It’s expressive silent filmmaking at its best — Anthony Asquith vies with Alfred Hitchcock for direction in silent-era England. Elissa Landi and Brian Aherne meet in the Tube but become entangled in the jealous scheme of the jealous Cyril McLaglen. Restored just a few years back after being unavailable for generations, this is a beauty: the BFI gives it a full orchestral orchestra score, plus a second avant-garde ‘contextual audio’ track.
Underground
Blu-ray
Kino Classics / BFI
1928 / B&W / 1:33 silent ap. / 93 min. / Street Date April 23, 2019 / available through Kino Lorber / 29.95
Starring: Elissa Landi, Brian Aherne, Cyril McLaglen, Norah Baring.
Cinematography: Stanley Rodwell
Art Direction: Ian Campbell-Gray
Written and Directed by Anthony Asquith
If one was asked to come up with the name of a ‘tame’ English director, the answer a while back might have been Anthony Asquith, a privileged toff whose post-grad lark was to spend a year in Hollywood, learning all...
Underground
Blu-ray
Kino Classics / BFI
1928 / B&W / 1:33 silent ap. / 93 min. / Street Date April 23, 2019 / available through Kino Lorber / 29.95
Starring: Elissa Landi, Brian Aherne, Cyril McLaglen, Norah Baring.
Cinematography: Stanley Rodwell
Art Direction: Ian Campbell-Gray
Written and Directed by Anthony Asquith
If one was asked to come up with the name of a ‘tame’ English director, the answer a while back might have been Anthony Asquith, a privileged toff whose post-grad lark was to spend a year in Hollywood, learning all...
- 3/30/2019
- by Glenn Erickson
- Trailers from Hell
★★★★★ An unbroken crane shot in Shooting Stars' opening scene, tracking movie starlet Mae Feather (Annette Benson) as she wanders from her own ground-level film set into the first-floor set of her lover's, easily matches both Goodfellas' restaurant scene and the opening sequence of Orson Welles' Touch of Evil. It's an achievement made all the more impressive by both the technological limitations of the time and the fact that it was British director Anthony Asquith's debut film. Helping matters is Henry Harris and Stanley Rodwell's gorgeous cinematography, which uses expressionistic light and shadow that ironically plays with the boundaries between artificial sets and 'real' space, a theme that informs the film's central narrative. Indeed, Shooting Stars is at its most successful when it juxtaposes its stars' unhappy private lives with the artifice of public celebrity.
- 3/22/2016
- by CineVue UK
- CineVue
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