Exclusive: The Hideaway Entertainment and Fictionz have partnered to launch the podcast series Blue Is for Nightmares, based on Laurie Faria Stolarz’s bestselling YA witchcraft book series, and will also develop the books for TV.
Each of of the books in Stolarz’s series—White is for Magic, Silver is for Secrets, Red is for Remembrance and Black is for Beginnings—follow the adventures of Stacey Brown, a young witch with psychic powers. In the Blue is for Nightmares podcast, Stacey (Meghan Rienks) has terrifying nightmares that come true, and uses the magic handed down from previous generations to investigate murders and other crimes and disappearances, all while dealing with the drama of being a teen at a prestigious boarding school. (Listen to the trailer here.) Stephanie Wu (Two Year Man) adapted the scripts, with Andres Rosende (Jane Anonymous) directing. The podcast’s first episode will premiere June 30th...
Each of of the books in Stolarz’s series—White is for Magic, Silver is for Secrets, Red is for Remembrance and Black is for Beginnings—follow the adventures of Stacey Brown, a young witch with psychic powers. In the Blue is for Nightmares podcast, Stacey (Meghan Rienks) has terrifying nightmares that come true, and uses the magic handed down from previous generations to investigate murders and other crimes and disappearances, all while dealing with the drama of being a teen at a prestigious boarding school. (Listen to the trailer here.) Stephanie Wu (Two Year Man) adapted the scripts, with Andres Rosende (Jane Anonymous) directing. The podcast’s first episode will premiere June 30th...
- 6/10/2022
- by Matt Grobar
- Deadline Film + TV
Exclusive: Fictionz, a female-centric narrative podcast subscription app, is launching in mid-October with dramas featuring Judy Greer (Halloween Kills) as a manic Hollywood agent, Jeanine Mason (Roswell: New Mexico), Max Greenfield (The Neighborhood), and Michael Trevino (Roswell: New Mexico).
Also voicing content are Meghan Reinks (The Honor List), Bahni Turpin (The Help), Sierra Swartz (Cheaper by the Dozen), Kylie Sparks (Squaresville), Adam J. Harrington (Bosch), and musicians Kori Withers, Soufia Toufa, and Chester See (Rock of Ages).
Run by former Untitled Entertainment and Relativity Media exec Kendall Rhodes of Paraluman Media and finance partner Greg Lawrance of Ready Go Ventures, the company is adapting short stories and originals into narrative audio stories that put diverse female protagonists at the forefront. The dramas are predominantly written by female authors and directed by women.
Releasing a new series every two weeks, the first seasons of each series will run between three...
Also voicing content are Meghan Reinks (The Honor List), Bahni Turpin (The Help), Sierra Swartz (Cheaper by the Dozen), Kylie Sparks (Squaresville), Adam J. Harrington (Bosch), and musicians Kori Withers, Soufia Toufa, and Chester See (Rock of Ages).
Run by former Untitled Entertainment and Relativity Media exec Kendall Rhodes of Paraluman Media and finance partner Greg Lawrance of Ready Go Ventures, the company is adapting short stories and originals into narrative audio stories that put diverse female protagonists at the forefront. The dramas are predominantly written by female authors and directed by women.
Releasing a new series every two weeks, the first seasons of each series will run between three...
- 9/24/2021
- by Andreas Wiseman
- Deadline Film + TV
Countless directors have contended with the curse of the sophomore slump, but the saga of “Southland Tales” exists in a category of its own. Five years after his cult hit “Donnie Darko” established the filmmaker’s unique, surrealistic sci-fi voice, the filmmaker’s large-scale follow-up broke all the rules. Maligned at Cannes in 2006 when it premiered in an unfinished version, “Southland Tales” went back to the editing room, lost 20 minutes, and stumbled into theaters later in the year. Now, a new Blu-ray release from Arrow Video has brought the 160-minute Cannes cut to the public for the first time, and with it, an opportunity to fully assess one of the strangest American movies of this young century.
An audacious near-future pop fever dream under the guise of blockbuster aesthetics, “Southland Tales” starred Dwayne “The Rock” Johnson as a movie star who keeps forgetting his past, Sarah Michelle Gellar as a...
An audacious near-future pop fever dream under the guise of blockbuster aesthetics, “Southland Tales” starred Dwayne “The Rock” Johnson as a movie star who keeps forgetting his past, Sarah Michelle Gellar as a...
- 1/27/2021
- by Eric Kohn
- Indiewire
Exclusive: Former Untitled Entertainment and Relativity Media exec Kendall Rhodes has launched Paraluman Media, a management and production boutique specializing in digital and entertainment.
Paraluman will be a 360 talent management company, developing and producing content for all platforms while securing brand partnerships, business building and consulting on social media strategy.
Rhodes represents a number of artists and social media influencers including actors, directors, producers and multi-platform creators. Her client roster includes Yousef Erakat, aka Fousey, from Tyler Perry’s Boo (1 and 2)! who counts north of 14M subs on YouTube; actors Stella Hudgens and Sophia Esperanza who respectively count Instagram followers of 1M and 3M+; Lifestyle creator, Meghan Rienks, who produced and starred in the Lionsgate movie The Honor List and has a reach of 5M+ on social media; YouTuber Lily Marston, who starred in YouTube’s BeautyBreak and recently started her own channel and network; filmmaker Caryn Waechter (Deadcon); Tony E.
Paraluman will be a 360 talent management company, developing and producing content for all platforms while securing brand partnerships, business building and consulting on social media strategy.
Rhodes represents a number of artists and social media influencers including actors, directors, producers and multi-platform creators. Her client roster includes Yousef Erakat, aka Fousey, from Tyler Perry’s Boo (1 and 2)! who counts north of 14M subs on YouTube; actors Stella Hudgens and Sophia Esperanza who respectively count Instagram followers of 1M and 3M+; Lifestyle creator, Meghan Rienks, who produced and starred in the Lionsgate movie The Honor List and has a reach of 5M+ on social media; YouTuber Lily Marston, who starred in YouTube’s BeautyBreak and recently started her own channel and network; filmmaker Caryn Waechter (Deadcon); Tony E.
- 12/18/2019
- by Anthony D'Alessandro
- Deadline Film + TV
Warner Independent Pictures and Cherry Road Films have optioned the rights to Italian U.N. Diplomat Giandomenico Picco's memoir Man Without a Gun. Stuart Beattie (Collateral) has been tapped to adapt. The book, published by Crown in 1999, chronicles Picco's 20-year-plus career as a high-level diplomat helping to negotiate the Soviet withdrawal from Afghanistan and to bring an end to the Iran-Iraq war. The story also follows Picco's role in resolving the Lebanon hostage crisis, which involved dangerous direct negotiations with the kidnappers in Beirut. Cherry Road principals Bo Hyde and Kendall Morgan will executive produce.
Dwayne "The Rock" Johnson will star opposite Seann William Scott and Sarah Michelle Gellar in Richard Kelly's Southland Tales. Sean McKittrick will produce under the Darko Entertainment banner he co-founded with Kelly, along with Cherry Road Film principals Bo Hyde and Kendall Morgan. Southland is an ensemble piece set in the futuristic landscape of Los Angeles on July 4, 2008, as it stands on the brink of social, economic and environmental disaster. Johnson will star as Boxer Santaros, an action star stricken with amnesia whose life intertwines with Krysta Now (Gellar), an adult film star developing her own reality television project, and David Clark (Scott), a Hermosa Beach police officer who holds the key to a vast conspiracy.
- 4/21/2005
- The Hollywood Reporter - Movie News
Even when grief is overwhelming, funerals can be absurd gatherings full of awkward drama and unintentionally funny ritual by rote. In the case of Eulogy, writer-director Michael Clancy's feature debut, there's no troublesome sadness to get in the way of the quirk factor. Character eccentricities and off-kilter group dynamics play out with a comic vengeance.
Although this black comedy doesn't always achieve its intended laughs and sometimes pushes too hard for them, at its best it offers droll glimpses of the cosmic abyss that often serves as a family's connective tissue. The terrific ensemble cast finds the right deadpan tone to deliver the dysfunction. The presence of Debra Winger will up the draw for niche theatrical audiences, and Eulogy should enjoy a long afterlife on home video.
Unshowy tech contributions, led by DP Michael Chapman (Raging Bull) and editor Richard Halsey (Rocky), put the actors front and center in this concise comic portrait of a clan numbed by disappointment. Winger plays Alice, the oldest, loudest and angriest of the four Collins siblings, returning home to Rhode Island for the funeral of the father they barely knew (Rip Torn). His passing barely dents their self-centered orbits, and even his widow (Piper Laurie) responds with a vacant impassiveness, notwithstanding a couple of badly misfired suicide attempts.
The unlikely voice of sanity and compassion within the sorry lot is college student Kate (Zooey Deschanel, exuding practicality and emotional translucence). When she's not struggling to write the eulogy her clear-eyed grandmother requested, she's avoiding neighbor Ryan (Jesse Bradford), confused over the romantic turn their lifelong summer friendship has taken.
Kate's father, Dan (Hank Azaria), is an adult-film actor looking through a cannabis haze for his big break, having reached his show business zenith in a peanut butter commercial at age 8. Skip (Ray Romano) is a lawyer of sorts with a most unfortunate mustache, and adolescent twins (Curtis and Keith Garcia) who, when they're not being plain evil, toss around sex-talk swagger as though they've listened to Howard Stern one too many times.
The twins take a sudden interest in the gathering when their feisty aunt Lucy (Kelly Preston) shows up with her easygoing "life partner," Judy (Famke Janssen). This rather forced self-introduction is the first sign that Clancy is going to use the lesbian relationship a bit too insistently. While Alice's three children cower in silence and her husband (Mark Harelik) burbles incoherently, she all but puts Lucy and Judy on trial. By the time they announce their wedding plans, you can only wonder why the brides-to-be would want this variously mean-spirited and clueless bunch at the festivities.
But the utter irrationality of family is Clancy's point. It's no wonder Grandma sees no reason to explain her eagerness to check out. And while her suicide attempts aren't as, well, funny as they're meant to be, they do land her in the inexpert care of a dippy nurse (Glenne Headly, in sweet ditz mode) who turns out to be a crucial figure from Alice's past.
As good as it is to see Winger onscreen, her character is too strident a conception, the explanation for her malice a bit too easy. But to Clancy's credit he doesn't try to tie it all up with a feel-good ending. The dark undercurrents remain as the Collinses bid Dad farewell. The twins are still obnoxious. And Romano's Skip is still sporting that mustache.
EULOGY
Lions Gate Films
A Myriad Pictures presentation in association with Ovation Entertainment, Equity Pictures Medienfonds and S.R.O. Entertainment AF
Credits:
Director-writer: Michael Clancy
Producers: Steven Haft, Richard B. Lewis, Kirk D'Amico
Executive producers: Lucas Foster, Kendall Morgan, Bo Hyde, Rory Rosegarten, Jonas McCord, Shelly Glasser
Director of photography: Michael Chapman
Production designer: Dina Lipton
Music: George S. Clinton
Co-producers: Stefan Jonas, Jeanne Van Cott
Costume designer: Tracy Tynan
Editor: Richard Halsey
Cast:
Daniel Collins: Hank Azaria
Ryan Carmichael: Jesse Bradford
Kate Collins: Zooey Deschanel
Samantha: Glenne Headly
Judy Arnolds: Famke Janssen
Grandma Collins: Piper Laurie
Lucy Collins: Kelly Preston
Skip Collins: Ray Romano
Grandpa Collins: Rip Torn
Alice Collins: Debra Winger
Burt: Mark Harelik
Parson Banke: Rene Auberjonois
MPAA rating: R
Running time -- 85 minutes...
Although this black comedy doesn't always achieve its intended laughs and sometimes pushes too hard for them, at its best it offers droll glimpses of the cosmic abyss that often serves as a family's connective tissue. The terrific ensemble cast finds the right deadpan tone to deliver the dysfunction. The presence of Debra Winger will up the draw for niche theatrical audiences, and Eulogy should enjoy a long afterlife on home video.
Unshowy tech contributions, led by DP Michael Chapman (Raging Bull) and editor Richard Halsey (Rocky), put the actors front and center in this concise comic portrait of a clan numbed by disappointment. Winger plays Alice, the oldest, loudest and angriest of the four Collins siblings, returning home to Rhode Island for the funeral of the father they barely knew (Rip Torn). His passing barely dents their self-centered orbits, and even his widow (Piper Laurie) responds with a vacant impassiveness, notwithstanding a couple of badly misfired suicide attempts.
The unlikely voice of sanity and compassion within the sorry lot is college student Kate (Zooey Deschanel, exuding practicality and emotional translucence). When she's not struggling to write the eulogy her clear-eyed grandmother requested, she's avoiding neighbor Ryan (Jesse Bradford), confused over the romantic turn their lifelong summer friendship has taken.
Kate's father, Dan (Hank Azaria), is an adult-film actor looking through a cannabis haze for his big break, having reached his show business zenith in a peanut butter commercial at age 8. Skip (Ray Romano) is a lawyer of sorts with a most unfortunate mustache, and adolescent twins (Curtis and Keith Garcia) who, when they're not being plain evil, toss around sex-talk swagger as though they've listened to Howard Stern one too many times.
The twins take a sudden interest in the gathering when their feisty aunt Lucy (Kelly Preston) shows up with her easygoing "life partner," Judy (Famke Janssen). This rather forced self-introduction is the first sign that Clancy is going to use the lesbian relationship a bit too insistently. While Alice's three children cower in silence and her husband (Mark Harelik) burbles incoherently, she all but puts Lucy and Judy on trial. By the time they announce their wedding plans, you can only wonder why the brides-to-be would want this variously mean-spirited and clueless bunch at the festivities.
But the utter irrationality of family is Clancy's point. It's no wonder Grandma sees no reason to explain her eagerness to check out. And while her suicide attempts aren't as, well, funny as they're meant to be, they do land her in the inexpert care of a dippy nurse (Glenne Headly, in sweet ditz mode) who turns out to be a crucial figure from Alice's past.
As good as it is to see Winger onscreen, her character is too strident a conception, the explanation for her malice a bit too easy. But to Clancy's credit he doesn't try to tie it all up with a feel-good ending. The dark undercurrents remain as the Collinses bid Dad farewell. The twins are still obnoxious. And Romano's Skip is still sporting that mustache.
EULOGY
Lions Gate Films
A Myriad Pictures presentation in association with Ovation Entertainment, Equity Pictures Medienfonds and S.R.O. Entertainment AF
Credits:
Director-writer: Michael Clancy
Producers: Steven Haft, Richard B. Lewis, Kirk D'Amico
Executive producers: Lucas Foster, Kendall Morgan, Bo Hyde, Rory Rosegarten, Jonas McCord, Shelly Glasser
Director of photography: Michael Chapman
Production designer: Dina Lipton
Music: George S. Clinton
Co-producers: Stefan Jonas, Jeanne Van Cott
Costume designer: Tracy Tynan
Editor: Richard Halsey
Cast:
Daniel Collins: Hank Azaria
Ryan Carmichael: Jesse Bradford
Kate Collins: Zooey Deschanel
Samantha: Glenne Headly
Judy Arnolds: Famke Janssen
Grandma Collins: Piper Laurie
Lucy Collins: Kelly Preston
Skip Collins: Ray Romano
Grandpa Collins: Rip Torn
Alice Collins: Debra Winger
Burt: Mark Harelik
Parson Banke: Rene Auberjonois
MPAA rating: R
Running time -- 85 minutes...
- 10/29/2004
- The Hollywood Reporter - Movie News
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