"You can look away, or you can risk your life and expose it to the whole world." Signature Entertainment in the UK has released the official UK trailer for this Slovak WWII thriller The Auschwitz Escape, also known as The Auschwitz Report, inspired by the novel "What Dante Did Not See" by Alfred Wetzler. This is the true story of Freddy and Walter - two young Slovak Jews, who were deported to Auschwitz in 1942. On 10 April 1944, after meticulous planning and with the help and the resilience of their inmates, they manage to escape. They managed to return to Slovakia, but the report they wrote seemed too unbelievable to be true, despite providing direct evidence of what they had experienced. Noel Czuczor & Peter Ondrejicka star as Freddy & Walter, and the extensive cast includes John Hannah, Wojciech Mecwaldowski, Jacek Beler, Michal Rezný, Kamil Nozynski, Aleksander Mincer, and Christoph Bach. This looks better...
- 5/16/2021
- by Alex Billington
- firstshowing.net
In Darkness
Written by David F. Shamoon
Directed by Agnieszka Holland
Poland / Germany / France / Canada, 2011
When Claude Lanzmann was developing his landmark nine-hour Holocaust documentary Shoah, his greatest self-appointed challenge was to chronicle the facts and lasting legacy of the massacring of millions of people while avoiding even the slightest intimation that the events described could be easily encapsulated within a mere film, regardless of length or scope. Lanzmann’s film is still the object of study and appreciation is cineaste circles, but in general, filmmakers haven’t been nearly as skittish as Lanzmann in tackling what he considered to be insurmountable. In the nearly two decades since that film’s release, Holocaust movies have grown into an awards-season cliché, often derided as exploiting human tragedy in order to showcase performances in the service of awards-hungry studios. It’s in this context that one will inevitably view Agnieszka Holland’s In Darkness; in this instance.
Written by David F. Shamoon
Directed by Agnieszka Holland
Poland / Germany / France / Canada, 2011
When Claude Lanzmann was developing his landmark nine-hour Holocaust documentary Shoah, his greatest self-appointed challenge was to chronicle the facts and lasting legacy of the massacring of millions of people while avoiding even the slightest intimation that the events described could be easily encapsulated within a mere film, regardless of length or scope. Lanzmann’s film is still the object of study and appreciation is cineaste circles, but in general, filmmakers haven’t been nearly as skittish as Lanzmann in tackling what he considered to be insurmountable. In the nearly two decades since that film’s release, Holocaust movies have grown into an awards-season cliché, often derided as exploiting human tragedy in order to showcase performances in the service of awards-hungry studios. It’s in this context that one will inevitably view Agnieszka Holland’s In Darkness; in this instance.
- 2/18/2012
- by Simon Howell
- SoundOnSight
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