Karim Aïnouz is following up his 2023 English-language debut “Firebrand” with a return to his Brazilian roots.
For his second consecutive Cannes premiere, Aïnouz helmed erotic thriller “Motel Destino” which will screen in competition at the festival. “Motel Destino” is Aïnouz’s sixth Cannes premiere, with his 2019 feature “Invisible Life” winning the Un Certain Regard award.
“Motel Destino” stars Iago Xavier and Nataly Rocha, who were selected from an extensive casting process, and renowned Brazilian actor Fabio Assunção. The official synopsis reads: “The neon-hued Motel Destino is a roadside sex hotel under the burning blue skies of the Northeastern coast of Brazil, run by the boorish Elias and his frustrated, beautiful wife Dayana. When 21-year-old Heraldo finds himself at the motel, after messing up a hit and going on the run from both the police and the gang he let down, Dayana finds herself intrigued and lets him stay. As the...
For his second consecutive Cannes premiere, Aïnouz helmed erotic thriller “Motel Destino” which will screen in competition at the festival. “Motel Destino” is Aïnouz’s sixth Cannes premiere, with his 2019 feature “Invisible Life” winning the Un Certain Regard award.
“Motel Destino” stars Iago Xavier and Nataly Rocha, who were selected from an extensive casting process, and renowned Brazilian actor Fabio Assunção. The official synopsis reads: “The neon-hued Motel Destino is a roadside sex hotel under the burning blue skies of the Northeastern coast of Brazil, run by the boorish Elias and his frustrated, beautiful wife Dayana. When 21-year-old Heraldo finds himself at the motel, after messing up a hit and going on the run from both the police and the gang he let down, Dayana finds herself intrigued and lets him stay. As the...
- 4/11/2024
- by Samantha Bergeson
- Indiewire
Chicago – One of the heralded auteur filmmakers of the recent decade is Alice Rohrwacher. The Italian director joins her cinema forebears like Pier Paolo Pasolini and Federico Fellini, both of which she’s been favorable compared to, in creating unique and personal stories that resonant beyond their narrative. Her latest, opening at Chicago’s Music Box Theatre on April 5th, is “La Chimera.”
Rating: 5.0/5.0
Based on her memories as a child of Italy, the term “La Chimera” represents a pursuit that individuals have in the back of their minds and their lives that they somehow find elusive. Rohrwacher puts this in the context of a petty thief and English-speaking expatriate named Arthur (Josh O’Connor), out of jail but reverting back to his skill as a tomb raider for ancient Estrucian artifacts … in the 1980s this was a mania in Italy. His gang is looking for a quick score, but he...
Rating: 5.0/5.0
Based on her memories as a child of Italy, the term “La Chimera” represents a pursuit that individuals have in the back of their minds and their lives that they somehow find elusive. Rohrwacher puts this in the context of a petty thief and English-speaking expatriate named Arthur (Josh O’Connor), out of jail but reverting back to his skill as a tomb raider for ancient Estrucian artifacts … in the 1980s this was a mania in Italy. His gang is looking for a quick score, but he...
- 4/5/2024
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Justine Triet’s Anatomy Of A Fall continued its prize-winning run on Monday at France’s 29th Lumière Awards clinching Best Film and Best Screenplay, while its German star Sandra Hüller won Best Actress.
The Lumières fete the best films, performances and technical achievements of French cinema across 13 categories.
The French equivalent of the Golden Globes, they are voted on by the Académie des Lumières which is made up of France-based international journalists representing 36 countries.
In other key prizes, Thomas Cailley won Best Director for Cannes 2023 Un Certain Regard opener The Animal Kingdom, while Arieh Worthalter won Best Actor for his performance in Cédric Khan’s Cannes Directors’ Fortnight opener The Goldman Case.
Triet’s Cannes Palme d’Or winner Anatomy of a Fall, which was nominated in six Lumière categories, is on an award-winning streak.
The movie swept the board at the European Film Awards in Berlin last December...
The Lumières fete the best films, performances and technical achievements of French cinema across 13 categories.
The French equivalent of the Golden Globes, they are voted on by the Académie des Lumières which is made up of France-based international journalists representing 36 countries.
In other key prizes, Thomas Cailley won Best Director for Cannes 2023 Un Certain Regard opener The Animal Kingdom, while Arieh Worthalter won Best Actor for his performance in Cédric Khan’s Cannes Directors’ Fortnight opener The Goldman Case.
Triet’s Cannes Palme d’Or winner Anatomy of a Fall, which was nominated in six Lumière categories, is on an award-winning streak.
The movie swept the board at the European Film Awards in Berlin last December...
- 1/22/2024
- by Melanie Goodfellow
- Deadline Film + TV
France’s awards season has officially kicked off with Justine Triet’s “Anatomy of a Fall” landing six nominations at the Lumières Awards, including best film and director.
The courtroom drama, which won the Palme d’Or at Cannes, is the season’s frontrunner. The Lumières are voted on by Paris-based correspondents working for foreign outlets across 36 countries.
Sandra Huller, who stars in the film as a German novelist put on trial after her French husband dies mysteriously, is nominated for best actress, while Milo Machado Graner, who plays her astute, low-vision son, is nominated for best male newcomer.
“Anatomy of Fall” has been on a roll, garnering a raft of international prizes at the European Film Awards, Gothams, as well as Los Angeles and the New York Film Critics Circle Awards, along with four Golden Globe nominations for best film, screenplay, actress and foreign film. The movie that was...
The courtroom drama, which won the Palme d’Or at Cannes, is the season’s frontrunner. The Lumières are voted on by Paris-based correspondents working for foreign outlets across 36 countries.
Sandra Huller, who stars in the film as a German novelist put on trial after her French husband dies mysteriously, is nominated for best actress, while Milo Machado Graner, who plays her astute, low-vision son, is nominated for best male newcomer.
“Anatomy of Fall” has been on a roll, garnering a raft of international prizes at the European Film Awards, Gothams, as well as Los Angeles and the New York Film Critics Circle Awards, along with four Golden Globe nominations for best film, screenplay, actress and foreign film. The movie that was...
- 12/15/2023
- by Elsa Keslassy
- Variety Film + TV
Justine Triet’s Anatomy Of A Fall is the frontrunner for France’s Lumiere awards, the country’s answer to the Golden Globes, with 6 nominations, including for best film and best director.
The courtroom drama, starring Sandra Hüller as a writer who may have murdered her husband, won the Palme d’Or in Cannes this year and swept the European Film Awards on the weekend, taking 5 trophies, including best film. Anatomy of Fall, a Neon release in the U.S., has been nominated for 4 Golden Globes.
Tran Anh Hung’s foodie period drama The Taste of Things, which was picked over Anatomy of a Fall as France’s country’s official Oscar contender in the best international feature category, received just one Lumiere nom, for best cinematography.
Another French courtroom drama, Cedric Kahn’s The Goldman Case, picked up 5 Lumiere noms, tying with Thomas Cailley’s sci-fi tale The Animal Kingdom.
The courtroom drama, starring Sandra Hüller as a writer who may have murdered her husband, won the Palme d’Or in Cannes this year and swept the European Film Awards on the weekend, taking 5 trophies, including best film. Anatomy of Fall, a Neon release in the U.S., has been nominated for 4 Golden Globes.
Tran Anh Hung’s foodie period drama The Taste of Things, which was picked over Anatomy of a Fall as France’s country’s official Oscar contender in the best international feature category, received just one Lumiere nom, for best cinematography.
Another French courtroom drama, Cedric Kahn’s The Goldman Case, picked up 5 Lumiere noms, tying with Thomas Cailley’s sci-fi tale The Animal Kingdom.
- 12/14/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Chicago – The 59th Chicago International Film Festival (Ciff) announced its competitive award winners on October 20th 2023, and the recipient of The Gold Hugo in the International Feature Film Competition – the festival’s top honor – is ‘Explanation for Everything” (directed by Gábor Reisz), a coming-of age story.
Picking up the Festival’s Silver Hugo in the International Feature Film competition is “The Delinquents” (directed by Rodrigo Moreno). In the New Directors Competition, Amr Gamal’s “The Burdened” takes the Gold Hugo and Ena Sendijarevic’s “Sweet Dreams” takes the Silver Hugo. The complete list of honorees is below.
“This year’s winning selections truly reflect a global perspective, giving audiences a glimpse into lives and lived experiences they might not have had the opportunity to explore before,” said Chicago International Film Festival Artistic Director Mimi Plauché. “Hailing from every region on the planet from Hungary to Mexico, Argentina to Yemen, Sudan to the U.
Picking up the Festival’s Silver Hugo in the International Feature Film competition is “The Delinquents” (directed by Rodrigo Moreno). In the New Directors Competition, Amr Gamal’s “The Burdened” takes the Gold Hugo and Ena Sendijarevic’s “Sweet Dreams” takes the Silver Hugo. The complete list of honorees is below.
“This year’s winning selections truly reflect a global perspective, giving audiences a glimpse into lives and lived experiences they might not have had the opportunity to explore before,” said Chicago International Film Festival Artistic Director Mimi Plauché. “Hailing from every region on the planet from Hungary to Mexico, Argentina to Yemen, Sudan to the U.
- 10/21/2023
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Film cameras strike big time as it seems that Dp chose celluloid to shoot the Oscar 2024 (96th Academy Awards) contenders. The most used camera is the Arricam (Lt and St) which, you have to admit, is an amazing fact. Additionally, there are new cameras on that list. Explore the camera charts below based on the IndieWire Cinematography Survey.
Oscar 2024: Camera Manufacturers Chart Oscar 2024 contenders: Cameras and lenses
IndieWire reached out to the directors of photography whose films are among the most critically acclaimed of the year, in order to explore which cameras and lenses they used (Make sure to read the IndieWire’s article where you can find Dp’s explanation of how they used their gear). As the tradition calls, we took the data to build friendly charts, trying to find a significant tendency and segmentation. Surprisingly, the most used camera is the Arricam. First,...
Oscar 2024: Camera Manufacturers Chart Oscar 2024 contenders: Cameras and lenses
IndieWire reached out to the directors of photography whose films are among the most critically acclaimed of the year, in order to explore which cameras and lenses they used (Make sure to read the IndieWire’s article where you can find Dp’s explanation of how they used their gear). As the tradition calls, we took the data to build friendly charts, trying to find a significant tendency and segmentation. Surprisingly, the most used camera is the Arricam. First,...
- 10/20/2023
- by Yossy Mendelovich
- YMCinema
Anyone familiar with the often disquieting solo work of directors María Alché and Benjamín Naishtat may be put on high uneasiness-alert by the opening scene of “Puan,” their first co-directed feature. Despite the jaunty pop song playing, an older man going for a morning jog in a scrubby Buenos Aires park, suddenly keels over dead of a heart attack. Given the surreal griefscape of Alché’s “A Family Submerged” or the sinister tides of Naishtat’s superb “Rojo”, there’s every possibility that the music is a red herring, and the death portends what is to come. But perhaps that is “Puan”‘s first joke.
In fact, Alché and Naishtat seem to have found the experience of writing together in the captivity of lockdown a liberation of a looser, funnier storytelling mode. What transpires is a fleet-footed if sharply pointed existential-crisis comedy, shot with unobstrusive, naturalistic dynamism by Hélène Louvart,...
In fact, Alché and Naishtat seem to have found the experience of writing together in the captivity of lockdown a liberation of a looser, funnier storytelling mode. What transpires is a fleet-footed if sharply pointed existential-crisis comedy, shot with unobstrusive, naturalistic dynamism by Hélène Louvart,...
- 9/29/2023
- by Jessica Kiang
- Variety Film + TV
Antoneta Alamat Kusijanović is debuting her follow-up to Cannes Camera d’Or-winning “Murina.”
The acclaimed writer-director, who was nominated for three Film Independent Spirit Awards, helms Miu Miu short film “Stane,” part of the brand’s “Women’s Tales” campaign. “Stane” premiered at the Venice Film Festival’s Giornate Degli Autori on September 3.
The official synopsis reads: A complex construction site, New York’s skyline in the distance, and fresh betrayal. Stane is in charge on-site, soon to inherit the family business from her father, who built it up as a Croatian immigrant also building the American dream. But Stane’s marriage is under threat of demolition. What ensues is a public reckoning between traditional, patriarchal expectations made upon wives versus Stane’s own pain and anger. But Stane is building her own life story though — outside of the permission of men.
Writer-director Kusijanović said in a press statement, “In...
The acclaimed writer-director, who was nominated for three Film Independent Spirit Awards, helms Miu Miu short film “Stane,” part of the brand’s “Women’s Tales” campaign. “Stane” premiered at the Venice Film Festival’s Giornate Degli Autori on September 3.
The official synopsis reads: A complex construction site, New York’s skyline in the distance, and fresh betrayal. Stane is in charge on-site, soon to inherit the family business from her father, who built it up as a Croatian immigrant also building the American dream. But Stane’s marriage is under threat of demolition. What ensues is a public reckoning between traditional, patriarchal expectations made upon wives versus Stane’s own pain and anger. But Stane is building her own life story though — outside of the permission of men.
Writer-director Kusijanović said in a press statement, “In...
- 9/6/2023
- by Samantha Bergeson
- Indiewire
Giacomo Abbruzzese’s debut feature is a hazily seductive, frequently dreamlike study of life in the French Foreign Legion, fixated on masculine bodies in synchronized and sometimes violently clashing motion. It is also called “Disco Boy.” You almost certainly wouldn’t choose that subject, tone and title for a film if you didn’t want viewers’ minds to immediately wander to “Beau Travail,” Claire Denis’ seminal Foreign Legion cine-ballet, with its climactic solo number set to a thumping Eurodance classic; even if you somehow made that error, you wouldn’t compound it with electro-scored terpsichorean interludes of your own. Choosing homage this direct for a first feature is a brazen move, but notwithstanding its openly derivative qualities, “Disco Boy” doesn’t want for boldness or surprise — Abbruzzese’s hot, fluxional command of sound and image keeps us curious.
One feature of “Disco Boy,” at least, plays as expected: the reliably fragile,...
One feature of “Disco Boy,” at least, plays as expected: the reliably fragile,...
- 8/17/2023
- by Guy Lodge
- Variety Film + TV
Before moving on to his next weighty film project in Rosebushpruning (set for Spring 2024), Karim Aïnouz has already begun filming his next feature film. Returning to his native Brazil, Variety reports that Aïnouz (who is coming off his Croisette comp showcase with Firebrand – read our review) new film Motel Destino is filming with newbies Iago Xavier, Nataly Rocha and Fábio Assunção and part of the prod team we find Aïnouz reteaming with cinematographer Hélène Louvart and production designer Marcos Pedroso. The Match Factory are selling the film rights. This will surely make a bid to premiere in Cannes next year.…...
- 8/7/2023
- by Eric Lavallée
- IONCINEMA.com
Karim Aïnouz’s “Motel Destino,” which began filming last week, has eroticism, a recurring element in his films, as the backdrop. The Match Factory is selling the international rights.
His eighth fiction feature marks a return to the director’s Brazilian roots after having shot his first English-language production, “Firebrand,” starring Alicia Vikander and Jude Law, which played in competition at the Cannes Film Festival this year. Aïnouz won the Un Certain Regard prize at Cannes in 2019 for “Invisible Life.”
“Motel Destino” is an “intimate picture of a youth whose future has been stolen by a toxic and oppressive elite, against which rebellion and violence are often the only possible way out,” according to a press statement.
“‘Motel Destino’ is, above all, a love story,” Aïnouz said. “The love between a peripheral young man who lives against a system that wants him dead and a woman who resists the attacks...
His eighth fiction feature marks a return to the director’s Brazilian roots after having shot his first English-language production, “Firebrand,” starring Alicia Vikander and Jude Law, which played in competition at the Cannes Film Festival this year. Aïnouz won the Un Certain Regard prize at Cannes in 2019 for “Invisible Life.”
“Motel Destino” is an “intimate picture of a youth whose future has been stolen by a toxic and oppressive elite, against which rebellion and violence are often the only possible way out,” according to a press statement.
“‘Motel Destino’ is, above all, a love story,” Aïnouz said. “The love between a peripheral young man who lives against a system that wants him dead and a woman who resists the attacks...
- 8/7/2023
- by Leo Barraclough
- Variety Film + TV
Karim Aïnouz has begun the Brazil shoot of erotic thriller Motel Destino, in a return to his roots after English-language drama Firebrand starring Alicia Vikander and Jude Law.
The new feature began filming in the Brazilian-Algerian filmmaker’s native region of Ceará in north-eastern Brazil on July 31.
The Match Factory, which already represents several of Aïnouz’s films such as Mariner of the Mountains (2021), Invisible Life (2019) and Praia do Futuro (2014), has announced its acquisition of the international sales rights as shooting gets underway.
Motel Destino marks Aïnouz’s eighth feature after Firebrand, which world premiered in Competition in Cannes this year, and 2019 Un Certain Regard winner The Invisible Life.
The director says the film’s motel setting is “the main character of the plot”, describing it as an intersection for chronic issues of contemporary Brazil in which the future of the country’s youth has been stolen by a toxic and oppressive elite,...
The new feature began filming in the Brazilian-Algerian filmmaker’s native region of Ceará in north-eastern Brazil on July 31.
The Match Factory, which already represents several of Aïnouz’s films such as Mariner of the Mountains (2021), Invisible Life (2019) and Praia do Futuro (2014), has announced its acquisition of the international sales rights as shooting gets underway.
Motel Destino marks Aïnouz’s eighth feature after Firebrand, which world premiered in Competition in Cannes this year, and 2019 Un Certain Regard winner The Invisible Life.
The director says the film’s motel setting is “the main character of the plot”, describing it as an intersection for chronic issues of contemporary Brazil in which the future of the country’s youth has been stolen by a toxic and oppressive elite,...
- 8/7/2023
- by Melanie Goodfellow
- Deadline Film + TV
Project marks a return to the Brazilian director’s roots after his first English language production, Firebrand, debuted in Competition at Cannes this year.
Brazilian director Karim Aïnouz has started shooting his eighth fiction feature, Motel Destino which is being sold internationally by The Match Factory.
The project marks a return to the director’s roots after his first English language production, Firebrand starring Alicia Vikander and Jude Law, debuted in Cannes Competition this year.
Motel Destino is being shot in the Brazilian state of Ceará, the director’s home state, and features two local talents, Iago Xavier and Nataly Rocha...
Brazilian director Karim Aïnouz has started shooting his eighth fiction feature, Motel Destino which is being sold internationally by The Match Factory.
The project marks a return to the director’s roots after his first English language production, Firebrand starring Alicia Vikander and Jude Law, debuted in Cannes Competition this year.
Motel Destino is being shot in the Brazilian state of Ceará, the director’s home state, and features two local talents, Iago Xavier and Nataly Rocha...
- 8/7/2023
- by Tim Dams
- ScreenDaily
Exclusive: Ted Lasso star James Lance and Hermione Norris have joined Gillian Anderson and Jason Isaacs in the feature adaptation of Raynor Winn’s inspirational bestselling memoir The Salt Path.
The film marks the screen directing debut of Marianne Elliott, the Olivier- and Tony Award-winning director of stage hits War Horse, The Curious Incident of the Dog in the Night-Time, Company and Death of a Salesman, as Deadline revealed in May.
The Salt Path follows married couple Raynor and Moth Winn, portrayed by Anderson and Isaacs, who, after being evicted from their farm, embark on a long and winding trek along the South West Coast path in UK’s picturesque Devon and Cornwall.
Lance has been cast as Grant, one of a handful of the disparate characters who cross paths with Raynor and Moth during their year long journey.
Norris has signed on as Polly,...
The film marks the screen directing debut of Marianne Elliott, the Olivier- and Tony Award-winning director of stage hits War Horse, The Curious Incident of the Dog in the Night-Time, Company and Death of a Salesman, as Deadline revealed in May.
The Salt Path follows married couple Raynor and Moth Winn, portrayed by Anderson and Isaacs, who, after being evicted from their farm, embark on a long and winding trek along the South West Coast path in UK’s picturesque Devon and Cornwall.
Lance has been cast as Grant, one of a handful of the disparate characters who cross paths with Raynor and Moth during their year long journey.
Norris has signed on as Polly,...
- 7/11/2023
- by Baz Bamigboye
- Deadline Film + TV
Before Venice gets into go mode and unveil their line-up, Artistic Director José Luis Rebordinos has given us a sampling of the films that will premiere in the competition section for the 2023 San Sebastian Film Festival (Sept. 22nd-30th). Two American films with the item out of Sundance in Raven Jackson‘s All Dirt Roads Taste Of Salt is joined by strongNoah Pritzker‘s Ex-Husbands. These two are in in some major auteur company with Argentinian filmmaker Martín Rejtman confirming that his long-gestating La práctica is in the can while neighboring tandem in Maria Alché and Benjamin Naishtat bring their comedy Puán (shot by Hélène Louvart) to the comp as well.…...
- 7/7/2023
- by Eric Lavallée
- IONCINEMA.com
Franz Rogowski stars as a young Belarusian who ends up in the heart of the Niger Delta.
Conic has acquired UK-Ireland distribution rights to Giacomo Abbruzzese’s debut feature Disco Boy starring Franz Rogowski.
The film premiered in competition at the Berlinale in February, winning the Silver Bear for outstanding artistic contribution for Helene Louvart’s cinematography.
Conic acquired the film from Paris-based sales agent Charades. Rogowski stars as Aleksei, a Belarusian who enlists in the French foreign legion in pursuit of a passport. He is sent to the Niger Delta where he crosses paths with Jomo, a revolutionary who...
Conic has acquired UK-Ireland distribution rights to Giacomo Abbruzzese’s debut feature Disco Boy starring Franz Rogowski.
The film premiered in competition at the Berlinale in February, winning the Silver Bear for outstanding artistic contribution for Helene Louvart’s cinematography.
Conic acquired the film from Paris-based sales agent Charades. Rogowski stars as Aleksei, a Belarusian who enlists in the French foreign legion in pursuit of a passport. He is sent to the Niger Delta where he crosses paths with Jomo, a revolutionary who...
- 6/30/2023
- by Ben Dalton
- ScreenDaily
When asked, in 2019, to explain why her first three features begin during the night, Alice Rohrwacher recalled the long drives she would take with her beekeeping father as a child and how, upon arrival, she’d play a game by closing her eyes: “I’d have to work it out from what I could hear, not from what I could see, so I’d listen to the place and the information would enter my mind––and then I’d open my eyes.” More than most filmmakers, Rohrwacher’s particular genius seems tied to her way of thinking: that cinema is less a reflection of our imagination than a natural extension. The best ideas in her cinema seem plucked from nowhere (Lazzaro‘s time jump; the red cake in Le Pupille), yet arrive fully formed––even organic.
Premiering on the final day of Cannes, her new film doesn’t begin at...
Premiering on the final day of Cannes, her new film doesn’t begin at...
- 6/7/2023
- by Rory O'Connor
- The Film Stage
Few would have imagined that Brazilian-Algerian director Karim Aïnouz––whose The Invisible Life of Eurídice Gusmão won the top prize in Un Certain Regard four years ago––would make his Competition debut with a Tudor period drama, Firebrand. For his English-language debut, Aïnouz was handed a script penned by Henrietta Ashworth and Jessica Ashworth (writers of Tell It to the Bees and Killing Eve), the feminist tone of which is quite obvious. Even if one can easily tell that Aïnouz was attached to the project rather than seeking it out himself, his outsider perspective brings a certain freshness to this loosely historical retelling of the last months of King Henry VIII’s (a tyrannical Jude Law) reign. Yes, the one who beheaded his wives.
Our entry point––our central character––is Queen Catherine Parr (Alicia Vikander), a confident young woman whose benevolence is only matched by her determination: to do well,...
Our entry point––our central character––is Queen Catherine Parr (Alicia Vikander), a confident young woman whose benevolence is only matched by her determination: to do well,...
- 5/27/2023
- by Savina Petkova
- The Film Stage
In “La Chimera,” the ancient past nestles mere inches below the surface of the present, eventually breaking above ground and disrupting, if not the space-time continuum, the more mundane order of things. The borders between life and death feel similarly frictious and permeable, as if we could merely visit one from the other, as easily as sleeping and waking. Arthur (Josh O’Connor), the wandering Brit at the center of Alice Rohrwacher’s marvelously supple and sinuous new film, is accustomed to such limbo states. So are admirers of Rohrwacher’s filmmaking, which, in this eccentric, romantic tale of competing grave-robbers in Central Italy, touches the transcendental without diving into the outright fabulism of 2018’s “Happy as Lazzaro.”
Grounding the feyer impulses of “La Chimera” — a return for Rohrwacher to more metaphysical musings after the simpler charms of her Oscar-nominated short “Le Pupille” — is, well, the literal ground: grubby and gritty and,...
Grounding the feyer impulses of “La Chimera” — a return for Rohrwacher to more metaphysical musings after the simpler charms of her Oscar-nominated short “Le Pupille” — is, well, the literal ground: grubby and gritty and,...
- 5/26/2023
- by Guy Lodge
- Variety Film + TV
Alice Rohrwacher is in the Cannes competition for the third time with “La Chimera,” in which “The Crown” star Josh O’Connor plays a young British archeologist named Arthur who gets involved in an international network of stolen Etruscan artifacts during the 1980s.
For Rohrwacher, the film is connected to growing up in Umbria, once the center of the Etruscan civilization. But it’s also the final piece of a triptych on a territory that she started with her previous Cannes entries: “The Wonders” and “Happy as Lazzaro.” Three works that, as she has put it, pose a central question: “What to do with the past?”
Also starring in “La Chimera,” which can be loosely translated as “The Unrealizable Dream,” are Isabella Rossellini as a retired opera singer; Brazil’s Carol Duarte (“The Invisible Life”) as non-Italian woman who intersects with Arthur; Alba Rohrwacher as an international artifacts trafficker; and Vincenzo Nemolato...
For Rohrwacher, the film is connected to growing up in Umbria, once the center of the Etruscan civilization. But it’s also the final piece of a triptych on a territory that she started with her previous Cannes entries: “The Wonders” and “Happy as Lazzaro.” Three works that, as she has put it, pose a central question: “What to do with the past?”
Also starring in “La Chimera,” which can be loosely translated as “The Unrealizable Dream,” are Isabella Rossellini as a retired opera singer; Brazil’s Carol Duarte (“The Invisible Life”) as non-Italian woman who intersects with Arthur; Alba Rohrwacher as an international artifacts trafficker; and Vincenzo Nemolato...
- 5/23/2023
- by Nick Vivarelli
- Variety Film + TV
As IndieWire has published its great camera survey regarding Cannes Film Festival 2023, we analyzed the data to reveal that the Arri Alexa Mini is still the king of kings. This is the 4th year in a row that this camera dominates the Cannes list. Also, there’s a respectful presence of good and old film cameras. Explore the list below.
Cannes Film Festival 2023 – Camera Manufacturers Chart The cinematography of the leading film festivals
Just saying — and without noticing, we wrote a title very similar to last year’s Cannes 2022 (“The Cameras Behind Cannes 2022: Alexa Mini (Still) Dominates”). This shows that filmmakers love the Arri Mini so much…but we’ll elaborate on this later. We have been waiting for IndieWire to complete its survey regarding the cameras that shot Cannes 2023’s feature films. Each year, IndieWire sends a questionnaire to main festivals’ filmmakers (directors and cinematographers) in order to...
Cannes Film Festival 2023 – Camera Manufacturers Chart The cinematography of the leading film festivals
Just saying — and without noticing, we wrote a title very similar to last year’s Cannes 2022 (“The Cameras Behind Cannes 2022: Alexa Mini (Still) Dominates”). This shows that filmmakers love the Arri Mini so much…but we’ll elaborate on this later. We have been waiting for IndieWire to complete its survey regarding the cameras that shot Cannes 2023’s feature films. Each year, IndieWire sends a questionnaire to main festivals’ filmmakers (directors and cinematographers) in order to...
- 5/22/2023
- by Yossy Mendelovich
- YMCinema
Everyone knows Henry VIII had six wives — but as far as filmmakers are concerned, it’s wife No. 2, Anne Boleyn, who has always been the main attraction. Still, cinema and television’s obsession with the Tudors is so intense that wife No. 6 had to have her turn on screen eventually, and so she does in “Firebrand,” a slow-burning drama directed by Karim Ainouz starring Alicia Vikander as Catherine Parr, the woman who was stuck with Henry during his oldest, fattest, sickest and maddest final years.
Adapted from Elizabeth Fremantle’s novel, “Queen’s Gambit”, “Firebrand” tries to present Catherine not as the pious nursemaid from primary school history lessons, but as a rebellious reformer who struggled to save England from tyranny. It almost succeeds.
In the opening scenes of the film, which premiered on Sunday in the Main Competition at the Cannes Film Festival, Henry (Jude Law) is away in...
Adapted from Elizabeth Fremantle’s novel, “Queen’s Gambit”, “Firebrand” tries to present Catherine not as the pious nursemaid from primary school history lessons, but as a rebellious reformer who struggled to save England from tyranny. It almost succeeds.
In the opening scenes of the film, which premiered on Sunday in the Main Competition at the Cannes Film Festival, Henry (Jude Law) is away in...
- 5/21/2023
- by Nicholas Barber
- The Wrap
Giacomo Abbruzzese’s debut feature stars Franz Rogowski.
Paris-based sales company Charades has inked a slew of deals for Giacomo Abbruzzese’s debut feature following the film’s February world premiere in Berlin’s Competition and ahead of the film’s Wednesday (May 3) release in France via Kmbo.
Disco Boy has been sold to Madman in Australia and New Zealand, New Cinema in Israel, Adso in Spain, First Hand Films in Switzerland, Filmladen in Austria, Non Stop Entertainment in Scandinavia, Film Europe for the Czech Republic and Slovakia, Mars in Turkey, Av Jet in Taiwan, Edko in Hong Kong, Pandora...
Paris-based sales company Charades has inked a slew of deals for Giacomo Abbruzzese’s debut feature following the film’s February world premiere in Berlin’s Competition and ahead of the film’s Wednesday (May 3) release in France via Kmbo.
Disco Boy has been sold to Madman in Australia and New Zealand, New Cinema in Israel, Adso in Spain, First Hand Films in Switzerland, Filmladen in Austria, Non Stop Entertainment in Scandinavia, Film Europe for the Czech Republic and Slovakia, Mars in Turkey, Av Jet in Taiwan, Edko in Hong Kong, Pandora...
- 5/2/2023
- by Rebecca Leffler
- ScreenDaily
Alice Rohrwacher on Working With Her Sister: ‘We Always Tell Each Other the Truth, Even If It Hurts’
Having won the Grand Prix at the Cannes Film Festival for “Le Meraviglie” (The Wonders) in 2014, and the screenplay award there for “Lazzaro Felice” (Happy as Lazzaro) in 2018, Alice Rohrwacher is very pleased that her latest feature, “La Chimera,” starring Isabella Rossellini, Josh O’Connor and her sister Alba Rohrwacher, will also compete at the festival.
“I am very attached to the Cannes festival, both as a spectator and as a director. It is always a dream and always a surprise to be nominated. The emotion is the same as the first time,” the Italian director tells Variety at Visions du Réel film festival, in Nyon, Switzerland, where she is a special guest.
Rohrwacher describes “La Chimera” as “a film that, in a very special way, talks about our relationship with the afterlife by following the story of a man who belongs to a gang of archaeological thieves.”
Working with Alba Rohrwacher,...
“I am very attached to the Cannes festival, both as a spectator and as a director. It is always a dream and always a surprise to be nominated. The emotion is the same as the first time,” the Italian director tells Variety at Visions du Réel film festival, in Nyon, Switzerland, where she is a special guest.
Rohrwacher describes “La Chimera” as “a film that, in a very special way, talks about our relationship with the afterlife by following the story of a man who belongs to a gang of archaeological thieves.”
Working with Alba Rohrwacher,...
- 4/27/2023
- by Trinidad Barleycorn
- Variety Film + TV
Exclusive: Here’s a first look at Alicia Vikander’s turn as Katherine Parr in the Cannes-bound Firebrand.
Gabrielle Tana’s Brouhaha Entertainment has released the first-look photo of the Ex Machina star in costume for Brazilian helmer Karim Ainouz’s first English-language film. See it below.
Alicia Vikander plays opposite Jude Law, who plays a scheming Henry VIII. Our exclusive photo shows Vikander with the ladies of her bedchamber, who are played by Ruby Bentall (Poldark), Bryony Hannah (Call The Midwife) and Maia Jemmett.
Images of Law as the much-married Tudor king are being kept under wraps at Ainouz’s behest until the movie has screened in competition in Cannes.
A screening date hasn’t been officially set yet but it’s strongly rumoured that Firebrand will premiere at the Palais des Festivals on Sunday, May 21. FilmNation will be shopping on the Croisette.
Gabrielle Tana’s Brouhaha Entertainment has released the first-look photo of the Ex Machina star in costume for Brazilian helmer Karim Ainouz’s first English-language film. See it below.
Alicia Vikander plays opposite Jude Law, who plays a scheming Henry VIII. Our exclusive photo shows Vikander with the ladies of her bedchamber, who are played by Ruby Bentall (Poldark), Bryony Hannah (Call The Midwife) and Maia Jemmett.
Images of Law as the much-married Tudor king are being kept under wraps at Ainouz’s behest until the movie has screened in competition in Cannes.
A screening date hasn’t been officially set yet but it’s strongly rumoured that Firebrand will premiere at the Palais des Festivals on Sunday, May 21. FilmNation will be shopping on the Croisette.
- 4/27/2023
- by Baz Bamigboye
- Deadline Film + TV
The Italian director, who will be in Cannes with ‘La Chimera’ hosted a wide-ranging masterclass at Visions du Reel.
In the final days of the Geneva edit of her fourth fiction feature La Chimera, set for Cannes Competition, Italian director Alice Rohrwacher sat down at Visions du Reel for an expansive look at her career to date.
Her recent filmography includes an Oscar-nominated short film (The Pupils in 2022), a documentary and signing on for two episodes of a large-budget HBO TV show (My Brilliant Friend). They follow the loosely-connected, occasionally-autographical features which have dazzled audiences, from Corpo Celeste to The Wonders and Happy As Lazzaro.
In the final days of the Geneva edit of her fourth fiction feature La Chimera, set for Cannes Competition, Italian director Alice Rohrwacher sat down at Visions du Reel for an expansive look at her career to date.
Her recent filmography includes an Oscar-nominated short film (The Pupils in 2022), a documentary and signing on for two episodes of a large-budget HBO TV show (My Brilliant Friend). They follow the loosely-connected, occasionally-autographical features which have dazzled audiences, from Corpo Celeste to The Wonders and Happy As Lazzaro.
- 4/24/2023
- by Fionnuala Halligan
- ScreenDaily
The Italian director, who will be in Cannes with ‘La Chimera’ hosted a wide-ranging masterclass at Visions du Reel.
In the final days of the Geneva edit of her fourth fiction feature La Chimera, set for Cannes Competition, Italian director Alice Rohrwacher sat down at Visions du Reel for an expansive look at her career to date.
Her recent filmography includes an Oscar-nominated short film (The Pupils in 2022), a documentary and signing on for two episodes of a large-budget HBO TV show (My Brilliant Friend). They follow the loosely-connected, occasionally-autographical features which have dazzled audiences, from Corpo Celeste to The Wonders and Happy As Lazzaro.
In the final days of the Geneva edit of her fourth fiction feature La Chimera, set for Cannes Competition, Italian director Alice Rohrwacher sat down at Visions du Reel for an expansive look at her career to date.
Her recent filmography includes an Oscar-nominated short film (The Pupils in 2022), a documentary and signing on for two episodes of a large-budget HBO TV show (My Brilliant Friend). They follow the loosely-connected, occasionally-autographical features which have dazzled audiences, from Corpo Celeste to The Wonders and Happy As Lazzaro.
- 4/24/2023
- by Fionnuala Halligan
- ScreenDaily
Everything Everywhere All at Once won big at this year’s Independent Spirit Awards, taking home seven awards out of eight nominations. The only award it didn’t win was, interestingly enough, one it did win, as Ke Huy Quan beat Jamie Lee Curtis in the Best Supporting Performance category.
Here are the winners of winners of the 38th Independent Spirit Awards:
Movies:
Best Feature:
Bones and All
Everything Everywhere All At Once
Our Father, The Devil
Tár
Women Talking
Best Director:
Todd Field, Tár
Kogonada, After Yang
Daniel Kwan, Daniel Scheinert, Everything Everywhere All at Once
Sarah Polley, Women Talking
Halina Reijn, Bodies Bodies Bodies
Best First Feature:
Aftersun
Emily the Criminal
The Inspection
Murina
Palm Trees and Power Lines
Best Lead Performance:
Cate Blanchett, Tár
Dale Dickey, A Love Song
Mia Goth, Pearl
Regina Hall, Honk for Jesus. Save Your Soul.
Paul Mescal, Aftersun
Aubrey Plaza, Emily the Criminal
Jeremy Pope,...
Here are the winners of winners of the 38th Independent Spirit Awards:
Movies:
Best Feature:
Bones and All
Everything Everywhere All At Once
Our Father, The Devil
Tár
Women Talking
Best Director:
Todd Field, Tár
Kogonada, After Yang
Daniel Kwan, Daniel Scheinert, Everything Everywhere All at Once
Sarah Polley, Women Talking
Halina Reijn, Bodies Bodies Bodies
Best First Feature:
Aftersun
Emily the Criminal
The Inspection
Murina
Palm Trees and Power Lines
Best Lead Performance:
Cate Blanchett, Tár
Dale Dickey, A Love Song
Mia Goth, Pearl
Regina Hall, Honk for Jesus. Save Your Soul.
Paul Mescal, Aftersun
Aubrey Plaza, Emily the Criminal
Jeremy Pope,...
- 3/5/2023
- by Mathew Plale
- JoBlo.com
The 38th Film Independent Spirit Awards, hosted by Hasan Minhaj, took place on Saturday, live from the beach in Santa Monica, California. The annual awards ceremony was live-streamed on IMDb’s YouTube page, plus additional social platforms, including Film Independent’s YouTube channel.
“Everything Everywhere All at Once” led this year’s nominations with a total of eight and swept up seven awards. Following close behind was Cate Blanchett’s “Tár” with seven nods and “Aftersun” with five. Meanwhile, “The Bear” topped the television categories.
Read More: Before Oscars, ‘Everything Everywhere’ Sweeps Spirit Awards
The 2023 Spirit Awards marks the show’s first time highlighting gender-neutral categories. In other words, Blanchett and Michelle Yeoh were up against Paul Mescal for lead performance. This year’s recipient of the Robert Altman award went to “Women Talking”, in which the award was given to the film’s director, casting director and ensemble cast.
“Everything Everywhere All at Once” led this year’s nominations with a total of eight and swept up seven awards. Following close behind was Cate Blanchett’s “Tár” with seven nods and “Aftersun” with five. Meanwhile, “The Bear” topped the television categories.
Read More: Before Oscars, ‘Everything Everywhere’ Sweeps Spirit Awards
The 2023 Spirit Awards marks the show’s first time highlighting gender-neutral categories. In other words, Blanchett and Michelle Yeoh were up against Paul Mescal for lead performance. This year’s recipient of the Robert Altman award went to “Women Talking”, in which the award was given to the film’s director, casting director and ensemble cast.
- 3/5/2023
- by Melissa Romualdi
- ET Canada
The 2023 Independent Spirit Awards were dominated by the Daniels’ “Everything Everywhere All at Once,” which led all films this year with eight nominations and a won a total of seven prizes, including best feature. Close behind were Todd Field’s “Tár” with seven noms (it won for best cinematography) and Charlotte Wells’ “Aftersun” with five (it won for best first feature). All three movies picked up Oscar nominations this year, with “Everything Everywhere” also leading the Academy Awards pack with a total of 11 nominations.
While last year’s Spirit Award winner for best feature, Maggie Gyllenhaal’s “The Lost Daughter,” did not go on to land an Oscar nomination in the same category, the 2021 winner, Chloe Zhao’s “Nomadland,” repeated at the Oscars and took home the best picture prize.
This year’s Spirit Award nominees were highlighted by gender neutral categories, meaning Cate Blanchett and Michelle Yeoh faced off...
While last year’s Spirit Award winner for best feature, Maggie Gyllenhaal’s “The Lost Daughter,” did not go on to land an Oscar nomination in the same category, the 2021 winner, Chloe Zhao’s “Nomadland,” repeated at the Oscars and took home the best picture prize.
This year’s Spirit Award nominees were highlighted by gender neutral categories, meaning Cate Blanchett and Michelle Yeoh faced off...
- 3/4/2023
- by Zack Sharf
- Variety Film + TV
The 2023 Film Independent Spirit Awards are being handed out Saturday, March 4, from Santa Monica Pier in Santa Monica, CA in a show hosted by comedian Hasan Minhaj. Much as it paced the Oscar nominations, “Everything Everywhere All at Once” leads the way among all film nominees with eight Independent Spirit noms, including Best Feature and honors for director (Daniel Kwan and Daniel Scheinert), lead performance (Michelle Yeoh), supporting performance (Jamie Lee Curtis and Ke Huy Quan) and breakthrough performance (Stephanie Hsu). Todd Field’s “TÁR” earned seven nominations, including director and screenplay (Field), lead performance (Cate Blanchett) and supporting (Nina Hoss). “Aftersun” scored five bids.
Scroll down to see the Indie Spirit Awards winners list live as it happens today. We’ve also included the complete roster of nominees in every category.
Besides “Everything Everywhere” and “TÁR,” the film competing for top feature are “Our Father, the Devil,” “”Bones and All” and “Women Talking.
Scroll down to see the Indie Spirit Awards winners list live as it happens today. We’ve also included the complete roster of nominees in every category.
Besides “Everything Everywhere” and “TÁR,” the film competing for top feature are “Our Father, the Devil,” “”Bones and All” and “Women Talking.
- 3/4/2023
- by Ray Richmond
- Gold Derby
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI, and sign up for our weekly email newsletter by clicking here.NEWSOn the Adamant.The Berlinale wrapped up over the weekend. The Golden Bear was awarded to Nicolas Philibert’s On the Adamant, while other major prizes went to Christian Petzold, Philippe Garrel, Angela Schanelec, and Dp Hélène Louvart. You can browse the full list of winners on Notebook, and keep your eyes peeled for our reports.In other festival news: Ruben Östlund will preside over this year’s Cannes jury, and the full lineup has been unveiled for Film at Lincoln Center and MoMA’s New Directors/New Films.The pioneering Senegalese filmmaker Safi Faye—the first African woman to make a commercially distributed feature film—died last week at the age of 80. Writer and programmer Yasmina Price recently surfaced a thread of archival material,...
- 2/28/2023
- MUBI
The 73rd Berlin International Film Festival came to a close this past weekend, and despite speculation that Sundance import “Past Lives” or Lila Avilés’ “Tótem” would take the Golden Bear, the jury, led this year by Kristen Stewart, awarded it to the French documentary “On the Adamant.” Directed by Nicolas Philibert, the movie follows operations at the Parisian Centre de jour l’Adamant, a floating medical facility on the Seine that offers its patients innovative forms of art therapy.
Jordan Mintzer (The Hollywood Reporter) writes, “While documenting the daily routine of a small clinic that most Parisians walk by without ever noticing, ‘On the Adamant’ ultimately becomes a moving testament to what people are capable of, if they could just find the right place to do it.” Guy Lodge (Variety) compares the film to Philibert’s “To Be and To Have,” which is set inside a single-room schoolhouse in rural France,...
Jordan Mintzer (The Hollywood Reporter) writes, “While documenting the daily routine of a small clinic that most Parisians walk by without ever noticing, ‘On the Adamant’ ultimately becomes a moving testament to what people are capable of, if they could just find the right place to do it.” Guy Lodge (Variety) compares the film to Philibert’s “To Be and To Have,” which is set inside a single-room schoolhouse in rural France,...
- 2/28/2023
- by Ronald Meyer
- Gold Derby
The gender-neutral acting prize was won by Spain’s Sofía Otero for ’20,000 Species of Bees’.
Nicolas Philibert’s documentary On The Adamant, about a floating care centre in Paris, was awarded Golden Bear for best film at the Berlin International Film Festival tonight (February 25).
The film, which is being handled internationally by Les Films du Losange, is the fourth documentary to take top honours at the Berlinale.
German films found particular favour with the jury, presided over by Kristen Stewart, with no less than three of the Bear statuettes going to local productions: the Silver Bear Grand Jury award for Christian Petzold’s Afire,...
Nicolas Philibert’s documentary On The Adamant, about a floating care centre in Paris, was awarded Golden Bear for best film at the Berlin International Film Festival tonight (February 25).
The film, which is being handled internationally by Les Films du Losange, is the fourth documentary to take top honours at the Berlinale.
German films found particular favour with the jury, presided over by Kristen Stewart, with no less than three of the Bear statuettes going to local productions: the Silver Bear Grand Jury award for Christian Petzold’s Afire,...
- 2/26/2023
- by Martin Blaney
- ScreenDaily
The documentary “On the Adamant” has been named the best film of the 2023 Berlin International Film Festival, Berlin organizers announced on Saturday.
The film from director Nicolas Philibert follows life in a daycare center located on the Seine in Paris for adults with mental disorders. It is the first documentary to win the festival’s top prize since “Fire at Sea” in 2016.
German director Christian Petzold won the Silver Bear Grand Jury Prize, essentially the runner-up award, for his drama “Afire,” while Philippe Garrel won the directing award for “The Plough.” The gender-neutral acting prizes went to Sofia Otero for “20,000 Species of Bees” in the leading performance category and Thea Ehre for “Till the End of the Night” in the supporting category.
The jury president was actress Kristen Stewart. The other jurors were actress Goldshifteh Farahani, directors Valeska Grisebach, Radu Jude and Carla Simón and Johnnie To and casting director Francine Maisler.
The film from director Nicolas Philibert follows life in a daycare center located on the Seine in Paris for adults with mental disorders. It is the first documentary to win the festival’s top prize since “Fire at Sea” in 2016.
German director Christian Petzold won the Silver Bear Grand Jury Prize, essentially the runner-up award, for his drama “Afire,” while Philippe Garrel won the directing award for “The Plough.” The gender-neutral acting prizes went to Sofia Otero for “20,000 Species of Bees” in the leading performance category and Thea Ehre for “Till the End of the Night” in the supporting category.
The jury president was actress Kristen Stewart. The other jurors were actress Goldshifteh Farahani, directors Valeska Grisebach, Radu Jude and Carla Simón and Johnnie To and casting director Francine Maisler.
- 2/25/2023
- by Steve Pond
- The Wrap
After the misery of the 2022 Berlin Film Festival, held toward the tail-end of the pandemic and with strict social distancing and Covid testing regulations still in place, it was back to normal at this year’s 73rd edition.
Festivalgoers were so pleased to return to a proper, physical event that they were remarkably tolerant toward a competition programme that was very patchy, at least by comparison with those found in rival events like Cannes and Venice.
The Berlinale launched with Rebecca Miller’s quirky new romantic comedy, She Came to Me, starring Peter Dinklage as an opera composer with writer’s block, Anne Hathaway as his neurotic therapist wife, and the scene-stealing Marisa Tomei as a salty, seafaring but very amorous tugboat captain. This was a film with such oddball charm that it was easy to overlook its self-indulgence. Festivals can take themselves far too seriously. She Came to Me...
Festivalgoers were so pleased to return to a proper, physical event that they were remarkably tolerant toward a competition programme that was very patchy, at least by comparison with those found in rival events like Cannes and Venice.
The Berlinale launched with Rebecca Miller’s quirky new romantic comedy, She Came to Me, starring Peter Dinklage as an opera composer with writer’s block, Anne Hathaway as his neurotic therapist wife, and the scene-stealing Marisa Tomei as a salty, seafaring but very amorous tugboat captain. This was a film with such oddball charm that it was easy to overlook its self-indulgence. Festivals can take themselves far too seriously. She Came to Me...
- 2/25/2023
- by Geoffrey Macnab
- The Independent - Film
Winners have been announced at the 73rd Berlin Film Festival, with On the Adamant by Nicolas Philibert scooping the coveted Golden Bear prize as the best film of the festival’s International Competition. Scroll down for the full list of winners, which were revealed Saturday evening at the Berlinale Palast.
The film chronicles a unique day-care center in the heart of Paris that welcomes adults suffering from mental disorders, offering the kind of care that grounds them in time and space and helps them to recover or keep up their spirits.
Introducing the film, jury head Kristen Stewart said the pic is “masterfully crafted” and acts as “cinematic proof of the vital necessity of human expression.”
Other winners in the International Competition included Philippe Garrel, who picked up the Silver Bear for Best Director for his latest pic Le grand chariot (The Plough). Garrel dedicated the award to the late filmmaker Jean-Luc Godard.
The film chronicles a unique day-care center in the heart of Paris that welcomes adults suffering from mental disorders, offering the kind of care that grounds them in time and space and helps them to recover or keep up their spirits.
Introducing the film, jury head Kristen Stewart said the pic is “masterfully crafted” and acts as “cinematic proof of the vital necessity of human expression.”
Other winners in the International Competition included Philippe Garrel, who picked up the Silver Bear for Best Director for his latest pic Le grand chariot (The Plough). Garrel dedicated the award to the late filmmaker Jean-Luc Godard.
- 2/25/2023
- by Zac Ntim
- Deadline Film + TV
On the Adamant, a documentary by French director Nicolas Philibert that gives an intimate look at the patients and caregivers in a mental health center located on the Seine River in the heart of Paris, has won the 2023 Berlin International Film Festival’s Golden Bear for best film.
For his 11th feature, the 72-year-old Philibert spent months aboard a barge anchored on the Seine in Paris, chronicling a mental health care facility that caters specifically to its patients’ creative needs. His documentary explores issues of creativity and art, of sanity and madness, but does so without applying labels or clear-cut distinctions.
“I don’t like partitions or labels,” Philibert said. “In this film on psychiatry, we were always [careful] to not always distinguish very clearly between patients and carers. I tried to reverse the image we always have of mad people [which I see] as discriminating and stigmatizing. I wanted us to be able,...
For his 11th feature, the 72-year-old Philibert spent months aboard a barge anchored on the Seine in Paris, chronicling a mental health care facility that caters specifically to its patients’ creative needs. His documentary explores issues of creativity and art, of sanity and madness, but does so without applying labels or clear-cut distinctions.
“I don’t like partitions or labels,” Philibert said. “In this film on psychiatry, we were always [careful] to not always distinguish very clearly between patients and carers. I tried to reverse the image we always have of mad people [which I see] as discriminating and stigmatizing. I wanted us to be able,...
- 2/25/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
As the 2023 Berlin International Film Festival drew to a close, the first of the three major international film festivals began giving out its awards. This year’s Berlin jury was headed by Kristen Stewart, and the selections promised to reflect the actress’ famously good taste in movies. But a strong lineup featuring a variety of innovative films from the world’s top directors ensured that their job was never going to be easy. From a timely documentary about the war in Ukraine to a variety of dramas about men trapped in small spaces (see: “Inside” and “Manhole”), the eclectic collection of films had something for everyone.
At last year’s festival, Carla Simon’s Spanish Drama “Alcarras” won the coveted Golden Bear. Several of the biggest names in global cinema also walked away with big prizes, as Claire Denis won the Silver Bear for Best Director for “Both Sides of the Blade...
At last year’s festival, Carla Simon’s Spanish Drama “Alcarras” won the coveted Golden Bear. Several of the biggest names in global cinema also walked away with big prizes, as Claire Denis won the Silver Bear for Best Director for “Both Sides of the Blade...
- 2/25/2023
- by Christian Zilko
- Indiewire
To be blunt about it, we’re reaching the sad, maybe inevitable stage where Beau Travail and its famous closing sequence are becoming subject to the dreaded “Seinfeld Effect,” coined to note where the original value of something is diminished by successive imitations. It’s not that Denis’ film and Denis Levant’s death dance would ever lose their impact for those new or returning to it, but that a prospective viewer could see a weaker future rendering or a jaded, comic social-media reference to the scene first, and then afterward eventually seek out Beau Travail, greeting it with a bit of a “huh, that’s where that’s from” or underwhelmed reaction.
To Disco Boy’s credit, while its core themes and imagery are second-hand, it does attempt to build, expand on, perhaps modernize Beau Travail, not unlike Helena Wittmann’s recent Human Flowers of Flesh, which premiered last...
To Disco Boy’s credit, while its core themes and imagery are second-hand, it does attempt to build, expand on, perhaps modernize Beau Travail, not unlike Helena Wittmann’s recent Human Flowers of Flesh, which premiered last...
- 2/22/2023
- by David Katz
- The Film Stage
Editor’s note: This review was originally published at the 2023 Berlin Film Festival. Big World Pictures releases the film in select theaters on Friday, February 2 with expansion to follow.
It might be reductive to call “Disco Boy” a kind of club kid cousin to “Beau Travail,” but the comparisons aren’t entirely off. Like Claire Denis’ Sight and Sound chart-topper, here is a tour with the French Foreign Legion, another dissection of colonial roleplaying spent among a taciturn lot who find best expression in the rhythms of the night. So let’s dispense those comparisons up front, and with a degree of military efficiency befitting both films: While director Giacomo Abbruzzese does indeed pay homage to a direct artistic forbearer, his debut film stands (and writhes and shimmies) all on its own.
Pushed and pulled by another intensely physical Franz Rogowski turn, “Disco Boy” follows a man ever on the move,...
It might be reductive to call “Disco Boy” a kind of club kid cousin to “Beau Travail,” but the comparisons aren’t entirely off. Like Claire Denis’ Sight and Sound chart-topper, here is a tour with the French Foreign Legion, another dissection of colonial roleplaying spent among a taciturn lot who find best expression in the rhythms of the night. So let’s dispense those comparisons up front, and with a degree of military efficiency befitting both films: While director Giacomo Abbruzzese does indeed pay homage to a direct artistic forbearer, his debut film stands (and writhes and shimmies) all on its own.
Pushed and pulled by another intensely physical Franz Rogowski turn, “Disco Boy” follows a man ever on the move,...
- 2/19/2023
- by Ben Croll
- Indiewire
A young Belorussian attempts to make the dangerous trip across the EU to sign up for the French Foreign Legion while a young rebel leader in Niger and his sister attempt to help their people survive the ravages of post-colonialism in wildly uneven Berlinale competitor Disco Boy.
A committed, intensely physical lead performance by German actor Franz Rogowski (recently seen in Ira Sachs’ Passages), luminous cinematography courtesy of ace Dp Helene Louvart, and stirring electronic music by composer Vitalic all come together to make this a sensuous, striking film experience. But, yeesh, that script by director-screenwriter Giacomo Abbruzzese is a mess — a lumpy mix of silly supernatural elements and indigestible arthouse pretension, all garnished with an outright steal from Claire Denis’ infinitely superior 1999 French Foreign Legion-feature Beau Travail. But by all means, you might as well steal from the best.
Rogowski’s Aleksei is first met traveling to Poland from...
A committed, intensely physical lead performance by German actor Franz Rogowski (recently seen in Ira Sachs’ Passages), luminous cinematography courtesy of ace Dp Helene Louvart, and stirring electronic music by composer Vitalic all come together to make this a sensuous, striking film experience. But, yeesh, that script by director-screenwriter Giacomo Abbruzzese is a mess — a lumpy mix of silly supernatural elements and indigestible arthouse pretension, all garnished with an outright steal from Claire Denis’ infinitely superior 1999 French Foreign Legion-feature Beau Travail. But by all means, you might as well steal from the best.
Rogowski’s Aleksei is first met traveling to Poland from...
- 2/19/2023
- by Leslie Felperin
- The Hollywood Reporter - Movie News
Paris-based Italian director Giacomo Abbruzzese says making the Berlin Film Festival competition cut with his first feature, “Disco Boy,” which toplines German star Franz Rogowski, is “certainly a dream come true.”
But he also points out that his remarkable debut was a long time coming.
A graduate of several film schools, including France’s prestigious Le Fresnoy, Abbruzzese started developing “Disco Boy” in 2013 following an encounter in a French disco with a classical dancer who had been a soldier.
“I realized that beyond their apparent contradiction, these two worlds had a lot in common, especially when it comes to classical ballet,” the director said, citing “the extreme physical exertion and discipline that they both involve.”
That chance meeting was just a starting point for the film’s complex narrative, which Abbruzese developed at the Cannes Film Festival’s Cinefondation and during a Clermont-Ferrand Festival residency.
But then the film took 10 years to make.
But he also points out that his remarkable debut was a long time coming.
A graduate of several film schools, including France’s prestigious Le Fresnoy, Abbruzzese started developing “Disco Boy” in 2013 following an encounter in a French disco with a classical dancer who had been a soldier.
“I realized that beyond their apparent contradiction, these two worlds had a lot in common, especially when it comes to classical ballet,” the director said, citing “the extreme physical exertion and discipline that they both involve.”
That chance meeting was just a starting point for the film’s complex narrative, which Abbruzese developed at the Cannes Film Festival’s Cinefondation and during a Clermont-Ferrand Festival residency.
But then the film took 10 years to make.
- 2/19/2023
- by Nick Vivarelli
- Variety Film + TV
Charades has dropped the trailer for “Disco Boy,” the anticipated feature debut of Giacomo Abbruzzese, starring Franz Rogowski (“Passages”) which is competing at the Berlin Film Festival.
The movie is produced by the rising French production company Films Grand Huit. Shot across two continents by Hélène Louvart, the movie boasts a diverse international cast and a soundtrack by electronic music artist Vitalic.
“Disco Boy stars Rogowski as Aleksei, who embarks on a difficult journey across Europe and reaches Paris to enlist in the French Foreign Legion, a highly selective military corp that allows any foreigner, even undocumented, to be granted a French passport. In the Niger Delta, Jomo (Morr Ndiaye) fights against oil companies that threaten the survival of his village. His sister Udoka (Laëtitia Ky), meanwhile, dreams of escaping, knowing that all is already lost here. Beyond borders, life and death, their destinies will intertwine.
The film marks the feature debut of Abbruzzese,...
The movie is produced by the rising French production company Films Grand Huit. Shot across two continents by Hélène Louvart, the movie boasts a diverse international cast and a soundtrack by electronic music artist Vitalic.
“Disco Boy stars Rogowski as Aleksei, who embarks on a difficult journey across Europe and reaches Paris to enlist in the French Foreign Legion, a highly selective military corp that allows any foreigner, even undocumented, to be granted a French passport. In the Niger Delta, Jomo (Morr Ndiaye) fights against oil companies that threaten the survival of his village. His sister Udoka (Laëtitia Ky), meanwhile, dreams of escaping, knowing that all is already lost here. Beyond borders, life and death, their destinies will intertwine.
The film marks the feature debut of Abbruzzese,...
- 2/15/2023
- by Elsa Keslassy
- Variety Film + TV
Antoneta Alamat Kusijanović’s Murina has garnered her a DGA nomination for first-time feature — an honor she also won at the 2021 Cannes Film Festival. That’s in large part because of her willingness to face her greatest fears in the name of her art. “I’m terrified of the water,” she says. “I needed to make a movie underwater, because I really wanted to tap into the fear. It’s important to include your fears in your work.”
A coming-of-age story, Murina follows Julija, a teenager living on a remote island in Croatia with her domineering father and subservient mother. When her dad’s wealthy friend Javier (Cliff Curtis) comes to stay with the family, tensions rise as he offers Julija a possible exit out of her abusive household.
Kusijanović grew up spending summers on a similar isle, passing her days exploring its rocky beaches. She made a similarly aquatic-focused short film,...
A coming-of-age story, Murina follows Julija, a teenager living on a remote island in Croatia with her domineering father and subservient mother. When her dad’s wealthy friend Javier (Cliff Curtis) comes to stay with the family, tensions rise as he offers Julija a possible exit out of her abusive household.
Kusijanović grew up spending summers on a similar isle, passing her days exploring its rocky beaches. She made a similarly aquatic-focused short film,...
- 2/14/2023
- by Hilton Dresden
- The Hollywood Reporter - Movie News
The International Film Festival Rotterdam presented lauded French cinematographer Hélène Louvart with the Robby Müller Award on Sunday. A collaboration between IFFR, the Netherlands Society of Cinematographers (Nsc) and Andrea Müller-Schirmer, Müller’s wife, the award was founded in 2020, two years after his death, and aims to honor image-makers who have “created an authentic, credible and emotionally striking visual language throughout their oeuvre.”
To mark the special occasion, Louvart presented a masterclass at IFFR, guiding an eager audience through some of her work in films by Win Wenders, Maggie Gyllenhaal and Alice Rohrwacher. The director was also gifted a video containing loving testimonials by some of the aforementioned directors plus others such as Karim Aïnouz, Léonor Serraille and Eliza Hittman. Rohrwacher’s words were a highlight, with the filmmaker finishing her praise of Louvart by saying she loved her dear friend, with whom she collaborated in all of her films “more than cinema.
To mark the special occasion, Louvart presented a masterclass at IFFR, guiding an eager audience through some of her work in films by Win Wenders, Maggie Gyllenhaal and Alice Rohrwacher. The director was also gifted a video containing loving testimonials by some of the aforementioned directors plus others such as Karim Aïnouz, Léonor Serraille and Eliza Hittman. Rohrwacher’s words were a highlight, with the filmmaker finishing her praise of Louvart by saying she loved her dear friend, with whom she collaborated in all of her films “more than cinema.
- 1/30/2023
- by Rafa Sales Ross
- Variety Film + TV
Firebrand
After a handful of films that didn’t really stick, Karim Aïnouz made a triumphant return when he premiered The Invisible Life of Eurídice Gusmão (2019) in Cannes’ Un Certain Regard section. Perhaps it allowed for this golden opportunity – the book-to-film adaptation of Queen’s Gambit. Titled Firebrand, this psychological horror tale about the bloody Tudor court stars Jude Law and Alicia Vikander (originally set to be Michelle Williams) who takes the throne as Queen Catherine Parr. Production took place in the first quarter of last year – Aïnouz got to work with cinematographer Hélène Louvart.
Gist: Written by Jessica Ashworth, a young Catherine Parr married the deteriorating, increasingly despotic King Henry VIII (Law), she had no assurances of a happy marriage; in fact, she had no assurances of surviving this marriage at all.…...
After a handful of films that didn’t really stick, Karim Aïnouz made a triumphant return when he premiered The Invisible Life of Eurídice Gusmão (2019) in Cannes’ Un Certain Regard section. Perhaps it allowed for this golden opportunity – the book-to-film adaptation of Queen’s Gambit. Titled Firebrand, this psychological horror tale about the bloody Tudor court stars Jude Law and Alicia Vikander (originally set to be Michelle Williams) who takes the throne as Queen Catherine Parr. Production took place in the first quarter of last year – Aïnouz got to work with cinematographer Hélène Louvart.
Gist: Written by Jessica Ashworth, a young Catherine Parr married the deteriorating, increasingly despotic King Henry VIII (Law), she had no assurances of a happy marriage; in fact, she had no assurances of surviving this marriage at all.…...
- 1/19/2023
- by Eric Lavallée
- IONCINEMA.com
Disco Boy
A project that received backing in the shape of a Cinefondation residency and an Arte Development Prize at the Arcs Film Festival’s Village of Coproductions, Italian filmmaker Giacomo Abbruzzese worked in the short form before graduating to this feature debut. Filmed in France and in Poland, Disco Boy was filmed in September of 2021. This depicts the painful journey of moving to an uncertain destination. Franz Rogowski, Morr N’Diaye, Laetitia Ky, Leon Lucev, Matteo Olivetti, Robert Wieckiewcz and Mutamba Kalonji star. Films Grand Huit’s Lionel Massol and Pauline Seigland produced the project. Hélène Louvart is the cinematographer here.…...
A project that received backing in the shape of a Cinefondation residency and an Arte Development Prize at the Arcs Film Festival’s Village of Coproductions, Italian filmmaker Giacomo Abbruzzese worked in the short form before graduating to this feature debut. Filmed in France and in Poland, Disco Boy was filmed in September of 2021. This depicts the painful journey of moving to an uncertain destination. Franz Rogowski, Morr N’Diaye, Laetitia Ky, Leon Lucev, Matteo Olivetti, Robert Wieckiewcz and Mutamba Kalonji star. Films Grand Huit’s Lionel Massol and Pauline Seigland produced the project. Hélène Louvart is the cinematographer here.…...
- 1/13/2023
- by Eric Lavallée
- IONCINEMA.com
‘Munch’ to open first physical Rotterdam film festival since 2020; Tiger, Big Screen titles unveiled
It will be artistic director Vanja Kaludjercic’s first full physical event since being appointed three years ago.
Norwegian director Henrik Martin Dahlsbakken’s Munch will open the 2023 International Film Festival Rotterdam (IFFR), taking place from January 25-February 5 in the Netherlands. It is the first in-person festival following two online pandemic events and the first physical one for festival director Vanja Kaludjercic since taking over from Bero Beyer after the 2020 event.
Munch, which will screen out of competition, explores the life of the tortured Norwegian artist, celebrated for his painting of ‘The Scream’, and who endured mental turmoil throughout his life.
Norwegian director Henrik Martin Dahlsbakken’s Munch will open the 2023 International Film Festival Rotterdam (IFFR), taking place from January 25-February 5 in the Netherlands. It is the first in-person festival following two online pandemic events and the first physical one for festival director Vanja Kaludjercic since taking over from Bero Beyer after the 2020 event.
Munch, which will screen out of competition, explores the life of the tortured Norwegian artist, celebrated for his painting of ‘The Scream’, and who endured mental turmoil throughout his life.
- 12/19/2022
- by Geoffrey Macnab
- ScreenDaily
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