We're winding down the year-in-review game here at HitFix as 2014 draws to a close. For whatever reason I took a year off of the ballot/superlatives posts, but I'm back with those personal assessments of the best of the year, beginning today with my top picks across the Academy's 24 categories. Check back in tomorrow for a list of winners from this lot, as well as others in a slew of peripheral categories. And of course, feel free to let us know what your Oscar ballot would look like in the comments section below. (Oh, and naturally it goes without saying this post is living in a parallel reality where I'm not confined to a specific branch for nominations and reign supreme over all categories with selections for each.) We'll find out if the Academy agrees with any of this when the 87th annual Oscar nominations are announced on Jan. 15. *** Best...
- 12/30/2014
- by Kristopher Tapley
- Hitfix
Editor's Note: For the next ten days, we'll be featuring individual Team Experience Fyc's for various longshots in the Oscar race. We'll never repeat a film or category so we hope you enjoy the variety. And if you're lucky enough to be an AMPAS, HFPA, SAG, Critics Group voter, take note! Here's Amir on Under the Skin.
Generally speaking, if you drop the adjective Best and replace it with Most, you come to a better understanding of what the Academy Awards are often about.”
That statement is taken from Nick Davis’ review of The Lives of Others written several years ago, but it’s a sentiment I have not only shared, but have come to recognize as the defining element of my relationship with the Oscars, responsible for the bulk of my disagreements with their choices. Nick called the application of his theory to the visual effects category “self-explanatory” and...
Generally speaking, if you drop the adjective Best and replace it with Most, you come to a better understanding of what the Academy Awards are often about.”
That statement is taken from Nick Davis’ review of The Lives of Others written several years ago, but it’s a sentiment I have not only shared, but have come to recognize as the defining element of my relationship with the Oscars, responsible for the bulk of my disagreements with their choices. Nick called the application of his theory to the visual effects category “self-explanatory” and...
- 12/3/2014
- by Amir S.
- FilmExperience
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