Every week, museums around the country host numerous art installations both new and old. Be it a simple one channel loop that may leave a viewer scratching their heads, or a rapturous multi-channel piece that bewilders as much as moves. However, very few, if any, of these pieces get adapted to a feature length film that finds its way into cinemas across the country.
Beginning such a rollout this week is artist Julian Rosefeldt’s new film, Manifesto. Adapting Rosefeldt’s beloved multi-channel installation of the same name, Manifesto stars Cate Blanchett as 13 different characters drawing from numerous artistic and political manifestos ranging from Dadaism to Dogme 95. Not necessarily set during the time period that correlates to the rise or formation of the specific art movements, Rosefeldt transplants these manifestos into the modern day. There’s Blanchett whispering about pop art while praying at the family dinner table, only to...
Beginning such a rollout this week is artist Julian Rosefeldt’s new film, Manifesto. Adapting Rosefeldt’s beloved multi-channel installation of the same name, Manifesto stars Cate Blanchett as 13 different characters drawing from numerous artistic and political manifestos ranging from Dadaism to Dogme 95. Not necessarily set during the time period that correlates to the rise or formation of the specific art movements, Rosefeldt transplants these manifestos into the modern day. There’s Blanchett whispering about pop art while praying at the family dinner table, only to...
- 5/12/2017
- by Joshua Brunsting
- CriterionCast
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