hopeful “Maestro,” Mann’s gripping “Ferrari,” and more.
Word on the Lido was highest for eventual Golden Lion winner “Poor Things,...
Saturday at the Sala Grande, the jury headed up by president Damien Chazelle revealed the winners of the 2023 competition awards. Jurors including Martin McDonagh, Jane Campion, and Mia Hansen-Løve saw 23 movies over the last week and a half, including Lanthimos’ raved-about “Poor Things,” Coppola’s well-liked “Priscilla,” Bertrand Bonello’s daring “The Beast,” Fincher’s assassin thriller “The Killer,” Bradley Cooper’s Oscar hopeful “Maestro,” Mann’s gripping “Ferrari,” and more.
Word on the Lido was highest for eventual Golden Lion winner “Poor Things,...
- 9/9/2023
- by Ryan Lattanzio
- Indiewire
Holly, a 15-year-old girl, appears to develop clairvoyance and magical healing powers — or does she? — in Belgian director Fien Troch’s intriguing, ambiguous fifth feature, Holly. Anchored by a charismatic yet impressively subtle lead performance by Cathalina Geeraerts, the film flirts with different genres, and at various stages looks poised to emerge as a teen-themed horror show like Carrie or a didactic dramatization of the evils of bullying. Ultimately it ends up being neither of those things and evolves into a sly black comedy about the impossibility of truly unselfish altruism.
That tonal complexity may make it a little harder to love for audiences who crave easy answers, rootable-for characters and cut-and-dry moral dilemmas, but this should find its own niche on the festival circuit and beyond.
In a suburban Belgian town where Flemish is the more dominant language, Holly lives with her alcoholic mother (Els Deceukilier) and sister Dawn...
That tonal complexity may make it a little harder to love for audiences who crave easy answers, rootable-for characters and cut-and-dry moral dilemmas, but this should find its own niche on the festival circuit and beyond.
In a suburban Belgian town where Flemish is the more dominant language, Holly lives with her alcoholic mother (Els Deceukilier) and sister Dawn...
- 9/9/2023
- by Leslie Felperin
- The Hollywood Reporter - Movie News
It’s been said that Stephen King’s first novel “Carrie” filled him with such self-doubt that its notes, drafts, and even eventual manuscript were nearly thrown out by the author, condemned into eternal obscurity. Were it not for King’s own wife, the tale of a bullied telekinetic teen with an abusive puritanical mother would have ended up permanently in the trash, unable to stand alone as a wonderful work or inspire other stories of its ilk.
Consider Fien Troch’s “Holly.” The new film suggests that our eponymous young, bullied high-schooler might end up in the midst of a similar cathartic orgy of violence as Carrie, disposed of with little regard for her value. But unlike “Carrie” (and Carrie) “Holly” doesn’t gift her audience with the catharsis of all those horrible high school alpha bullies ending up in a pile of bone and charred sinew.
Holly (Cathalina Geeraerts) is an outcast too,...
Consider Fien Troch’s “Holly.” The new film suggests that our eponymous young, bullied high-schooler might end up in the midst of a similar cathartic orgy of violence as Carrie, disposed of with little regard for her value. But unlike “Carrie” (and Carrie) “Holly” doesn’t gift her audience with the catharsis of all those horrible high school alpha bullies ending up in a pile of bone and charred sinew.
Holly (Cathalina Geeraerts) is an outcast too,...
- 9/7/2023
- by Leila Latif
- Indiewire
The Girl with All the Gifts: Torch Tiptoes into Genre with Aloof Drama
Belgian director Fien Troch has built a steadfast filmography on quietly painful films featuring families with eroded veneers, struggling through transitional periods of varying dysfunctional degrees. She often seems to focus on the experiences of teens and children (or adults consumed in their relationship to them), and in many ways, her fifth film Holly is a return to these same thematic devices, aided by an extravagant supernatural element.
The eponymous fifteen-year-old is something of an odd bird, an outcast amongst her peers and a lost cause for school staff until one fine morning she makes a sinister phone call regarding a premonition, one which turns out to be frighteningly accurate.…...
Belgian director Fien Troch has built a steadfast filmography on quietly painful films featuring families with eroded veneers, struggling through transitional periods of varying dysfunctional degrees. She often seems to focus on the experiences of teens and children (or adults consumed in their relationship to them), and in many ways, her fifth film Holly is a return to these same thematic devices, aided by an extravagant supernatural element.
The eponymous fifteen-year-old is something of an odd bird, an outcast amongst her peers and a lost cause for school staff until one fine morning she makes a sinister phone call regarding a premonition, one which turns out to be frighteningly accurate.…...
- 9/7/2023
- by Nicholas Bell
- IONCINEMA.com
When Holly’s classroom peers call her “the witch,” she meekly shrugs it off. It’s not the least flattering slur with which the shy, soft-spoken 15-year-old has been bullied, and it beats people complaining about how she smells. It even may, at a certain level, be true. When Holly’s seemingly psychic abilities save her from a fatal disaster at school, her status in the community shifts from outcast to otherworldly icon — as if Carrie White had actually been crowned prom queen, and not bucketed with blood. Stephen King’s antiheroine comes to mind more than once in Fien Troch’s elusive, intriguing teen drama “Holly,” which plays a little like his story stripped of any outright horror, and only the everyday vanities and failings of humanity in its place.
Still, as a portrait of our collective ability to exploit and destroy any precious resource — human or otherwise, real...
Still, as a portrait of our collective ability to exploit and destroy any precious resource — human or otherwise, real...
- 9/7/2023
- by Guy Lodge
- Variety Film + TV
Fien Troch’s “Holly,” which world premieres in competition at the Venice Film Festival, has debuted its trailer. MK2 is handling world sales. Troch’s previous film, “Home,” won the Horizons best director award at Venice.
“Holly” follows 15-year-old Holly, who calls her school to say she is staying home for the day. Soon after, a fire breaks out at the school, killing several students. With everyone touched by the tragedy, the community comes together, trying to heal.
Anna, a teacher, intrigued by Holly and her strange premonition, invites her to join the volunteering group she runs. Holly’s presence seems to bring peace of mind, warmth and hope to those she encounters. But soon, people begin to seek out Holly and her cathartic energy, demanding more and more from the girl.
Troch admits that there is something of herself in Holly. “Yes, like her, I am very receptive to other people’s emotions,...
“Holly” follows 15-year-old Holly, who calls her school to say she is staying home for the day. Soon after, a fire breaks out at the school, killing several students. With everyone touched by the tragedy, the community comes together, trying to heal.
Anna, a teacher, intrigued by Holly and her strange premonition, invites her to join the volunteering group she runs. Holly’s presence seems to bring peace of mind, warmth and hope to those she encounters. But soon, people begin to seek out Holly and her cathartic energy, demanding more and more from the girl.
Troch admits that there is something of herself in Holly. “Yes, like her, I am very receptive to other people’s emotions,...
- 8/29/2023
- by Leo Barraclough
- Variety Film + TV
La BêteCOMPETITIONComandante (Edoardo De Angelis)The Promised Land (Nikolaj Arcel)Dogman (Luc Besson) La Bête (Bertrand Bonello) Hors-Saison (Stéphane Brizé) Enea (Pietro Castellitto) Maestro (Bradley Cooper)Priscilla (Sofia Coppola)Finalmente L’Alba (Saverio Costanzo)Lubo (Giorgio Diritti) Origin (Ava DuVernay) The Killer (David Fincher)Memory (Michel Franco)Io capitano (Matteo Garrone)Evil Does Not Exist (Ryûsuke Hamaguchi)The Green Border (Agnieszka Holland)The Theory of Everything (Timm Kröger)Poor Things (Yorgos Lanthimos)El conde (Pablo Larrain)Ferrari (Michael Mann)Adagio (Stefano Sollima)Woman OfHolly (Fien Troch)Out Of COMPETITIONFictionSociety of the Snow (J.A. Bayona)Coup de Chance (Woody Allen)The Wonderful Story of Henry Sugar (Wes Anderson)The Penitent (Luca Barbareschi)L’Ordine Del Tempo (Liliana Cavani)Vivants (Alix Delaporte)Welcome to Paradise (Leonardo di Constanzo)Daaaaaali! (Quentin Dupieux)The Caine Mutiny Court-Martial (William Friedkin)Making of (Cedric Kahn)Aggro Dr1ft (Harmony Korine)Hitman (Richard Linklater)The Palace (Roman Polanski...
- 7/29/2023
- MUBI
The Venice Film Festival revealed the lineup for its 80th edition Tuesday morning, and its Official Competition featured works by five women filmmakers, including Ava DuVernay, who makes history as the first African American woman in selection.
The selected films and filmmakers are Priscilla (Sofia Coppola), Origin (Ava DuVernay), The Green Border (Agnieszka Holland), Woman Of, and Holly (Fien Troch).
There are 23 films in Competition overall, meaning the fest falls far below any sort of gender parity mark. The festival said 32% of submissions this year were from women filmmakers against 66% from male filmmakers. 60 movies did not declare a gender. Nonetheless, DuVernay’s Origin will mark a significant landmark for Venice as the first film by an African American woman to play in Competition.
Related: Venice Lineup Will Generate Debate, Not Least For Inclusion Of Roman Polanski & Woody Allen; Latter Set To Attend Festival
The pic is...
The selected films and filmmakers are Priscilla (Sofia Coppola), Origin (Ava DuVernay), The Green Border (Agnieszka Holland), Woman Of, and Holly (Fien Troch).
There are 23 films in Competition overall, meaning the fest falls far below any sort of gender parity mark. The festival said 32% of submissions this year were from women filmmakers against 66% from male filmmakers. 60 movies did not declare a gender. Nonetheless, DuVernay’s Origin will mark a significant landmark for Venice as the first film by an African American woman to play in Competition.
Related: Venice Lineup Will Generate Debate, Not Least For Inclusion Of Roman Polanski & Woody Allen; Latter Set To Attend Festival
The pic is...
- 7/25/2023
- by Zac Ntim
- Deadline Film + TV
The Venice Film Festival sails on in Italy — even with much of Hollywood at a standstill.
The annual cinema celebration hosted by La Biennale di Venezia and directed by Alberto Barbera runs from August 30 through September 9. Despite already having lost Luca Guadagnino’s “Challengers” from its opening night slot due to its SAG-AFTRA talent including star Zendaya being unable to accompany the world premiere due to strike work stoppage orders, Venice has plenty of movie goodness in store for its 80th edition.
Competition highlights include Bradley Cooper’s “Maestro,” Sofia Coppola’s “Priscilla,” David Fincher’s “The Killer,” Michael Mann’s “Ferrari,” Yorgos Lanthimos’ “Poor Things,” Ava DuVernay’s “Origin,” Luc Besson’s “Dogman,” Michel Franco’s “Memory,” Pablo Larrain’s “El Conde,” and many more. Out of competition, Venice will screen new films from Harmony Korine, Richard Linklater, Woody Allen, Wes Anderson, Roman Polanski, and William Friedkin.
The annual cinema celebration hosted by La Biennale di Venezia and directed by Alberto Barbera runs from August 30 through September 9. Despite already having lost Luca Guadagnino’s “Challengers” from its opening night slot due to its SAG-AFTRA talent including star Zendaya being unable to accompany the world premiere due to strike work stoppage orders, Venice has plenty of movie goodness in store for its 80th edition.
Competition highlights include Bradley Cooper’s “Maestro,” Sofia Coppola’s “Priscilla,” David Fincher’s “The Killer,” Michael Mann’s “Ferrari,” Yorgos Lanthimos’ “Poor Things,” Ava DuVernay’s “Origin,” Luc Besson’s “Dogman,” Michel Franco’s “Memory,” Pablo Larrain’s “El Conde,” and many more. Out of competition, Venice will screen new films from Harmony Korine, Richard Linklater, Woody Allen, Wes Anderson, Roman Polanski, and William Friedkin.
- 7/25/2023
- by Ryan Lattanzio
- Indiewire
Two movies whose directors are likely to draw protests, Woody Allen’s French-language “Coup de Chance” and Roman Polanski’s “The Palace,” will make their world premieres at the 2023 Venice International Film Festival, Venice artistic director Alberto Barbera and La Biennale di Venezia president Roberto Cicutto announced at a Tuesday morning press conference.
Both films will screen out of competition, though they’ll likely draw an inordinate amount of attention at a festival that has assembled a robust lineup of major filmmakers even as it struggles with the effects of the SAG-AFTRA and WGA strikes.
Films booked for the Venice main competition include Bradley Cooper’s Leonard Bernstein biopic “Maestro”; Yorgos Lanthimos’ sci-fi drama “Poor Things”; Sofia Coppola’s Priscilla Presley film “Priscilla”; Michael Mann’s auto-racing film “Ferrari”; Ava DuVernay’s “Origin,” with Aunjanue Ellis-Taylor, Niecy Nash-Betts and Vera Farmiga; and David Fincher’s “The Killer,” with Michael Fassbender.
Both films will screen out of competition, though they’ll likely draw an inordinate amount of attention at a festival that has assembled a robust lineup of major filmmakers even as it struggles with the effects of the SAG-AFTRA and WGA strikes.
Films booked for the Venice main competition include Bradley Cooper’s Leonard Bernstein biopic “Maestro”; Yorgos Lanthimos’ sci-fi drama “Poor Things”; Sofia Coppola’s Priscilla Presley film “Priscilla”; Michael Mann’s auto-racing film “Ferrari”; Ava DuVernay’s “Origin,” with Aunjanue Ellis-Taylor, Niecy Nash-Betts and Vera Farmiga; and David Fincher’s “The Killer,” with Michael Fassbender.
- 7/25/2023
- by Steve Pond
- The Wrap
Includes films from David Fincher, Sofia Coppola, Ava DuVernay, Yorgos Lanthimos, Bradley Cooper and Ryusuke Hamaguchi.
Venice Film Festival announced the programme for its 80th edition, including a 23-strong Competition with new films from David Fincher, Sofia Coppola, Ava DuVernay, Yorgos Lanthimos, Bradley Cooper and Ryusuke Hamaguchi.
Scroll down for full line-up
The selection was announced by festival president Roberto Cicutto and artistic director Alberto Barbera. The SAG-AFTRA strike in the US has had a “quite modest” impact on the selection according to Barbera, who was forced to pull Luca Guadagnino’s Challengers as the opening film over the weekend due to the strike.
Venice Film Festival announced the programme for its 80th edition, including a 23-strong Competition with new films from David Fincher, Sofia Coppola, Ava DuVernay, Yorgos Lanthimos, Bradley Cooper and Ryusuke Hamaguchi.
Scroll down for full line-up
The selection was announced by festival president Roberto Cicutto and artistic director Alberto Barbera. The SAG-AFTRA strike in the US has had a “quite modest” impact on the selection according to Barbera, who was forced to pull Luca Guadagnino’s Challengers as the opening film over the weekend due to the strike.
- 7/25/2023
- by Ben Dalton¬Orlando Parfitt
- ScreenDaily
This year’s selection will be announced at 11:00 Cest (10:00 BST) by Roberto Cicutto and Alberto Barbera.
The line-up for the 80th Venice International Film Festival (August 30-September 9) will be revealed this morning at 11:00 Cest (10:00 BST) by festival president Roberto Cicutto and artistic director Alberto Barbera
The press conference will be live-streamed below, and this page will be updated with the films as they are announced.
Luca Guadagnino’s Challengers was originally set to open the festival but was pulled by MGM amid the actors’ strike. It was replaced by Edoardo De Angelis’ Comandante.
The closing film...
The line-up for the 80th Venice International Film Festival (August 30-September 9) will be revealed this morning at 11:00 Cest (10:00 BST) by festival president Roberto Cicutto and artistic director Alberto Barbera
The press conference will be live-streamed below, and this page will be updated with the films as they are announced.
Luca Guadagnino’s Challengers was originally set to open the festival but was pulled by MGM amid the actors’ strike. It was replaced by Edoardo De Angelis’ Comandante.
The closing film...
- 7/25/2023
- by Ben Dalton¬Orlando Parfitt
- ScreenDaily
Among yesterday’s round of Venice Film Festival predictions we had the likes of Bertrand Bonello, Viggo Mortensen, Tarsem Singh, Ethan Coen, Pablo Larrain, Michael Mann and David Oelhoffen. Here is our second batch of prognostications for the 80th edition.
Holly
Dir. Fien Troch
Prod: Francesco Guttuso, Luca Scarabelli
When she was at the fest last (with 2016’s Home) Fien Troch landed the Best Director prize in the Horizons section. She should be back in the same section this year with Holly – which stars Cathalina Geeraerts and is set in the aftermath of a big school fire. In the wake of the disaster, a 15-year-old girl is treated by a community in mourning as a saviour with a special talent to heal.…...
Holly
Dir. Fien Troch
Prod: Francesco Guttuso, Luca Scarabelli
When she was at the fest last (with 2016’s Home) Fien Troch landed the Best Director prize in the Horizons section. She should be back in the same section this year with Holly – which stars Cathalina Geeraerts and is set in the aftermath of a big school fire. In the wake of the disaster, a 15-year-old girl is treated by a community in mourning as a saviour with a special talent to heal.…...
- 7/11/2023
- by Eric Lavallée
- IONCINEMA.com
Sofia Coppola, Emerald Fennell, Yorgos Lanthimos, Pablo Larrain, Michel Franco and Bradley Cooper could all be on the Lido.
Alberto Barbera is closing in on his Venice Film Festival selection, with buzz around Yorgos Lanthimos’ sci-fi Poor Things, starring Emma Stone, Matteo Garrone’s migrant drama Io Capitano and Pablo Larrain’s dark comedy El Conde about Augusto Pinochet for the Competition.
Also potentially Lido-bound are Michael Mann’s Ferrari with Adam Driver and Penélope Cruz, David Michod’s comedy Wizards! with Pete Davidson, Naomi Scott and Orlando Bloom, and Luca Guadagnino’s Challengers starring Zendaya and Josh O’Connor.
Michel Franco,...
Alberto Barbera is closing in on his Venice Film Festival selection, with buzz around Yorgos Lanthimos’ sci-fi Poor Things, starring Emma Stone, Matteo Garrone’s migrant drama Io Capitano and Pablo Larrain’s dark comedy El Conde about Augusto Pinochet for the Competition.
Also potentially Lido-bound are Michael Mann’s Ferrari with Adam Driver and Penélope Cruz, David Michod’s comedy Wizards! with Pete Davidson, Naomi Scott and Orlando Bloom, and Luca Guadagnino’s Challengers starring Zendaya and Josh O’Connor.
Michel Franco,...
- 5/23/2023
- by Jeremy Kay
- ScreenDaily
September Film and Rival Cineart have snapped up multiple festival titles.
In an early litmus test of the commercial appeal of Official Selection titles, Benelux’s leading arthouse buyers have swept in to each buy a haul.
Pim Hermeling’s September Film, which is celebrating its 15th anniversary this year, snapped up Dry Grasses, La Chimera, Club Zero, Monster, Fallen Leaves and Last Summer at script stage, as well as Salem in Un Certain Regard and Steve McQueen’s Occupied City.
In the market, the company has now picked up Beta Cinema’s One Last Evening which it will both release and look to remake,...
In an early litmus test of the commercial appeal of Official Selection titles, Benelux’s leading arthouse buyers have swept in to each buy a haul.
Pim Hermeling’s September Film, which is celebrating its 15th anniversary this year, snapped up Dry Grasses, La Chimera, Club Zero, Monster, Fallen Leaves and Last Summer at script stage, as well as Salem in Un Certain Regard and Steve McQueen’s Occupied City.
In the market, the company has now picked up Beta Cinema’s One Last Evening which it will both release and look to remake,...
- 5/18/2023
- by Geoffrey Macnab
- ScreenDaily
Holly
A fifth feature film backed by an army of producers with Antonino Lombardo and Elisa Heene leading the charge with co-producers such as the Dardennes, Delphine Tomson, Frans Van Gestel, Anita Voorham, Donato Rotunno and Juliette Schrameck (The Worst Person in the World), Belgian filmmaker Fien Troch enlisted Lukas Dhont cinematographer Frank van den Eeden for a new dramedy. Holly stars Greet Verstraete, newcomer Cathalina Geeraerts and Felix Heremans and this unfolds in a small town in Flanders and sees the post-fire aftermath of when the school burns down and people come huddle around one unique individual. Troch had her breakout with her previous feature – Home won the Best Director in the Horizons section at the Venice International Film Festival in 2016.…...
A fifth feature film backed by an army of producers with Antonino Lombardo and Elisa Heene leading the charge with co-producers such as the Dardennes, Delphine Tomson, Frans Van Gestel, Anita Voorham, Donato Rotunno and Juliette Schrameck (The Worst Person in the World), Belgian filmmaker Fien Troch enlisted Lukas Dhont cinematographer Frank van den Eeden for a new dramedy. Holly stars Greet Verstraete, newcomer Cathalina Geeraerts and Felix Heremans and this unfolds in a small town in Flanders and sees the post-fire aftermath of when the school burns down and people come huddle around one unique individual. Troch had her breakout with her previous feature – Home won the Best Director in the Horizons section at the Venice International Film Festival in 2016.…...
- 1/13/2023
- by Eric Lavallée
- IONCINEMA.com
First event will be staged in London next spring with Flemish initiative Connext.
The British Film Institute (BFI) is launching a quarterly initiative to bring UK producers and industry representatives together with potential international partners.
Talent from a particular country or region will be invited to screen films in the UK and participate in meetings, case studies and seminars about funding and coproduction opportunities. There will also be some public screenings.
The first event will be with Flanders and Belgian showcase Connext, and will take place in spring 2023 in London.
“It’s about developing a greater understanding of how to...
The British Film Institute (BFI) is launching a quarterly initiative to bring UK producers and industry representatives together with potential international partners.
Talent from a particular country or region will be invited to screen films in the UK and participate in meetings, case studies and seminars about funding and coproduction opportunities. There will also be some public screenings.
The first event will be with Flanders and Belgian showcase Connext, and will take place in spring 2023 in London.
“It’s about developing a greater understanding of how to...
- 10/10/2022
- by Geoffrey Macnab
- ScreenDaily
Flemish auteur’s latest is one of the buzz projects being presented as a work in progress at Connext.
Back in 2016, leading Flemish auteur Fien Troch won the best director award in the Venice Film Festival’s Horizons section for her drama Home, about troubled adolescents. Now, a full six years later, she is in post-production on, and putting the final touches to, her next feature Holly.
The film is one of the buzz projects being presented as a work in progress at Connext, the annual industry showcase for new films and TV dramas made in Flanders and Brussels which...
Back in 2016, leading Flemish auteur Fien Troch won the best director award in the Venice Film Festival’s Horizons section for her drama Home, about troubled adolescents. Now, a full six years later, she is in post-production on, and putting the final touches to, her next feature Holly.
The film is one of the buzz projects being presented as a work in progress at Connext, the annual industry showcase for new films and TV dramas made in Flanders and Brussels which...
- 10/10/2022
- by Geoffrey Macnab
- ScreenDaily
Hamburg-based Fünferfilm co-produced, lining up third film with writer-director Helena Wittmann.
Cinema Guild has picked up North American rights to Helena Wittmann’s Locarno selection Human Flowers Of Flesh, which screens at Filmfest Hamburg this week.
Wittmann’s follow up to her 2017 debut feature Drift will receive its US premiere at New York Film Festival next week.
Cinema Guild plans a theatrical release in 2023 on the story starring Dogtooth’s Angeliki Papoulia as a woman who enlists the help of five men who don’t speak each other’s languages and embark on a trip around the Mediterranean.
“A film...
Cinema Guild has picked up North American rights to Helena Wittmann’s Locarno selection Human Flowers Of Flesh, which screens at Filmfest Hamburg this week.
Wittmann’s follow up to her 2017 debut feature Drift will receive its US premiere at New York Film Festival next week.
Cinema Guild plans a theatrical release in 2023 on the story starring Dogtooth’s Angeliki Papoulia as a woman who enlists the help of five men who don’t speak each other’s languages and embark on a trip around the Mediterranean.
“A film...
- 10/4/2022
- by Jeremy Kay
- ScreenDaily
Connext is a crucial promotional event for Flanders filmmakers and projects.
Connext, the annual industry showcase for new films and TV dramas made in Flanders and Brussels, will present new projects from some of the region’s leading filmmakers including Kevin Janssens, Veerle Baetens, and Fien Troch.
The 2022 hybrid edition will run onsite in Antwerp from October 9-11 and online from October 10-24.
The 82 titles being presented range from project pitches to works in progress through completed films and series.
Many familiar names from Flemish film and TV are participating. Janssens will be pitching his new TV series Breendonk, a...
Connext, the annual industry showcase for new films and TV dramas made in Flanders and Brussels, will present new projects from some of the region’s leading filmmakers including Kevin Janssens, Veerle Baetens, and Fien Troch.
The 2022 hybrid edition will run onsite in Antwerp from October 9-11 and online from October 10-24.
The 82 titles being presented range from project pitches to works in progress through completed films and series.
Many familiar names from Flemish film and TV are participating. Janssens will be pitching his new TV series Breendonk, a...
- 10/4/2022
- by Geoffrey Macnab
- ScreenDaily
Flanders Image, the promotional arm of the Vaf film fund of Belgium’s Flemish-speaking community, has unveiled the 80 projects selected for its annual Connext showcase, running as a hybrid event from October 10-24.
The showcase, which will hold a physical component in Antwerp from October 9-11, unfolds against the backdrop of a high-profile year for Belgian film and the cinema of its Flemish-speaking community in particular.
Lukas Dhont’s Close won Cannes Grand Prize and is now a frontrunner in the best international film category of the Oscars as Belgium’s submission; while Felix van Groeningen and Charlotte Vandermeersch clinched Cannes Jury Prize for Italian-language drama The Eight Mountains (ex-acquo with Jerzy Skolimowski’s Eo).
Rebel, the homecoming film of Bad Boys For Life directorial duo Adil El Arbi and Bilall Fallah, has also been making waves internationally after debuting Out of Competition at Cannes.
These films were all showcased at previous editions of Connext.
The showcase, which will hold a physical component in Antwerp from October 9-11, unfolds against the backdrop of a high-profile year for Belgian film and the cinema of its Flemish-speaking community in particular.
Lukas Dhont’s Close won Cannes Grand Prize and is now a frontrunner in the best international film category of the Oscars as Belgium’s submission; while Felix van Groeningen and Charlotte Vandermeersch clinched Cannes Jury Prize for Italian-language drama The Eight Mountains (ex-acquo with Jerzy Skolimowski’s Eo).
Rebel, the homecoming film of Bad Boys For Life directorial duo Adil El Arbi and Bilall Fallah, has also been making waves internationally after debuting Out of Competition at Cannes.
These films were all showcased at previous editions of Connext.
- 10/3/2022
- by Melanie Goodfellow
- Deadline Film + TV
The sixth annual showcase of Flanders films and TV series features 46 feature and 27 series.
Connext, the sixth annual showcase for new work from Flanders and Brussels, is taking place online for the second time from today, Monday October 4.
The virtual edition, Re>Connext, which has pitches, work-in-progress sessions and screenings, has attracted a robust selection of international sales agents, commissioning editors, distributors, financiers, sales agents, distributors, streamers and festival programmers.
The decision to go online was taken early, in March 2021. The upside of being virtual is that the event has a far greater reach and a bigger selection, with 46 features...
Connext, the sixth annual showcase for new work from Flanders and Brussels, is taking place online for the second time from today, Monday October 4.
The virtual edition, Re>Connext, which has pitches, work-in-progress sessions and screenings, has attracted a robust selection of international sales agents, commissioning editors, distributors, financiers, sales agents, distributors, streamers and festival programmers.
The decision to go online was taken early, in March 2021. The upside of being virtual is that the event has a far greater reach and a bigger selection, with 46 features...
- 10/4/2021
- by Geoffrey Macnab
- ScreenDaily
A total of 46 films and 27 series will be showcased at the online-only event.
Lukas Dhont’s second feature Close and Olga Lucovnicova’s Last Letters From My Grandma are among the 46 feature and 27 series projects to be showcased at Re>Connext, the annual showcase for films and TV series made in Flanders and Brussels, Belgium.
Close is filmmaker Dhont’s follow-up to Girl, which won the Camera d’Or following its premiere in Un Certain Regard at Cannes in 2018. Last year, the project was pitched at Re>Connext under the title The Invisible.
For this edition, drama Close returns as a work in progress,...
Lukas Dhont’s second feature Close and Olga Lucovnicova’s Last Letters From My Grandma are among the 46 feature and 27 series projects to be showcased at Re>Connext, the annual showcase for films and TV series made in Flanders and Brussels, Belgium.
Close is filmmaker Dhont’s follow-up to Girl, which won the Camera d’Or following its premiere in Un Certain Regard at Cannes in 2018. Last year, the project was pitched at Re>Connext under the title The Invisible.
For this edition, drama Close returns as a work in progress,...
- 9/27/2021
- by Mona Tabbara
- ScreenDaily
In the 10 years since the release of Nicolas Winding Refn’s “Drive,” the lives of two key figures behind its pivotal soundtrack, Johnny Jewel and Cliff Martinez, have changed for the better, thanks to the film.
“Before ‘Drive’ coming out, I was standing by the freeway with a cardboard sign that said, ‘Will score for food,’” jokes “Drive’s” composer, Martinez, a sometimes drummer in Red Hot Chili Peppers, and one of Steven Soderbergh’s go-to composers. “I wasn’t exactly struggling, but I would go for months without work. My popularity ebbs and flows, but for the most part, I’m much more popular than I was before 2011.”
“For those of us in the underground, ‘Drive’ was huge,” says Jewel, who has two key songs on the soundtrack — “Tick of the Clock,” with his former band, the Chromatics, and “Under Your Spell” with his other band, Desire.
“’Drive’ is a niche film,...
“Before ‘Drive’ coming out, I was standing by the freeway with a cardboard sign that said, ‘Will score for food,’” jokes “Drive’s” composer, Martinez, a sometimes drummer in Red Hot Chili Peppers, and one of Steven Soderbergh’s go-to composers. “I wasn’t exactly struggling, but I would go for months without work. My popularity ebbs and flows, but for the most part, I’m much more popular than I was before 2011.”
“For those of us in the underground, ‘Drive’ was huge,” says Jewel, who has two key songs on the soundtrack — “Tick of the Clock,” with his former band, the Chromatics, and “Under Your Spell” with his other band, Desire.
“’Drive’ is a niche film,...
- 9/16/2021
- by Lily Moayeri
- Variety Film + TV
Belgium’s Fien Troch, who won best director in Venice Film Festival’s Horizons section in 2016 with “Home,” returned to the Lido last week to pitch her fifth feature, “Holly,” in the Venice Gap-Financing Market.
The project, which is budgeted at €2.5 million, is produced by Antonino Lombardo’s Belgian outfit Prime Time. The Dardenne Brothers’ company, Les Films du Fleuve, is among the co-producers.
“[The Dardenne Brothers] have been following Fien’s work for a long time, so it’s great to be able to finally work with them,” says Elisa Heene, who produces alongside Lombardo.
The film tells the story of a 15-year-old girl who unwittingly becomes a savior figure in the aftermath of a school fire. A traumatized community looks to her for consolation, but very soon the line between support and abuse blurs.
“It’s about the power of a community, what connects people, how they interact with each other...
The project, which is budgeted at €2.5 million, is produced by Antonino Lombardo’s Belgian outfit Prime Time. The Dardenne Brothers’ company, Les Films du Fleuve, is among the co-producers.
“[The Dardenne Brothers] have been following Fien’s work for a long time, so it’s great to be able to finally work with them,” says Elisa Heene, who produces alongside Lombardo.
The film tells the story of a 15-year-old girl who unwittingly becomes a savior figure in the aftermath of a school fire. A traumatized community looks to her for consolation, but very soon the line between support and abuse blurs.
“It’s about the power of a community, what connects people, how they interact with each other...
- 9/12/2021
- by Lise Pedersen
- Variety Film + TV
From an immersive look at female immigrants in 17th century Amsterdam to a forensic analysis of a pre-World War II home movie, approaching history from different angles is a key theme among the Dutch films selected for Venice’s 78th edition.
Running in Venice Days, “Three Minutes — A Lengthening” is a poetic documentary that centers around three minutes of home footage shot by David Kurtz in 1938, featuring the Jewish inhabitants of a Polish town before it was invaded by the Nazis.
From this footage a feature-length film emerges through former journalist and historical researcher Bianca Stigter’s analysis of the home movies’ subjects in a film that’s also bound for Toronto.
Stigter, the Dutch producer and partner of Steve McQueen, makes her directorial debut with this English-language film, narrated by British actress Helena Bonham Carter and produced by Family Affair Films, with McQueen’s Lammas Park coproducing.
Elsewhere “Angels...
Running in Venice Days, “Three Minutes — A Lengthening” is a poetic documentary that centers around three minutes of home footage shot by David Kurtz in 1938, featuring the Jewish inhabitants of a Polish town before it was invaded by the Nazis.
From this footage a feature-length film emerges through former journalist and historical researcher Bianca Stigter’s analysis of the home movies’ subjects in a film that’s also bound for Toronto.
Stigter, the Dutch producer and partner of Steve McQueen, makes her directorial debut with this English-language film, narrated by British actress Helena Bonham Carter and produced by Family Affair Films, with McQueen’s Lammas Park coproducing.
Elsewhere “Angels...
- 9/4/2021
- by Ann-Marie Corvin
- Variety Film + TV
Venice Film Festival’s industry programme runs September 2-10.
The Venice Production Bridge (Vpb) kicks off today (September 2) with double the number of physical attendees than 2020 in a sign the industry is getting to grips with business travel amid the pandemic.
The Venice Film Festival’s industry strand will welcome some 1,300 professionals, against 800 in 2020 and 2,700 in 2019, its last pre-pandemic edition.
“It’s mainly Europeans - the US, Latin America and Asia remain largely absent,” said Pascal Diotl who oversees the programme with Savina Neirotti.
With long-haul travel to Europe remaining complicated, the Vpb is running as a hybrid physical and...
The Venice Production Bridge (Vpb) kicks off today (September 2) with double the number of physical attendees than 2020 in a sign the industry is getting to grips with business travel amid the pandemic.
The Venice Film Festival’s industry strand will welcome some 1,300 professionals, against 800 in 2020 and 2,700 in 2019, its last pre-pandemic edition.
“It’s mainly Europeans - the US, Latin America and Asia remain largely absent,” said Pascal Diotl who oversees the programme with Savina Neirotti.
With long-haul travel to Europe remaining complicated, the Vpb is running as a hybrid physical and...
- 9/2/2021
- by Melanie Goodfellow
- ScreenDaily
A thought-provoking film about the importance of architecture by three-time Oscar nominee Wim Wenders, and an investigative documentary about the troubled life and times of Egyptian heart-throb Omar Sharif are among 30 feature film projects to be pitched as part of the 8th edition of the Venice Gap-Financing Market, which runs Sept. 3-5 at the Venice Film Festival.
The projects, which all have at least 70% of their funding in place already, include the works of many other leading filmmakers, such as Fien Troch, Martin Rejtman, Jean-Gabriel Periot, Marjana Karanović, Aditya Vikram Sengupta and Simone Jaquemet.
Wenders’ documentary “The Secret of Places” investigates the role played by architecture in our everyday lives. It takes viewers on a tour of architect Peter Zumthor’s best-known buildings, and accompanies him during the construction of two recent creations – the new Los Angeles County Museum of Art and the extension of the Fondation Beyeler in Basel.
The projects, which all have at least 70% of their funding in place already, include the works of many other leading filmmakers, such as Fien Troch, Martin Rejtman, Jean-Gabriel Periot, Marjana Karanović, Aditya Vikram Sengupta and Simone Jaquemet.
Wenders’ documentary “The Secret of Places” investigates the role played by architecture in our everyday lives. It takes viewers on a tour of architect Peter Zumthor’s best-known buildings, and accompanies him during the construction of two recent creations – the new Los Angeles County Museum of Art and the extension of the Fondation Beyeler in Basel.
- 8/5/2021
- by Leo Barraclough
- Variety Film + TV
Fund CEO Koen Van Bockstal divulges details of new treaty.
Koen Van Bockstal, the new CEO of the Flanders Audiovisual Fund (Vaf), has unveiled details in Cannes of a new co-production treaty between Flanders and Jordan.
One Flemish Belgian film is already shooting in Jordan: Rebel, produced by Caviar. This is a coming-of-age story about a family torn apart over a little boy’s future. It is directed by Adil El Arbi and Bilall Fallah (pictured), the filmmakers behind Bad Boys For Life – the top-grossing Hollywood film of last year. The Vaf is one of the major investors in the project.
Koen Van Bockstal, the new CEO of the Flanders Audiovisual Fund (Vaf), has unveiled details in Cannes of a new co-production treaty between Flanders and Jordan.
One Flemish Belgian film is already shooting in Jordan: Rebel, produced by Caviar. This is a coming-of-age story about a family torn apart over a little boy’s future. It is directed by Adil El Arbi and Bilall Fallah (pictured), the filmmakers behind Bad Boys For Life – the top-grossing Hollywood film of last year. The Vaf is one of the major investors in the project.
- 7/10/2021
- by Geoffrey Macnab
- ScreenDaily
Juliette Schrameck, the well-respected former managing director of MK2 Films who joined Paris-based collective banner Agat Films in September 2020 as partner and producer, has already assembled a strong roster of international projects, including the next film by Lukas Dhont, the helmer of Cannes’ Golden Camera winning “Girl,” and Jenny Suen’s “Peaches.”
Other projects on Schrameck’s development slate include “Eat the Night,” a genre film by Caroline Poggi and Jonathan Vinel, “We Are All Strangers” by Anthony Chen and “Holly” by Fien Troch.
“Peaches,” a Hong Kong-set remake of “Daisies,” the 1966 Czech political comedy drama by Věra Chytilová, is being co-produced by Cate Blanchett and Coco Francini at Dirty Films U.S. and U.K. and Justine O in Taiwan. Suen is a Hong Kong filmmaker who made her feature debut with “The White Girl” (co-directed by Christopher Doyle), which premiered at the BFI fest.
“Peaches” will be set...
Other projects on Schrameck’s development slate include “Eat the Night,” a genre film by Caroline Poggi and Jonathan Vinel, “We Are All Strangers” by Anthony Chen and “Holly” by Fien Troch.
“Peaches,” a Hong Kong-set remake of “Daisies,” the 1966 Czech political comedy drama by Věra Chytilová, is being co-produced by Cate Blanchett and Coco Francini at Dirty Films U.S. and U.K. and Justine O in Taiwan. Suen is a Hong Kong filmmaker who made her feature debut with “The White Girl” (co-directed by Christopher Doyle), which premiered at the BFI fest.
“Peaches” will be set...
- 7/7/2021
- by Elsa Keslassy
- Variety Film + TV
Cannes Titles To Stream Online
A pair of documentaries selected for this year’s Cannes Classics program will screen for free on the festival’s website and on the Cine+ Dailymotion platform as of this evening (July 2) from 7pm local time. The two films, both just shy of one hour in length, are Daphné Baiwir’s The Rebellious Olivia de Havilland, a portrait of the famed actress who was the first female president of the Cannes jury in 1965, and Emmanuel Barnault’s Pieces Of Cannes, a look at the French festival’s 74-year history. The films will be available until July 4 at 10pm local time.
Venice Gap Financing Projects
Venice Film Festival has revealed the 30 projects that will take part in its Gap-Financing Market during this year’s industry-focused Production Bridge, running September 1-11. The event will offer filmmaking teams one-on-one meetings with international decision-makers. Among the selected titles are The Secret Of Places,...
A pair of documentaries selected for this year’s Cannes Classics program will screen for free on the festival’s website and on the Cine+ Dailymotion platform as of this evening (July 2) from 7pm local time. The two films, both just shy of one hour in length, are Daphné Baiwir’s The Rebellious Olivia de Havilland, a portrait of the famed actress who was the first female president of the Cannes jury in 1965, and Emmanuel Barnault’s Pieces Of Cannes, a look at the French festival’s 74-year history. The films will be available until July 4 at 10pm local time.
Venice Gap Financing Projects
Venice Film Festival has revealed the 30 projects that will take part in its Gap-Financing Market during this year’s industry-focused Production Bridge, running September 1-11. The event will offer filmmaking teams one-on-one meetings with international decision-makers. Among the selected titles are The Secret Of Places,...
- 7/2/2021
- by Tom Grater
- Deadline Film + TV
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