Dutch public broadcaster Eo has commissioned a local adaptation of Keshet Intl.’s “The A Word” from Fiction Valley.
The series is based on Keren Margalit’s hit family drama “Yellow Peppers,” produced by July-August Prods. for Keshet Broadcasting. Like the original, Fiction Valley’s six-part adaptation traces a family’s painful and often humorous journey of denial and introspection after their young son is diagnosed with autism.
The latest version of the format follows Fifty Fathoms and Keshet Prods.’ adaptation for BBC One, which has run three seasons and sold in more than 80 territories worldwide.
Known locally as “Het A Woord” and written by Karin van der Meer and Myranda Jongeling, the six-part series will be directed by Anna van der Heide and Remy van Heugten, with Fiction Valley’s Annemieke van Vliet serving as executive producer.
The show stars Lies Visschedijk (“Soof”) as Sam’s mother Mariel, Guy Clemens...
The series is based on Keren Margalit’s hit family drama “Yellow Peppers,” produced by July-August Prods. for Keshet Broadcasting. Like the original, Fiction Valley’s six-part adaptation traces a family’s painful and often humorous journey of denial and introspection after their young son is diagnosed with autism.
The latest version of the format follows Fifty Fathoms and Keshet Prods.’ adaptation for BBC One, which has run three seasons and sold in more than 80 territories worldwide.
Known locally as “Het A Woord” and written by Karin van der Meer and Myranda Jongeling, the six-part series will be directed by Anna van der Heide and Remy van Heugten, with Fiction Valley’s Annemieke van Vliet serving as executive producer.
The show stars Lies Visschedijk (“Soof”) as Sam’s mother Mariel, Guy Clemens...
- 2/26/2020
- by Ed Meza
- Variety Film + TV
After garnering the most wide spread acclaim of his career with his previous picture, Borgman, director Alex van Warmerdam is back with what may be not only his most accessible film, but also the prototypical black comedy that he has been striving to make his entire career.
Ostensibly a hit man story in the mold of a Spy vs. Spy comic tale, Schneider Vs. Bax is a pitch black comedy that introduces us to our two titular lead characters, Schneider (a suburban father played wonderfully on edge by Tom Dewisplaere) and Bax (who is a writer with a penchant for booze and hard drugs and is played by van Warmerdam himself). Where the humor truly comes in is the picture’s almost farce-style narrative, which sees these two have to deal with their respective hits (which may or may not be born out of less than ideal intentions) as well as their families,...
Ostensibly a hit man story in the mold of a Spy vs. Spy comic tale, Schneider Vs. Bax is a pitch black comedy that introduces us to our two titular lead characters, Schneider (a suburban father played wonderfully on edge by Tom Dewisplaere) and Bax (who is a writer with a penchant for booze and hard drugs and is played by van Warmerdam himself). Where the humor truly comes in is the picture’s almost farce-style narrative, which sees these two have to deal with their respective hits (which may or may not be born out of less than ideal intentions) as well as their families,...
- 2/15/2016
- by Joshua Brunsting
- CriterionCast
In Dorothee van den Berghe's second feature, ten-year-old, Karo (Anna Franziska Jager) is on her way from Belgium to start a new life with her free radical parents (Deborah Francois & Matthias Schoenaerts) in Amsterdam. Lovingly crafted with a wonder and effervescence that is not at all condescending, My Queen Karo starts off as a tale of " the child as observer to the follies of adults".
With Karo and her costume designer mother, Daria, in toe, activist/artist father, Raven and his group of friends find a vacant floor of a warehouse loft space, perfect for their intended utopia of no walls, no rules and free love. Raven is an idealist to the death; a man unwilling to toy with the idea, let along apparent need, for money, the seeming leader of this small band of merry artists and non-conformists. Karo is impressed with her father's gentle command and passionate strive.
With Karo and her costume designer mother, Daria, in toe, activist/artist father, Raven and his group of friends find a vacant floor of a warehouse loft space, perfect for their intended utopia of no walls, no rules and free love. Raven is an idealist to the death; a man unwilling to toy with the idea, let along apparent need, for money, the seeming leader of this small band of merry artists and non-conformists. Karo is impressed with her father's gentle command and passionate strive.
- 4/28/2010
- Screen Anarchy
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