- The shooting experience has been one of the best experiences of my career. It starts in the writer's room with the rich material we're given to work with. The producers, writers, and entire production staff are some of the best in the world at what they do. It is a privilege and an honor to participate in the documenting of a watershed moment in our city's illustrious history. (Working on HBO's Treme)
- When "Treme" was first announced, I was working for "The Dr. Phil Show" and "The Doctors" in post-production. I called Wendell Pierce, who I'd known from our days of competing in Little League baseball, and who has served as a professional mentor to me, and asked him if he could refer me for a writing gig on the show. Wendell told me that David Simon usually hired from within the circle of writers they've worked with in the past. (On trying to get a job on the writing staff of HBO's Treme)
- After watching the first season of "Treme," I told my producing partners in Los Angeles that I was going to New Orleans to be a part of this show. In fall 2010, as they were gearing up for season two, I auditioned for a role but didn't get the part. A few months later, in January 2011, I was called in to read for two other parts, and I got the part of Eugene Marsden. (On auditioning for HBO's Treme)
- [on working with director John Hillcoat on Triple 9] He knows exactly what he wants in a scene, but he gives you a lot of room to play, and take chances. John is the consummate gentleman and collaborator. It was one of the best experiences I've had working on a film.
- [on working with Guardians of the Galaxy director James Gunn] Not only is James is a very passionate storyteller, he is also a really wonderful human being. His focus and commitment is contagious. You want to run through walls for the man.
- [on working with a majority female crew on the feature film Different Worlds] This was my dream come true. Whenever I visualized directing and producing my first feature project, I'd always pictured having a very diverse crew. About 80% of the crew was female and I think for half of them, it was their first feature film experience in their respective positions. They were really awesome. I couldn't have asked for a better group of collaborators. We had a small crew and that contributed to the family atmosphere. Everyone had each other's back. I believe in having a fun but focused set.
- [on the difference of directing versus acting] I'm responsible for every aspect of the project {Different Worlds] as opposed to just learning my character's lines and arch as an actor. I have to know the arch of every character, and the story as a whole as well as logistics since I am also a producer on the project. As a director you literally have to eat, sleep and dream the film. I've spent thirty years in the industry working in various departments, so I know my way around a set, but it's a lot of moving parts to keep up with. I had a great crew so that helped immensely.
- Outer Banks Director Jonas Pate is like a gunslinger QB. He'll change things up at the last minute to raise the stakes of a scene. He always had his foot on the pedal to turn the tension up in season 2.
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