Warning: contains spoilers for The Gold episodes 1 – 6.
In the final moments of BBC drama The Gold, the special taskforce investigators come to a ground-shaking realisation: all this time, they’ve only been chasing half of the swag, £13 million of the £26 million’s worth of bullion stolen in the infamous 1983 Brink’s-Mat bullion robbery. By 1986 they’d put away a handful of villains who committed or profited from the heist, but that was far from the extent of it. “Where do we start?” asks Di Brightwell. “At the beginning,” answers Dci Boyce.
It remains to be seen if The Gold will return to BBC One to tell the rest of the Brink’s-Mat story, but if does, there’s plenty of material. The investigation has continued decades after the event, as the cash was followed into international drug imports, original convictions were spent, and several suspects were killed in gangland executions years later.
In the final moments of BBC drama The Gold, the special taskforce investigators come to a ground-shaking realisation: all this time, they’ve only been chasing half of the swag, £13 million of the £26 million’s worth of bullion stolen in the infamous 1983 Brink’s-Mat bullion robbery. By 1986 they’d put away a handful of villains who committed or profited from the heist, but that was far from the extent of it. “Where do we start?” asks Di Brightwell. “At the beginning,” answers Dci Boyce.
It remains to be seen if The Gold will return to BBC One to tell the rest of the Brink’s-Mat story, but if does, there’s plenty of material. The investigation has continued decades after the event, as the cash was followed into international drug imports, original convictions were spent, and several suspects were killed in gangland executions years later.
- 2/13/2023
- by Louisa Mellor
- Den of Geek
Tommy Morgan, a harmonica soloist who contributed to hundreds of movie and TV shows including “Roots” and “Dances With Wolves,” died June 23. He was 89.
Morgan played on film soundtracks and record dates going back to the early 1950s. His estimated 7,000 recording sessions, according to statistics on his website, suggest that more people have heard his harmonica work than that of any other player of the instrument.
That’s Morgan’s harmonica on Quincy Jones’ “Sanford and Son” theme, Mike Post’s “Rockford Files” theme and the scores for numerous shows including “Maverick,” “The Waltons,” “The Dukes of Hazzard,” “China Beach,” “Buffy the Vampire Slayer” and “Family Guy.”
He played on the Emmy-winning score for “Roots” and its sequel, “Roots: The Next Generations.” And his bass harmonica was the signature sound of Arnold Ziffel, the pig on “Green Acres.”
In addition, Morgan played on dozens of classic films including “Seven Brides for Seven Brothers,...
Morgan played on film soundtracks and record dates going back to the early 1950s. His estimated 7,000 recording sessions, according to statistics on his website, suggest that more people have heard his harmonica work than that of any other player of the instrument.
That’s Morgan’s harmonica on Quincy Jones’ “Sanford and Son” theme, Mike Post’s “Rockford Files” theme and the scores for numerous shows including “Maverick,” “The Waltons,” “The Dukes of Hazzard,” “China Beach,” “Buffy the Vampire Slayer” and “Family Guy.”
He played on the Emmy-winning score for “Roots” and its sequel, “Roots: The Next Generations.” And his bass harmonica was the signature sound of Arnold Ziffel, the pig on “Green Acres.”
In addition, Morgan played on dozens of classic films including “Seven Brides for Seven Brothers,...
- 7/2/2022
- by Jon Burlingame
- Variety Film + TV
'If your reviews are good, you think, "Tonight I will go on repeating my brilliant performance." It's theatrical death'
What got you started?
Meeting Scottish variety star Tommy Morgan at the Palace theatre in Dundee when I was five. My uncle was a friend of the stage manager, so he took me backstage. I watched Tommy take his makeup off, fascinated by his transformation from the creature I'd seen under the lights, to an ordinary person like me.
What have you sacrificed for your art?
When Jonathan Kent and I ran the Almeida [in London] for about 13 years, we gave up everything: running a theatre is a 24-hour-a-day job.
If government funding was withdrawn, how would theatre evolve to cope?
It would cope somehow, because theatre always does: so many people just have to do it. One way could be to start using churches as theatres. They're not open 24 hours a day...
What got you started?
Meeting Scottish variety star Tommy Morgan at the Palace theatre in Dundee when I was five. My uncle was a friend of the stage manager, so he took me backstage. I watched Tommy take his makeup off, fascinated by his transformation from the creature I'd seen under the lights, to an ordinary person like me.
What have you sacrificed for your art?
When Jonathan Kent and I ran the Almeida [in London] for about 13 years, we gave up everything: running a theatre is a 24-hour-a-day job.
If government funding was withdrawn, how would theatre evolve to cope?
It would cope somehow, because theatre always does: so many people just have to do it. One way could be to start using churches as theatres. They're not open 24 hours a day...
- 8/23/2010
- by Laura Barnett
- The Guardian - Film News
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