Beneficiaries include team behind children’s fantasy film Admiral.Scroll down for full list of projects
The Netherlands Film Production Incentive scheme has backed 21 film projects to the tune of €6.1m in its latest funding round, including 15 feature films, five documentaries and one animated feature.
The average investment was €291,185, with the smallest being €40,000 and the largest sum, €900,000, going to the team behind 2015 fantasy film Admiral [pictured] for their new project Redbad 754 A.D.
Currently in pre-production, Redbad 754 A.D. will be directed by Rob Reiné (who is attached to direct episdoes of Marvel’s upcoming TV series Inhumans) from a script by Alex van Galen. Dutch producers will be Farmhouse TV en Film, with Belgian outfit Bulletproof Cupid co-producing.
The Conductor, directed and written by Maria Peters and produced by Shooting Star Filmcompany, received the second largest grant with €898,111. Peters’ previous credits include romantic drama Sonny Boy and family film Mike Says Goodbye!.
Projects also receiving...
The Netherlands Film Production Incentive scheme has backed 21 film projects to the tune of €6.1m in its latest funding round, including 15 feature films, five documentaries and one animated feature.
The average investment was €291,185, with the smallest being €40,000 and the largest sum, €900,000, going to the team behind 2015 fantasy film Admiral [pictured] for their new project Redbad 754 A.D.
Currently in pre-production, Redbad 754 A.D. will be directed by Rob Reiné (who is attached to direct episdoes of Marvel’s upcoming TV series Inhumans) from a script by Alex van Galen. Dutch producers will be Farmhouse TV en Film, with Belgian outfit Bulletproof Cupid co-producing.
The Conductor, directed and written by Maria Peters and produced by Shooting Star Filmcompany, received the second largest grant with €898,111. Peters’ previous credits include romantic drama Sonny Boy and family film Mike Says Goodbye!.
Projects also receiving...
- 3/28/2017
- ScreenDaily
Films include a collaboration between Sing Sing prison inmates and a leading contemporary dance company from Turner Prize nominated visual artist Phil Collins.
Scroll down for full list of projects
Sheffield Doc/Fest (June 5-10) has revealed the titles that will pitch for funding at its MeetMarket initiative, celebrating 10 years in 2015.
A total of 64 filmmaker teams from 19 countries will pitch to international and UK decision makers for research, development and production funding
At Crossover Market, which includes digital titles, a further 26 interactive projects from 12 countries will pitch in one-to-one meetings to a range of specialist decision makers.
Among the Crossover projects being pitched are the latest from Oscar Raby who won last year’s Interactive Audience Award with Assent; and Ram Devineni who attracted funding at last year’s Crossover Market and Tribeca New Media Fund for Priya’s Shakti.
New pitch opportunities this year include a BBC Radio 1 and 1Xtra Stories commission for young filmmakers, the Guardian...
Scroll down for full list of projects
Sheffield Doc/Fest (June 5-10) has revealed the titles that will pitch for funding at its MeetMarket initiative, celebrating 10 years in 2015.
A total of 64 filmmaker teams from 19 countries will pitch to international and UK decision makers for research, development and production funding
At Crossover Market, which includes digital titles, a further 26 interactive projects from 12 countries will pitch in one-to-one meetings to a range of specialist decision makers.
Among the Crossover projects being pitched are the latest from Oscar Raby who won last year’s Interactive Audience Award with Assent; and Ram Devineni who attracted funding at last year’s Crossover Market and Tribeca New Media Fund for Priya’s Shakti.
New pitch opportunities this year include a BBC Radio 1 and 1Xtra Stories commission for young filmmakers, the Guardian...
- 4/27/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Sheffield Doc/Fest announced programming for the Interactive at Sheffield Event, which runs from June 7-June 10. The full Doc/Fest program will be unveiled later this week. At the Interactive at Sheffield Event, Crossover Labs will present 15 projects that push the boundaries of interactive documentary filmmaking across several platforms, including 6 projects that are shortlisted for the Innovation Award: animated web doc "Iranorama;" National Geographic produced "Killing Kennedy;" Kat Cizek’s New York Times Op-Doc "A Short History of the Highrise;" "Brenda Longfellow, Glenn Richards and Helios Design Labs' "Offshore;" Samuel Bollendorff and Olivia Colo’s "Burn Out" and Tommy Pallotta and Femke Wolting's "Last Hijack Interactive." Other immersive projects include the transmedia documentary "Love Radio," architect Rem Koolhaas and director Bregtje van der Haak’s "Lagos Wide and Close" and "In Flight," which marks the centenary of commercial aviation with live and interactive...
- 5/6/2014
- by Indiewire
- Indiewire
Before going into my Women Directors Tracking which I have vowed to continue until women reach a parity with men in the film business and Latino Directors groove, I want to thank Howard Feinstein for watching the most obscure films of Rotterdam to find the jewels! Scratching Below the Surface for Some Rotterdam Fest Gems - indieWIRE. Kudos! I wish I could have seen these!
Howard spotted this one: "A young woman named Rusudan Pirveli brought to the 'Bright Future' section Susa, another story of hard financial times. 'The Lost Generation' is represented here by the absent father of an adolescent boy, who, working for his mother, sells bootleg vodka in bottles. Sadly, he lives under the delusion that dad’s return would ease his and his mom’s hardship. Like Koguashvili, Pirveli eschews unnecessary authorial intervention: Both directors understand all too well that they are living amidst powerful,...
Howard spotted this one: "A young woman named Rusudan Pirveli brought to the 'Bright Future' section Susa, another story of hard financial times. 'The Lost Generation' is represented here by the absent father of an adolescent boy, who, working for his mother, sells bootleg vodka in bottles. Sadly, he lives under the delusion that dad’s return would ease his and his mom’s hardship. Like Koguashvili, Pirveli eschews unnecessary authorial intervention: Both directors understand all too well that they are living amidst powerful,...
- 2/10/2010
- by Sydney
- Sydney's Buzz
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