Shelf sitters aren’t always bad news in my eyes; take for instance Superstition (1982). This Canadian curiosity was filmed in ’81, released abroad in ’82, and finally washed ashore in North America in early ’85; it is by turns goofy, gory, dumb, and creative in its kills, and is a great addition to a sub-genre I’m just going to call Italiadjacent, where films from this side of the pond look to that side for aesthetical inspiration and end up with nonsensical storylines. And while Superstition tries to keep it together, it can’t help but let loose and summon up its inner Argento from time to time.
Also known as The Witch, Superstition was part of the U.K.’s notorious early ‘80s Video Nasties scene, but landed on the non-prosecutable Section 3 list, which I guess were films still really bad for you, but not “go to jail” bad for renting or selling them.
Also known as The Witch, Superstition was part of the U.K.’s notorious early ‘80s Video Nasties scene, but landed on the non-prosecutable Section 3 list, which I guess were films still really bad for you, but not “go to jail” bad for renting or selling them.
- 4/14/2018
- by Scott Drebit
- DailyDead
Any horror movie that starts off with a Serlingesque voiceover has my attention. And when you make your antagonist a hulking alien who looks like an eight foot tall Gene Simmons sans Botox with a proclivity for ripping off people’s heads And shooting laser beams out of his eyes, you are granted permission to take all my money. Welcome to The Dark (1979), a fun throwback to a time when audiences weren’t beholden of such things as logic and coherence to have a ripping drive-in experience.
But what audiences do always appreciate is a good cast, strong direction, and some solid jumps. The Dark answers the call though in such an unassuming way that before you could blink, it was gone from theatres (but hung around drive-ins for a bit, as horror films were wont to do). It’s so low key that viewers at the time probably felt...
But what audiences do always appreciate is a good cast, strong direction, and some solid jumps. The Dark answers the call though in such an unassuming way that before you could blink, it was gone from theatres (but hung around drive-ins for a bit, as horror films were wont to do). It’s so low key that viewers at the time probably felt...
- 4/2/2016
- by Scott Drebit
- DailyDead
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