Exclusive: Dutch company working on big budget historical family film dramatising the events behind the Reformation of 1517.
Dutch company Bijkers TV (the outfit behind local box office hit Cool Kids Don’t Cry) is developing an ambitious, big budget new historical family film, Falko, that will dramatise the events behind the Reformation of 1517.
The new film is to be directed by Dennis Bots [pictured], and is scripted by Karen van Holst Pellekaan - the team behind Cool Kids Don’t Cry and Secrets of War. The producer is Harro van Staverden.
Falko will be coproduced with German partner Flying Moon.
The film, which is budgeted at €6m, is aimed at family audiences
It tells the story of Falko Voeten (12), the son of printer Klaas Voeten, who secretly prints banned literature about the new religious movement. When his father is arrested, Falko unwittingly becomes the focal point in the hunt for an important letter written by Martin Luther.
Threatened...
Dutch company Bijkers TV (the outfit behind local box office hit Cool Kids Don’t Cry) is developing an ambitious, big budget new historical family film, Falko, that will dramatise the events behind the Reformation of 1517.
The new film is to be directed by Dennis Bots [pictured], and is scripted by Karen van Holst Pellekaan - the team behind Cool Kids Don’t Cry and Secrets of War. The producer is Harro van Staverden.
Falko will be coproduced with German partner Flying Moon.
The film, which is budgeted at €6m, is aimed at family audiences
It tells the story of Falko Voeten (12), the son of printer Klaas Voeten, who secretly prints banned literature about the new religious movement. When his father is arrested, Falko unwittingly becomes the focal point in the hunt for an important letter written by Martin Luther.
Threatened...
- 2/10/2014
- by geoffrey@macnab.demon.co.uk (Geoffrey Macnab)
- ScreenDaily
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Wince-worthingly announcing itself as the bonding roadtrip type where strength is in the numbers, secrets will be revealed and internal struggles will be projected onto those that are within arms’ length distance, by design, helmer Antoinette Beumer’s formulaic Jackie covers no new ground with its let’s throw caution to the wind epiphanies, and digs a hole for itself fairly early on when trying to insert comedic elements in what is essentially a watered-downed dramatic feature. A pro women, family values and same-gender relationships, this mostly Dutch despite Amerciana landscape struggles because of its severe lack of emotional depth and vaguely sketched characters.
Scribes Marnie Blok and Karen Van Holst Pellekaan’s portrait is one of newly tacked on life lessons told via the Pov of a pair of mid 30-ish non identical twins (the miscast Van...
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