With no new bust-out limited releases, repertory continues to do its part for the specialty box office, the latest a 4k restoration of Nostalghia. Kino Lorber said the Andrei Tarkovsky’s 1983 film, which opened Wednesday, will gross an estimated $22.87k at Film Forum in NYC for the five days.
It’s currently the top performer at the theater and will take in more than all other films screening there combined over that period. Two additional shows at the Roxie in San Francisco and the Austin Film Society bring combined grosses to about $29.4k. Expands next week to Philadelphia and Montreal with additional markets coming later. The film about a Russian poet and his interpreter, who travel to Italy researching the life of an 18th-century composer, stars Oleg Yankovskiy, Andrei Gorchakov, Erland Josephson, Domiziana Giordano and Patrizia Terreno.
Kino Lorber had success with the restored 4k re-release of Bernardo Bertolucci’s...
It’s currently the top performer at the theater and will take in more than all other films screening there combined over that period. Two additional shows at the Roxie in San Francisco and the Austin Film Society bring combined grosses to about $29.4k. Expands next week to Philadelphia and Montreal with additional markets coming later. The film about a Russian poet and his interpreter, who travel to Italy researching the life of an 18th-century composer, stars Oleg Yankovskiy, Andrei Gorchakov, Erland Josephson, Domiziana Giordano and Patrizia Terreno.
Kino Lorber had success with the restored 4k re-release of Bernardo Bertolucci’s...
- 2/25/2024
- by Jill Goldsmith
- Deadline Film + TV
Golden Years, written by Petra Volpe and directed by Barbara Kulcsar, is an incredibly simple, comfortable piece of work. It concerns the plight of a long-married couple: Alice (Esther Gemsch) and Peter (Stefan Kurt). At Peter’s retirement party, their children gift them with a luxurious cruise vacation. Alice is looking forward to it. Peter is not. Then, all of a sudden, Alice’s best friend Magalie (Elvira Plüss) dies. Her husband Heinz (Ueli Jäggi), Peter’s best friend, is distraught. In a fit of sympathy (and perhaps selfishness) Peter invites Heinz to join them on the trip. Alice, of course, does not approve. It’s one of many budding fractures in a union that may break with more time spent together. Alice quickly realizes this cruise will not strengthen their marital bond. It will, in fact, do the opposite.
Despite the impending doubt, fear, and sadness that will surely come,...
Despite the impending doubt, fear, and sadness that will surely come,...
- 2/22/2024
- by Dan Mecca
- The Film Stage
The Berlin International Film Festival on Wednesday unveiled the final films for its 2023 Panorama section, the Berlinale’s main sidebar.
The 2023 lineup includes several world premieres, including Femme, the debut feature from directors Sam H. Freeman and Ng Choon Ping, a drag artist revenge thriller staring 1917 actor George MacKay and Nathan Stewart-Jarrett; The Beast in the Jungle, from Austrian director Patric Chiha (Brothers of the Night), an adaptation of the Henry James novel, starring Anaïs Demoustier, Tom Mercier and Beatrice Dalle; and Joan Baez I Am A Noise, a documentary on the legendary folk singer, from directors Karen O’Connor, Miri Navasky and Maeve O’Boyle.
After Marie Kreutzer’s Oscar contender Corsage, Panorama will get another historic revisionist take on Austrian Empress Elizabeth, aka Sisi, with Sisi & I, a German drama from director Frauke Finsterwalder, featuring Susanne Wolff (The Stranger in Me) as Sisi, and also starring Sandra Hüller, Georg Friedrich,...
The 2023 lineup includes several world premieres, including Femme, the debut feature from directors Sam H. Freeman and Ng Choon Ping, a drag artist revenge thriller staring 1917 actor George MacKay and Nathan Stewart-Jarrett; The Beast in the Jungle, from Austrian director Patric Chiha (Brothers of the Night), an adaptation of the Henry James novel, starring Anaïs Demoustier, Tom Mercier and Beatrice Dalle; and Joan Baez I Am A Noise, a documentary on the legendary folk singer, from directors Karen O’Connor, Miri Navasky and Maeve O’Boyle.
After Marie Kreutzer’s Oscar contender Corsage, Panorama will get another historic revisionist take on Austrian Empress Elizabeth, aka Sisi, with Sisi & I, a German drama from director Frauke Finsterwalder, featuring Susanne Wolff (The Stranger in Me) as Sisi, and also starring Sandra Hüller, Georg Friedrich,...
- 1/18/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Sepideh Farsi’s “La Sirène” (“The Siren”) is opening the Berlin Film Festival’s Panorama strand.
The program, which comprises 35 films from 30 countries, including 28 world premieres and 11 debuts, includes new films by Patric Chiha, İlker Çatak, Frauke Finsterwalder, Maite Alberdi, Milad Alami and Apolline Traoré. They feature a galaxy of well-known protagonists and actors such as Joan Baez, Jafar Panahi, Payman Maadi, George MacKay, Nathan Stewart-Jarrett, Fan Bingbing, Sandra Hüller and Susanne Wolff.
Panorama Selections
“After”
by Anthony Lapia | with Louise Chevillotte, Majd Mastoura, Natalia Wiszniewska
France
World premiere | Debut film
“All the Colours of the World Are Between Black and White”
by Babatunde Apalowo | with Tope Tedela, Riyo David, Martha Ehinome Orhiere, Uchechika Elumelu, Floyd Anekwe
Nigeria
World premiere | Debut film
“And, Towards Happy Alleys”
by Sreemoyee Singh | with Jafar Panahi, Nasrin Soutodeh, Jinous Nazokkar, Farhad Kheradmand, Aida Mohammadkhani
India
World premiere | Debut film | Documentary
“La Bête dans la...
The program, which comprises 35 films from 30 countries, including 28 world premieres and 11 debuts, includes new films by Patric Chiha, İlker Çatak, Frauke Finsterwalder, Maite Alberdi, Milad Alami and Apolline Traoré. They feature a galaxy of well-known protagonists and actors such as Joan Baez, Jafar Panahi, Payman Maadi, George MacKay, Nathan Stewart-Jarrett, Fan Bingbing, Sandra Hüller and Susanne Wolff.
Panorama Selections
“After”
by Anthony Lapia | with Louise Chevillotte, Majd Mastoura, Natalia Wiszniewska
France
World premiere | Debut film
“All the Colours of the World Are Between Black and White”
by Babatunde Apalowo | with Tope Tedela, Riyo David, Martha Ehinome Orhiere, Uchechika Elumelu, Floyd Anekwe
Nigeria
World premiere | Debut film
“And, Towards Happy Alleys”
by Sreemoyee Singh | with Jafar Panahi, Nasrin Soutodeh, Jinous Nazokkar, Farhad Kheradmand, Aida Mohammadkhani
India
World premiere | Debut film | Documentary
“La Bête dans la...
- 1/18/2023
- by Naman Ramachandran
- Variety Film + TV
The Zurich Film Festival has unveiled the first seven titles from its Gala Premieres section, a showcase of some of the year’s hottest auteur films. The films include the star-studded drama “The Banshees of Inisherin” by Oscar-winning director Martin McDonagh, the European premiere of the German film adaptation “All Quiet on the Western Front,” directed by Edward Berger, and the world premieres of Sönke Wortmann’s “Der Nachname” and “Die Goldenen Jahre” by Barbara Kulcsar.
Artistic director Christian Jungen said: “In recent years, the Zurich Film Festival has established itself as a springboard into the awards season. Of the last 10 winners of the Oscar for Best Film, six screened at the festival. This year, we will again present international auteur films that will later play a role in the Oscar race to the more than 120,000 visitors and the 600 accredited media.”
The complete program of the festival will be published on Sept.
Artistic director Christian Jungen said: “In recent years, the Zurich Film Festival has established itself as a springboard into the awards season. Of the last 10 winners of the Oscar for Best Film, six screened at the festival. This year, we will again present international auteur films that will later play a role in the Oscar race to the more than 120,000 visitors and the 600 accredited media.”
The complete program of the festival will be published on Sept.
- 8/11/2022
- by Leo Barraclough
- Variety Film + TV
Click here to read the full article.
Irish drama The Banshees of Inisherin, from Three Billboards Outside Ebbing, Missouri director Martin McDonagh; Edward Berger’s German-language adaptation of All Quiet on the Western Front; and Cannes winners Triangle of Sadness and Broker are among the titles getting the gala treatment at this year’s Zurich International Film Festival, which runs Sept. 22 – Oct 2.
Zurich has unveiled the first seven of the gala premieres for the 2022 fest. Most will be heading to Zurich after their world premieres elsewhere. Banshees of Inisherin will first bow in competition in Venice, while All Quiet on the Western Front, a Netflix film, kicks off its festival run in Toronto. Another Venice title, Argentina, 1985 — from director Santiago Mitre and featuring The Secrets in Their Eyes star Ricardo Darín — will also hit the Zurich red carpet (which is actually green) this year.
Among the Zurich 2022 galas are two...
Irish drama The Banshees of Inisherin, from Three Billboards Outside Ebbing, Missouri director Martin McDonagh; Edward Berger’s German-language adaptation of All Quiet on the Western Front; and Cannes winners Triangle of Sadness and Broker are among the titles getting the gala treatment at this year’s Zurich International Film Festival, which runs Sept. 22 – Oct 2.
Zurich has unveiled the first seven of the gala premieres for the 2022 fest. Most will be heading to Zurich after their world premieres elsewhere. Banshees of Inisherin will first bow in competition in Venice, while All Quiet on the Western Front, a Netflix film, kicks off its festival run in Toronto. Another Venice title, Argentina, 1985 — from director Santiago Mitre and featuring The Secrets in Their Eyes star Ricardo Darín — will also hit the Zurich red carpet (which is actually green) this year.
Among the Zurich 2022 galas are two...
- 8/11/2022
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Spanish Horror
Two of Spain’s highest-profile upcoming horror titles got release dates and trailers today, David Casademunt’s “El páramo” (formerly “La bestia”) at Netflix and Amazon Prime Video’s horror anthology “Historias para no dormir.”
“El páramo” is the highly anticipated feature debut of award-winning short filmmaker Casademunt, and boasts a small yet star-filled cast including Inma Cuesta (“The Bride”), Roberto Álamo (“The Skin I Live In”) and Asier Flores (“Pain and Glory”). The film is set in an isolated cabin where a family of three are visited by a terrible monster which threatens the ties that bind them. It will world premiere on Oct. 11 at the Sitges Film Festival and hit Netflix worldwide on Jan. 26, 2022. Rodar y Rodar produces.
Amazon Prime Video and Spanish broadcaster Rtve’s reboot of Chicho Ibáñez Serrador’s legendary Spanish horror anthology series “Historias para no dormir” will hit the streaming platform on Nov.
Two of Spain’s highest-profile upcoming horror titles got release dates and trailers today, David Casademunt’s “El páramo” (formerly “La bestia”) at Netflix and Amazon Prime Video’s horror anthology “Historias para no dormir.”
“El páramo” is the highly anticipated feature debut of award-winning short filmmaker Casademunt, and boasts a small yet star-filled cast including Inma Cuesta (“The Bride”), Roberto Álamo (“The Skin I Live In”) and Asier Flores (“Pain and Glory”). The film is set in an isolated cabin where a family of three are visited by a terrible monster which threatens the ties that bind them. It will world premiere on Oct. 11 at the Sitges Film Festival and hit Netflix worldwide on Jan. 26, 2022. Rodar y Rodar produces.
Amazon Prime Video and Spanish broadcaster Rtve’s reboot of Chicho Ibáñez Serrador’s legendary Spanish horror anthology series “Historias para no dormir” will hit the streaming platform on Nov.
- 10/7/2021
- by Jamie Lang
- Variety Film + TV
New films by actor-director Matthias Schweighofer, Marco Kreuzpaintner, Robert Glinski, and Bettina Oberli are among the titles being lined up by German sales agents Global Screen and Picture Tree International (Pti) for the Marché du Film in Cannes next month.
Munich-based Global Screen will be unveiling five market premieres:
actor-director/producer Schweighofer’s third directorial outing, the romantic comedy Joy Of Fatherhood (Vaterfreuden), adapted from Murmel Clausen’s novel Frettsack, was released by Warner Bros. Pictures Germany in February, has been seen by more than 2.3 million cinemagoers and taken more than €17.7m ($24.5m) to date.
the 2D and 3D versions of the English-language animated feature The Seventh Dwarf (Der 7bte Zwerg), directed by Harald Siepermann and actor Boris Aljinovic, to be released by Universal Pictures in Germany this autumn.The film was also presold to many territories, including
Christian Bach’s feature debut, the coming of age/family drama Flights Of Fancy (Hirngespinster), which received Bavarian Film Awards...
Munich-based Global Screen will be unveiling five market premieres:
actor-director/producer Schweighofer’s third directorial outing, the romantic comedy Joy Of Fatherhood (Vaterfreuden), adapted from Murmel Clausen’s novel Frettsack, was released by Warner Bros. Pictures Germany in February, has been seen by more than 2.3 million cinemagoers and taken more than €17.7m ($24.5m) to date.
the 2D and 3D versions of the English-language animated feature The Seventh Dwarf (Der 7bte Zwerg), directed by Harald Siepermann and actor Boris Aljinovic, to be released by Universal Pictures in Germany this autumn.The film was also presold to many territories, including
Christian Bach’s feature debut, the coming of age/family drama Flights Of Fancy (Hirngespinster), which received Bavarian Film Awards...
- 4/30/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
★★★☆☆ The second film in the German Dreileben trilogy, Dominik Graf's Dreileben 2: Don't Follow Me Around (2011) is a very different creature to Christian Petzold's Beats Being Dead (2011), taking a more straightforward, politically-informed approach to narrative storytelling. Whilst Petzold's effort focused on the lives of Dreileben's youth, Graf's contribution to the project explores the love lives of three affluent middle-class individuals, whilst the hunt for the fugitive sex offender Molesch (Stefan Kurt) continues.
This time around, the focus lies on single mother Johanna (Jeanette Hain), a police psychologist brought in to help in the search for Molesch. Staying with her old university friend and Dreileben resident Vera (Susanne Wolff) and her novelist husband Bruno (Misel Maticevic), their nights soon turn into wine-fuelled reminiscing sessions. It quickly transpires that the two friends were once both infatuated by the same man, and an unconventional love triangle soon re-emerges from the girls' past.
This time around, the focus lies on single mother Johanna (Jeanette Hain), a police psychologist brought in to help in the search for Molesch. Staying with her old university friend and Dreileben resident Vera (Susanne Wolff) and her novelist husband Bruno (Misel Maticevic), their nights soon turn into wine-fuelled reminiscing sessions. It quickly transpires that the two friends were once both infatuated by the same man, and an unconventional love triangle soon re-emerges from the girls' past.
- 10/15/2011
- by Daniel Green
- CineVue
★★★★☆ Conceived from an extended email discussion on the current state of German cinema, the Dreileben trilogy brings together three of the nations finest filmmakers - Christian Petzold, Dominik Graf and Christoph Hochhäusler - each bringing their own unique style of storytelling to the individual chapters. The 'Dreileben' of the title is a small fictional German town, surrounded by dense forest, where a number of events transpire after the escape of a convicted child molester from a secure hospital, highlighted in Dreileben 1: Beats Being Dead (2011).
Petzold's contribution to the trilogy is a sharply-shot, well-paced character drama as young hospital intern Johannes (Jacob Matschenz) falls for enigmatic Bosnian immigrant Ana (Luna Mijovic), whom he meets at a petrol station (moments before being punched in the face by her biker boyfriend). Their early relationship is tentative yet tender, with Ana eventually moving out from her mother's flat and in with her new lover.
Petzold's contribution to the trilogy is a sharply-shot, well-paced character drama as young hospital intern Johannes (Jacob Matschenz) falls for enigmatic Bosnian immigrant Ana (Luna Mijovic), whom he meets at a petrol station (moments before being punched in the face by her biker boyfriend). Their early relationship is tentative yet tender, with Ana eventually moving out from her mother's flat and in with her new lover.
- 10/15/2011
- by Daniel Green
- CineVue
The 49th New York Film Festival has announced their Masterworks and Special Anniversary screenings that will show between the festival’s seventeen days, September 30th – October 16th. The Masterworks program and the festival’s additional programming will provide audiences with exciting opportunities to explore new film-making styles and storytelling events. To learn more about the Masterworks and Anniversary films, please check out below for full synopsis and details.
Masterworks And Special Anniversary Screenings
Masterworks: The Gold Rush
Chaplin’s personal favorite among his own films, The Gold Rush (1925), is a beautifully constructed comic fable of fate and perseverance, set in the icy wastes of the Alaskan gold fields. Re-released by Chaplin in 1942 in a recut version missing some scenes, and with added narration and musical score, The Gold Rush will be presented in a new restoration of the original, silent 1925 version. In this frequently terrifying and always unpredictable universe of...
Masterworks And Special Anniversary Screenings
Masterworks: The Gold Rush
Chaplin’s personal favorite among his own films, The Gold Rush (1925), is a beautifully constructed comic fable of fate and perseverance, set in the icy wastes of the Alaskan gold fields. Re-released by Chaplin in 1942 in a recut version missing some scenes, and with added narration and musical score, The Gold Rush will be presented in a new restoration of the original, silent 1925 version. In this frequently terrifying and always unpredictable universe of...
- 8/28/2011
- by Christopher Clemente
- SoundOnSight
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