Donald Trump's surprise loss to Ted Cruz in the Gop Iowa caucus set social media ablaze, with many in Hollywood quick to kick The Donald while he was down. Schadenfreude was the name of the game as several celebrities pointed out that Trump's "brand" was all based on being a winner and many were looking forward to him spinning the second-place finish. Many have been re-tweeting Trump's tweet from a few years ago, where the real estate mogul and reality star quoted Walter Hagen's immortal line "No one remember's who came in second." “No one remembers
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- 2/2/2016
- by Abid Rahman
- The Hollywood Reporter - Movie News
NEW YORK -- A resolutely old-fashioned sports biopic that wouldn't look out of place on Turner Classic Movies, "Bobby Jones -- Stroke of Genius" chronicles the life of the legendary golfer, the only one in history to win the Grand Slam all in one year. The picture, which in style resembles one of those four-walled family films from the '70s, wouldn't seem a likely prospect for commercial success. But the current mania for golf and thirst for family entertainment -- not to mention the presence of a lead actor, Jim Caviezel, who happens to be starring in one of the most successful films of all time, "The Passion of the Christ" -- might well lift this effort beyond expectations.
NEW YORK -- A resolutely old-fashioned sports biopic that wouldn't look out of place on Turner Classic Movies, "Bobby Jones -- Stroke of Genius" chronicles the life of the legendary golfer, the only one in history to win the Grand Slam all in one year. The picture, which in style resembles one of those four-walled family films from the '70s, wouldn't seem a likely prospect for commercial success. But the current mania for golf and thirst for family entertainment -- not to mention the presence of a lead actor, Jim Caviezel, who happens to be starring in one of the most successful films of all time, "The Passion of the Christ" -- might well lift this effort beyond expectations.
Director/co-screenwriter Rowdy Herrington, whose credits include the cult classic "Road House", here tells the story of Jones' life, or at least his childhood and golfing career, in a manner as leisurely as an early Sunday morning round of golf. Slow and stately and naturally filled with scenic vistas of sun-dappled golf courses, the film concentrates on conveying its subject's high-strung personality and strong sense of morality.
Jones, born in the Deep South, overcame a sickly childhood to become a golf phenomenon while still a teenager. During his short but incredible career, he won 13 titles, including, in one four-month span, the U.S. Amateur, the U.S. Open, the British Amateur and the British Open. This earned him the title of Grand Slam Champion, a record that still stands. He played only in the summer, otherwise attending college and ultimately becoming a lawyer. He never relinquished his amateur status and retired from competitive golf at age 28.
He also was a strict perfectionist, driving himself both mentally and physically in ways that caused his health to suffer. During his career, he suffered through the early stages of a degenerative spine disease that eventually killed him, albeit not until he was nearly 70.
As depicted here, Jones was an aloof and withdrawn figure, and Caviezel plays him with a level of intensity and suffering that makes his recent Jesus look like a party animal. The relentlessly downbeat nature of the character eventually becomes a bit wearying, not to mention such pained admissions as "The longer I play this game, the harder it gets." Would-be attempts at humanizing him like his meet-cute encounter with Mary (Claire Forlani), the beautiful young woman who would eventually become his wife, feel all too forced.
Herrington's screenplay dutifully attempts to cover all the bases in depicting Jones' career, from his injuring a young woman spectator with a golf club thrown in anger to his suffering from varicose veins. While it earns points for comprehensiveness, the film never seems to find a unified focus and suffers from the episodic nature so endemic to such biopics.
The film becomes markedly more entertaining with every appearance by Walter Hagen (Jeremy Northam), Jones' archrival, a raconteur and bon vivant who, though fiercely competitive, enjoyed playing while drunk and clad in a tuxedo. As charmingly played by Northam, the character adds much needed humor to the proceedings. Also adding color is Malcolm McDowell as journalist O.B. Keeler, a mentor to Jones, though his schematic role includes such portentous pronouncements as "Money -- it's going to ruin sports!"
BOBBY JONES -- STROKE OF GENIUS
Film Foundry Releasing
Credits:
Director: Rowdy Herrington
Screenwriters: Rowdy Herrington, Tony DePaul, Bill Pryor
Story: Rowdy Herrington, Kim Dawon
Producers: Kim Dawson, Tim Moore, John Shepherd
Executive producers: Dave Ross, Rick Eldridge
Co-executive producers: Gregg Galloway, Jim Van Eerden, Tom Crow
Music: James Horner
Director of photography: Tom Stern
Costume designer: Beverly Safier
Production designer: Bruce Miller
Cast:
Bobby Jones: Jim Caviezel
Mary Jones: Claire Forlani
Walter Hagen: Jeremy Northam
O.B. Keeler: Malcolm McDowell
Clara Jones: Connie Ray
Big Bob: Brett Rice
Grandfather Jones: Dan Albright
Running time: 126 minutes
MPAA rating -- PG...
NEW YORK -- A resolutely old-fashioned sports biopic that wouldn't look out of place on Turner Classic Movies, "Bobby Jones -- Stroke of Genius" chronicles the life of the legendary golfer, the only one in history to win the Grand Slam all in one year. The picture, which in style resembles one of those four-walled family films from the '70s, wouldn't seem a likely prospect for commercial success. But the current mania for golf and thirst for family entertainment -- not to mention the presence of a lead actor, Jim Caviezel, who happens to be starring in one of the most successful films of all time, "The Passion of the Christ" -- might well lift this effort beyond expectations.
Director/co-screenwriter Rowdy Herrington, whose credits include the cult classic "Road House", here tells the story of Jones' life, or at least his childhood and golfing career, in a manner as leisurely as an early Sunday morning round of golf. Slow and stately and naturally filled with scenic vistas of sun-dappled golf courses, the film concentrates on conveying its subject's high-strung personality and strong sense of morality.
Jones, born in the Deep South, overcame a sickly childhood to become a golf phenomenon while still a teenager. During his short but incredible career, he won 13 titles, including, in one four-month span, the U.S. Amateur, the U.S. Open, the British Amateur and the British Open. This earned him the title of Grand Slam Champion, a record that still stands. He played only in the summer, otherwise attending college and ultimately becoming a lawyer. He never relinquished his amateur status and retired from competitive golf at age 28.
He also was a strict perfectionist, driving himself both mentally and physically in ways that caused his health to suffer. During his career, he suffered through the early stages of a degenerative spine disease that eventually killed him, albeit not until he was nearly 70.
As depicted here, Jones was an aloof and withdrawn figure, and Caviezel plays him with a level of intensity and suffering that makes his recent Jesus look like a party animal. The relentlessly downbeat nature of the character eventually becomes a bit wearying, not to mention such pained admissions as "The longer I play this game, the harder it gets." Would-be attempts at humanizing him like his meet-cute encounter with Mary (Claire Forlani), the beautiful young woman who would eventually become his wife, feel all too forced.
Herrington's screenplay dutifully attempts to cover all the bases in depicting Jones' career, from his injuring a young woman spectator with a golf club thrown in anger to his suffering from varicose veins. While it earns points for comprehensiveness, the film never seems to find a unified focus and suffers from the episodic nature so endemic to such biopics.
The film becomes markedly more entertaining with every appearance by Walter Hagen (Jeremy Northam), Jones' archrival, a raconteur and bon vivant who, though fiercely competitive, enjoyed playing while drunk and clad in a tuxedo. As charmingly played by Northam, the character adds much needed humor to the proceedings. Also adding color is Malcolm McDowell as journalist O.B. Keeler, a mentor to Jones, though his schematic role includes such portentous pronouncements as "Money -- it's going to ruin sports!"
BOBBY JONES -- STROKE OF GENIUS
Film Foundry Releasing
Credits:
Director: Rowdy Herrington
Screenwriters: Rowdy Herrington, Tony DePaul, Bill Pryor
Story: Rowdy Herrington, Kim Dawon
Producers: Kim Dawson, Tim Moore, John Shepherd
Executive producers: Dave Ross, Rick Eldridge
Co-executive producers: Gregg Galloway, Jim Van Eerden, Tom Crow
Music: James Horner
Director of photography: Tom Stern
Costume designer: Beverly Safier
Production designer: Bruce Miller
Cast:
Bobby Jones: Jim Caviezel
Mary Jones: Claire Forlani
Walter Hagen: Jeremy Northam
O.B. Keeler: Malcolm McDowell
Clara Jones: Connie Ray
Big Bob: Brett Rice
Grandfather Jones: Dan Albright
Running time: 126 minutes
MPAA rating -- PG...
NEW YORK -- A resolutely old-fashioned sports biopic that wouldn't look out of place on Turner Classic Movies, "Bobby Jones -- Stroke of Genius" chronicles the life of the legendary golfer, the only one in history to win the Grand Slam all in one year. The picture, which in style resembles one of those four-walled family films from the '70s, wouldn't seem a likely prospect for commercial success. But the current mania for golf and thirst for family entertainment -- not to mention the presence of a lead actor, Jim Caviezel, who happens to be starring in one of the most successful films of all time, "The Passion of the Christ" -- might well lift this effort beyond expectations.
NEW YORK -- A resolutely old-fashioned sports biopic that wouldn't look out of place on Turner Classic Movies, "Bobby Jones -- Stroke of Genius" chronicles the life of the legendary golfer, the only one in history to win the Grand Slam all in one year. The picture, which in style resembles one of those four-walled family films from the '70s, wouldn't seem a likely prospect for commercial success. But the current mania for golf and thirst for family entertainment -- not to mention the presence of a lead actor, Jim Caviezel, who happens to be starring in one of the most successful films of all time, "The Passion of the Christ" -- might well lift this effort beyond expectations.
Director/co-screenwriter Rowdy Herrington, whose credits include the cult classic "Road House", here tells the story of Jones' life, or at least his childhood and golfing career, in a manner as leisurely as an early Sunday morning round of golf. Slow and stately and naturally filled with scenic vistas of sun-dappled golf courses, the film concentrates on conveying its subject's high-strung personality and strong sense of morality.
Jones, born in the Deep South, overcame a sickly childhood to become a golf phenomenon while still a teenager. During his short but incredible career, he won 13 titles, including, in one four-month span, the U.S. Amateur, the U.S. Open, the British Amateur and the British Open. This earned him the title of Grand Slam Champion, a record that still stands. He played only in the summer, otherwise attending college and ultimately becoming a lawyer. He never relinquished his amateur status and retired from competitive golf at age 28.
He also was a strict perfectionist, driving himself both mentally and physically in ways that caused his health to suffer. During his career, he suffered through the early stages of a degenerative spine disease that eventually killed him, albeit not until he was nearly 70.
As depicted here, Jones was an aloof and withdrawn figure, and Caviezel plays him with a level of intensity and suffering that makes his recent Jesus look like a party animal. The relentlessly downbeat nature of the character eventually becomes a bit wearying, not to mention such pained admissions as "The longer I play this game, the harder it gets." Would-be attempts at humanizing him like his meet-cute encounter with Mary (Claire Forlani), the beautiful young woman who would eventually become his wife, feel all too forced.
Herrington's screenplay dutifully attempts to cover all the bases in depicting Jones' career, from his injuring a young woman spectator with a golf club thrown in anger to his suffering from varicose veins. While it earns points for comprehensiveness, the film never seems to find a unified focus and suffers from the episodic nature so endemic to such biopics.
The film becomes markedly more entertaining with every appearance by Walter Hagen (Jeremy Northam), Jones' archrival, a raconteur and bon vivant who, though fiercely competitive, enjoyed playing while drunk and clad in a tuxedo. As charmingly played by Northam, the character adds much needed humor to the proceedings. Also adding color is Malcolm McDowell as journalist O.B. Keeler, a mentor to Jones, though his schematic role includes such portentous pronouncements as "Money -- it's going to ruin sports!"
BOBBY JONES -- STROKE OF GENIUS
Film Foundry Releasing
Credits:
Director: Rowdy Herrington
Screenwriters: Rowdy Herrington, Tony DePaul, Bill Pryor
Story: Rowdy Herrington, Kim Dawon
Producers: Kim Dawson, Tim Moore, John Shepherd
Executive producers: Dave Ross, Rick Eldridge
Co-executive producers: Gregg Galloway, Jim Van Eerden, Tom Crow
Music: James Horner
Director of photography: Tom Stern
Costume designer: Beverly Safier
Production designer: Bruce Miller
Cast:
Bobby Jones: Jim Caviezel
Mary Jones: Claire Forlani
Walter Hagen: Jeremy Northam
O.B. Keeler: Malcolm McDowell
Clara Jones: Connie Ray
Big Bob: Brett Rice
Grandfather Jones: Dan Albright
Running time: 126 minutes
MPAA rating -- PG...
NEW YORK -- A resolutely old-fashioned sports biopic that wouldn't look out of place on Turner Classic Movies, "Bobby Jones -- Stroke of Genius" chronicles the life of the legendary golfer, the only one in history to win the Grand Slam all in one year. The picture, which in style resembles one of those four-walled family films from the '70s, wouldn't seem a likely prospect for commercial success. But the current mania for golf and thirst for family entertainment -- not to mention the presence of a lead actor, Jim Caviezel, who happens to be starring in one of the most successful films of all time, "The Passion of the Christ" -- might well lift this effort beyond expectations.
Director/co-screenwriter Rowdy Herrington, whose credits include the cult classic "Road House", here tells the story of Jones' life, or at least his childhood and golfing career, in a manner as leisurely as an early Sunday morning round of golf. Slow and stately and naturally filled with scenic vistas of sun-dappled golf courses, the film concentrates on conveying its subject's high-strung personality and strong sense of morality.
Jones, born in the Deep South, overcame a sickly childhood to become a golf phenomenon while still a teenager. During his short but incredible career, he won 13 titles, including, in one four-month span, the U.S. Amateur, the U.S. Open, the British Amateur and the British Open. This earned him the title of Grand Slam Champion, a record that still stands. He played only in the summer, otherwise attending college and ultimately becoming a lawyer. He never relinquished his amateur status and retired from competitive golf at age 28.
He also was a strict perfectionist, driving himself both mentally and physically in ways that caused his health to suffer. During his career, he suffered through the early stages of a degenerative spine disease that eventually killed him, albeit not until he was nearly 70.
As depicted here, Jones was an aloof and withdrawn figure, and Caviezel plays him with a level of intensity and suffering that makes his recent Jesus look like a party animal. The relentlessly downbeat nature of the character eventually becomes a bit wearying, not to mention such pained admissions as "The longer I play this game, the harder it gets." Would-be attempts at humanizing him like his meet-cute encounter with Mary (Claire Forlani), the beautiful young woman who would eventually become his wife, feel all too forced.
Herrington's screenplay dutifully attempts to cover all the bases in depicting Jones' career, from his injuring a young woman spectator with a golf club thrown in anger to his suffering from varicose veins. While it earns points for comprehensiveness, the film never seems to find a unified focus and suffers from the episodic nature so endemic to such biopics.
The film becomes markedly more entertaining with every appearance by Walter Hagen (Jeremy Northam), Jones' archrival, a raconteur and bon vivant who, though fiercely competitive, enjoyed playing while drunk and clad in a tuxedo. As charmingly played by Northam, the character adds much needed humor to the proceedings. Also adding color is Malcolm McDowell as journalist O.B. Keeler, a mentor to Jones, though his schematic role includes such portentous pronouncements as "Money -- it's going to ruin sports!"
BOBBY JONES -- STROKE OF GENIUS
Film Foundry Releasing
Credits:
Director: Rowdy Herrington
Screenwriters: Rowdy Herrington, Tony DePaul, Bill Pryor
Story: Rowdy Herrington, Kim Dawon
Producers: Kim Dawson, Tim Moore, John Shepherd
Executive producers: Dave Ross, Rick Eldridge
Co-executive producers: Gregg Galloway, Jim Van Eerden, Tom Crow
Music: James Horner
Director of photography: Tom Stern
Costume designer: Beverly Safier
Production designer: Bruce Miller
Cast:
Bobby Jones: Jim Caviezel
Mary Jones: Claire Forlani
Walter Hagen: Jeremy Northam
O.B. Keeler: Malcolm McDowell
Clara Jones: Connie Ray
Big Bob: Brett Rice
Grandfather Jones: Dan Albright
Running time: 126 minutes
MPAA rating -- PG...
- 4/28/2004
- The Hollywood Reporter - Movie News
Like its title character played with grinning wisdom by Will Smith, "The Legend of Bagger Vance" is a movie about something mysterious and universally human, but don't expect it to come right out with its inner truths.
Director-producer Robert Redford's latest endeavor in the nobler realms of mainstream filmmaking is structured mostly around a Savannah, Ga., golf tournament, but the real contest for audiences is weathering the tonal shifts and forgiving the screenplay's shallow depths and weak undercurrents.
Of course, devotees of golf, fans of leads Matt Damon and Charlize Theron and adult moviegoers hankering for a little romance might come away satisfied, but the DreamWorks/Fox co-presentation, distributed by DreamWorks, will not lead any dramatic comebacks at the boxoffice or dazzle many critics or be resurrected significantly come awards season. Often engagingly humorous, beautifully costumed and never dull to look at, "Bagger Vance" has too few characters with which one develops a satisfying bond, beginning with Damon's long-suffering World War I veteran.
With an uncredited Jack Lemmon appearing in the prologue and epilogue and providing frequent narration, "Bagger Vance" is based on Steven Pressfield's novel, with the screenplay credited to Jeremy Leven ("Don Juan DeMarco"). Set in the present, Lemmon's scenes introduce Hardy Greaves as an old diehard on the course, suffering one of his many heart attacks. As he blacks out, we are transported to the Savannah of Greaves' youth, where the golf-loving lad -- played wonderfully by newcomer J. Michael Moncrief -- idolizes local champion Rannulph Junuh (Damon), who has a charmed life until he endures the horrors of trench warfare.
In summary fashion, Redford recounts Junuh's triumphs as a young phenom known to uncork a record drive from time to time and his well-publicized marriage with fetching society belle Adele Invergordon (Theron). After short, serviceable-at-best war sequences, Junuh, we're told, disappeared for 10 years. As the Depression clamps down, Adele's wealthy father is left with a brand new golf resort and no customers. In mere seconds, he has taken his own life and she has taken over the business, shooing away the human vultures with a vow to stage a high-profile golf tournament.
Real-life golf legends Walter Hagen (Bruce McGill) and Bobby Jones (Joel Gretsch) are signed up, but the locals want a Savannah boy to make it a threesome. Up jumps Greaves, who saw Junuh slink back into town recently like some hobo, and the boy finds his old hero playing cards and drinking to kill the brain cells that contain bad memories. Spurred nonetheless by echoes of his former glory but claiming that he has "lost his swing," Junuh takes a few hacks one night and has a fateful rendezvous with the Goddess Athena -- or is that trickster Smith coming out of the night?
Smith's Vance is an itinerant sage of the fairways who asks for only $5 to be Junuh's caddie, and he earns his fee several times over when, through a murky process of male bonding and stealth coaching, the troubled former state champ finds his "one true, authentic swing." Spread over two days and four rounds, the contest among Junuh, Hagen and Jones takes a few dramatic turns as Junuh starts strong but reaches the halfway point seemingly too far back to win.
There are no major surprises in store for those wise in the ways of sports flicks. What stands out to the film's diminishment are the idealizing of Smith's wispy character -- down to his conveniently disappearing into the landscape -- and the shortchanging romance between Damon and Theron. On the plus side are McGill and striking newcomer Gretsch in what could have been forgettable roles.
In other regards, particularly Michael Ballhaus' cinematography, Stuart Craig's production design and Judianna Makovsky's costumes, "Bagger Vance" is not altogether a cheating, fleetingly coy experience.
THE LEGEND OF BAGGER VANCE
DreamWorks Distribution
DreamWorks Pictures and
20th Century Fox present
a Wildwood/Allied production
Director: Robert Redford
Screenwriter: Jeremy Leven
Producers: Robert Redford,
Michael Nozik, Jake Eberts
Based on the novel by: Steven Pressfield
Executive producer: Karen Tenkhoff
Director of photography: Michael Ballhaus
Production designer: Stuart Craig
Editor: Hank Corwin
Costume designer: Judianna Makovsky
Music: Rachel Portman
Casting: Debra Zane
Color/stereo
Cast:
Bagger Vance: Will Smith
Rannulph Junuh: Matt Damon
Adele Invergordon: Charlize Theron
Walter Hagen: Bruce McGill
Bobby Jones: Joel Gretsch
Hardy Greaves: J. Michael Moncrief
Running time - 127 minutes
MPAA rating: PG-13...
Director-producer Robert Redford's latest endeavor in the nobler realms of mainstream filmmaking is structured mostly around a Savannah, Ga., golf tournament, but the real contest for audiences is weathering the tonal shifts and forgiving the screenplay's shallow depths and weak undercurrents.
Of course, devotees of golf, fans of leads Matt Damon and Charlize Theron and adult moviegoers hankering for a little romance might come away satisfied, but the DreamWorks/Fox co-presentation, distributed by DreamWorks, will not lead any dramatic comebacks at the boxoffice or dazzle many critics or be resurrected significantly come awards season. Often engagingly humorous, beautifully costumed and never dull to look at, "Bagger Vance" has too few characters with which one develops a satisfying bond, beginning with Damon's long-suffering World War I veteran.
With an uncredited Jack Lemmon appearing in the prologue and epilogue and providing frequent narration, "Bagger Vance" is based on Steven Pressfield's novel, with the screenplay credited to Jeremy Leven ("Don Juan DeMarco"). Set in the present, Lemmon's scenes introduce Hardy Greaves as an old diehard on the course, suffering one of his many heart attacks. As he blacks out, we are transported to the Savannah of Greaves' youth, where the golf-loving lad -- played wonderfully by newcomer J. Michael Moncrief -- idolizes local champion Rannulph Junuh (Damon), who has a charmed life until he endures the horrors of trench warfare.
In summary fashion, Redford recounts Junuh's triumphs as a young phenom known to uncork a record drive from time to time and his well-publicized marriage with fetching society belle Adele Invergordon (Theron). After short, serviceable-at-best war sequences, Junuh, we're told, disappeared for 10 years. As the Depression clamps down, Adele's wealthy father is left with a brand new golf resort and no customers. In mere seconds, he has taken his own life and she has taken over the business, shooing away the human vultures with a vow to stage a high-profile golf tournament.
Real-life golf legends Walter Hagen (Bruce McGill) and Bobby Jones (Joel Gretsch) are signed up, but the locals want a Savannah boy to make it a threesome. Up jumps Greaves, who saw Junuh slink back into town recently like some hobo, and the boy finds his old hero playing cards and drinking to kill the brain cells that contain bad memories. Spurred nonetheless by echoes of his former glory but claiming that he has "lost his swing," Junuh takes a few hacks one night and has a fateful rendezvous with the Goddess Athena -- or is that trickster Smith coming out of the night?
Smith's Vance is an itinerant sage of the fairways who asks for only $5 to be Junuh's caddie, and he earns his fee several times over when, through a murky process of male bonding and stealth coaching, the troubled former state champ finds his "one true, authentic swing." Spread over two days and four rounds, the contest among Junuh, Hagen and Jones takes a few dramatic turns as Junuh starts strong but reaches the halfway point seemingly too far back to win.
There are no major surprises in store for those wise in the ways of sports flicks. What stands out to the film's diminishment are the idealizing of Smith's wispy character -- down to his conveniently disappearing into the landscape -- and the shortchanging romance between Damon and Theron. On the plus side are McGill and striking newcomer Gretsch in what could have been forgettable roles.
In other regards, particularly Michael Ballhaus' cinematography, Stuart Craig's production design and Judianna Makovsky's costumes, "Bagger Vance" is not altogether a cheating, fleetingly coy experience.
THE LEGEND OF BAGGER VANCE
DreamWorks Distribution
DreamWorks Pictures and
20th Century Fox present
a Wildwood/Allied production
Director: Robert Redford
Screenwriter: Jeremy Leven
Producers: Robert Redford,
Michael Nozik, Jake Eberts
Based on the novel by: Steven Pressfield
Executive producer: Karen Tenkhoff
Director of photography: Michael Ballhaus
Production designer: Stuart Craig
Editor: Hank Corwin
Costume designer: Judianna Makovsky
Music: Rachel Portman
Casting: Debra Zane
Color/stereo
Cast:
Bagger Vance: Will Smith
Rannulph Junuh: Matt Damon
Adele Invergordon: Charlize Theron
Walter Hagen: Bruce McGill
Bobby Jones: Joel Gretsch
Hardy Greaves: J. Michael Moncrief
Running time - 127 minutes
MPAA rating: PG-13...
- 11/1/2000
- The Hollywood Reporter - Movie News
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