Jon Jost's All the Vermeers in New York is exclusively showing on Mubi starting December 28, 2020 in the series Rediscovered.
I lived in New York for a year before shooting this film, observing, nosing around, and researching. While much of the research is present in the film, fortunately it is nearly invisible—the tulip proffered by Mark on meeting Anna at a café, the mere conjunction of choosing Vermeer as a topic in a city once called, in his time, New Amsterdam—each carries a submerged bit of information utterly unnecessary for the viewer.But the research was needed for me as a kind of invisible spine on which to place a totally improvised film, which from its formalistic appearance, and the seeming exactitude of its talk, its images and its structure, would seem to have been highly calculated. But there was never a word of dialog on paper, nor...
I lived in New York for a year before shooting this film, observing, nosing around, and researching. While much of the research is present in the film, fortunately it is nearly invisible—the tulip proffered by Mark on meeting Anna at a café, the mere conjunction of choosing Vermeer as a topic in a city once called, in his time, New Amsterdam—each carries a submerged bit of information utterly unnecessary for the viewer.But the research was needed for me as a kind of invisible spine on which to place a totally improvised film, which from its formalistic appearance, and the seeming exactitude of its talk, its images and its structure, would seem to have been highly calculated. But there was never a word of dialog on paper, nor...
- 12/28/2020
- MUBI
Editor’s note: Filmmaker Nancy Kelly made her feature directorial debut in 1990 with the Western drama “Thousand Pieces of Gold.” A new 4K restoration by IndieCollect can currently be seen in virtual theaters via Kino Marquee. On the occasion of its new release, Kelly (along with IndieCollect’s Sandra Schulberg) wanted to share her reflections on her career both before and after its release.
Three years before I discovered Ruthanne Lum McCunn’s novel “Thousand Pieces of Gold,” I was making my living as a ranch hand. What was it that impelled me — from a working class background in a Massachusetts textile town — to pack up and head West? I had never even ridden a horse before, but I wanted an adventure. It was an impromptu decision that changed my life forever.
The cowboys didn’t know what to make of me — not much. But I broke my own horse,...
Three years before I discovered Ruthanne Lum McCunn’s novel “Thousand Pieces of Gold,” I was making my living as a ranch hand. What was it that impelled me — from a working class background in a Massachusetts textile town — to pack up and head West? I had never even ridden a horse before, but I wanted an adventure. It was an impromptu decision that changed my life forever.
The cowboys didn’t know what to make of me — not much. But I broke my own horse,...
- 4/30/2020
- by Nancy Kelly
- Indiewire
It’s been years since Edward James Olmos last saw “Stand and Deliver,” the 1988 movie that made him the first Mexican-American actor to secure an Academy Award nomination. But watching a 30th anniversary screening at this month’s Panama International Film Festival, the actor was deeply moved.
“It was very emotional. I openly wept,” the actor said, recalling his feelings about portraying the young East L.A. math teacher Jaime Escalante — and the impact the sleeper hit biopic had on audiences worldwide.
“Ninety-five percent of my life is bringing awareness to the difficulties of people’s plights,” he said during an interview at the chic Central Hotel in Panama City’s colonial-era Casco Viejo the following day. “There is such imbalance. I’ve received so much support from life itself. I live a very privileged life. I mean, I’ve been able to live as an artist my entire life.
“It was very emotional. I openly wept,” the actor said, recalling his feelings about portraying the young East L.A. math teacher Jaime Escalante — and the impact the sleeper hit biopic had on audiences worldwide.
“Ninety-five percent of my life is bringing awareness to the difficulties of people’s plights,” he said during an interview at the chic Central Hotel in Panama City’s colonial-era Casco Viejo the following day. “There is such imbalance. I’ve received so much support from life itself. I live a very privileged life. I mean, I’ve been able to live as an artist my entire life.
- 4/24/2019
- by Andréa R. Vaucher
- The Wrap
Chicago – Iconic and historical are the two apt terms for a film directed by an African American woman, the first to be distributed theatrically, Was it the 1920s? 1940s? It had to be the 1970s. No, it was 1992 when that barrier was broken, with the film “Daughters in the Dust,” directed by Julie Dash.
“Daughters of the Dust” is a lyrical cinematic poem about transition and pride. In the early 20th Century, the children of slaves were making their first movements from the South during “The Great Migration” – when African Americans sought more independence in the industrial North. “Daughters” highlights the residents of St. Simons Island in Georgia, a settlement for a freed family named Peazant – who practiced Creole “Gullah” ancestry, which observed African tribal traditions during their time in America. The older and more established residents are wary of the traveling ways of the new generation, and the presence...
“Daughters of the Dust” is a lyrical cinematic poem about transition and pride. In the early 20th Century, the children of slaves were making their first movements from the South during “The Great Migration” – when African Americans sought more independence in the industrial North. “Daughters” highlights the residents of St. Simons Island in Georgia, a settlement for a freed family named Peazant – who practiced Creole “Gullah” ancestry, which observed African tribal traditions during their time in America. The older and more established residents are wary of the traveling ways of the new generation, and the presence...
- 11/29/2016
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Aaron Brookner with Paterson and Gimme Danger director Jim Jarmusch - Sara Driver on Uncle Howard: "I knew Howard’s nephew Aaron was interested in filmmaking ..."
In Aaron Brookner's search in the making of Uncle Howard, with timely editing by Masahiro Hirakubo (Orlando von Einsiedel's Virunga), we see glimpses of John Cage, Merce Cunningham, Philip Glass, John Giorno, Laurie Anderson, Anne Waldman, Jim Carroll, Frank Zappa, and Patti Smith at the Entermedia Nova Convention - Andy Warhol having Cities Of The Red Night inscribed by William Burroughs - clips from Robert Wilson and the Civil Wars - and a telling interview with Lindsay Law on Howard Brookner's film Bloodhounds Of Broadway, based on Damon Runyon stories, with Matt Dillon, Rutger Hauer, Randy Quaid, Jennifer Grey, Madonna, Anita Morris, Fisher Stevens, Richard Edson, and Steve Buscemi.
Sara Driver with Paul Bowles scholar Francis Poole and Richard Peña...
In Aaron Brookner's search in the making of Uncle Howard, with timely editing by Masahiro Hirakubo (Orlando von Einsiedel's Virunga), we see glimpses of John Cage, Merce Cunningham, Philip Glass, John Giorno, Laurie Anderson, Anne Waldman, Jim Carroll, Frank Zappa, and Patti Smith at the Entermedia Nova Convention - Andy Warhol having Cities Of The Red Night inscribed by William Burroughs - clips from Robert Wilson and the Civil Wars - and a telling interview with Lindsay Law on Howard Brookner's film Bloodhounds Of Broadway, based on Damon Runyon stories, with Matt Dillon, Rutger Hauer, Randy Quaid, Jennifer Grey, Madonna, Anita Morris, Fisher Stevens, Richard Edson, and Steve Buscemi.
Sara Driver with Paul Bowles scholar Francis Poole and Richard Peña...
- 10/2/2016
- by Anne-Katrin Titze
- eyeforfilm.co.uk
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