“Minari,” from Plan B and A24, is writer-director Lee Isaac Chung’s semi-autobiographical tale of a Korean-American family starting a new life in 1980s Arkansas. The characters, played by Steven Yeun, Yeri Han and Yuh-jung Youn, among others, live in a small mobile home on isolated patch of land; one of the challenges was to convey both the sense of home and the vast, green area. Praising his artisan team, Chung says, “This film wouldn’t have been possible without them. I think they know that, and I hope they get the recognition they deserve.”
Lachlan Milne, cinematographer
We talked about old Hollywood Westerns like “Giant” and “Big Country,” plus intimate family dramas, all the way from Ozu to “Force Majeure.” We were looking to bridge the gap between a big-land feeling, but contained in a small house. Lachie is from Australia and thought Arkansas would be dry; he didn...
Lachlan Milne, cinematographer
We talked about old Hollywood Westerns like “Giant” and “Big Country,” plus intimate family dramas, all the way from Ozu to “Force Majeure.” We were looking to bridge the gap between a big-land feeling, but contained in a small house. Lachie is from Australia and thought Arkansas would be dry; he didn...
- 2/11/2021
- by Tim Gray
- Variety Film + TV
The independent narrative and documentary directors and composers headed for the Sundance Institute and Skywalker Sound's Music and Sound Design Labs have been revealed. The Labs will take place at Skywalker Ranch in northern California. These labs offer a space for composers, directors and sound designers to collaborate on a film soundtrack, in a workshop setting under the guidance of top film composers and film music professionals as Creative Advisors. The Music and Sound Design Lab for narrative features goes down July 7 through 21, with the Lab for documentaries to follow on July 22 through 30. Creative Advisors this year include composers Jeff Beal, Todd Boekelheide, George S. Clinton, John Frizzell, Harry Gregson-Williams, Laura Karpman, and Anton Sanko; sound designers Chris Barnett, Pete Horner, Dennis Leonard, Tim Nielsen, Gary Rydstrom, Kent Sparling, and Randy Thom; Bmi Vice President, Doreen Ringer Ross; re-recording mixers Erik Foreman, Zach Martin and Brandon...
- 6/30/2015
- by Ryan Lattanzio
- Thompson on Hollywood
Sundance Institute and Skywalker Sound unveiled today the independent directors and composers selected for Sundance Institute Music and Sound Design Lab – Documentary. Set for September 15-23 at Skywalker Ranch in California’s Marin County, it’s the second of two music and sound design labs for 2014. Sundance Institute will host 15 residential labs this year, collectively representing 20 weeks of residency support and mentorship. Below are the artists and projects selected for the music and sound design docu lab:
Related:
Sundance Institute Creates 2014 Episodic Story Lab For TV & Online Writers
Sundance Institute Selects 12 Projects For Screenwriters Lab
Filmmakers
Marc Silver (director) / 3 1/2 Minutes: 3 1⁄2 Minutes dissects the shooting death of 17-year-old Jordan Davis, the aftermath of this tragedy and contradictions within the American criminal justice system.
Mike Day (director) / The Island and the Whales: The pilot whale hunters of the Nordic Faroe Islands believe that hunting is vital to their way of life, but...
Related:
Sundance Institute Creates 2014 Episodic Story Lab For TV & Online Writers
Sundance Institute Selects 12 Projects For Screenwriters Lab
Filmmakers
Marc Silver (director) / 3 1/2 Minutes: 3 1⁄2 Minutes dissects the shooting death of 17-year-old Jordan Davis, the aftermath of this tragedy and contradictions within the American criminal justice system.
Mike Day (director) / The Island and the Whales: The pilot whale hunters of the Nordic Faroe Islands believe that hunting is vital to their way of life, but...
- 8/21/2014
- by The Deadline Team
- Deadline
Take a look at the end credits of any given Sundance preemed title, and you’ll more than likely find the name of Michelle Satter in the “special thanks” portion. Just how all encompassing is the Sundance Institute support in helping spread filmmaker’s wings? With a whopping fifteen yearly labs, it goes without saying, that there are many folks that got a leg up thanks to Satter and co.
Fittingly and not surprisingly, the month of September is when the festival portion (programming) gets into high gear, and it’s also when the 2014 Sundance Institute Music & Sound Design Labs (Sundance Institute and Skywalker Sound) help out with the docu branch. Now in its second year, lucky folks Marc Silver, Mike Day, Anna Sandilands and Ewan McNicol, Bill Ross and Turner Ross (see pic of duo above) are being paired with some audibly cool folk.
Here is the press release...
Fittingly and not surprisingly, the month of September is when the festival portion (programming) gets into high gear, and it’s also when the 2014 Sundance Institute Music & Sound Design Labs (Sundance Institute and Skywalker Sound) help out with the docu branch. Now in its second year, lucky folks Marc Silver, Mike Day, Anna Sandilands and Ewan McNicol, Bill Ross and Turner Ross (see pic of duo above) are being paired with some audibly cool folk.
Here is the press release...
- 8/20/2014
- by Eric Lavallee
- IONCINEMA.com
Ira Sachs ("Keep the Lights On") returns to Sundance this year with his latest, "Love is Strange," starring Alfred Molina and John Lithgow as a gay married couple in New York, forced to live apart. Prior to its world premiere in Park City, Sachs provided Indiewire with an exclusive excerpt from his production diary chronicling the making of his film. He wrote the below entry while sound mixing the film at Skywalker Sound. At the sound mix at Skywalker Sound, a palatial campus owned by George Lucas on 4000 acres of land and hills (and vineyards) a half hour North of San Francisco. I’ve mixed all my films previously at the now defunct Sound One, in the Brill Building in the heart of Time Square, so the difference is striking. While I’m missing daily lunch in a booth at the Edison Hotel, I’m getting used to waking up...
- 1/10/2014
- by Ira Sachs
- Indiewire
A stray Chabrol, the next Juno and more Toni Servillo brilliance are among this year's hidden gems on the festival circuit. Hunt them down now before they're buried for ever
Home festivaling is one of the few perks of losing mobility through a back injury. What better way to cover 300+ screen events across the UK for Empire Online's Festivals & Seasons page than letting them come to you? Much festival fare falls squarely into the three-star category. But, every now and then, a disc arrives in the post containing a gem that leaves you wondering how the distributors missed it. So here's a personal selection of the festival favourites that have either failed to secure a UK release in 2009 or are not currently on the schedule for next year.
10) Let's Dance (dir. Noémie Lvovsky, France)
Festivals are invariably stuffed with quirky ensemble pieces, with Laís Bodanzky's superbly choreographed The Ballroom...
Home festivaling is one of the few perks of losing mobility through a back injury. What better way to cover 300+ screen events across the UK for Empire Online's Festivals & Seasons page than letting them come to you? Much festival fare falls squarely into the three-star category. But, every now and then, a disc arrives in the post containing a gem that leaves you wondering how the distributors missed it. So here's a personal selection of the festival favourites that have either failed to secure a UK release in 2009 or are not currently on the schedule for next year.
10) Let's Dance (dir. Noémie Lvovsky, France)
Festivals are invariably stuffed with quirky ensemble pieces, with Laís Bodanzky's superbly choreographed The Ballroom...
- 12/21/2009
- by David Parkinson
- The Guardian - Film News
[Editor's note: Esan premiered at Sundance]
Year: 2009
Release date: Unknown
Directors: Frazer Bradshaw
Writers: Frazer Bradshaw
IMDb: link
Trailer: link
Review by: cyberhal
Rating: 5.5 out of 10
Now that I am finally unemployed like everybody else, this is the kind of movie I suppose I should like. Experimental, thoughtful and downbeat, this is a portrait of Wayne (Jerry McDaniel), an unhappy carpenter in the middle of the kind of existentialist crisis that French philosopher Jean Paul Satre would have had wet dreams about. But with this topic, I honestly found the movie way too slow and even the visual originality wasn’t enough to make up for the fact almost nothing happens in the story. I am naturally drawn to the idea that consumerism is meaningless, and more than that, I reckon that the Government, corporations and society try to make us sign up for houses, marriage and consumerism just so that we shut up and stop dreaming for better things.
Year: 2009
Release date: Unknown
Directors: Frazer Bradshaw
Writers: Frazer Bradshaw
IMDb: link
Trailer: link
Review by: cyberhal
Rating: 5.5 out of 10
Now that I am finally unemployed like everybody else, this is the kind of movie I suppose I should like. Experimental, thoughtful and downbeat, this is a portrait of Wayne (Jerry McDaniel), an unhappy carpenter in the middle of the kind of existentialist crisis that French philosopher Jean Paul Satre would have had wet dreams about. But with this topic, I honestly found the movie way too slow and even the visual originality wasn’t enough to make up for the fact almost nothing happens in the story. I am naturally drawn to the idea that consumerism is meaningless, and more than that, I reckon that the Government, corporations and society try to make us sign up for houses, marriage and consumerism just so that we shut up and stop dreaming for better things.
- 3/2/2009
- QuietEarth.us
by indieWIRE (January 4, 2009) Editors Note: This is part of a series of interviews, conducted via email, profiling dramatic and documentary competition and American Spectrum directors who have films screening at the 2009 Sundance Film Festival.
Wayne has a job, a wife, two kids, and a house. He's living the American Dream. There's a fine line, however, between a dream and nightmare, and Wayne finds himself at odds with the life he has and preoccupied by the life he thinks he wants. He floats passively in a swirling sea inhabited by his emotionally unpredictable wife, his out-of-control young children, and his embattled friends, who have demons of their own. As things change for others, Wayne's life takes emotional turns, which are sometimes subtle and sometimes violent but never enough to shake him off the track he doesn't remember choosing.
Everything Strange and New
Director: Frazer Bradshaw
Screenwriter: Frazer Bradshaw
Executive Producers: Stephen Bannatyne,...
Wayne has a job, a wife, two kids, and a house. He's living the American Dream. There's a fine line, however, between a dream and nightmare, and Wayne finds himself at odds with the life he has and preoccupied by the life he thinks he wants. He floats passively in a swirling sea inhabited by his emotionally unpredictable wife, his out-of-control young children, and his embattled friends, who have demons of their own. As things change for others, Wayne's life takes emotional turns, which are sometimes subtle and sometimes violent but never enough to shake him off the track he doesn't remember choosing.
Everything Strange and New
Director: Frazer Bradshaw
Screenwriter: Frazer Bradshaw
Executive Producers: Stephen Bannatyne,...
- 1/5/2009
- by brian
- indieWIRE - People
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