There is simply no denying the filmography of this great director is filled with glorious and breathtaking moments. In “Throne of Blood”, when Lord Washizu (played by Toshiro Mifune) sees the ghost of Miki (Akira Kubo) who has been murdered by Washizu's assassins for fear of dethroning him, is one of these moments which still haunts audiences. The occasion, a dinner at Cobweb Caste, Washizu's fortress as the new lord, sets the tone for the event, as it is a festivity meant to re-affirm the former's general's status and the order within his realm. However, his expression when seeing the ghost destroys all illusion that basically anything is in order and highlights the chaos, as Washizu himself has continued to upset a much higher order and now has to pay the price.
The mastery of this scene in particular has to do with its execution, which is in stark contrast...
The mastery of this scene in particular has to do with its execution, which is in stark contrast...
- 1/14/2024
- by Rouven Linnarz
- AsianMoviePulse
After the drama “I Live in Fear”, acclaimed director Akira Kurosawa would return to the jidaigeki with “Throne of Blood”, arguably one of the most popular works within his filmography. Being an adaptation of William Shakespeare's “Macbeth”, the feature follows the basic structure of the play's plot. However, Kurosawa infused the story with several elements embedded within Japanese culture, such as bushido, systems of belief and superstition. As a result, “Throne of Blood” stands out among the many adaptations of the famous drama as it stays true to its origin but at the same time explores its themes within the aforementioned cultural narratives Kurosawa has chosen for his feature.
on Amazon by clicking on the image below
Having successfully defeated the enemies of their lord, generals Washizu (Toshiro Mifune) and Miki (Akira Kubo) are on their way back to Cobweb Caste, but get lost in the maze-like forest surrounding the fortress.
on Amazon by clicking on the image below
Having successfully defeated the enemies of their lord, generals Washizu (Toshiro Mifune) and Miki (Akira Kubo) are on their way back to Cobweb Caste, but get lost in the maze-like forest surrounding the fortress.
- 1/5/2024
- by Rouven Linnarz
- AsianMoviePulse
By Sean Barry
Reboots of long-established franchises have regularly been recurring in the Japanese entertainment industry. For example, the ongoing “Shin Japan Heroes Universe” has modernized numerous classic pieces of tokusatsu history with movies such as “Shin Godzilla,” “Shin Ultraman,” and the upcoming “Shin Kamen Rider.” Reboots have also taken a unique direction in present-day cinema’s independent side. Such an example is reimagining a long-lost piece of Japanese cinema. That is the case with the outlandish low-budget film “The Great Buddha Arrival.”
on Amazon
The original “The Great Buddha Arrival” is a lost 1934 independent kaiju movie directed by pioneer filmmaker Yoshiro Edamasa who served as a mentor to many filmmakers, including special effects director Eiji Tsuburaya. Its place in Japanese cinema is rather significant as it was one of the earliest pieces of daikaiju filmmaking ever constructed, predating the original “Godzilla” directed by Ishiro Honda, by two decades.
Reboots of long-established franchises have regularly been recurring in the Japanese entertainment industry. For example, the ongoing “Shin Japan Heroes Universe” has modernized numerous classic pieces of tokusatsu history with movies such as “Shin Godzilla,” “Shin Ultraman,” and the upcoming “Shin Kamen Rider.” Reboots have also taken a unique direction in present-day cinema’s independent side. Such an example is reimagining a long-lost piece of Japanese cinema. That is the case with the outlandish low-budget film “The Great Buddha Arrival.”
on Amazon
The original “The Great Buddha Arrival” is a lost 1934 independent kaiju movie directed by pioneer filmmaker Yoshiro Edamasa who served as a mentor to many filmmakers, including special effects director Eiji Tsuburaya. Its place in Japanese cinema is rather significant as it was one of the earliest pieces of daikaiju filmmaking ever constructed, predating the original “Godzilla” directed by Ishiro Honda, by two decades.
- 6/11/2022
- by Guest Writer
- AsianMoviePulse
It’s another CineSavant review of a movie largely unavailable, especially the original Japanese version. This third Ishirô Honda / Eiji Tsuburaya outer space action epic is probably the best Toho science fiction feature ever, an Astral Collision tale in which the drama and characters are as compelling as the special effects. Nothing can stop a colossal planetoid heading toward Earth, but science comes to the rescue with the biggest construction job ever undertaken by mankind. The fine screenplay generates thrills, suspense and human warmth. It also takes place in the far, far future: 1980.
Gorath
CineSavant Revival Screening Review
Not On Region A Home Video
1962 / Color / 2:35 widescreen / 88 83 min. / Yôsei Gorasu
Starring: Ryô Ikebe, Yumi Shirakawa, Akira Kubo, Kumi Mizuno, Akihiko Hirata, Kenji Sahara, Jun Tazaki, Ken Uehara, Takashi Shimura, Seizaburô Kawazu, Takamaru Sasaki, Kô Nishimura, Eitarô Ozawa, Hideyo Amamoto, George Furness, Ross Benette, Nadao Kirino, Fumio Sakashita, Ikio Sawamura, Haruo Nakajima.
Gorath
CineSavant Revival Screening Review
Not On Region A Home Video
1962 / Color / 2:35 widescreen / 88 83 min. / Yôsei Gorasu
Starring: Ryô Ikebe, Yumi Shirakawa, Akira Kubo, Kumi Mizuno, Akihiko Hirata, Kenji Sahara, Jun Tazaki, Ken Uehara, Takashi Shimura, Seizaburô Kawazu, Takamaru Sasaki, Kô Nishimura, Eitarô Ozawa, Hideyo Amamoto, George Furness, Ross Benette, Nadao Kirino, Fumio Sakashita, Ikio Sawamura, Haruo Nakajima.
- 3/30/2021
- by Glenn Erickson
- Trailers from Hell
Japanese acting legend Akira Kubo has now joined our all-star ensemble cast! All new promotional teaser trailer for our all-star kaiju film The Great Buddha Arrival! This one promotes our upcoming screenings in France and Germany, the incredible soundtrack artists, and some of the other big stars in the film including Akira Kubo, Peggy Neal, …
The post The Great Buddha Arrival – New Teaser Trailer + Toho/Godzilla Acting Legend Akira Kubo Joins Cast!! appeared first on Hnn | Horrornews.net.
The post The Great Buddha Arrival – New Teaser Trailer + Toho/Godzilla Acting Legend Akira Kubo Joins Cast!! appeared first on Hnn | Horrornews.net.
- 4/1/2019
- by Adrian Halen
- Horror News
Hitting movie theaters this weekend:
Anonymous - Rhys Ifans, Vanessa Redgrave, David Thewlis
In Time - Justin Timberlake, Amanda Seyfried, Cillian Murphy
Puss in Boots - Antonio Banderas, Salma Hayek, Zach Galifianakis
The Rum Diary - Johnny Depp, Giovanni Ribisi, Aaron Eckhart
Movie of the Week
The Rum Diary
The Stars: Johnny Depp, Giovanni Ribisi, Aaron Eckhart
The Plot: American journalist Paul Kemp (Depp) takes on a freelance job in Puerto Rico for a local newspaper during the 1950s and struggles to find a balance between island culture and the ex-patriots who live there.
The Buzz: Where to begin? Have you seen the trailer? There’s a lot to digest in there.
In all honesty, I’d be a lot more excited than I am, (presently my excito-meter is at about a 6/10) if I’d never caught wind of the many negative rumblings about this film (I have a close...
Anonymous - Rhys Ifans, Vanessa Redgrave, David Thewlis
In Time - Justin Timberlake, Amanda Seyfried, Cillian Murphy
Puss in Boots - Antonio Banderas, Salma Hayek, Zach Galifianakis
The Rum Diary - Johnny Depp, Giovanni Ribisi, Aaron Eckhart
Movie of the Week
The Rum Diary
The Stars: Johnny Depp, Giovanni Ribisi, Aaron Eckhart
The Plot: American journalist Paul Kemp (Depp) takes on a freelance job in Puerto Rico for a local newspaper during the 1950s and struggles to find a balance between island culture and the ex-patriots who live there.
The Buzz: Where to begin? Have you seen the trailer? There’s a lot to digest in there.
In all honesty, I’d be a lot more excited than I am, (presently my excito-meter is at about a 6/10) if I’d never caught wind of the many negative rumblings about this film (I have a close...
- 10/26/2011
- by Aaron Ruffcorn
- The Scorecard Review
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