Portuguese visual artist Catarina Vasconcelos’s debut is a gorgeously shot fictionalised documentary about longing and loss
Films about dysfunctional families often call to mind Tolstoy’s line from the opening of Anna Karenina: “Happy families are all alike; every unhappy family is unhappy in its own way.” It struck me that the opposite might be true watching this thoughtful, gentle debut from the Portuguese visual artist Catarina Vasconcelos: a lyrical, introspective love letter to her family, gorgeously shot on 16mm.
It’s a kind of fictionalised art documentary that for the first hour or so is essentially about Vasconcelos’s grandparents’ life together. It begins with her elderly grandfather Henrique (played by José Manuel Mendes) moving into residential care. In voiceover Henrique talks tenderly to his wife, Beatriz, who died of a stroke in 1984. He was a sailor by trade, away at sea for long stretches of married...
Films about dysfunctional families often call to mind Tolstoy’s line from the opening of Anna Karenina: “Happy families are all alike; every unhappy family is unhappy in its own way.” It struck me that the opposite might be true watching this thoughtful, gentle debut from the Portuguese visual artist Catarina Vasconcelos: a lyrical, introspective love letter to her family, gorgeously shot on 16mm.
It’s a kind of fictionalised art documentary that for the first hour or so is essentially about Vasconcelos’s grandparents’ life together. It begins with her elderly grandfather Henrique (played by José Manuel Mendes) moving into residential care. In voiceover Henrique talks tenderly to his wife, Beatriz, who died of a stroke in 1984. He was a sailor by trade, away at sea for long stretches of married...
- 3/7/2022
- by Cath Clarke
- The Guardian - Film News
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