U.S. content management, financing and sales banner Cinetic Media has secured world rights to the life affirming doc “Two Strangers Trying Not to Kill Each Other,” about legendary photographer Joel Meyerowitz and artist and author Maggie Barrett, his wife.
Rising filmmaking duo Manon Ouimet and Jacob Perlmutter of London-based Manon et Jacob are making their documentary debut, with Ouimet serving as producer alongside multi-Oscar nominated Danish producer Signe Byrge Sørensen of Final Cut Four Real.
“Two Strangers Trying Not to Kill Each Other” is having its world premiere March 16 in the Dox:award main competition at Copenhagen’s leading documentary festival Cph:dox, and also screen in the international competition section of Thessaloniki Documentary Festival on the same day.
Pedigree co-producing partners attached include Fremantle-owned doc label Undeniable, helmed by Mandy Chang, and long-time Final Cut for Real U.S. partners Louverture Films.
The character-driven documentary chronicles the loving yet...
Rising filmmaking duo Manon Ouimet and Jacob Perlmutter of London-based Manon et Jacob are making their documentary debut, with Ouimet serving as producer alongside multi-Oscar nominated Danish producer Signe Byrge Sørensen of Final Cut Four Real.
“Two Strangers Trying Not to Kill Each Other” is having its world premiere March 16 in the Dox:award main competition at Copenhagen’s leading documentary festival Cph:dox, and also screen in the international competition section of Thessaloniki Documentary Festival on the same day.
Pedigree co-producing partners attached include Fremantle-owned doc label Undeniable, helmed by Mandy Chang, and long-time Final Cut for Real U.S. partners Louverture Films.
The character-driven documentary chronicles the loving yet...
- 3/7/2024
- by Annika Pham
- Variety Film + TV
Click here to read the full article.
Top Gun: Maverick, The Batman, Doctor Strange in the Multiverse of Madness and Dune are among the movies that received multiple Hpa (Hollywood Professional Association) Award nominations. The annual Hpa Awards recognizes postproduction talent in areas including color grading, editing, sound and visual effects.
The voting period runs from September to September, meaning that some of last year’s award season films will compete against this year’s contenders.
The awards will be handed out Nov. 17 at the Hollywood Legion Theater.
The complete list of nominees follow:
Outstanding Color Grading – Theatrical Feature
Top Gun: Maverick
Stefan Sonnenfeld, Adam Nazarenko / Company 3
Dune
David Cole / FotoKem
Nightmare Alley
Stefan Sonnenfeld, Adam Nazarenko / Company 3
The Batman
David Cole / FotoKem
No Time to Die
Matt Wallach / Company 3
Outstanding Color Grading – Episode or Non-Theatrical Feature
“1883 – 1883”
Mitch Paulson // Company 3
“Better Call Saul – Carrot and Stick”
Keith Shaw...
Top Gun: Maverick, The Batman, Doctor Strange in the Multiverse of Madness and Dune are among the movies that received multiple Hpa (Hollywood Professional Association) Award nominations. The annual Hpa Awards recognizes postproduction talent in areas including color grading, editing, sound and visual effects.
The voting period runs from September to September, meaning that some of last year’s award season films will compete against this year’s contenders.
The awards will be handed out Nov. 17 at the Hollywood Legion Theater.
The complete list of nominees follow:
Outstanding Color Grading – Theatrical Feature
Top Gun: Maverick
Stefan Sonnenfeld, Adam Nazarenko / Company 3
Dune
David Cole / FotoKem
Nightmare Alley
Stefan Sonnenfeld, Adam Nazarenko / Company 3
The Batman
David Cole / FotoKem
No Time to Die
Matt Wallach / Company 3
Outstanding Color Grading – Episode or Non-Theatrical Feature
“1883 – 1883”
Mitch Paulson // Company 3
“Better Call Saul – Carrot and Stick”
Keith Shaw...
- 10/4/2022
- by THR staff
- The Hollywood Reporter - Movie News
It’s a well-known fact that if you are feeling nervous, especially at a social event, having a couple of drinks can easily help you to calm down. Nonetheless, if you have no self-control, you can run the risk of drinking too much, saying too much, and making a far bigger mess. Few films have captured the tumultuous and heady mix of social anxiety coupled with alcohol dependency as well as Marco Lawson’s The Dinner (Middagen), a Danish film that feels in the spirit of classic Dogme 95 cinema, bringing to mind Thomas Vinterberg’s Another Round and Festen. Telling the story of a man meeting his daughter-in-law’s parents for the first time, it carefully peels back layers surrounding class, masculinity and social norms with painfully acute observation, buoyed by an oppressive atmosphere and smart set design. Impressed by this uncomfortable depiction of social anxiety, we talked to Lawson about Danish drinking culture,...
- 7/4/2022
- by Redmond Bacon
- Directors Notes
Conflict hot spots, war frontlines, and violent protests may seem the most obvious places for journalists to die in the line of duty, but “The Killing of a Journalist,” which recently premiered at Toronto’s Hot Docs, compellingly illustrates how investigative journalism—particular the kind that crunches numbers and sticks its nose in the shady corners where politics and organized crime intersect—is more insidiously deadly.
Directed by U.S. journalist Matt Sarnecki—a senior producer for the Organized Crime and Corruption Reporting Project (Occrp) and Bucharest-based since 2013—the film began as an investigation of the brutal murder of investigative journalist Ján Kuciak and his fiancée Martina Kušnírová in their home in February 2018. It was the first-ever targeted killing of a journalist in Slovakia.
Kuciak, who was self-taught in understanding financial data but highly effective at sifting through numbers for clues to corruption, had frequently focused on combative millionaire businessman Marián Kočner,...
Directed by U.S. journalist Matt Sarnecki—a senior producer for the Organized Crime and Corruption Reporting Project (Occrp) and Bucharest-based since 2013—the film began as an investigation of the brutal murder of investigative journalist Ján Kuciak and his fiancée Martina Kušnírová in their home in February 2018. It was the first-ever targeted killing of a journalist in Slovakia.
Kuciak, who was self-taught in understanding financial data but highly effective at sifting through numbers for clues to corruption, had frequently focused on combative millionaire businessman Marián Kočner,...
- 5/9/2022
- by Jennie Punter
- Variety Film + TV
“King Richard” got a big boost in its bid for Best Editing at the Oscars with a win at the Ace Golden Eddie Awards on March 6. It prevailed in the drama race at these awards bestowed by American Cinema Editors over two of its Oscar rivals –“Dune” and “The Power of the Dog” — as well as “Belfast” and “No Time to Die.”
Another of the Oscar nominees, “tick, tick…Boom!,” won the comedy/musical category over the fifth Oscar contender, “Don’t Look Up,” plus “Cruella,” “The French Dispatch” and “Licorice Pizza.”
Since 1990, the film that came up with one of the ACEs went on to take home the top prize at the Academy Awards 18 times, including the 2020 winner for best drama editing, “Parasite.” And in nine of the 13 years when the Ace barometer was wrong, at least one of the Eddie champs was a contender for Best Picture. Last year’s drama winner,...
Another of the Oscar nominees, “tick, tick…Boom!,” won the comedy/musical category over the fifth Oscar contender, “Don’t Look Up,” plus “Cruella,” “The French Dispatch” and “Licorice Pizza.”
Since 1990, the film that came up with one of the ACEs went on to take home the top prize at the Academy Awards 18 times, including the 2020 winner for best drama editing, “Parasite.” And in nine of the 13 years when the Ace barometer was wrong, at least one of the Eddie champs was a contender for Best Picture. Last year’s drama winner,...
- 3/6/2022
- by Paul Sheehan
- Gold Derby
The American Cinema Editors used their Ace Eddie Awards on Saturday to fire back at the Oscars. Facing declining ratings and long running times, the Academy, the Oscars ceremony producers and ABC decided to award Oscars for editing and seven other categories outside the live telecast. Ace board member Kevin Tent introduced the awards saying, “There might be some setbacks and slights at times which can sting.”
Hacks editor Susan Vaill used her speech to implore everyone from PAs to other crafts to amplify each other, in order to “make those people who don’t think we should be on the broadcast listen.” tick, tick… Boom! editor Myron Kerstein concluded his speech by saying “present all 23” categories.
Deadline spoke with other nominees prior to the show. They shared degrees of disappointment, some understanding and hope for future inclusion. Andrew Weisblum won an Eddie with Kerstein for tick, tick… Boom! and...
Hacks editor Susan Vaill used her speech to implore everyone from PAs to other crafts to amplify each other, in order to “make those people who don’t think we should be on the broadcast listen.” tick, tick… Boom! editor Myron Kerstein concluded his speech by saying “present all 23” categories.
Deadline spoke with other nominees prior to the show. They shared degrees of disappointment, some understanding and hope for future inclusion. Andrew Weisblum won an Eddie with Kerstein for tick, tick… Boom! and...
- 3/6/2022
- by Fred Topel
- Deadline Film + TV
Jonas Poher Rasmussen’s animated documentary won the best documentary, best editing, best score and best sound design prizes.
Flee made history at the Danish Film Academy Robert Awards, which took place on Saturday (February 5) in Copenhagen, as the first documentary to win all four awards it was nominated for, scooping the best documentary, best editing, best score and best sound design prizes.
Jonas Poher Rasmussen’s animated documentary focuses on a man, on the cusp of marriage to his boyfriend, revealing the secrets of his journey from Afghanistan to Denmark as a child refugee. Last week, the title was...
Flee made history at the Danish Film Academy Robert Awards, which took place on Saturday (February 5) in Copenhagen, as the first documentary to win all four awards it was nominated for, scooping the best documentary, best editing, best score and best sound design prizes.
Jonas Poher Rasmussen’s animated documentary focuses on a man, on the cusp of marriage to his boyfriend, revealing the secrets of his journey from Afghanistan to Denmark as a child refugee. Last week, the title was...
- 2/7/2022
- by Mona Tabbara
- ScreenDaily
The nominations for the 2022 Ace Eddie Awards announced on Thursday (Jan. 27) include our Oscar frontrunner for Best Film Editing, “Dune,” along with three of the other four films we’re predicting to reap bids in that race: “Belfast,” “Don’t Look Up” and “The Power of the Dog.” While “West Side Story” was snubbed by the American Cinema Editors we expect it to be the fifth Academy Awards contender.
The Ace Eddie Awards divide their prizes for editing between dramas and comedies/musicals.
“Belfast,” “Dune” and “The Power of the Dog” contend here in the drama race, which is rounded out by “King Richard” and“No Time to Die.”
Facing off against “Don’t Look Up” on the comedy side are “Cruella,” “The French Dispatch,” “Licorice Pizza” and “tick, tick…Boom!”
In 1992, the Eddies went from three to five nominees (matching that of the Oscars) and in 2000 it split the award in two,...
The Ace Eddie Awards divide their prizes for editing between dramas and comedies/musicals.
“Belfast,” “Dune” and “The Power of the Dog” contend here in the drama race, which is rounded out by “King Richard” and“No Time to Die.”
Facing off against “Don’t Look Up” on the comedy side are “Cruella,” “The French Dispatch,” “Licorice Pizza” and “tick, tick…Boom!”
In 1992, the Eddies went from three to five nominees (matching that of the Oscars) and in 2000 it split the award in two,...
- 1/27/2022
- by Paul Sheehan
- Gold Derby
The American Cinema Editors (Ace) has nominated “Belfast,” “Dune,” “King Richard,” “No Time to Die” and “The Power of the Dog” in the category of feature film drama at the 72nd annual Ace Eddie Awards.
In the best edited comedic feature category, “Cruella,” “Don’t Look Up,” “The French Dispatch,” “Licorice Pizza” and “Tick, Tick…Boom!” all received nominations.
Among the animated features nominated were “Encanto,” “Luca,” “The Mitchells vs. the Machines,” “Raya and the Last Dragon” and “Sing 2.” The TV nominees include “Succession” and “The White Lotus.”
The Eddies are considered a precursor for the best picture and best editing categories at the Oscars. Five of the past 11 winners for best edited drama feature went on to win the film editing Oscar.
Since 1961, only 10 women have won in the best edited drama feature category. This year, there are two women who made the cut: Pamela Martin (“King Richard”) and...
In the best edited comedic feature category, “Cruella,” “Don’t Look Up,” “The French Dispatch,” “Licorice Pizza” and “Tick, Tick…Boom!” all received nominations.
Among the animated features nominated were “Encanto,” “Luca,” “The Mitchells vs. the Machines,” “Raya and the Last Dragon” and “Sing 2.” The TV nominees include “Succession” and “The White Lotus.”
The Eddies are considered a precursor for the best picture and best editing categories at the Oscars. Five of the past 11 winners for best edited drama feature went on to win the film editing Oscar.
Since 1961, only 10 women have won in the best edited drama feature category. This year, there are two women who made the cut: Pamela Martin (“King Richard”) and...
- 1/27/2022
- by Jazz Tangcay
- Variety Film + TV
Nominees for the 72nd annual Ace Eddie Awards include feature dramas “Dune,” “Belfast,” “King Richard,” “No Time to Die,” “The Power of the Dog,” along with feature comedies “Licorice Pizza” and “Don’t Look Up.” Also getting comedy nods were “Cruella,” “The French Dispatch,” and “Tick Tick Boom.” The winners will be announced live during the Ace Eddie awards March 5 at the Ace Hotel theater.
“Dune,” “Belfast,” “King Richard,” “Don’t Look Up,” and “The Power of the Dog” have the strongest chance of getting Oscar nominations. However, “Licorice Pizza” and “No Time to Die” could also make the cut. Although “West Side Story” was overlooked by Ace, there’s still the chance that three-time Oscar winner Michael Kahn and co-editor Sarah Broshar could squeeze into the race.
Animation nominations, much like previously announced guild votes, went to Disney’s “Encanto” and “Raya and the Last Dragon,” Pixar’s “Luca,” Netflix/Sony...
“Dune,” “Belfast,” “King Richard,” “Don’t Look Up,” and “The Power of the Dog” have the strongest chance of getting Oscar nominations. However, “Licorice Pizza” and “No Time to Die” could also make the cut. Although “West Side Story” was overlooked by Ace, there’s still the chance that three-time Oscar winner Michael Kahn and co-editor Sarah Broshar could squeeze into the race.
Animation nominations, much like previously announced guild votes, went to Disney’s “Encanto” and “Raya and the Last Dragon,” Pixar’s “Luca,” Netflix/Sony...
- 1/27/2022
- by Bill Desowitz
- Indiewire
The American Cinema Editors has spliced together the nominees for its 72nd annual Ace Eddie Awards.
The editors behind Belfast, Dune, King Richard, No Time to Die and The Power of the Dog will compete for Best Edited Dramatic Feature Film. Up for Comedy Feature are Cruella, Don’t Look Up, The French Dispatch, Licorice Pizza and tick, tick…Boom! The Animated Feature race will be among Encanto, Luca, The Mitchells vs. the Machines, Raya and the Last Dragon
and Sing 2.
Vying in the Documentary Feature competition are Flee, The Rescue, Summer of Soul, Val and The Velvet Underground. See the full list of the Eddie Award nominations below.
Trophies will be presented during the guild’s awards ceremony on March 5 at the Theatre at the Ace Hotel in Los Angeles. The half-capacity show originally was set for February 26.
A highlight on the TV side is Kevin Can F**k Himself,...
The editors behind Belfast, Dune, King Richard, No Time to Die and The Power of the Dog will compete for Best Edited Dramatic Feature Film. Up for Comedy Feature are Cruella, Don’t Look Up, The French Dispatch, Licorice Pizza and tick, tick…Boom! The Animated Feature race will be among Encanto, Luca, The Mitchells vs. the Machines, Raya and the Last Dragon
and Sing 2.
Vying in the Documentary Feature competition are Flee, The Rescue, Summer of Soul, Val and The Velvet Underground. See the full list of the Eddie Award nominations below.
Trophies will be presented during the guild’s awards ceremony on March 5 at the Theatre at the Ace Hotel in Los Angeles. The half-capacity show originally was set for February 26.
A highlight on the TV side is Kevin Can F**k Himself,...
- 1/27/2022
- by Erik Pedersen
- Deadline Film + TV
“Belfast,” “Dune,” “King Richard,” “No Time to Die” and “The Power of the Dog” have been nominated as the best dramatic film editing of 2021 by the American Cinema Editors, which announced the nominees for the 72nd annual Ace Eddie Awards on Thursday.
Those five films will compete in the Best Edited Feature Film (Dramatic) category, while the field in Best Edited Feature Film (Comedy) will consist of “Cruella,” “Don’t Look Up,” “The French Dispatch,” “Licorice Pizza” and “tick, tick…Boom!”
The most surprising omission was probably “West Side Story,” while Ace Eddie voters also bypassed “Nightmare Alley,” “Coda” and “Spider-Man: No Way Home.”
Nominations for the editing of animated features went to the same five animated films that have also been nominated by the Cinema Audio Society, Motion Picture Sound Editors, Visual Effects Society and Art Directors Guild: “Encanto,” “Luca,” “The Mitchells vs. the Machines,” “Raya and the Last Dragon” and “Sing 2.
Those five films will compete in the Best Edited Feature Film (Dramatic) category, while the field in Best Edited Feature Film (Comedy) will consist of “Cruella,” “Don’t Look Up,” “The French Dispatch,” “Licorice Pizza” and “tick, tick…Boom!”
The most surprising omission was probably “West Side Story,” while Ace Eddie voters also bypassed “Nightmare Alley,” “Coda” and “Spider-Man: No Way Home.”
Nominations for the editing of animated features went to the same five animated films that have also been nominated by the Cinema Audio Society, Motion Picture Sound Editors, Visual Effects Society and Art Directors Guild: “Encanto,” “Luca,” “The Mitchells vs. the Machines,” “Raya and the Last Dragon” and “Sing 2.
- 1/27/2022
- by Steve Pond
- The Wrap
Variety's Awards Circuit is home to the official predictions for the upcoming Oscars and Emmys ceremonies from film awards editor Clayton Davis. Following history, buzz, news, reviews and sources, the Oscar and Emmy predictions are updated regularly with the current year's list of contenders in all categories. Variety's Awards Circuit Prediction schedule consists of four phases, running all year long: Draft, Pre-Season, Regular Season and Post Season. The eligibility calendar and dates of awards will determine how long each phase lasts and is subject to change.
To see all the latest predictions, of all the categories, in one place, visit The Oscars Collective
Visit each category, per the individual awards show from The Oscars Hub
Revisit the prediction archive of the 2021 season The Archive
Link to television awards is atTHE Emmys Hub
2022 Oscars Predictions:
Best Film Editing
Updated: Dec 27, 2021
Awards Prediction Commentary: While there have been a few examples of...
To see all the latest predictions, of all the categories, in one place, visit The Oscars Collective
Visit each category, per the individual awards show from The Oscars Hub
Revisit the prediction archive of the 2021 season The Archive
Link to television awards is atTHE Emmys Hub
2022 Oscars Predictions:
Best Film Editing
Updated: Dec 27, 2021
Awards Prediction Commentary: While there have been a few examples of...
- 12/27/2021
- by Clayton Davis
- Variety Film + TV
Society opens door for non-us editors with launch at EditFest Global virtual conference.
American Cinema Editors (Ace) has created an international partnership programme allowing film editors from outside the US to become members of the honourary society.
The Ace International Partners programme will be officially launched at the society’s EditFest Global virtual conference event, staged this year on August 28 and 29.
The programme – developed by Ace international committee leaders Edgar Burcksen and Michael Ornstein, together with executive director Jenni McCormick – will be open to “experienced and well-established” editors who are members of an Ace-recognised editing organisation in their own countries.
American Cinema Editors (Ace) has created an international partnership programme allowing film editors from outside the US to become members of the honourary society.
The Ace International Partners programme will be officially launched at the society’s EditFest Global virtual conference event, staged this year on August 28 and 29.
The programme – developed by Ace international committee leaders Edgar Burcksen and Michael Ornstein, together with executive director Jenni McCormick – will be open to “experienced and well-established” editors who are members of an Ace-recognised editing organisation in their own countries.
- 8/25/2021
- by John Hazelton
- ScreenDaily
Ace (American Cinema Editors) has launched its new International Partnership Program which allows for film editors in other countries to become members of Ace.
The International Committee, led by long-time Ace members Edgar Burcksen, Ace and Michael Ornstein, Ace, in collaboration with Ace Executive Director Jenni McCormick have been working to expand the community of editors who live and work outside the United States and are members of an editing organization. Their vision for a more united and synched up global film editing family is finally coming to fruition and will be officially launched and celebrated at this year’s global Editfest event being held virtually Aug. 28 and 29.
Ace International Partners can become part of Ace’s network of film editing professionals. They attend Ace gatherings, receive discounts on Ace events around the world (including U.S. events), and receive a complimentary subscription to CinemaEditor Magazine.
They are also invited...
The International Committee, led by long-time Ace members Edgar Burcksen, Ace and Michael Ornstein, Ace, in collaboration with Ace Executive Director Jenni McCormick have been working to expand the community of editors who live and work outside the United States and are members of an editing organization. Their vision for a more united and synched up global film editing family is finally coming to fruition and will be officially launched and celebrated at this year’s global Editfest event being held virtually Aug. 28 and 29.
Ace International Partners can become part of Ace’s network of film editing professionals. They attend Ace gatherings, receive discounts on Ace events around the world (including U.S. events), and receive a complimentary subscription to CinemaEditor Magazine.
They are also invited...
- 8/24/2021
- by Jazz Tangcay
- Variety Film + TV
Flee Trailer — Jonas Poher Rasmussen‘s Flee (2021) movie trailer has been released by Neon. The Flee trailer stars Rashid Aitouganov. Crew Jonas Poher Rasmussen wrote the screenplay for the film. Uno Helmersson created the music for the film. Janus Billeskov Jansen conducted the film editing for the film. Plot Synopsis Flee‘s plot synopsis: “Sundance Grand Jury winner [...]
Continue reading: Flee (2021): An Afghan Refugee Recounts His Painful Past in Jonas Poher Rasmussen’s Award-winning Documentary...
Continue reading: Flee (2021): An Afghan Refugee Recounts His Painful Past in Jonas Poher Rasmussen’s Award-winning Documentary...
- 7/18/2021
- by Rollo Tomasi
- Film-Book
Copenhagen-based Final Cut for Real CEO Signe Byrge Sørensen might be unassuming and soft-spoken, but her vision, will power and fire for urgent stories have made her a world-class producer. Her documentary credits boast countless festival hits and accolades, including two Oscar-nominated films, “The Act of Killing” (2014) and “The Look of Silence” (2016), to the 2020 Cph:dox top winner “Songs of Repression,” and recent Sundance Grand Jury Winner “Flee.”
Her company Final Cut for Real is delivering five competition entries at this year’s Cph:dox, including Sørensen’s own-produced “President,” a Sundance Special Jury Prize winner, and new pic “Our Memory Belongs to Us,” both running for the main Dox:Award.
Helmed by Syrian-born Rami Farah, with Sørensen serving as co-director, “Our Memory Belongs to Us” is a unique window into the Syrian conflict through the lens and memories of those who took part. Brought together by Farah to mark the 10 years of the Syrian uprising,...
Her company Final Cut for Real is delivering five competition entries at this year’s Cph:dox, including Sørensen’s own-produced “President,” a Sundance Special Jury Prize winner, and new pic “Our Memory Belongs to Us,” both running for the main Dox:Award.
Helmed by Syrian-born Rami Farah, with Sørensen serving as co-director, “Our Memory Belongs to Us” is a unique window into the Syrian conflict through the lens and memories of those who took part. Brought together by Farah to mark the 10 years of the Syrian uprising,...
- 4/23/2021
- by Annika Pham
- Variety Film + TV
Thomas Vinterberg’s box-office hit is one of this year’s big winners, alongside Anders Thomas Jensen’s Riders of Justice and Christina Rosendahl’s The Good Traitor. Last week, Thomas Vinterberg’s Another Round collected five prizes at the Roberts, Denmark’s national film and TV awards. The ceremony, held virtually on Saturday 6 February, saw the title winning the award for Best Film, as well as four more statuettes for Best Director, Best Original Screenplay (Thomas Vinterberg and Tobias Lindholm), Best Editing (Anne Østerud and Janus Billeskov Jansen) and Best Lead Actor (Mads Mikkelsen). Despite these challenging times, Another Round has been a box office hit, gaining over 800,000 domestic admissions in 2020. The story of Vinterberg’s film revolves around Martin and three of his friends, all tired high school teachers, who embark on an experiment to uphold a constant level of intoxication throughout the workday. Meanwhile, Anders Thomas Jensen’s Riders of Justice picked.
Participant has partnered with Neon on the North American distribution of Jonas Poher Rasmussen’s documentary, “Flee,” after its Sundance debut.
The film, a largely animated documentary about the life of a gay Afghan refugee, earned the grand jury prize in the World Cinema Documentary Competition category on Tuesday night, just hours after the new partnership was announced.
“We were awestruck by Jonas Poher Rasmussen’s beautiful and intimate Flee and are so proud to join with Neon in co-distributing this film,” Diane Weyermann, Participant’s Chief Content Officer, said in a statement announcing the partnership.
“We are extremely happy to continue our collaboration with Participant which began with the ‘Look of Silence,’” producers Signe Byrge Sørensen and Monica Hellström, of Final Cut For Real, said of the deal.
The experimental and critically acclaimed film was written by Rasmussen and Amin Nawabi (a pseudonym for the story’s central character...
The film, a largely animated documentary about the life of a gay Afghan refugee, earned the grand jury prize in the World Cinema Documentary Competition category on Tuesday night, just hours after the new partnership was announced.
“We were awestruck by Jonas Poher Rasmussen’s beautiful and intimate Flee and are so proud to join with Neon in co-distributing this film,” Diane Weyermann, Participant’s Chief Content Officer, said in a statement announcing the partnership.
“We are extremely happy to continue our collaboration with Participant which began with the ‘Look of Silence,’” producers Signe Byrge Sørensen and Monica Hellström, of Final Cut For Real, said of the deal.
The experimental and critically acclaimed film was written by Rasmussen and Amin Nawabi (a pseudonym for the story’s central character...
- 2/3/2021
- by Angelique Jackson
- Variety Film + TV
The Oscar-winning studio behind “Parasite” broke the ice at the 2021 virtual Sundance Film Festival sales market.
The indie company has acquired the documentary “Flee,” also an official selection of Cannes 2020, in a competitive situation after the movie’s Thursday premiere. The doc went for roughly $1 million, individuals familiar with the deal said. Jeff Deutchman negotiated the deal for Neon with 30West and Philippa Kowarsky of Cinephil on behalf of the filmmakers. International sales are being handled by Cinephil.
Jonas Poher Rasmussen directed the project, executive produced by Riz Ahmed and Nikolaj Coster-Waldau. The hand-drawn narrative follow an individual named Amin Nawabi (a pseudonym), who grapples with a painful secret he has kept hidden for 20 years. It threatens to derail the life he has built for himself and his soon-to-be husband. Recounted mostly through animation to Rasmussen — his close friend and high-school classmate — he tells for the first time the story...
The indie company has acquired the documentary “Flee,” also an official selection of Cannes 2020, in a competitive situation after the movie’s Thursday premiere. The doc went for roughly $1 million, individuals familiar with the deal said. Jeff Deutchman negotiated the deal for Neon with 30West and Philippa Kowarsky of Cinephil on behalf of the filmmakers. International sales are being handled by Cinephil.
Jonas Poher Rasmussen directed the project, executive produced by Riz Ahmed and Nikolaj Coster-Waldau. The hand-drawn narrative follow an individual named Amin Nawabi (a pseudonym), who grapples with a painful secret he has kept hidden for 20 years. It threatens to derail the life he has built for himself and his soon-to-be husband. Recounted mostly through animation to Rasmussen — his close friend and high-school classmate — he tells for the first time the story...
- 1/29/2021
- by Matt Donnelly
- Variety Film + TV
Neon has made the first acquisition out of this year’s Sundance Film Festival, taking North American rights to Jonas Poher Rasmussen’s Flee for an undisclosed seven-figure sum after an overnight bidding war.
The film, executive produced by Riz Ahmed and Nikolaj Coster-Waldau, was an official selection for Cannes 2020 and made its debut on opening night of Sundance in the World Documentary Competition. Rasmussen directed and co-wrote the movie with Amin Nawabi.
Playing in the world premiere section, Flee follows Nawabi, who arrives as an unaccompanied minor in Denmark from Afghanistan. Today, he is a successful academic and is getting married to his longtime boyfriend. A secret he has been hiding for 20 years threatens to ruin the life he has built. Recounted mostly through animation to Rasmussen — his close friend and high school classmate, he tells for the first time the story of his extraordinary journey as a child refugee from Afghanistan.
The film, executive produced by Riz Ahmed and Nikolaj Coster-Waldau, was an official selection for Cannes 2020 and made its debut on opening night of Sundance in the World Documentary Competition. Rasmussen directed and co-wrote the movie with Amin Nawabi.
Playing in the world premiere section, Flee follows Nawabi, who arrives as an unaccompanied minor in Denmark from Afghanistan. Today, he is a successful academic and is getting married to his longtime boyfriend. A secret he has been hiding for 20 years threatens to ruin the life he has built. Recounted mostly through animation to Rasmussen — his close friend and high school classmate, he tells for the first time the story of his extraordinary journey as a child refugee from Afghanistan.
- 1/29/2021
- by Anthony D'Alessandro
- Deadline Film + TV
Riz Ahmed, a leading awards contender this year with “Sound of Metal,” and “Game of Thrones” star Nikolaj Coster-Waldau have joined the Danish animated documentary “Flee,” which plays at Sundance, as executive producers. Ahmed and Coster-Waldau will also voice the lead roles in an English-language version of the film, which will debut later this year.
Originally selected for Cannes Film Festival 2020, “Flee” will have its world premiere in world documentary competition at Sundance Film Festival on Thursday. International sales will be handled by Cinephil, while 30West will handle North American sales.
“Flee” tells the story of Amin Nawabi (a pseudonym), a child refugee fleeing his home in Afghanistan to safety in Denmark. Recounted mostly through animation to director Jonas Poher Rasmussen — his close friend and high-school classmate — Amin tells for the first time the story of his extraordinary journey. Ahmed will play Amin, while Coster-Waldau voices Rasmussen.
“I was floored...
Originally selected for Cannes Film Festival 2020, “Flee” will have its world premiere in world documentary competition at Sundance Film Festival on Thursday. International sales will be handled by Cinephil, while 30West will handle North American sales.
“Flee” tells the story of Amin Nawabi (a pseudonym), a child refugee fleeing his home in Afghanistan to safety in Denmark. Recounted mostly through animation to director Jonas Poher Rasmussen — his close friend and high-school classmate — Amin tells for the first time the story of his extraordinary journey. Ahmed will play Amin, while Coster-Waldau voices Rasmussen.
“I was floored...
- 1/22/2021
- by Leo Barraclough
- Variety Film + TV
Bille August’s 1987 award winner is yet another full cinema meal, a deeply satisfying drama about working conditions among Scandinavian immigrants back when being poor was a life sentence. Max von Sydow’s performance is stunning, as an aging stock tender forced to begin again as a veritable serf. He and his good son Pelle are surrounded by little dramas dealing with injustices among the workers and servants, as well as between the landholders in the big farmhouse.
Pelle the Conqueror
Blu-ray
Film Movement Classics
1987 / Color / 1:85 widescreen / 150 min. / Pelle erobreren / Street Date May 30, 2017 / 39.95
Starring: Pelle Hvenegaard, Max von Sydow, Erik Paaske, Bjorn Granath, Astrid Villaume, Axel Strobye, Troels Asmussen, Kristina Tornqvist, Karen Wegener, Sofie Grabol, Lars Simonsen, Buster Larsen, John Wittig, Troels Munk, Nis Bank-Mikkelsen.
Cinematography: Jörgen Persson
Film Editor: Janus Billeskov Jansen
Original Music: Stefan Nilsson
Written by Bille August, Per Olov Enquist, Max Lundgren, Bjarne Reuter
from...
Pelle the Conqueror
Blu-ray
Film Movement Classics
1987 / Color / 1:85 widescreen / 150 min. / Pelle erobreren / Street Date May 30, 2017 / 39.95
Starring: Pelle Hvenegaard, Max von Sydow, Erik Paaske, Bjorn Granath, Astrid Villaume, Axel Strobye, Troels Asmussen, Kristina Tornqvist, Karen Wegener, Sofie Grabol, Lars Simonsen, Buster Larsen, John Wittig, Troels Munk, Nis Bank-Mikkelsen.
Cinematography: Jörgen Persson
Film Editor: Janus Billeskov Jansen
Original Music: Stefan Nilsson
Written by Bille August, Per Olov Enquist, Max Lundgren, Bjarne Reuter
from...
- 5/16/2017
- by Glenn Erickson
- Trailers from Hell
The European Film Academy — more than 3,000 filmmakers across Europe – voted for this year’s European Film Awards. At the 29th EFAs ceremony on Saturday in Wroclaw, Poland, in a major rebuke to the Cannes competition jury that snubbed German director Maren Ade’s three-hour father-daughter comedy “Toni Erdmann,” her country’s foreign Oscar selection took home five top awards: Best European Film, Director, Screenplay, Actor, and Actress. The awards ceremony is hosted by different countries each year.
Three Scandinavian Oscar entries: “A Man Called Ove” (Sweden), “The Happiest Day in the Life of Olli Maki” (Finland), and “Land of Mine” (Denmark) won awards, along with Oscar submissions from Italy (documentary “Fire at Sea”) and Switzerland (animated film “My Life as a Zucchini”). Andrzej Wajda, whose film “Afterimage” is Poland’s official Oscar entry, won an honorary award.
The U.S. Academy of Motion Picture Arts & Sciences members participating in the...
Three Scandinavian Oscar entries: “A Man Called Ove” (Sweden), “The Happiest Day in the Life of Olli Maki” (Finland), and “Land of Mine” (Denmark) won awards, along with Oscar submissions from Italy (documentary “Fire at Sea”) and Switzerland (animated film “My Life as a Zucchini”). Andrzej Wajda, whose film “Afterimage” is Poland’s official Oscar entry, won an honorary award.
The U.S. Academy of Motion Picture Arts & Sciences members participating in the...
- 12/11/2016
- by Anne Thompson
- Thompson on Hollywood
The European Film Academy — more than 3,000 filmmakers across Europe – voted for this year’s European Film Awards. At the 29th EFAs ceremony on Saturday in Wroclaw, Poland, in a major rebuke to the Cannes competition jury that snubbed German director Maren Ade’s three-hour father-daughter comedy “Toni Erdmann,” her country’s foreign Oscar selection took home five top awards: Best European Film, Director, Screenplay, Actor, and Actress. The awards ceremony is hosted by different countries each year.
Three Scandinavian Oscar entries: “A Man Called Ove” (Sweden), “The Happiest Day in the Life of Olli Maki” (Finland), and “Land of Mine” (Denmark) won awards, along with Oscar submissions from Italy (documentary “Fire at Sea”) and Switzerland (animated film “My Life as a Zucchini”). Andrzej Wajda, whose film “Afterimage” is Poland’s official Oscar entry, won an honorary award.
The U.S. Academy of Motion Picture Arts & Sciences members participating in the...
Three Scandinavian Oscar entries: “A Man Called Ove” (Sweden), “The Happiest Day in the Life of Olli Maki” (Finland), and “Land of Mine” (Denmark) won awards, along with Oscar submissions from Italy (documentary “Fire at Sea”) and Switzerland (animated film “My Life as a Zucchini”). Andrzej Wajda, whose film “Afterimage” is Poland’s official Oscar entry, won an honorary award.
The U.S. Academy of Motion Picture Arts & Sciences members participating in the...
- 12/11/2016
- by Anne Thompson
- Indiewire
Germany’s Oscar hopeful wins five major awards in Wroclaw at politically charged ceremony.
Toni Erdmann has been voted the best European film of 2016 at the European Film Awards in Wroclaw.
More than 3,000 members of the European Film Academy - filmmakers from across Europe - voted at this year’s awards ceremony.
Scroll down for full list of winners
The comedy also picked up awards for best European Director (Maren Ade), European Actress (Sandra Hüller), European Actor (Peter Simonischek) and European Screenwriter (Maren Ade).
The top prize for Toni Erdmann marked the first time in the EFAs’ 29-year history that the Best European Film award went to a female director as Maren Ade pointed out on accaccepting the evening’s final statuette with her partners Jonas Dornbach and Janine Jackowski of their production company Komplizen Film.
Swedish comedy drama A Man Called Ove was voted best European comedy, while there were also wins for Fire At Sea...
Toni Erdmann has been voted the best European film of 2016 at the European Film Awards in Wroclaw.
More than 3,000 members of the European Film Academy - filmmakers from across Europe - voted at this year’s awards ceremony.
Scroll down for full list of winners
The comedy also picked up awards for best European Director (Maren Ade), European Actress (Sandra Hüller), European Actor (Peter Simonischek) and European Screenwriter (Maren Ade).
The top prize for Toni Erdmann marked the first time in the EFAs’ 29-year history that the Best European Film award went to a female director as Maren Ade pointed out on accaccepting the evening’s final statuette with her partners Jonas Dornbach and Janine Jackowski of their production company Komplizen Film.
Swedish comedy drama A Man Called Ove was voted best European comedy, while there were also wins for Fire At Sea...
- 12/10/2016
- ScreenDaily
Germany’s Oscar contender wins five major awards in Wroclaw
Toni Erdmann has been voted the best European film of 2016 at the European Film Awards in Wroclaw. More than 3,000 members of the European Film Academy - filmmakers from across Europe - voted at this year’s awards ceremony.
The comedy also picked up awards for best European Director (Maren Ade), European Actress (Sandra Hüller), European Actor (Peter Simonischek) and European Screenwriter (Maren Ade).
Swedish comedy drama, A Man Called Ove, was voted best European comedy.
Scroll down for full list of winners
Meanwhile, Ken Loach’s I, Daniel Blake won the first European University Film Award (Eufa), a collaboration between the Efa and Filmfest Hamburg. Students from 13 European countries came together in Hamburg this week and selected Loach’s film from five nominated titles.
On announcing the winner in Wroclaw, Filmfest director Albert Wiederspiel revealed that the initiative had been so popular that it was likely that universities...
Toni Erdmann has been voted the best European film of 2016 at the European Film Awards in Wroclaw. More than 3,000 members of the European Film Academy - filmmakers from across Europe - voted at this year’s awards ceremony.
The comedy also picked up awards for best European Director (Maren Ade), European Actress (Sandra Hüller), European Actor (Peter Simonischek) and European Screenwriter (Maren Ade).
Swedish comedy drama, A Man Called Ove, was voted best European comedy.
Scroll down for full list of winners
Meanwhile, Ken Loach’s I, Daniel Blake won the first European University Film Award (Eufa), a collaboration between the Efa and Filmfest Hamburg. Students from 13 European countries came together in Hamburg this week and selected Loach’s film from five nominated titles.
On announcing the winner in Wroclaw, Filmfest director Albert Wiederspiel revealed that the initiative had been so popular that it was likely that universities...
- 12/10/2016
- ScreenDaily
Germany’s Oscar contender wins five major awards in Wroclaw
Toni Erdmann has been voted the best European film of 2016 at the European Film Awards in Wroclaw. More than 3,000 members of the European Film Academy - filmmakers from across Europe - voted at this year’s awards ceremony.
The comedy also picked up awards for best European Director (Maren Ade), European Actress (Sandra Hüller), European Actor (Peter Simonischek) and European Screenwriter (Maren Ade).
Swedish comedy drama, A Man Called Ove, was voted best European comedy.
Scroll down for full list of winners
Meanwhile, Ken Loach’s I, Daniel Blake won the first European University Film Award (Eufa), a collaboration between the Efa and Filmfest Hamburg. Students from 13 European countries came together in Hamburg this week and selected Loach’s film from five nominated titles.
On announcing the winner in Wroclaw, Filmfest director Albert Wiederspiel revealed that the initiative had been so popular that it was likely that universities...
Toni Erdmann has been voted the best European film of 2016 at the European Film Awards in Wroclaw. More than 3,000 members of the European Film Academy - filmmakers from across Europe - voted at this year’s awards ceremony.
The comedy also picked up awards for best European Director (Maren Ade), European Actress (Sandra Hüller), European Actor (Peter Simonischek) and European Screenwriter (Maren Ade).
Swedish comedy drama, A Man Called Ove, was voted best European comedy.
Scroll down for full list of winners
Meanwhile, Ken Loach’s I, Daniel Blake won the first European University Film Award (Eufa), a collaboration between the Efa and Filmfest Hamburg. Students from 13 European countries came together in Hamburg this week and selected Loach’s film from five nominated titles.
On announcing the winner in Wroclaw, Filmfest director Albert Wiederspiel revealed that the initiative had been so popular that it was likely that universities...
- 12/10/2016
- ScreenDaily
Land Of Mine, Suffragette win early awards.
The first seven winners for the 29th European Film Awards - which take place on 10 December in Wroclaw, Poland - have been announced.
Martin Zandvliet’s war drama Land Of Mine leads the way with three awards.
The jury picked the winners for the cinematography, editing, design, costumes, hair and make-up, music and sound categories.
The winners are:
Cinematography: Camilla Hjelm Knudsen for Land Of MineEditing: Anne Østerud and Janus Billeskov Jansen for The CommuneDesign: Alice Normington for SuffragetteCostumes: Stefanie Bieker for Land Of MineHair and Make-Up: Barbara Kreuzer for Land Of MineMusic: Ilya Demutsky for The StudentSound: Radosław Ochnio for 11 Minutes
The seven jury members were production designer Benoît Barouh, costume designer Paco Delgado, cinematographer Martin Gschlacht, sound designer Dean Humphreys, editor Era Lapid, make-up artist Waldemar Pokromski and composer Giuliano Taviani.
Pierce Brosnan will receive the European Achievement in World Cinema award at the ceremony, which this year...
The first seven winners for the 29th European Film Awards - which take place on 10 December in Wroclaw, Poland - have been announced.
Martin Zandvliet’s war drama Land Of Mine leads the way with three awards.
The jury picked the winners for the cinematography, editing, design, costumes, hair and make-up, music and sound categories.
The winners are:
Cinematography: Camilla Hjelm Knudsen for Land Of MineEditing: Anne Østerud and Janus Billeskov Jansen for The CommuneDesign: Alice Normington for SuffragetteCostumes: Stefanie Bieker for Land Of MineHair and Make-Up: Barbara Kreuzer for Land Of MineMusic: Ilya Demutsky for The StudentSound: Radosław Ochnio for 11 Minutes
The seven jury members were production designer Benoît Barouh, costume designer Paco Delgado, cinematographer Martin Gschlacht, sound designer Dean Humphreys, editor Era Lapid, make-up artist Waldemar Pokromski and composer Giuliano Taviani.
Pierce Brosnan will receive the European Achievement in World Cinema award at the ceremony, which this year...
- 11/17/2016
- ScreenDaily
Danish director Thomas Vinterberg’s Oscar-nominated The Hunt (Jagten) won seven awards at the Danish Academy Awards - where Gravity picked up Best Us Feature.Scroll down for full list of winners
The Hunt, which has made the shortlist for the Best Foreign-Language Film at this year’s Oscars, was nominated in 14 categories at the Roberts - the annual awards of the Danish Film Academy.
Last night’s ceremony marked the 30th time the Danish national film prize was awarded at a gala in Copenhagen’s Tivoli Hotel & Congress Centre.
Having already collected 18 international prizes, including three at Cannes and a European Film Award, The Hunt won for Best Film and Best Original Screenplay (Vinterberg, Tobias Lindholm), and Mads Mikkelsen was named Best Actor for his portrayal of a 40-year-old man in a small provincial town, wrongly suspected of child abuse.
Taking to the stage with his team, Vinterbeg said: ”We have basked in success, and it has...
The Hunt, which has made the shortlist for the Best Foreign-Language Film at this year’s Oscars, was nominated in 14 categories at the Roberts - the annual awards of the Danish Film Academy.
Last night’s ceremony marked the 30th time the Danish national film prize was awarded at a gala in Copenhagen’s Tivoli Hotel & Congress Centre.
Having already collected 18 international prizes, including three at Cannes and a European Film Award, The Hunt won for Best Film and Best Original Screenplay (Vinterberg, Tobias Lindholm), and Mads Mikkelsen was named Best Actor for his portrayal of a 40-year-old man in a small provincial town, wrongly suspected of child abuse.
Taking to the stage with his team, Vinterbeg said: ”We have basked in success, and it has...
- 1/27/2014
- by jornrossing@aol.com (Jorn Rossing Jensen)
- ScreenDaily
This is a tough awards season! Lots of great movies to see, so little time! I'm catching up like crazy before we vote for the Critics' Choice Movie Awards for the Broadcast Film Critics Association. So I apologize if I haven't updated you with the latest on the awards season 2013-2014! And there were many award-giving bodies announcing nominations.
We already told you about the Rome Film Festival and the Film Independent Spirit Awards, now let's talk about the 2013 Gotham Awards, the Ida Documentary Awards, the Cinema Eye, and the Producers Guild announcing its best documentary choices.
First stop, we have the 2013 Gotham Awards where Steve McQueen's "12 Years a Slave" topped the nominations with three nods including best feature, best actor for Chiwetel Ejiofor and breakthrough actor for Lupita Nyong'o.
Winners will be announced on Dec. 2nd where Richard Linklater, Forest Whitaker, and Katherine Oliver (head of the NYC...
We already told you about the Rome Film Festival and the Film Independent Spirit Awards, now let's talk about the 2013 Gotham Awards, the Ida Documentary Awards, the Cinema Eye, and the Producers Guild announcing its best documentary choices.
First stop, we have the 2013 Gotham Awards where Steve McQueen's "12 Years a Slave" topped the nominations with three nods including best feature, best actor for Chiwetel Ejiofor and breakthrough actor for Lupita Nyong'o.
Winners will be announced on Dec. 2nd where Richard Linklater, Forest Whitaker, and Katherine Oliver (head of the NYC...
- 12/2/2013
- by Manny
- Manny the Movie Guy
Best European Film Amour (Love) Austria/France/Germany, 127 min Written & directed by Michael Haneke Produced by Margaret Menegoz, Stefan Arndt, Veit Heiduschka & Michael Katz Barbara Germany, 105 min Written & directed by Christian Petzold Produced by Florian Koerner von Gustorf & Michael Weber Cesare Deve Morire (Caesar Must Die) Italy, 76 min Directed by Paolo & Vittorio Taviani Written by Paolo & Vittorio Taviani, in collaboration with Fabio Cavalli Produced by Grazia Volpi Intouchables (Untouchable) France, 108 min Written & directed by Olivier Nakache & Eric Toledano Produced by Nicolas Duval Adassovsky, Yann Zenou & Laurent Zeitoun Jagten (The Hunt) Denmark, 111 min Directed by Thomas Vinterberg Written by Thomas Vinterberg & Tobias Lindholm Produced by Morten Kaufmann & Sisse Graum Jørgensen Shame UK, 96 min Directed by Steve McQueen Written by Steve McQueen & Abi Morgan Produced by Iain Canning & Emile Sherman European Director 2012: Nuri Bilge Ceylan for B?R Zamanlar Anadolu’Da (Once Upon a Time in Anatolia) Michael Haneke for Amour...
- 11/4/2012
- by Steve Montgomery
- Alt Film Guide
Joshua Oppenheimer's documentary "The Act of Killing" is premiering at the Telluride Film Festival as well as screening at Toronto as part of their Tiff Docs program. The film's premise is disturbing and provocative: a group of Indonesian killers re-enact a selection of their crimes--and then talk about how they feel about it. The interviewed gangster and perpetrator Anwar Congo eagerly agreed to make a film about his role in the genocide -- not to provide thoughtful testimony but rather to act in a film noir gangster style movie, gallop about in a Western, and sing and dance in musical numbers. "What Josh is doing is revealing the story," says editor Janus Billeskov Jansen, who also edited "The Hunt." "Most Indonesian people grew up with a totally different story." Oppenheimer took seven years to amass 1000 hours of original Indonesian footage that took more than a year and a half...
- 8/31/2012
- by Maggie Lange and Anne Thompson
- Thompson on Hollywood
Documentarians carve stories out of the ebb and flow of real life, making the struggles of a Canadian metal band into a rousing tale of standing by your dreams, or finding echoes of "A Chorus Line" in the backstage process of putting together a Broadway revival of the show. So it's no surprise that the 2010 Cinema Eye Honors, which took place on Friday in New York, were filled with their own anecdotes about nonfiction films and the process of making them.
The venerable Albert Maysles, in a salute to influential Canadian filmmaker Allan King, who passed away earlier this year, told the crowd how his first date with his wife was to see King's 1967 doc "Warrendale." Editor Sloane Klevin, presenting the award for Outstanding Achievement in Editing, in turn recounted how the back of her apartment faces that of Maysles, and how she often sees him at night, washing dishes,...
The venerable Albert Maysles, in a salute to influential Canadian filmmaker Allan King, who passed away earlier this year, told the crowd how his first date with his wife was to see King's 1967 doc "Warrendale." Editor Sloane Klevin, presenting the award for Outstanding Achievement in Editing, in turn recounted how the back of her apartment faces that of Maysles, and how she often sees him at night, washing dishes,...
- 1/19/2010
- by Alison Willmore
- ifc.com
"Burma VJ: Reporter i et lukket land" review by Steve Ramos Sundance '09: Its underground reporters make 'Burma VJ' more thriller than typical documentary. The backdrop of large-scale protests by the Burmese people, especially Buddhist monks in 2007, against their military dictators heightens the drama in Danish director Anders Østergaard's artful and inspiring documentary "Burma VJ." Assembling footage from the undercover reporters who make up the Dvb (Democratic Voice of Burma), a small network of independent video journalists who risk everything reporting on news ignored by the Burmese government controlled media, Østergaard's film makes its U.S. premiere in the World Cinema Documentary competition at the Sundance Film Festival. "Burma VJ" succeeds brilliantly by focusing on the human drama of these brave activist journalists and their leader Joshua. Instead of a more typical socio-political topic film, "Burma VJ" unfolds like a suspense drama. While there is much Østergaard keeps hidden,...
- 2/2/2009
- Upcoming-Movies.com
Chicago – The 2009 Sundance Film Festival Awards were announced on Saturday, January 24th, 2009 and Lee Daniels’ examination of parental abuse and self-redemption in Harlem in the 1980s, “Push: Based on a Novel by Sapphire,” won both the Grand Jury Prize and the Audience Award in the U.S. dramatic competition.
“Push” tells the story of an embattled teenageer living in 1980s Harlem.
Photo credit: Sundance/Variety “We Live in Public” won the Grand Jury Prize for documentary. The Chilean film “The Maid” by Sebastian Silva, won the Grand Jury Prize for World Cinema. The audience award in World Cinema went to “An Education” by Lone Scherfig. The film recounts a 16-year-old girl’s adventures in early ’60s London.
Other winning documentaries besides Ondi Timoner’s look at Internet pioneer Josh Harris were “Rough Aunties” by Kim Longinotto, which won the World Cinema docu grand jury prize. The doc focuses on...
“Push” tells the story of an embattled teenageer living in 1980s Harlem.
Photo credit: Sundance/Variety “We Live in Public” won the Grand Jury Prize for documentary. The Chilean film “The Maid” by Sebastian Silva, won the Grand Jury Prize for World Cinema. The audience award in World Cinema went to “An Education” by Lone Scherfig. The film recounts a 16-year-old girl’s adventures in early ’60s London.
Other winning documentaries besides Ondi Timoner’s look at Internet pioneer Josh Harris were “Rough Aunties” by Kim Longinotto, which won the World Cinema docu grand jury prize. The doc focuses on...
- 1/26/2009
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
"Push," Lee Daniels' adaptation of performance poet Sapphire's novel about an abused, illiterate teenager struggling to break free from her hellish homelife in Harlem, was the big winner at this year's Sundance Film Festival, picking up both the Dramatic Grand Jury Prize and the Audience Award, with star Mo'Nique earning a Special Jury Prize for Acting. Ondi Timoner's film about dot-com golden boy Josh Harris "We Live in Public" snagged the Documentary Grand Jury Prize, while in the World category, Kim Longinotto's "Rough Aunties" and Sebastián Silva's "The Maid" were given awards. The complete list of awards follows:
The Grand Jury Prize: U.S. Documentary was presented to "We Live in Public," directed by Ondi Timoner. The film portrays the story of the Internet's revolutionary impact on human interaction as told through the eyes of maverick web pioneer, Josh Harris, and his transgressive art project that shocked New York.
The Grand Jury Prize: U.S. Documentary was presented to "We Live in Public," directed by Ondi Timoner. The film portrays the story of the Internet's revolutionary impact on human interaction as told through the eyes of maverick web pioneer, Josh Harris, and his transgressive art project that shocked New York.
- 1/25/2009
- by Alison Willmore
- ifc.com
A story of an abused inner-city teenager trying to set her life right moved audiences and the jury at the Sundance Film Festival, as "Push: Based on the Novel by Sapphire," won both the grand jury award and the audience award in the U.S. dramatic competition in Park City.
The wins marked only the second time this decade that one film has taken both prizes -- Mexican-American coming-of-age tale "Quinceanera" did it in 2006 -- and proved another feather in the cap of the word-of-mouth sensation and its star, Gabourey Sidibe.
The movie, which Lee Daniels directed from a script by Damien Paul, picked up a third prize when Mo'Nique received a special jury award for her performance as an abusive mother. Cinetic Media is repping rights to the picture.
There were a number of multiple-award winners named when Jane Lynch hosted the...
The wins marked only the second time this decade that one film has taken both prizes -- Mexican-American coming-of-age tale "Quinceanera" did it in 2006 -- and proved another feather in the cap of the word-of-mouth sensation and its star, Gabourey Sidibe.
The movie, which Lee Daniels directed from a script by Damien Paul, picked up a third prize when Mo'Nique received a special jury award for her performance as an abusive mother. Cinetic Media is repping rights to the picture.
There were a number of multiple-award winners named when Jane Lynch hosted the...
- 1/24/2009
- by By Steven Zeitchik
- The Hollywood Reporter - Movie News
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