Paul McCartney’s love of reggae has surfaced in the Beatles’ “I Call Your Name” and Wings’ “C-Moon” but he‘s rarely talked about his journey in discovering Jamaica’s music. In the foreword to the liner notes for The 7″ Singles Box — a collection of 80 45s spanning McCartney’s solo career, from 1971 to the present, out December 2nd — the artist talks about cratedigging in Montego Bay. “There were records you didn’t know what they were, they weren’t established artists,” he writes in this exclusive excerpt. “So it was kind of a great adventure,...
- 11/10/2022
- by Kory Grow
- Rollingstone.com
Let’s face it. The songs are the best parts of the James Bond movies. Throughout 007’s five decades, the title tracks are each film’s one hope of rising above dubious casting choices, retreads of old villains, and grandiose plots for world domination that will inevitably be foiled. And like all that other stuff, we like the songs because they’re another expected element in a series that’s filled with them, a pop cultural barometer for measuring the secret agent’s standing in the zeitgeist.
Bond songs can be aged bygones of their time with poetically vague lyrics that don’t add up to much, but the best ones rise above their period trappings to comment and reflect on their respective films. With Spectre set to hit American theaters this week, let’s look back at each and every title song in Metro Golden Mayer’s canon:
24. Rita Coolidge...
Bond songs can be aged bygones of their time with poetically vague lyrics that don’t add up to much, but the best ones rise above their period trappings to comment and reflect on their respective films. With Spectre set to hit American theaters this week, let’s look back at each and every title song in Metro Golden Mayer’s canon:
24. Rita Coolidge...
- 11/2/2015
- by David Klein
- SoundOnSight
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