“Nobody messes with my family!” shouts Queen Latifah, aiming a revolver at baddies during a late moment in “End of the Road.” It is one of several points in this Netflix thriller where the blatancy of undiluted cliché has an effect rather more comical than intended. Taking a brisk route from the pedestrian to the preposterous, Millicent Shelton’s slick but silly film diminishes its social-commentary edge by painting an African American family’s cross-country trip in cartoonishly broad terms, imperiled by crazy and/or criminal “crackers” at every junction.
Director and cast do their best — well, maybe not their best, but their competent professional duty — with a formulaic, contrived screenplay. Still, the results do no one much credit, landing closer to overripe cheese than taut suspense, or even guilty-pleasure terrain. “End” launches on the streamer Sept. 9.
The Freemans — a choice of name that signals the script’s heavy hand...
Director and cast do their best — well, maybe not their best, but their competent professional duty — with a formulaic, contrived screenplay. Still, the results do no one much credit, landing closer to overripe cheese than taut suspense, or even guilty-pleasure terrain. “End” launches on the streamer Sept. 9.
The Freemans — a choice of name that signals the script’s heavy hand...
- 9/9/2022
- by Dennis Harvey
- Variety Film + TV
Lori Nelson, the 1950s starlet who was kidnapped by an amphibious monster in Revenge of the Creature and portrayed Barbara Stanwyck’s younger daughter in Douglas Sirk’s All I Desire, has died. She was 87.
Nelson had been suffering from Alzheimer’s disease for several years and died Sunday at her home in the Porter Ranch section of Los Angeles, her daughter Jennifer Mann said.
In Ma and Pa Kettle at the Fair (1952) and Ma and Pa Kettle at Waikiki (1955), Nelson played Rosie Kettle, one of the daughters of the characters played by Marjorie Main and Percy Kilbride in the Universal series of films.
Nelson also made her mark in I Died a Thousand Times (1955), a remake of the Humphrey Bogart classic High Sierra in which she portrayed the club-footed love interest of Jack Palance’s crook; Pardners (1956), working opposite Dean Martin and Jerry Lewis in their penultimate film together...
Nelson had been suffering from Alzheimer’s disease for several years and died Sunday at her home in the Porter Ranch section of Los Angeles, her daughter Jennifer Mann said.
In Ma and Pa Kettle at the Fair (1952) and Ma and Pa Kettle at Waikiki (1955), Nelson played Rosie Kettle, one of the daughters of the characters played by Marjorie Main and Percy Kilbride in the Universal series of films.
Nelson also made her mark in I Died a Thousand Times (1955), a remake of the Humphrey Bogart classic High Sierra in which she portrayed the club-footed love interest of Jack Palance’s crook; Pardners (1956), working opposite Dean Martin and Jerry Lewis in their penultimate film together...
- 8/24/2020
- by Mike Barnes
- The Hollywood Reporter - Movie News
Dana Andrews movies: Film noir actor excelled in both major and minor crime dramas. Dana Andrews movies: First-rate film noir actor excelled in both classics & minor fare One of the best-looking and most underrated actors of the studio era, Dana Andrews was a first-rate film noir/crime thriller star. Oftentimes dismissed as no more than a “dependable” or “reliable” leading man, in truth Andrews brought to life complex characters that never quite fit into the mold of Hollywood's standardized heroes – or rather, antiheroes. Unlike the cynical, tough-talking, and (albeit at times self-delusionally) self-confident characters played by the likes of Alan Ladd, Edward G. Robinson, James Cagney, Humphrey Bogart, and, however lazily, Robert Mitchum, Andrews created portrayals of tortured men at odds with their social standing, their sense of ethics, and even their romantic yearnings. Not infrequently, there was only a very fine line separating his (anti)heroes from most movie villains.
- 1/22/2017
- by Andre Soares
- Alt Film Guide
Looking to discover a top-quality film that honors lasting values? Jean Renoir gives Zachary Scott and Betty Field as Texas sharecroppers trying to survive a rough first year. It's beautifully written by Hugo Butler, with given realistic, earthy touches not found in Hollywood pix. And the transfer is a new UCLA restoration. With two impressive short subjects in equal good quality. The Southerner Blu-ray Kino Classics 1945 / B&W / 1:37 flat Academy / 92 min. / Street Date February 9, 2016 / available through Kino Lorber / 29.95 Starring Betty Field, Beulah Bondi, Carol Naish, Norman Lloyd, Zachary Scott, Percy Kilbride, Charles Kemper, Blanche Yurka, Estelle Taylor, Paul Harvey, Noreen Nash, Nestor Paiva, Almira Sessions. Cinematography Lucien Andriot Film Editor Gregg C. Tallas Production Designer Eugène Lourié Assistant Director Robert Aldrich Original Music Werner Janssen Written by Hugo Butler, Jean Renoir from a novel by George Sessions Perry Produced by Robert Hakim, David L. Loew Directed by Jean Renoir...
- 1/26/2016
- by Glenn Erickson
- Trailers from Hell
Jeanne Crain: Lighthearted movies vs. real life tragedies (photo: Madeleine Carroll and Jeanne Crain in ‘The Fan’) (See also: "Jeanne Crain: From ‘Pinky’ Inanity to ‘Margie’ Magic.") Unlike her characters in Margie, Home in Indiana, State Fair, Centennial Summer, The Fan, and Cheaper by the Dozen (and its sequel, Belles on Their Toes), or even in the more complex A Letter to Three Wives and People Will Talk, Jeanne Crain didn’t find a romantic Happy Ending in real life. In the mid-’50s, Crain accused her husband, former minor actor Paul Brooks aka Paul Brinkman, of infidelity, of living off her earnings, and of brutally beating her. The couple reportedly were never divorced because of their Catholic faith. (And at least in the ’60s, unlike the humanistic, progressive-thinking Margie, Crain was a “conservative” Republican who supported Richard Nixon.) In the early ’90s, she lost two of her...
- 8/26/2013
- by Andre Soares
- Alt Film Guide
Hattie McDaniel as Mammy in ‘Gone with the Wind’: TCM schedule on August 20, 2013 (photo: Vivien Leigh and Hattie McDaniel in ‘Gone with the Wind’) See previous post: “Hattie McDaniel: Oscar Winner Makes History.” 3:00 Am Thank Your Lucky Stars (1943). Director: David Butler. Cast: Joan Leslie, Dennis Morgan, Eddie Cantor, Humphrey Bogart, Bette Davis, Olivia de Havilland, Errol Flynn, John Garfield, Ida Lupino, Ann Sheridan, Dinah Shore, Alexis Smith, Jack Carson, Alan Hale, George Tobias, Edward Everett Horton, S.Z. Sakall, Hattie McDaniel, Ruth Donnelly, Don Wilson, Spike Jones, Henry Armetta, Leah Baird, Willie Best, Monte Blue, James Burke, David Butler, Stanley Clements, William Desmond, Ralph Dunn, Frank Faylen, James Flavin, Creighton Hale, Sam Harris, Paul Harvey, Mark Hellinger, Brandon Hurst, Charles Irwin, Noble Johnson, Mike Mazurki, Fred Kelsey, Frank Mayo, Joyce Reynolds, Mary Treen, Doodles Weaver. Bw-127 mins. 5:15 Am Janie (1944). Director: Michael Curtiz. Cast: Joyce Reynolds, Robert Hutton,...
- 8/21/2013
- by Andre Soares
- Alt Film Guide
After his first, and very popular, top ten for Blogomatic3000 on virus outbreaks in the movies, author and critic Kim Newman is back once again with and all-new Top 10 inspired by the eminent release of the awesome comedy horror Tucker and Dale vs. Evil, which hits stores next week…
The clever joke at the heart of the witty horror comedy Tucker and Dale vs Evil is that college kids who go camping in the backwoods have seen so many movies about degenerate, inbred killer hillbillies they’re terrified even of basically sweet-natured, if ill-groomed folks like the eponymous duo played by Tyler Lebine and Alan Tudyk. In truth, the American cinema hasn’t been especially enlightened in its depiction of the rural poor of the Appalachians and other mountainous backwoods regions, but it hasn’t presented quite as overwhelmingly negative a vision as you might think.
Here’s a run-down...
The clever joke at the heart of the witty horror comedy Tucker and Dale vs Evil is that college kids who go camping in the backwoods have seen so many movies about degenerate, inbred killer hillbillies they’re terrified even of basically sweet-natured, if ill-groomed folks like the eponymous duo played by Tyler Lebine and Alan Tudyk. In truth, the American cinema hasn’t been especially enlightened in its depiction of the rural poor of the Appalachians and other mountainous backwoods regions, but it hasn’t presented quite as overwhelmingly negative a vision as you might think.
Here’s a run-down...
- 9/23/2011
- by Phil
- Nerdly
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