A loud, high-pitched sound echoes through the streets of Oslo. Car alarms start going off everywhere. A citywide blackout begins. An elderly man, draped over his grandson’s grave, begins to hear the sound of muffled knocks coming from under the ground. “Grandpa is coming,” he says repeatedly. He grabs a shovel and begins to dig. So begins Handling the Undead, Thea Hvistendahl‘s somber feature directorial debut that acts as a haunting meditation on grief, daring to ask us what we would do if someone we loved returned from the dead.
Adapted from John Ajvide Lindqvist’s (Let the Right One In) 2005 novel of the same name (he also co-wrote the screenplay with Hvistendahl), Handling the Undead chronicles the lives of three families as they deal with the sudden return of their recently deceased loved ones. Anna is saved from a suicide attempt when her father Mahler (Bjørn Sundquist...
Adapted from John Ajvide Lindqvist’s (Let the Right One In) 2005 novel of the same name (he also co-wrote the screenplay with Hvistendahl), Handling the Undead chronicles the lives of three families as they deal with the sudden return of their recently deceased loved ones. Anna is saved from a suicide attempt when her father Mahler (Bjørn Sundquist...
- 1/26/2024
- by Trace Thurman
- bloody-disgusting.com
The World War Two drama War Sailor — which debuted at last year’s Toronto Film Festival — swept Norway’s Amanda Awards last night, taking four main awards.
The War Sailor haul included best actor for Pål Sverre Hagen. This is his third Amanda and second consecutive win. Ine Marie Wilmann won the best supporting actress award for portraying Cecilia in the pic.
The film, directed by Norwegian filmmaker Gunnar Vikene, centers on Alfred Garnes, a working-class sailor who has recently become the father of a third child. He and his childhood friend Sigbjørn Kvalen are working on a merchant ship in the middle of the Atlantic Ocean when World War II breaks out. They are unarmed civilians on the front lines of a war they never asked to join. The two men struggle for survival in a spiral of violence and death, where German submarines may attack their valuable vessels at any moment.
The War Sailor haul included best actor for Pål Sverre Hagen. This is his third Amanda and second consecutive win. Ine Marie Wilmann won the best supporting actress award for portraying Cecilia in the pic.
The film, directed by Norwegian filmmaker Gunnar Vikene, centers on Alfred Garnes, a working-class sailor who has recently become the father of a third child. He and his childhood friend Sigbjørn Kvalen are working on a merchant ship in the middle of the Atlantic Ocean when World War II breaks out. They are unarmed civilians on the front lines of a war they never asked to join. The two men struggle for survival in a spiral of violence and death, where German submarines may attack their valuable vessels at any moment.
- 8/20/2023
- by Zac Ntim
- Deadline Film + TV
Iram Haq’s What Will People Say won best director, Norwegian film, actor and screenplay.
Iram Haq’s What Will People Say triumphed at the Amanda Awards on Aug 18, winning the Norwegian national awards for best director (Haq), best Norwegian film in theatrical release, best actor (Adil Hussain) and best screenplay (Haq).
The film, a hit at festivals including Toronto, Les Arcs, AFI Fest and Goteborg, is about a Norwegian teenage girl who clashes with her traditional Pakistan-born parents.
Erik Poppe’s Utoya story U-July 22 won best actress and best supporting actress for newcomers Andrea Berntzen and Solveig Koløen Birkeland.
Iram Haq’s What Will People Say triumphed at the Amanda Awards on Aug 18, winning the Norwegian national awards for best director (Haq), best Norwegian film in theatrical release, best actor (Adil Hussain) and best screenplay (Haq).
The film, a hit at festivals including Toronto, Les Arcs, AFI Fest and Goteborg, is about a Norwegian teenage girl who clashes with her traditional Pakistan-born parents.
Erik Poppe’s Utoya story U-July 22 won best actress and best supporting actress for newcomers Andrea Berntzen and Solveig Koløen Birkeland.
- 8/20/2018
- by Wendy Mitchell
- ScreenDaily
The historical drama triumphed with six awards, while Oscar-nominated A War had to settle for one.Scroll down for full list of winners
Martin Zandvliet’s Land Of Mine triumphed at the 2016 Danish Film Awards, scooping six prizes including Best Film.
The historical war drama, which premiered in the 2015 Toronto International Film Festival’s Platform section, also took home Best Director, Best Original Screenplay, Best Cinematography, Best Editing and the Blockbuster Audience Award.
The night’s other major awards were split between several titles.
Tobias Lindholm’s Oscar-nominated modern war-drama A War took the Best Actress prize for star Tuva Novotny, while Ulrich Thomsen won Best Actor, his third, for his performance in Kasper Barfoed’s football comedy Summer Of ’92.
The supporting awards went to Trine Dyrholm for Long Story Short and Nicolas Bro for Men & Chicken.
Kenneth Kainz’s children’s adventure film The Shamer’s Daughter was another big winner on the night, taking five prizes:...
Martin Zandvliet’s Land Of Mine triumphed at the 2016 Danish Film Awards, scooping six prizes including Best Film.
The historical war drama, which premiered in the 2015 Toronto International Film Festival’s Platform section, also took home Best Director, Best Original Screenplay, Best Cinematography, Best Editing and the Blockbuster Audience Award.
The night’s other major awards were split between several titles.
Tobias Lindholm’s Oscar-nominated modern war-drama A War took the Best Actress prize for star Tuva Novotny, while Ulrich Thomsen won Best Actor, his third, for his performance in Kasper Barfoed’s football comedy Summer Of ’92.
The supporting awards went to Trine Dyrholm for Long Story Short and Nicolas Bro for Men & Chicken.
Kenneth Kainz’s children’s adventure film The Shamer’s Daughter was another big winner on the night, taking five prizes:...
- 2/8/2016
- ScreenDaily
Controversial director makes rare appearance and speeches at Danish film awards.
Lars von Trier has once more broken his “vow of silence” to accept an armful of prizes at Denmark’s Robert awards.
The controversial Danish filmmaker’s Nymphomaniac: Director’s Cut scooped eight trophies including best feature and best director at the Danish Film Academy’s awards last night (Feb 1) – and von Trier was in attendance at the ceremony for the first time.
Accepting the Robert for best feature, von Trier said: “From Peter Aalbæk Jensen (his producing partner at Zentropa Entertainments), I know that some of the Robert awards are won by five votes, so I would like to thank those five persons in the auditorium. Thank you very much.”
The director of Antichrist and Dancer in the Dark has rarely spoken in public after being expelled from the Cannes Film Festival in 2011, where he brought Melancholia, after publicly joking that he was a Nazi...
Lars von Trier has once more broken his “vow of silence” to accept an armful of prizes at Denmark’s Robert awards.
The controversial Danish filmmaker’s Nymphomaniac: Director’s Cut scooped eight trophies including best feature and best director at the Danish Film Academy’s awards last night (Feb 1) – and von Trier was in attendance at the ceremony for the first time.
Accepting the Robert for best feature, von Trier said: “From Peter Aalbæk Jensen (his producing partner at Zentropa Entertainments), I know that some of the Robert awards are won by five votes, so I would like to thank those five persons in the auditorium. Thank you very much.”
The director of Antichrist and Dancer in the Dark has rarely spoken in public after being expelled from the Cannes Film Festival in 2011, where he brought Melancholia, after publicly joking that he was a Nazi...
- 2/2/2015
- by jornrossing@aol.com (Jorn Rossing Jensen) michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Danish director Thomas Vinterberg’s Oscar-nominated The Hunt (Jagten) won seven awards at the Danish Academy Awards - where Gravity picked up Best Us Feature.Scroll down for full list of winners
The Hunt, which has made the shortlist for the Best Foreign-Language Film at this year’s Oscars, was nominated in 14 categories at the Roberts - the annual awards of the Danish Film Academy.
Last night’s ceremony marked the 30th time the Danish national film prize was awarded at a gala in Copenhagen’s Tivoli Hotel & Congress Centre.
Having already collected 18 international prizes, including three at Cannes and a European Film Award, The Hunt won for Best Film and Best Original Screenplay (Vinterberg, Tobias Lindholm), and Mads Mikkelsen was named Best Actor for his portrayal of a 40-year-old man in a small provincial town, wrongly suspected of child abuse.
Taking to the stage with his team, Vinterbeg said: ”We have basked in success, and it has...
The Hunt, which has made the shortlist for the Best Foreign-Language Film at this year’s Oscars, was nominated in 14 categories at the Roberts - the annual awards of the Danish Film Academy.
Last night’s ceremony marked the 30th time the Danish national film prize was awarded at a gala in Copenhagen’s Tivoli Hotel & Congress Centre.
Having already collected 18 international prizes, including three at Cannes and a European Film Award, The Hunt won for Best Film and Best Original Screenplay (Vinterberg, Tobias Lindholm), and Mads Mikkelsen was named Best Actor for his portrayal of a 40-year-old man in a small provincial town, wrongly suspected of child abuse.
Taking to the stage with his team, Vinterbeg said: ”We have basked in success, and it has...
- 1/27/2014
- by jornrossing@aol.com (Jorn Rossing Jensen)
- ScreenDaily
Chicago – One of the most reliable scenarios in the horror movie playbook is the satanic possession of a human character. “Antichrist” is about a woman who isn’t possessed, but is nevertheless absolutely convinced that she is an instrument of the devil. This is a much scarier premise, since the greatest horrors externalized in the film are spawned entirely from the woman’s unstable psyche, deranged by guilt.
It’s a sad day in film criticism when a daring and exhilarating work of art like Lars von Trier’s “Antichrist” is widely labeled as a “joke” directed by a “fraud.” Say what you will about von Trier, but he is nothing if not sincere. Using this latest effort as a catalyst to free him from paralyzing depression, von Trier delved into his own lifelong struggles with anxiety, exorcising his psychological demons onscreen. While the film is certainly not devoid of von Trier’s irony-laced humor,...
It’s a sad day in film criticism when a daring and exhilarating work of art like Lars von Trier’s “Antichrist” is widely labeled as a “joke” directed by a “fraud.” Say what you will about von Trier, but he is nothing if not sincere. Using this latest effort as a catalyst to free him from paralyzing depression, von Trier delved into his own lifelong struggles with anxiety, exorcising his psychological demons onscreen. While the film is certainly not devoid of von Trier’s irony-laced humor,...
- 11/10/2010
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
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