Stars: Virginie Ledoyen, Cyprien Fouquet, Jean-Pierre Darroussin, László Szabó, Smaïl Mekki | Written and Directed by Olivier Assayas
This 1994 film from Olivier Assayas (known recently for Clouds of Sils Maria and Personal Shopper) ends ambiguously, with a blank piece of paper. It’s an image that aptly sums up this intriguing yet frustrating film as a whole: a work of countless questions and precious few answers, as esoteric as something from the 1970s period of its setting. It’s like a Michelangelo Antonioni art piece, except shot by John Cassavetes. If we’re meant to come away feeling as ill-informed as its teenage antiheroes then I guess Cold Water has succeeded as art.
The production design and the film stock produces a stunning evocation of the early ‘70s. We’re never told the time period explicitly – we just know. Early on, Assayas shoots with handheld immediacy, employing close-ups and deliberately awkward framing,...
This 1994 film from Olivier Assayas (known recently for Clouds of Sils Maria and Personal Shopper) ends ambiguously, with a blank piece of paper. It’s an image that aptly sums up this intriguing yet frustrating film as a whole: a work of countless questions and precious few answers, as esoteric as something from the 1970s period of its setting. It’s like a Michelangelo Antonioni art piece, except shot by John Cassavetes. If we’re meant to come away feeling as ill-informed as its teenage antiheroes then I guess Cold Water has succeeded as art.
The production design and the film stock produces a stunning evocation of the early ‘70s. We’re never told the time period explicitly – we just know. Early on, Assayas shoots with handheld immediacy, employing close-ups and deliberately awkward framing,...
- 9/11/2018
- by Rupert Harvey
- Nerdly
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